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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 71 63 it is the complementary color RGB 74 184 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 71 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 181 71 63 shade: RGB 186 71 58, RGB 203 89 77, RGB 220 107 96, RGB 237 125 115 and RGB 254 143 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 71 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 181 71 63 shade: RGB 181 71 63, RGB 164 53 44, RGB 147 35 25, RGB 130 17 6 and RGB 113 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 181 71 63 shade: RGB 181 71 63 and RGB 181 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 181 71 63 shade: RGB 181 71 63, RGB 181 103 63, RGB 181 134 63, RGB 181 166 63 and RGB 163 181 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 181 71 63 shade matches the following richer shades: RGB 181 71 63, RGB 200 54 43, RGB 220 37 24 and RGB 240 20 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 181 71 63 shade: RGB 181 71 63, RGB 161 88 83, RGB 141 105 103, RGB 121 122 123 and RGB 101 140 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 181 71 63 shade: RGB 181 63 118, RGB 181 63 87, RGB 181 71 63, RGB 181 102 63 and RGB 181 134 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 181 71 63 shade: RGB 120 47 42, RGB 150 59 52, RGB 181 71 63, RGB 196 96 89 and RGB 207 125 119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 181 71 63 shade: RGB 181 71 63, RGB 149 181 63 and RGB 63 102 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 181 71 63 shade: RGB 181 71 63, RGB 63 181 71 and RGB 71 63 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 181 71 63 shade: RGB 181 71 63, RGB 149 181 63, RGB 63 173 181 and RGB 94 63 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 181 71 63 shade: RGB 181 71 63, RGB 114 181 63, RGB 63 173 181 and RGB 130 63 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 65 / 29

HEX #B5473F

RGB 181 71 63

HSL 4.07, 0.48%, 0.48%

LAB 45.21, 44.14, 27.9

 

Complementary color

CMYK 61 / 4 / 0 / 25

HEX #4AB8C0

RGB 74 184 192

HSL 184.07, 0.48%, 0.52%

LAB 69.14, -28.54, -13.39

 

CMYK 0 / 62 / 69 / 27

HEX #BA473A

RGB 186 71 58

HSL 6.09, 0.52%, 0.48%

LAB 45.98, 45.64, 31.95

 

CMYK 0 / 56 / 62 / 20

HEX #CB594D

RGB 203 89 77

HSL 5.71, 0.55%, 0.55%

LAB 52.26, 44.46, 29.31

 

CMYK 0 / 51 / 56 / 14

HEX #DC6B60

RGB 220 107 96

HSL 5.32, 0.64%, 0.62%

LAB 58.58, 43.24, 27.04

 

CMYK 0 / 47 / 51 / 7

HEX #ED7D73

RGB 237 125 115

HSL 4.92, 0.77%, 0.69%

LAB 64.89, 42.05, 25.07

 

CMYK 0 / 44 / 47 / 0

HEX #FE8F86

RGB 254 143 134

HSL 4.5, 0.98%, 0.76%

LAB 71.17, 40.92, 23.34

 

CMYK 0 / 61 / 65 / 29

HEX #B5473F

RGB 181 71 63

HSL 4.07, 0.48%, 0.48%

LAB 45.21, 44.14, 27.9

 

CMYK 0 / 68 / 73 / 36

HEX #A4352C

RGB 164 53 44

HSL 4.5, 0.58%, 0.41%

LAB 38.93, 45.14, 30.91

 

CMYK 0 / 76 / 83 / 42

HEX #932319

RGB 147 35 25

HSL 4.92, 0.71%, 0.34%

LAB 32.87, 45.72, 34.39

 

CMYK 0 / 87 / 95 / 49

HEX #821106

RGB 130 17 6

HSL 5.32, 0.91%, 0.27%

LAB 27.19, 45.4, 37.28

 

CMYK 0 / 100 / 100 / 56

HEX #710000

RGB 113 0 0

HSL 0, 1%, 0.22%

LAB 21.98, 43.95, 33.34

 

