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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 8 166 it is the complementary color RGB 75 247 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 8 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 8 166 shade: RGB 185 8 161, RGB 202 26 180, RGB 219 44 199, RGB 236 62 218 and RGB 253 80 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 8 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 8 166 shade: RGB 180 8 166, RGB 163 0 147, RGB 146 0 128, RGB 129 0 109 and RGB 112 0 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 8 166 shade: RGB 180 8 166, RGB 180 8 119, RGB 180 8 73, RGB 180 8 27 and RGB 180 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 8 166 shade: RGB 180 8 166, RGB 147 8 180, RGB 101 8 180, RGB 55 8 180 and RGB 8 8 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 8 166 shade matches the following richer shades: RGB 180 8 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 8 166 shade: RGB 180 8 166, RGB 164 23 153, RGB 149 39 140, RGB 134 54 127 and RGB 119 69 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 8 166 shade: RGB 100 8 180, RGB 145 8 180, RGB 180 8 168, RGB 180 8 122 and RGB 180 8 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 8 166 shade: RGB 101 4 93, RGB 140 6 129, RGB 180 8 166, RGB 219 10 202 and RGB 244 26 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 8 166 shade: RGB 180 8 166, RGB 180 54 8 and RGB 8 180 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 8 166 shade: RGB 180 8 166, RGB 168 180 8 and RGB 8 168 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 8 166 shade: RGB 180 8 166, RGB 180 54 8, RGB 8 180 19 and RGB 8 134 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 8 166 shade: RGB 180 8 166, RGB 180 105 8, RGB 8 180 19 and RGB 8 82 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 8 / 29

HEX #B408A6

RGB 180 8 166

HSL 304.88, 0.91%, 0.37%

LAB 42.2, 72.84, -39.41

 

Complementary color

CMYK 70 / 0 / 64 / 3

HEX #4BF759

RGB 75 247 89

HSL 124.88, 0.91%, 0.63%

LAB 86.37, -73.04, 61.47

 

CMYK 0 / 96 / 13 / 27

HEX #B908A1

RGB 185 8 161

HSL 308.14, 0.92%, 0.38%

LAB 42.86, 73.07, -35.32

 

CMYK 0 / 87 / 11 / 21

HEX #CA1AB4

RGB 202 26 180

HSL 307.5, 0.77%, 0.45%

LAB 47.74, 76.55, -38.69

 

CMYK 0 / 80 / 9 / 14

HEX #DB2CC7

RGB 219 44 199

HSL 306.86, 0.71%, 0.52%

LAB 52.93, 78.89, -41.35

 

CMYK 0 / 74 / 8 / 7

HEX #EC3EDA

RGB 236 62 218

HSL 306.21, 0.82%, 0.58%

LAB 58.36, 80.32, -43.45

 

CMYK 0 / 68 / 6 / 1

HEX #FD50ED

RGB 253 80 237

HSL 305.55, 0.98%, 0.65%

LAB 63.95, 81.12, -45.12

 

CMYK 0 / 96 / 8 / 29

HEX #B408A6

RGB 180 8 166

HSL 304.88, 0.91%, 0.37%

LAB 42.2, 72.84, -39.41

 

CMYK 0 / 100 / 10 / 36

HEX #A30093

RGB 163 0 147

HSL 305.89, 1%, 0.32%

LAB 37.65, 67.97, -35.35

 

CMYK 0 / 100 / 12 / 43

HEX #920080

RGB 146 0 128

HSL 307.4, 1%, 0.29%

LAB 33.28, 62.2, -30.71

 

CMYK 0 / 100 / 16 / 49

HEX #81006D

RGB 129 0 109

HSL 309.3, 1%, 0.25%

LAB 28.83, 56.3, -25.91

 

CMYK 0 / 100 / 20 / 56

HEX #70005A

RGB 112 0 90

HSL 311.79, 1%, 0.22%

LAB 24.27, 50.27, -20.9

 

CMYK 0 / 96 / 8 / 29

HEX #B408A6

RGB 180 8 166

HSL 304.88, 0.91%, 0.37%

LAB 42.2, 72.84, -39.41

 

CMYK 0 / 96 / 34 / 29

HEX #B40877

RGB 180 8 119

HSL 321.28, 0.91%, 0.37%

LAB 39.93, 67.02, -14.23

 

CMYK 0 / 96 / 59 / 29

HEX #B40849

RGB 180 8 73

HSL 337.33, 0.91%, 0.37%

LAB 38.48, 63.13, 12.89

 

CMYK 0 / 96 / 85 / 29

HEX #B4081B

RGB 180 8 27

HSL 353.37, 0.91%, 0.37%

LAB 37.76, 61.16, 40.36

 

CMYK 0 / 96 / 96 / 29

HEX #B40808

RGB 180 8 8

HSL 0, 0.91%, 0.37%

LAB 37.65, 60.85, 48.74

 

CMYK 0 / 96 / 8 / 29

HEX #B408A6

RGB 180 8 166

HSL 304.88, 0.91%, 0.37%

LAB 42.2, 72.84, -39.41

 

