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Color name
RGB 181 75 127

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 75 127 it is the complementary color RGB 74 180 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 75 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 181 75 127 shade: RGB 186 75 122, RGB 203 93 141, RGB 220 111 160, RGB 237 129 179 and RGB 254 147 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 75 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 181 75 127 shade: RGB 181 75 127, RGB 164 57 108, RGB 147 39 89, RGB 130 21 70 and RGB 113 3 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 181 75 127 shade: RGB 181 73 126, RGB 181 73 97 and RGB 181 73 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 181 75 127 shade: RGB 181 73 126, RGB 181 73 155, RGB 177 73 181, RGB 148 73 181 and RGB 120 73 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 181 75 127 shade matches the following richer shades: RGB 181 73 126, RGB 201 53 126, RGB 222 32 125 and RGB 242 12 125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 181 75 127 shade: RGB 181 73 126, RGB 160 94 126, RGB 139 115 127, RGB 119 135 127 and RGB 98 156 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 181 75 127 shade: RGB 177 73 181, RGB 181 73 156, RGB 181 73 127, RGB 181 73 98 and RGB 181 77 73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 181 75 127 shade: RGB 122 50 85, RGB 151 61 106, RGB 181 73 126, RGB 193 103 147 and RGB 204 132 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 181 75 127 shade: RGB 181 75 127, RGB 181 148 73 and RGB 73 170 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 181 75 127 shade: RGB 181 75 127, RGB 127 181 73 and RGB 73 127 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 181 75 127 shade: RGB 181 75 127, RGB 181 148 73, RGB 73 181 127 and RGB 73 106 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 181 75 127 shade: RGB 181 75 127, RGB 181 181 73, RGB 73 181 127 and RGB 73 73 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 30 / 29

HEX #B54B7F

RGB 181 75 127

HSL 330.57, 0.42%, 0.5%

LAB 47.48, 48.45, -7.74

 

Complementary color

CMYK 59 / 0 / 29 / 29

HEX #4AB480

RGB 74 180 128

HSL 150.57, 0.42%, 0.5%

LAB 66.26, -42.79, 17.6

 

CMYK 0 / 60 / 34 / 27

HEX #BA4B7A

RGB 186 75 122

HSL 334.59, 0.45%, 0.51%

LAB 48.1, 49.42, -3.7

 

CMYK 0 / 54 / 31 / 20

HEX #CB5D8D

RGB 203 93 141

HSL 333.82, 0.51%, 0.58%

LAB 54.5, 48.79, -5.29

 

CMYK 0 / 50 / 27 / 14

HEX #DC6FA0

RGB 220 111 160

HSL 333.03, 0.61%, 0.65%

LAB 60.89, 48.04, -6.61

 

CMYK 0 / 46 / 24 / 7

HEX #ED81B3

RGB 237 129 179

HSL 332.22, 0.75%, 0.72%

LAB 67.25, 47.24, -7.73

 

CMYK 0 / 42 / 22 / 0

HEX #FE93C6

RGB 254 147 198

HSL 331.4, 0.98%, 0.79%

LAB 73.56, 46.45, -8.71

 

CMYK 0 / 59 / 30 / 29

HEX #B54B7F

RGB 181 75 127

HSL 330.57, 0.42%, 0.5%

LAB 47.48, 48.45, -7.74

 

CMYK 0 / 65 / 34 / 36

HEX #A4396C

RGB 164 57 108

HSL 331.4, 0.48%, 0.43%

LAB 41.06, 48.85, -5.96

 

CMYK 0 / 73 / 39 / 42

HEX #932759

RGB 147 39 89

HSL 332.22, 0.58%, 0.36%

LAB 34.75, 48.78, -3.63

 

CMYK 0 / 84 / 46 / 49

HEX #821546

RGB 130 21 70

HSL 333.03, 0.72%, 0.3%

LAB 28.71, 47.82, -0.45

 

CMYK 0 / 97 / 55 / 56

HEX #710333

RGB 113 3 51

HSL 333.82, 0.95%, 0.23%

LAB 23.05, 45.57, 3.88

 