CMYK 0 / 61 / 65 / 29

HEX #B5473F

RGB 181 71 63

HSL 4.07, 0.48%, 0.48%

LAB 45.21, 44.14, 27.9

 

CMYK 0 / 65 / 65 / 29

HEX #B53F3F

RGB 181 63 63

HSL 0, 0.48%, 0.48%

LAB 43.85, 47.74, 26.22

 

CMYK 0 / 61 / 65 / 29

HEX #B5473F

RGB 181 71 63

HSL 4.07, 0.48%, 0.48%

LAB 45.21, 44.14, 27.9

 

CMYK 0 / 43 / 65 / 29

HEX #B5673F

RGB 181 103 63

HSL 20.34, 0.48%, 0.48%

LAB 51.7, 27.69, 35.73

 

CMYK 0 / 26 / 65 / 29

HEX #B5863F

RGB 181 134 63

HSL 36.1, 0.48%, 0.48%

LAB 59.19, 10.49, 44.3

 

CMYK 0 / 8 / 65 / 29

HEX #B5A63F

RGB 181 166 63

HSL 52.37, 0.48%, 0.48%

LAB 67.62, -6.92, 53.45

 

CMYK 10 / 0 / 65 / 29

HEX #A3B53F

RGB 163 181 63

HSL 69.15, 0.48%, 0.48%

LAB 70.31, -22.3, 55.84

 

CMYK 0 / 61 / 65 / 29

HEX #B5473F

RGB 181 71 63

HSL 4.07, 0.48%, 0.48%

LAB 45.21, 44.14, 27.9

 

CMYK 0 / 73 / 79 / 22

HEX #C8362B

RGB 200 54 43

HSL 4.2, 0.65%, 0.48%

LAB 45.76, 56.59, 40.84

 

CMYK 0 / 83 / 89 / 14

HEX #DC2518

RGB 220 37 24

HSL 3.98, 0.8%, 0.48%

LAB 47.76, 66.9, 53.31

 

CMYK 0 / 92 / 98 / 6

HEX #F01404

RGB 240 20 4

HSL 4.07, 0.97%, 0.48%

LAB 50.73, 74.84, 63.35

 

CMYK 0 / 61 / 65 / 29

HEX #B5473F

RGB 181 71 63

HSL 4.07, 0.48%, 0.48%

LAB 45.21, 44.14, 27.9

 

CMYK 0 / 45 / 48 / 37

HEX #A15853

RGB 161 88 83

HSL 3.85, 0.32%, 0.48%

LAB 45.88, 29.42, 16.24

 

CMYK 0 / 26 / 27 / 45

HEX #8D6967

RGB 141 105 103

HSL 3.16, 0.16%, 0.48%

LAB 47.94, 14.09, 6.74

 

CMYK 2 / 1 / 0 / 52

HEX #797A7B

RGB 121 122 123

HSL 210, 0.01%, 0.48%

LAB 51.17, -0.17, -0.68

 

CMYK 29 / 1 / 0 / 44

HEX #658C8E

RGB 101 140 142

HSL 182.93, 0.17%, 0.48%

LAB 55.56, -12.91, -5.43

 

CMYK 0 / 65 / 35 / 29

HEX #B53F76

RGB 181 63 118

HSL 332.03, 0.48%, 0.48%

LAB 45.2, 52.68, -5.66

 

CMYK 0 / 65 / 52 / 29

HEX #B53F57

RGB 181 63 87

HSL 347.8, 0.48%, 0.48%

LAB 44.33, 49.51, 12.17

 

CMYK 0 / 61 / 65 / 29

HEX #B5473F

RGB 181 71 63

HSL 4.07, 0.48%, 0.48%

LAB 45.21, 44.14, 27.9

 

CMYK 0 / 44 / 65 / 29

HEX #B5663F

RGB 181 102 63

HSL 19.83, 0.48%, 0.48%

LAB 51.48, 28.23, 35.47

 

