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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 181 13 236 it is the complementary color RGB 74 242 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 181 13 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 181 13 236 shade: RGB 186 13 231, RGB 203 31 250, RGB 220 49 255, RGB 237 67 255 and RGB 254 85 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 181 13 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 181 13 236 shade: RGB 181 13 236, RGB 164 0 217, RGB 147 0 198, RGB 130 0 179 and RGB 113 0 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 181 13 236 shade: RGB 181 12 237, RGB 237 12 232, RGB 237 12 171, RGB 237 12 110 and RGB 237 12 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 181 13 236 shade: RGB 181 12 237, RGB 121 12 237, RGB 60 12 237 and RGB 12 12 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 181 13 236 shade matches the following richer shades: RGB 181 12 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 181 13 236 shade: RGB 181 12 237, RGB 171 32 217, RGB 161 52 196, RGB 151 73 176 and RGB 140 93 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 181 13 236 shade: RGB 61 12 237, RGB 121 12 237, RGB 181 12 237, RGB 237 12 233 and RGB 237 12 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 181 13 236 shade: RGB 121 8 159, RGB 151 10 198, RGB 181 12 237, RGB 195 47 244 and RGB 206 86 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 181 13 236 shade: RGB 181 13 236, RGB 237 12 23 and RGB 12 237 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 181 13 236 shade: RGB 181 13 236, RGB 237 181 12 and RGB 12 237 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 181 13 236 shade: RGB 181 13 236, RGB 237 12 23, RGB 68 237 12 and RGB 12 237 226

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 181 13 236 shade: RGB 181 13 236, RGB 237 68 12, RGB 68 237 12 and RGB 12 181 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 94 / 0 / 7

HEX #B50DEC

RGB 181 13 236

HSL 285.2, 0.9%, 0.49%

LAB 47.19, 83.73, -72.02

 

Complementary color

CMYK 69 / 0 / 92 / 5

HEX #4AF213

RGB 74 242 19

HSL 105.2, 0.9%, 0.51%

LAB 84.49, -75.8, 79.17

 

CMYK 19 / 94 / 0 / 9

HEX #BA0DE7

RGB 186 13 231

HSL 287.61, 0.89%, 0.48%

LAB 47.62, 83.54, -68.46

 

CMYK 19 / 88 / 0 / 2

HEX #CB1FFA

RGB 203 31 250

HSL 287.12, 0.96%, 0.55%

LAB 52.49, 86.77, -71.12

 

CMYK 14 / 81 / 0 / 0

HEX #DC31FF

RGB 220 49 255

HSL 289.81, 1%, 0.6%

LAB 56.72, 86.57, -66.94

 

CMYK 7 / 74 / 0 / 0

HEX #ED43FF

RGB 237 67 255

HSL 294.26, 1%, 0.63%

LAB 60.99, 84.75, -59.93

 

CMYK 0 / 67 / 0 / 0

HEX #FE55FF

RGB 254 85 255

HSL 299.65, 1%, 0.67%

LAB 65.58, 82.38, -52.47

 

CMYK 23 / 94 / 0 / 7

HEX #B50DEC

RGB 181 13 236

HSL 285.2, 0.9%, 0.49%

LAB 47.19, 83.73, -72.02

 

CMYK 24 / 100 / 0 / 15

HEX #A400D9

RGB 164 0 217

HSL 285.35, 1%, 0.43%

LAB 42.62, 79.38, -68.77

 

CMYK 26 / 100 / 0 / 22

HEX #9300C6

RGB 147 0 198

HSL 284.55, 1%, 0.39%

LAB 38.34, 73.81, -64.85

 

CMYK 27 / 100 / 0 / 30

HEX #8200B3

RGB 130 0 179

HSL 283.58, 1%, 0.35%

LAB 33.98, 68.14, -60.87

 

CMYK 29 / 100 / 0 / 37

HEX #7100A0

RGB 113 0 160

HSL 282.38, 1%, 0.31%

LAB 29.54, 62.36, -56.82

 