CMYK 0 / 60 / 30 / 29

HEX #B5497E

RGB 181 73 126

HSL 330.56, 0.43%, 0.5%

LAB 47.1, 49.25, -7.7

 

CMYK 0 / 60 / 46 / 29

HEX #B54961

RGB 181 73 97

HSL 346.67, 0.43%, 0.5%

LAB 46.25, 45.94, 8.72

 

CMYK 0 / 60 / 60 / 29

HEX #B54949

RGB 181 73 73

HSL 0, 0.43%, 0.5%

LAB 45.73, 43.87, 22.6

 

CMYK 0 / 60 / 30 / 29

HEX #B5497E

RGB 181 73 126

HSL 330.56, 0.43%, 0.5%

LAB 47.1, 49.25, -7.7

 

CMYK 0 / 60 / 14 / 29

HEX #B5499B

RGB 181 73 155

HSL 314.44, 0.43%, 0.5%

LAB 48.2, 53.38, -23.43

 

CMYK 2 / 60 / 0 / 29

HEX #B149B5

RGB 177 73 181

HSL 297.78, 0.43%, 0.5%

LAB 48.82, 56.65, -37.84

 

CMYK 18 / 60 / 0 / 29

HEX #9449B5

RGB 148 73 181

HSL 281.67, 0.43%, 0.5%

LAB 44.8, 49.23, -44.47

 

CMYK 34 / 60 / 0 / 29

HEX #7849B5

RGB 120 73 181

HSL 266.11, 0.43%, 0.5%

LAB 41.37, 42.34, -50.15

 

CMYK 0 / 60 / 30 / 29

HEX #B5497E

RGB 181 73 126

HSL 330.56, 0.43%, 0.5%

LAB 47.1, 49.25, -7.7

 

CMYK 0 / 74 / 37 / 21

HEX #C9357E

RGB 201 53 126

HSL 330.41, 0.58%, 0.5%

LAB 47.59, 63.02, -6.62

 

CMYK 0 / 86 / 44 / 13

HEX #DE207D

RGB 222 32 125

HSL 330.63, 0.75%, 0.5%

LAB 49.55, 73.59, -2.68

 

CMYK 0 / 95 / 48 / 5

HEX #F20C7D

RGB 242 12 125

HSL 330.52, 0.91%, 0.5%

LAB 52.53, 80.7, 2.15

 

CMYK 0 / 60 / 30 / 29

HEX #B5497E

RGB 181 73 126

HSL 330.56, 0.43%, 0.5%

LAB 47.1, 49.25, -7.7

 

CMYK 0 / 41 / 21 / 37

HEX #A05E7E

RGB 160 94 126

HSL 330.91, 0.26%, 0.5%

LAB 48.24, 31.32, -6.32

 

CMYK 0 / 17 / 9 / 45

HEX #8B737F

RGB 139 115 127

HSL 330, 0.09%, 0.5%

LAB 51.02, 11.52, -3.07

 

CMYK 12 / 0 / 6 / 47

HEX #77877F

RGB 119 135 127

HSL 150, 0.06%, 0.5%

LAB 54.85, -7.47, 2.32

 

CMYK 37 / 0 / 18 / 39

HEX #629C80

RGB 98 156 128

HSL 151.03, 0.23%, 0.5%

LAB 59.83, -25.43, 8.73

 

CMYK 2 / 60 / 0 / 29

HEX #B149B5

RGB 177 73 181

HSL 297.78, 0.43%, 0.5%

LAB 48.82, 56.65, -37.84

 

CMYK 0 / 60 / 14 / 29

HEX #B5499C

RGB 181 73 156

HSL 313.89, 0.43%, 0.5%

LAB 48.25, 53.53, -23.96

 

CMYK 0 / 60 / 30 / 29

HEX #B5497F

RGB 181 73 127

HSL 330, 0.43%, 0.5%

LAB 47.13, 49.38, -8.26

 

CMYK 0 / 60 / 46 / 29

HEX #B54962

RGB 181 73 98

HSL 346.11, 0.43%, 0.5%

LAB 46.27, 46.04, 8.14

 

