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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 40 229 it is the complementary color RGB 74 215 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 40 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 181 40 229 shade: RGB 186 40 224, RGB 203 58 243, RGB 220 76 255, RGB 237 94 255 and RGB 254 112 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 40 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 181 40 229 shade: RGB 181 40 229, RGB 164 22 210, RGB 147 4 191, RGB 130 0 172 and RGB 113 0 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 181 40 229 shade: RGB 181 41 228, RGB 228 41 225, RGB 228 41 175, RGB 228 41 124 and RGB 228 41 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 181 40 229 shade: RGB 181 41 228, RGB 130 41 228, RGB 80 41 228 and RGB 41 41 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 181 40 229 shade matches the following richer shades: RGB 181 41 228 and RGB 190 22 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 181 40 229 shade: RGB 181 41 228, RGB 171 61 209, RGB 162 80 189, RGB 152 99 170 and RGB 142 119 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 181 40 229 shade: RGB 79 41 228, RGB 128 41 228, RGB 178 41 228, RGB 228 41 228 and RGB 228 41 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 181 40 229 shade: RGB 129 20 167, RGB 158 25 203, RGB 181 41 228, RGB 193 78 233 and RGB 206 115 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 181 40 229 shade: RGB 181 40 229, RGB 228 41 54 and RGB 41 228 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 181 40 229 shade: RGB 181 40 229, RGB 228 178 41 and RGB 41 228 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 181 40 229 shade: RGB 181 40 229, RGB 228 41 54, RGB 91 228 41 and RGB 41 228 216

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 181 40 229 shade: RGB 181 40 229, RGB 228 85 41, RGB 91 228 41 and RGB 41 185 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 83 / 0 / 10

HEX #B528E5

RGB 181 40 229

HSL 284.76, 0.78%, 0.53%

LAB 48.26, 77.81, -66.33

 

Complementary color

CMYK 66 / 0 / 88 / 16

HEX #4AD71A

RGB 74 215 26

HSL 104.76, 0.78%, 0.47%

LAB 76.15, -67.26, 71.07

 

CMYK 17 / 82 / 0 / 12

HEX #BA28E0

RGB 186 40 224

HSL 287.61, 0.75%, 0.52%

LAB 48.68, 77.73, -62.76

 

CMYK 16 / 76 / 0 / 5

HEX #CB3AF3

RGB 203 58 243

HSL 287.03, 0.89%, 0.59%

LAB 54.23, 79.08, -64.39

 

CMYK 14 / 70 / 0 / 0

HEX #DC4CFF

RGB 220 76 255

HSL 288.27, 1%, 0.65%

LAB 59.53, 78.47, -62.41

 

CMYK 7 / 63 / 0 / 0

HEX #ED5EFF

RGB 237 94 255

HSL 293.29, 1%, 0.68%

LAB 64.35, 75.27, -54.58

 

CMYK 0 / 56 / 0 / 0

HEX #FE70FF

RGB 254 112 255

HSL 299.58, 1%, 0.72%

LAB 69.38, 71.84, -46.47

 

CMYK 21 / 83 / 0 / 10

HEX #B528E5

RGB 181 40 229

HSL 284.76, 0.78%, 0.53%

LAB 48.26, 77.81, -66.33

 

CMYK 22 / 90 / 0 / 18

HEX #A416D2

RGB 164 22 210

HSL 285.32, 0.81%, 0.45%

LAB 42.94, 75.55, -64.21

 

CMYK 23 / 98 / 0 / 25

HEX #9304BF

RGB 147 4 191

HSL 285.88, 0.96%, 0.38%

LAB 37.93, 72.08, -61.41

 

CMYK 24 / 100 / 0 / 33

HEX #8200AC

RGB 130 0 172

HSL 285.35, 1%, 0.34%

LAB 33.4, 66.84, -57.64

 

CMYK 26 / 100 / 0 / 40

HEX #710099

RGB 113 0 153

HSL 284.31, 1%, 0.3%

LAB 28.93, 61.01, -53.53

 