CMYK 24 / 95 / 0 / 7

HEX #B50CED

RGB 181 12 237

HSL 285.07, 0.9%, 0.49%

LAB 47.24, 84, -72.51

 

CMYK 0 / 95 / 2 / 7

HEX #ED0CE8

RGB 237 12 232

HSL 301.33, 0.9%, 0.49%

LAB 56.18, 91.48, -54.79

 

CMYK 0 / 95 / 28 / 7

HEX #ED0CAB

RGB 237 12 171

HSL 317.6, 0.9%, 0.49%

LAB 53.18, 83.89, -24.43

 

CMYK 0 / 95 / 54 / 7

HEX #ED0C6E

RGB 237 12 110

HSL 333.87, 0.9%, 0.49%

LAB 51.14, 78.51, 9.14

 

CMYK 0 / 95 / 79 / 7

HEX #ED0C32

RGB 237 12 50

HSL 349.87, 0.9%, 0.49%

LAB 50.09, 75.64, 43.75

 

CMYK 24 / 95 / 0 / 7

HEX #B50CED

RGB 181 12 237

HSL 285.07, 0.9%, 0.49%

LAB 47.24, 84, -72.51

 

CMYK 49 / 95 / 0 / 7

HEX #790CED

RGB 121 12 237

HSL 269.07, 0.9%, 0.49%

LAB 38.62, 77.49, -86.97

 

CMYK 75 / 95 / 0 / 7

HEX #3C0CED

RGB 60 12 237

HSL 252.8, 0.9%, 0.49%

LAB 32.56, 73.93, -97.21

 

CMYK 95 / 95 / 0 / 7

HEX #0C0CED

RGB 12 12 237

HSL 240, 0.9%, 0.49%

LAB 30.53, 73, -100.65

 

CMYK 24 / 95 / 0 / 7

HEX #B50CED

RGB 181 12 237

HSL 285.07, 0.9%, 0.49%

LAB 47.24, 84, -72.51

 

CMYK 24 / 95 / 0 / 7

HEX #B50CED

RGB 181 12 237

HSL 285.07, 0.9%, 0.49%

LAB 47.24, 84, -72.51

 

CMYK 21 / 85 / 0 / 15

HEX #AB20D9

RGB 171 32 217

HSL 285.08, 0.74%, 0.49%

LAB 45.22, 75.92, -64.48

 

CMYK 18 / 73 / 0 / 23

HEX #A134C4

RGB 161 52 196

HSL 285.42, 0.58%, 0.49%

LAB 44.26, 64.38, -53.99

 

CMYK 14 / 59 / 0 / 31

HEX #9749B0

RGB 151 73 176

HSL 285.44, 0.41%, 0.49%

LAB 44.91, 48.94, -41.32

 

CMYK 10 / 40 / 0 / 39

HEX #8C5D9C

RGB 140 93 156

HSL 284.76, 0.25%, 0.49%

LAB 46.72, 30.64, -26.76

 

CMYK 74 / 95 / 0 / 7

HEX #3D0CED

RGB 61 12 237

HSL 253.07, 0.9%, 0.49%

LAB 32.63, 73.96, -97.09

 

CMYK 49 / 95 / 0 / 7

HEX #790CED

RGB 121 12 237

HSL 269.07, 0.9%, 0.49%

LAB 38.62, 77.49, -86.97

 

CMYK 24 / 95 / 0 / 7

HEX #B50CED

RGB 181 12 237

HSL 285.07, 0.9%, 0.49%

LAB 47.24, 84, -72.51

 

CMYK 0 / 95 / 2 / 7

HEX #ED0CE9

RGB 237 12 233

HSL 301.07, 0.9%, 0.49%

LAB 56.24, 91.62, -55.26

 

CMYK 0 / 95 / 27 / 7

HEX #ED0CAD

RGB 237 12 173

HSL 317.07, 0.9%, 0.49%

LAB 53.26, 84.11, -25.48

 