CMYK 0 / 26 / 65 / 29

HEX #B5863F

RGB 181 134 63

HSL 36.1, 0.48%, 0.48%

LAB 59.19, 10.49, 44.3

 

CMYK 0 / 61 / 65 / 53

HEX #782F2A

RGB 120 47 42

HSL 3.85, 0.48%, 0.32%

LAB 29.89, 31.58, 19.39

 

CMYK 0 / 61 / 65 / 41

HEX #963B34

RGB 150 59 52

HSL 4.29, 0.49%, 0.4%

LAB 37.59, 37.77, 23.9

 

CMYK 0 / 61 / 65 / 29

HEX #B5473F

RGB 181 71 63

HSL 4.07, 0.48%, 0.48%

LAB 45.21, 44.14, 27.9

 

CMYK 0 / 51 / 55 / 23

HEX #C46059

RGB 196 96 89

HSL 3.93, 0.48%, 0.56%

LAB 52.75, 39.28, 22.77

 

CMYK 0 / 40 / 43 / 19

HEX #CF7D77

RGB 207 125 119

HSL 4.09, 0.48%, 0.64%

LAB 61.01, 31.12, 16.9

 

CMYK 0 / 61 / 65 / 29

HEX #B5473F

RGB 181 71 63

HSL 4.07, 0.48%, 0.48%

LAB 45.21, 44.14, 27.9

 

CMYK 18 / 0 / 65 / 29

HEX #95B53F

RGB 149 181 63

HSL 76.27, 0.48%, 0.48%

LAB 69.32, -28.04, 54.49

 

CMYK 65 / 44 / 0 / 29

HEX #3F66B5

RGB 63 102 181

HSL 220.17, 0.48%, 0.48%

LAB 44.08, 12.07, -46.04

 

CMYK 0 / 61 / 65 / 29

HEX #B5473F

RGB 181 71 63

HSL 4.07, 0.48%, 0.48%

LAB 45.21, 44.14, 27.9

 

CMYK 65 / 0 / 61 / 29

HEX #3FB547

RGB 63 181 71

HSL 124.07, 0.48%, 0.48%

LAB 65.4, -54.92, 45.56

 

CMYK 61 / 65 / 0 / 29

HEX #473FB5

RGB 71 63 181

HSL 244.07, 0.48%, 0.48%

LAB 34.46, 38.23, -61.57

 

CMYK 0 / 61 / 65 / 29

HEX #B5473F

RGB 181 71 63

HSL 4.07, 0.48%, 0.48%

LAB 45.21, 44.14, 27.9

 

CMYK 18 / 0 / 65 / 29

HEX #95B53F

RGB 149 181 63

HSL 76.27, 0.48%, 0.48%

LAB 69.32, -28.04, 54.49

 

CMYK 65 / 4 / 0 / 29

HEX #3FADB5

RGB 63 173 181

HSL 184.07, 0.48%, 0.48%

LAB 65.18, -28.15, -13.29

 

CMYK 48 / 65 / 0 / 29

HEX #5E3FB5

RGB 94 63 181

HSL 255.76, 0.48%, 0.48%

LAB 36.5, 42.3, -58.16

 

CMYK 0 / 61 / 65 / 29

HEX #B5473F

RGB 181 71 63

HSL 4.07, 0.48%, 0.48%

LAB 45.21, 44.14, 27.9

 

CMYK 37 / 0 / 65 / 29

HEX #72B53F

RGB 114 181 63

HSL 94.07, 0.48%, 0.48%

LAB 67.27, -41.3, 51.68

 

CMYK 65 / 4 / 0 / 29

HEX #3FADB5

RGB 63 173 181

HSL 184.07, 0.48%, 0.48%

LAB 65.18, -28.15, -13.29

 

CMYK 28 / 65 / 0 / 29

HEX #823FB5

RGB 130 63 181

HSL 274.07, 0.48%, 0.48%

LAB 40.63, 49.9, -51.27

 

Description

Color code: RGB 181 71 63 | qconv.com Color code: RGB 181 71 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 71 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 71 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 65 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 65% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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