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Color name
RGB 181 52 154

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 52 154 it is the complementary color RGB 74 203 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 52 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 181 52 154 shade: RGB 186 52 149, RGB 203 70 168, RGB 220 88 187, RGB 237 106 206 and RGB 254 124 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 52 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 181 52 154 shade: RGB 181 52 154, RGB 164 34 135, RGB 147 16 116, RGB 130 0 97 and RGB 113 0 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 181 52 154 shade: RGB 181 52 154, RGB 181 52 120, RGB 181 52 85 and RGB 181 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 181 52 154 shade: RGB 181 52 154, RGB 174 52 181, RGB 139 52 181, RGB 104 52 181 and RGB 69 52 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 181 52 154 shade matches the following richer shades: RGB 181 52 154, RGB 200 33 165 and RGB 219 14 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 181 52 154 shade: RGB 181 52 154, RGB 162 71 143, RGB 143 90 132, RGB 124 109 121 and RGB 105 128 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 181 52 154 shade: RGB 138 52 181, RGB 173 52 181, RGB 181 52 156, RGB 181 52 121 and RGB 181 52 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 181 52 154 shade: RGB 117 34 100, RGB 149 43 127, RGB 181 52 154, RGB 202 73 175 and RGB 211 105 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 181 52 154 shade: RGB 181 52 154, RGB 181 104 52 and RGB 52 181 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 181 52 154 shade: RGB 181 52 154, RGB 156 181 52 and RGB 52 156 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 181 52 154 shade: RGB 181 52 154, RGB 181 104 52, RGB 52 181 78 and RGB 52 130 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 181 52 154 shade: RGB 181 52 154, RGB 181 143 52, RGB 52 181 78 and RGB 52 91 181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 15 / 29

HEX #B5349A

RGB 181 52 154

HSL 312.56, 0.55%, 0.46%

LAB 45.1, 61.7, -27.65

 

Complementary color

CMYK 64 / 0 / 50 / 20

HEX #4ACB65

RGB 74 203 101

HSL 132.56, 0.55%, 0.54%

LAB 72.96, -56.7, 40.42

 

CMYK 0 / 72 / 20 / 27

HEX #BA3495

RGB 186 52 149

HSL 316.57, 0.56%, 0.47%

LAB 45.72, 62.24, -23.61

 

CMYK 0 / 66 / 17 / 20

HEX #CB46A8

RGB 203 70 168

HSL 315.79, 0.56%, 0.54%

LAB 51.73, 62.61, -25.39

 

CMYK 0 / 60 / 15 / 14

HEX #DC58BB

RGB 220 88 187

HSL 315, 0.65%, 0.6%

LAB 57.83, 62.53, -26.78

 

CMYK 0 / 55 / 13 / 7

HEX #ED6ACE

RGB 237 106 206

HSL 314.2, 0.78%, 0.67%

LAB 63.97, 62.17, -27.9

 

CMYK 0 / 51 / 11 / 0

HEX #FE7CE1

RGB 254 124 225

HSL 313.38, 0.98%, 0.74%

LAB 70.12, 61.65, -28.83

 

CMYK 0 / 71 / 15 / 29

HEX #B5349A

RGB 181 52 154

HSL 312.56, 0.55%, 0.46%

LAB 45.1, 61.7, -27.65

 

CMYK 0 / 79 / 18 / 36

HEX #A42287

RGB 164 34 135

HSL 313.38, 0.66%, 0.39%

LAB 39.22, 60.65, -25.5

 

CMYK 0 / 89 / 21 / 42

HEX #931074

RGB 147 16 116

HSL 314.2, 0.8%, 0.32%

LAB 33.64, 58.46, -22.59

 

CMYK 0 / 100 / 25 / 49

HEX #820061

RGB 130 0 97

HSL 315.23, 1%, 0.25%

LAB 28.4, 54.92, -18.78

 

CMYK 0 / 100 / 31 / 56

HEX #71004E

RGB 113 0 78

HSL 318.58, 1%, 0.22%

LAB 23.87, 48.94, -13.46

 