CMYK 24 / 95 / 0 / 38

HEX #79089F

RGB 121 8 159

HSL 284.9, 0.9%, 0.33%

LAB 31.21, 62, -53.42

 

CMYK 24 / 95 / 0 / 22

HEX #970AC6

RGB 151 10 198

HSL 285, 0.9%, 0.41%

LAB 39.37, 73.22, -63.15

 

CMYK 24 / 95 / 0 / 7

HEX #B50CED

RGB 181 12 237

HSL 285.07, 0.9%, 0.49%

LAB 47.24, 84, -72.51

 

CMYK 20 / 81 / 0 / 4

HEX #C32FF4

RGB 195 47 244

HSL 285.08, 0.9%, 0.57%

LAB 52.03, 81.02, -68.57

 

CMYK 16 / 65 / 0 / 4

HEX #CE56F6

RGB 206 86 246

HSL 285, 0.9%, 0.65%

LAB 58.44, 70.02, -59.27

 

CMYK 23 / 94 / 0 / 7

HEX #B50DEC

RGB 181 13 236

HSL 285.2, 0.9%, 0.49%

LAB 47.19, 83.73, -72.02

 

CMYK 0 / 95 / 90 / 7

HEX #ED0C17

RGB 237 12 23

HSL 357.07, 0.9%, 0.49%

LAB 49.89, 75.08, 56.82

 

CMYK 95 / 0 / 62 / 7

HEX #0CED5B

RGB 12 237 91

HSL 141.07, 0.9%, 0.49%

LAB 82.59, -75.97, 56.21

 

CMYK 23 / 94 / 0 / 7

HEX #B50DEC

RGB 181 13 236

HSL 285.2, 0.9%, 0.49%

LAB 47.19, 83.73, -72.02

 

CMYK 0 / 24 / 95 / 7

HEX #EDB50C

RGB 237 181 12

HSL 45.07, 0.9%, 0.49%

LAB 76.73, 7.98, 77.92

 

CMYK 95 / 0 / 24 / 7

HEX #0CEDB5

RGB 12 237 181

HSL 165.07, 0.9%, 0.49%

LAB 83.96, -60.01, 14.01

 

CMYK 23 / 94 / 0 / 7

HEX #B50DEC

RGB 181 13 236

HSL 285.2, 0.9%, 0.49%

LAB 47.19, 83.73, -72.02

 

CMYK 0 / 95 / 90 / 7

HEX #ED0C17

RGB 237 12 23

HSL 357.07, 0.9%, 0.49%

LAB 49.89, 75.08, 56.82

 

CMYK 71 / 0 / 95 / 7

HEX #44ED0C

RGB 68 237 12

HSL 105.07, 0.9%, 0.49%

LAB 82.82, -75.47, 78.5

 

CMYK 95 / 0 / 5 / 7

HEX #0CEDE2

RGB 12 237 226

HSL 177.07, 0.9%, 0.49%

LAB 85.07, -48.36, -8

 

CMYK 23 / 94 / 0 / 7

HEX #B50DEC

RGB 181 13 236

HSL 285.2, 0.9%, 0.49%

LAB 47.19, 83.73, -72.02

 

CMYK 0 / 71 / 95 / 7

HEX #ED440C

RGB 237 68 12

HSL 14.93, 0.9%, 0.49%

LAB 54.2, 62.68, 62.91

 

CMYK 71 / 0 / 95 / 7

HEX #44ED0C

RGB 68 237 12

HSL 105.07, 0.9%, 0.49%

LAB 82.82, -75.47, 78.5

 

CMYK 95 / 24 / 0 / 7

HEX #0CB5ED

RGB 12 181 237

HSL 194.93, 0.9%, 0.49%

LAB 68.92, -18.36, -38.46

 

Description

Color code: RGB 181 13 236 | qconv.com Color code: RGB 181 13 236 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 13 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 13 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 94 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 94% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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