CMYK 21 / 82 / 0 / 11

HEX #B529E4

RGB 181 41 228

HSL 284.92, 0.78%, 0.53%

LAB 48.27, 77.38, -65.73

 

CMYK 0 / 82 / 1 / 11

HEX #E429E1

RGB 228 41 225

HSL 300.96, 0.78%, 0.53%

LAB 55.6, 85.02, -51.86

 

CMYK 0 / 82 / 23 / 11

HEX #E429AF

RGB 228 41 175

HSL 317.01, 0.78%, 0.53%

LAB 53.14, 78.31, -26.97

 

CMYK 0 / 82 / 46 / 11

HEX #E4297C

RGB 228 41 124

HSL 333.37, 0.78%, 0.53%

LAB 51.31, 73.07, 0.64

 

CMYK 0 / 82 / 68 / 11

HEX #E4294A

RGB 228 41 74

HSL 349.41, 0.78%, 0.53%

LAB 50.19, 69.74, 29.41

 

CMYK 21 / 82 / 0 / 11

HEX #B529E4

RGB 181 41 228

HSL 284.92, 0.78%, 0.53%

LAB 48.27, 77.38, -65.73

 

CMYK 43 / 82 / 0 / 11

HEX #8229E4

RGB 130 41 228

HSL 268.56, 0.78%, 0.53%

LAB 41.11, 69.88, -77.72

 

CMYK 65 / 82 / 0 / 11

HEX #5029E4

RGB 80 41 228

HSL 252.51, 0.78%, 0.53%

LAB 35.78, 64.51, -86.7

 

CMYK 82 / 82 / 0 / 11

HEX #2929E4

RGB 41 41 228

HSL 240, 0.78%, 0.53%

LAB 33.26, 62.07, -90.95

 

CMYK 21 / 82 / 0 / 11

HEX #B529E4

RGB 181 41 228

HSL 284.92, 0.78%, 0.53%

LAB 48.27, 77.38, -65.73

 

CMYK 23 / 91 / 0 / 3

HEX #BE16F8

RGB 190 22 248

HSL 284.6, 0.94%, 0.53%

LAB 49.86, 85.98, -74.37

 

CMYK 21 / 82 / 0 / 11

HEX #B529E4

RGB 181 41 228

HSL 284.92, 0.78%, 0.53%

LAB 48.27, 77.38, -65.73

 

CMYK 18 / 71 / 0 / 18

HEX #AB3DD1

RGB 171 61 209

HSL 284.59, 0.62%, 0.53%

LAB 47.75, 65.54, -55.81

 

CMYK 14 / 58 / 0 / 26

HEX #A250BD

RGB 162 80 189

HSL 285.14, 0.45%, 0.53%

LAB 48.38, 51.01, -43.33

 

CMYK 11 / 42 / 0 / 33

HEX #9863AA

RGB 152 99 170

HSL 284.79, 0.29%, 0.53%

LAB 50.1, 34.02, -29.64

 

CMYK 6 / 21 / 0 / 41

HEX #8E7797

RGB 142 119 151

HSL 283.13, 0.13%, 0.53%

LAB 53.14, 15.06, -13.95

 

CMYK 65 / 82 / 0 / 11

HEX #4F29E4

RGB 79 41 228

HSL 252.19, 0.78%, 0.53%

LAB 35.69, 64.43, -86.84

 

CMYK 44 / 82 / 0 / 11

HEX #8029E4

RGB 128 41 228

HSL 267.91, 0.78%, 0.53%

LAB 40.86, 69.62, -78.14

 

CMYK 22 / 82 / 0 / 11

HEX #B229E4

RGB 178 41 228

HSL 283.96, 0.78%, 0.53%

LAB 47.82, 76.9, -66.49

 

CMYK 0 / 82 / 0 / 11

HEX #E429E4

RGB 228 41 228

HSL 300, 0.78%, 0.53%

LAB 55.77, 85.46, -53.29

 