CMYK 0 / 71 / 15 / 29

HEX #B5349A

RGB 181 52 154

HSL 312.56, 0.55%, 0.46%

LAB 45.1, 61.7, -27.65

 

CMYK 0 / 71 / 34 / 29

HEX #B53478

RGB 181 52 120

HSL 328.37, 0.55%, 0.46%

LAB 43.71, 57.24, -9.12

 

CMYK 0 / 71 / 53 / 29

HEX #B53455

RGB 181 52 85

HSL 344.65, 0.55%, 0.46%

LAB 42.67, 53.77, 11.11

 

CMYK 0 / 71 / 71 / 29

HEX #B53434

RGB 181 52 52

HSL 0, 0.55%, 0.46%

LAB 42.04, 51.63, 30.59

 

CMYK 0 / 71 / 15 / 29

HEX #B5349A

RGB 181 52 154

HSL 312.56, 0.55%, 0.46%

LAB 45.1, 61.7, -27.65

 

CMYK 4 / 71 / 0 / 29

HEX #AE34B5

RGB 174 52 181

HSL 296.74, 0.55%, 0.46%

LAB 45.35, 64.36, -43.37

 

CMYK 23 / 71 / 0 / 29

HEX #8B34B5

RGB 139 52 181

HSL 280.47, 0.55%, 0.46%

LAB 40.05, 56.87, -52.15

 

CMYK 43 / 71 / 0 / 29

HEX #6834B5

RGB 104 52 181

HSL 264.19, 0.55%, 0.46%

LAB 35.47, 50.01, -59.79

 

CMYK 62 / 71 / 0 / 29

HEX #4534B5

RGB 69 52 181

HSL 247.91, 0.55%, 0.46%

LAB 31.94, 44.37, -65.71

 

CMYK 0 / 71 / 15 / 29

HEX #B5349A

RGB 181 52 154

HSL 312.56, 0.55%, 0.46%

LAB 45.1, 61.7, -27.65

 

CMYK 0 / 84 / 18 / 22

HEX #C821A5

RGB 200 33 165

HSL 312.57, 0.72%, 0.46%

LAB 47.08, 72.83, -30.87

 

CMYK 0 / 94 / 20 / 14

HEX #DB0EB0

RGB 219 14 176

HSL 312.59, 0.88%, 0.46%

LAB 50.11, 80.82, -32.4

 

CMYK 0 / 71 / 15 / 29

HEX #B5349A

RGB 181 52 154

HSL 312.56, 0.55%, 0.46%

LAB 45.1, 61.7, -27.65

 

CMYK 0 / 56 / 12 / 36

HEX #A2478F

RGB 162 71 143

HSL 312.53, 0.39%, 0.46%

LAB 44.48, 46.83, -22.24

 

CMYK 0 / 37 / 8 / 44

HEX #8F5A84

RGB 143 90 132

HSL 312.45, 0.23%, 0.46%

LAB 45.38, 28.53, -14.44

 

CMYK 0 / 12 / 2 / 51

HEX #7C6D79

RGB 124 109 121

HSL 312, 0.06%, 0.46%

LAB 47.76, 8.18, -4.49

 

CMYK 18 / 0 / 14 / 50

HEX #69806E

RGB 105 128 110

HSL 133.04, 0.1%, 0.46%

LAB 51.34, -12.15, 7.03

 

CMYK 24 / 71 / 0 / 29

HEX #8A34B5

RGB 138 52 181

HSL 280, 0.55%, 0.46%

LAB 39.91, 56.66, -52.38

 

CMYK 4 / 71 / 0 / 29

HEX #AD34B5

RGB 173 52 181

HSL 296.28, 0.55%, 0.46%

LAB 45.19, 64.14, -43.63

 

CMYK 0 / 71 / 14 / 29

HEX #B5349C

RGB 181 52 156

HSL 311.63, 0.55%, 0.46%

LAB 45.19, 61.99, -28.7

 

CMYK 0 / 71 / 33 / 29

HEX #B53479

RGB 181 52 121

HSL 327.91, 0.55%, 0.46%

LAB 43.74, 57.36, -9.68

 