CMYK 0 / 57 / 60 / 29

HEX #B54D49

RGB 181 77 73

HSL 2.22, 0.43%, 0.5%

LAB 46.46, 41.95, 23.55

 

CMYK 0 / 59 / 30 / 52

HEX #7A3255

RGB 122 50 85

HSL 330.83, 0.42%, 0.34%

LAB 31.98, 35.43, -5.65

 

CMYK 0 / 60 / 30 / 41

HEX #973D6A

RGB 151 61 106

HSL 330, 0.42%, 0.42%

LAB 39.51, 42.63, -7.25

 

CMYK 0 / 60 / 30 / 29

HEX #B5497E

RGB 181 73 126

HSL 330.56, 0.43%, 0.5%

LAB 47.1, 49.25, -7.7

 

CMYK 0 / 47 / 24 / 24

HEX #C16793

RGB 193 103 147

HSL 330.67, 0.42%, 0.58%

LAB 55.22, 41.24, -7.89

 

CMYK 0 / 35 / 18 / 20

HEX #CC84A8

RGB 204 132 168

HSL 330, 0.41%, 0.66%

LAB 63.48, 32.79, -7.55

 

CMYK 0 / 59 / 30 / 29

HEX #B54B7F

RGB 181 75 127

HSL 330.57, 0.42%, 0.5%

LAB 47.48, 48.45, -7.74

 

CMYK 0 / 18 / 60 / 29

HEX #B59449

RGB 181 148 73

HSL 41.67, 0.43%, 0.5%

LAB 62.91, 3.46, 43.61

 

CMYK 60 / 6 / 0 / 29

HEX #49AAB5

RGB 73 170 181

HSL 186.11, 0.43%, 0.5%

LAB 64.57, -24.94, -14.19

 

CMYK 0 / 59 / 30 / 29

HEX #B54B7F

RGB 181 75 127

HSL 330.57, 0.42%, 0.5%

LAB 47.48, 48.45, -7.74

 

CMYK 30 / 0 / 60 / 29

HEX #7FB549

RGB 127 181 73

HSL 90, 0.43%, 0.5%

LAB 68.05, -35.73, 48.36

 

CMYK 60 / 30 / 0 / 29

HEX #497FB5

RGB 73 127 181

HSL 210, 0.43%, 0.5%

LAB 51.76, -1.38, -33.87

 

CMYK 0 / 59 / 30 / 29

HEX #B54B7F

RGB 181 75 127

HSL 330.57, 0.42%, 0.5%

LAB 47.48, 48.45, -7.74

 

CMYK 0 / 18 / 60 / 29

HEX #B59449

RGB 181 148 73

HSL 41.67, 0.43%, 0.5%

LAB 62.91, 3.46, 43.61

 

CMYK 60 / 0 / 30 / 29

HEX #49B57F

RGB 73 181 127

HSL 150, 0.43%, 0.5%

LAB 66.52, -43.64, 18.5

 

CMYK 60 / 41 / 0 / 29

HEX #496AB5

RGB 73 106 181

HSL 221.67, 0.43%, 0.5%

LAB 45.72, 11.44, -43.41

 

CMYK 0 / 59 / 30 / 29

HEX #B54B7F

RGB 181 75 127

HSL 330.57, 0.42%, 0.5%

LAB 47.48, 48.45, -7.74

 

CMYK 0 / 0 / 60 / 29

HEX #B5B549

RGB 181 181 73

HSL 60, 0.43%, 0.5%

LAB 71.79, -14.05, 53.57

 

CMYK 60 / 0 / 30 / 29

HEX #49B57F

RGB 73 181 127

HSL 150, 0.43%, 0.5%

LAB 66.52, -43.64, 18.5

 

CMYK 60 / 60 / 0 / 29

HEX #4949B5

RGB 73 73 181

HSL 240, 0.43%, 0.5%

LAB 36.96, 32.4, -57.49

 

Description

Color code: RGB 181 75 127 | qconv.com Color code: RGB 181 75 127 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 75 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 75 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 30 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 30% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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