CMYK 0 / 82 / 22 / 11

HEX #E429B2

RGB 228 41 178

HSL 316.04, 0.78%, 0.53%

LAB 53.27, 78.67, -28.52

 

CMYK 23 / 88 / 0 / 35

HEX #8114A7

RGB 129 20 167

HSL 284.49, 0.79%, 0.37%

LAB 33.89, 62.61, -53.84

 

CMYK 22 / 88 / 0 / 20

HEX #9E19CB

RGB 158 25 203

HSL 284.83, 0.78%, 0.45%

LAB 41.65, 72.83, -62.3

 

CMYK 21 / 82 / 0 / 11

HEX #B529E4

RGB 181 41 228

HSL 284.92, 0.78%, 0.53%

LAB 48.27, 77.38, -65.73

 

CMYK 17 / 67 / 0 / 9

HEX #C14EE9

RGB 193 78 233

HSL 284.52, 0.78%, 0.61%

LAB 54.73, 68.02, -58.06

 

CMYK 13 / 51 / 0 / 7

HEX #CE73ED

RGB 206 115 237

HSL 284.75, 0.77%, 0.69%

LAB 62.93, 54.83, -47.15

 

CMYK 21 / 83 / 0 / 10

HEX #B528E5

RGB 181 40 229

HSL 284.76, 0.78%, 0.53%

LAB 48.26, 77.81, -66.33

 

CMYK 0 / 82 / 76 / 11

HEX #E42936

RGB 228 41 54

HSL 355.83, 0.78%, 0.53%

LAB 49.91, 68.92, 40.77

 

CMYK 82 / 0 / 55 / 11

HEX #29E467

RGB 41 228 103

HSL 139.89, 0.78%, 0.53%

LAB 80.14, -69.85, 48.08

 

CMYK 21 / 83 / 0 / 10

HEX #B528E5

RGB 181 40 229

HSL 284.76, 0.78%, 0.53%

LAB 48.26, 77.81, -66.33

 

CMYK 0 / 22 / 82 / 11

HEX #E4B229

RGB 228 178 41

HSL 43.96, 0.78%, 0.53%

LAB 75.14, 6.22, 70.3

 

CMYK 82 / 0 / 22 / 11

HEX #29E4B2

RGB 41 228 178

HSL 163.96, 0.78%, 0.53%

LAB 81.39, -55.7, 11.97

 

CMYK 21 / 83 / 0 / 10

HEX #B528E5

RGB 181 40 229

HSL 284.76, 0.78%, 0.53%

LAB 48.26, 77.81, -66.33

 

CMYK 0 / 82 / 76 / 11

HEX #E42936

RGB 228 41 54

HSL 355.83, 0.78%, 0.53%

LAB 49.91, 68.92, 40.77

 

CMYK 60 / 0 / 82 / 11

HEX #5BE429

RGB 91 228 41

HSL 103.96, 0.78%, 0.53%

LAB 80.67, -67.18, 71.97

 

CMYK 82 / 0 / 5 / 11

HEX #29E4D8

RGB 41 228 216

HSL 176.15, 0.78%, 0.53%

LAB 82.33, -45.9, -6.74

 

CMYK 21 / 83 / 0 / 10

HEX #B528E5

RGB 181 40 229

HSL 284.76, 0.78%, 0.53%

LAB 48.26, 77.81, -66.33

 

CMYK 0 / 63 / 82 / 11

HEX #E45529

RGB 228 85 41

HSL 14.12, 0.78%, 0.53%

LAB 55.23, 53.55, 52.71

 

CMYK 60 / 0 / 82 / 11

HEX #5BE429

RGB 91 228 41

HSL 103.96, 0.78%, 0.53%

LAB 80.67, -67.18, 71.97

 

CMYK 82 / 19 / 0 / 11

HEX #29B9E4

RGB 41 185 228

HSL 193.8, 0.78%, 0.53%

LAB 70.02, -21.95, -31.84

 

Description

Color code: RGB 181 40 229 | qconv.com Color code: RGB 181 40 229 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 40 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 40 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 83 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 83% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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