CMYK 0 / 71 / 52 / 29

HEX #B53457

RGB 181 52 87

HSL 343.72, 0.55%, 0.46%

LAB 42.71, 53.93, 9.93

 

CMYK 0 / 71 / 15 / 54

HEX #752264

RGB 117 34 100

HSL 312.29, 0.55%, 0.3%

LAB 29.02, 43.62, -19.96

 

CMYK 0 / 71 / 15 / 42

HEX #952B7F

RGB 149 43 127

HSL 312.45, 0.55%, 0.38%

LAB 37.21, 52.87, -23.89

 

CMYK 0 / 71 / 15 / 29

HEX #B5349A

RGB 181 52 154

HSL 312.56, 0.55%, 0.46%

LAB 45.1, 61.7, -27.65

 

CMYK 0 / 64 / 13 / 21

HEX #CA49AF

RGB 202 73 175

HSL 312.56, 0.55%, 0.54%

LAB 52.31, 62.17, -28.6

 

CMYK 0 / 50 / 10 / 17

HEX #D369BD

RGB 211 105 189

HSL 312.45, 0.55%, 0.62%

LAB 59.55, 52.46, -25.38

 

CMYK 0 / 71 / 15 / 29

HEX #B5349A

RGB 181 52 154

HSL 312.56, 0.55%, 0.46%

LAB 45.1, 61.7, -27.65

 

CMYK 0 / 43 / 71 / 29

HEX #B56834

RGB 181 104 52

HSL 24.19, 0.55%, 0.46%

LAB 51.81, 26.49, 41.63

 

CMYK 71 / 0 / 14 / 29

HEX #34B59C

RGB 52 181 156

HSL 168.37, 0.55%, 0.46%

LAB 66.66, -40.51, 2.73

 

CMYK 0 / 71 / 15 / 29

HEX #B5349A

RGB 181 52 154

HSL 312.56, 0.55%, 0.46%

LAB 45.1, 61.7, -27.65

 

CMYK 14 / 0 / 71 / 29

HEX #9CB534

RGB 156 181 52

HSL 71.63, 0.55%, 0.46%

LAB 69.73, -25.88, 59.37

 

CMYK 71 / 14 / 0 / 29

HEX #349CB5

RGB 52 156 181

HSL 191.63, 0.55%, 0.46%

LAB 59.75, -21.16, -21.56

 

CMYK 0 / 71 / 15 / 29

HEX #B5349A

RGB 181 52 154

HSL 312.56, 0.55%, 0.46%

LAB 45.1, 61.7, -27.65

 

CMYK 0 / 43 / 71 / 29

HEX #B56834

RGB 181 104 52

HSL 24.19, 0.55%, 0.46%

LAB 51.81, 26.49, 41.63

 

CMYK 71 / 0 / 57 / 29

HEX #34B54E

RGB 52 181 78

HSL 132.09, 0.55%, 0.46%

LAB 65.22, -56.13, 42.02

 

CMYK 71 / 28 / 0 / 29

HEX #3482B5

RGB 52 130 181

HSL 203.72, 0.55%, 0.46%

LAB 51.87, -6.82, -33.75

 

CMYK 0 / 71 / 15 / 29

HEX #B5349A

RGB 181 52 154

HSL 312.56, 0.55%, 0.46%

LAB 45.1, 61.7, -27.65

 

CMYK 0 / 21 / 71 / 29

HEX #B58F34

RGB 181 143 52

HSL 42.33, 0.55%, 0.46%

LAB 61.41, 4.87, 51.74

 

CMYK 71 / 0 / 57 / 29

HEX #34B54E

RGB 52 181 78

HSL 132.09, 0.55%, 0.46%

LAB 65.22, -56.13, 42.02

 

CMYK 71 / 50 / 0 / 29

HEX #345BB5

RGB 52 91 181

HSL 221.86, 0.55%, 0.46%

LAB 40.49, 17.37, -51.84

 

Description

Color code: RGB 181 52 154 | qconv.com Color code: RGB 181 52 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 52 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 52 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 15 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 15% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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