CMYK 18 / 96 / 0 / 29

HEX #9308B4

RGB 147 8 180

HSL 288.49, 0.91%, 0.37%

LAB 37.25, 69.64, -56.03

 

CMYK 44 / 96 / 0 / 29

HEX #6508B4

RGB 101 8 180

HSL 272.44, 0.91%, 0.37%

LAB 30, 63.83, -68.17

 

CMYK 69 / 96 / 0 / 29

HEX #3708B4

RGB 55 8 180

HSL 256.4, 0.91%, 0.37%

LAB 24.58, 60.34, -77.32

 

CMYK 96 / 96 / 0 / 29

HEX #0808B4

RGB 8 8 180

HSL 240, 0.91%, 0.37%

LAB 22.02, 59.06, -81.66

 

CMYK 0 / 96 / 8 / 29

HEX #B408A6

RGB 180 8 166

HSL 304.88, 0.91%, 0.37%

LAB 42.2, 72.84, -39.41

 

CMYK 0 / 96 / 8 / 29

HEX #B408A6

RGB 180 8 166

HSL 304.88, 0.91%, 0.37%

LAB 42.2, 72.84, -39.41

 

CMYK 0 / 86 / 7 / 36

HEX #A41799

RGB 164 23 153

HSL 304.68, 0.75%, 0.37%

LAB 39.25, 65.87, -36.45

 

CMYK 0 / 74 / 6 / 42

HEX #95278C

RGB 149 39 140

HSL 304.91, 0.59%, 0.37%

LAB 37.36, 56.35, -31.68

 

CMYK 0 / 60 / 5 / 47

HEX #86367F

RGB 134 54 127

HSL 305.25, 0.43%, 0.37%

LAB 36.44, 44.05, -25.27

 

CMYK 0 / 42 / 3 / 53

HEX #774573

RGB 119 69 115

HSL 304.8, 0.27%, 0.37%

LAB 36.77, 29.02, -17.46

 

CMYK 44 / 96 / 0 / 29

HEX #6408B4

RGB 100 8 180

HSL 272.09, 0.91%, 0.37%

LAB 29.86, 63.73, -68.41

 

CMYK 19 / 96 / 0 / 29

HEX #9108B4

RGB 145 8 180

HSL 287.79, 0.91%, 0.37%

LAB 36.91, 69.35, -56.59

 

CMYK 0 / 96 / 7 / 29

HEX #B408A8

RGB 180 8 168

HSL 304.19, 0.91%, 0.37%

LAB 42.31, 73.13, -40.43

 

CMYK 0 / 96 / 32 / 29

HEX #B4087A

RGB 180 8 122

HSL 320.23, 0.91%, 0.37%

LAB 40.05, 67.34, -15.92

 

CMYK 0 / 96 / 57 / 29

HEX #B4084D

RGB 180 8 77

HSL 335.93, 0.91%, 0.37%

LAB 38.57, 63.39, 10.45

 

CMYK 0 / 96 / 8 / 60

HEX #65045D

RGB 101 4 93

HSL 304.95, 0.92%, 0.21%

LAB 22.46, 47.6, -25.9

 

CMYK 0 / 96 / 8 / 45

HEX #8C0681

RGB 140 6 129

HSL 304.93, 0.92%, 0.29%

LAB 32.46, 60.38, -32.72

 

CMYK 0 / 96 / 8 / 29

HEX #B408A6

RGB 180 8 166

HSL 304.88, 0.91%, 0.37%

LAB 42.2, 72.84, -39.41

 

CMYK 0 / 95 / 8 / 14

HEX #DB0ACA

RGB 219 10 202

HSL 304.88, 0.91%, 0.45%

LAB 51.31, 84.49, -45.64

 

CMYK 0 / 89 / 7 / 4

HEX #F41AE2

RGB 244 26 226

HSL 304.95, 0.91%, 0.53%

LAB 57.52, 90.46, -49.2

 

CMYK 0 / 96 / 8 / 29

HEX #B408A6

RGB 180 8 166

HSL 304.88, 0.91%, 0.37%

LAB 42.2, 72.84, -39.41

 

CMYK 0 / 70 / 96 / 29

HEX #B43608

RGB 180 54 8

HSL 16.05, 0.91%, 0.37%

LAB 41.78, 49.25, 51.14

 

CMYK 96 / 0 / 32 / 29

HEX #08B47A

RGB 8 180 122

HSL 159.77, 0.91%, 0.37%

LAB 65.04, -52.25, 19.01

 

CMYK 0 / 96 / 8 / 29

HEX #B408A6

RGB 180 8 166

HSL 304.88, 0.91%, 0.37%

LAB 42.2, 72.84, -39.41

 

CMYK 7 / 0 / 96 / 29

HEX #A8B408

RGB 168 180 8

HSL 64.19, 0.91%, 0.37%

LAB 70.17, -21.72, 70.69

 

CMYK 96 / 7 / 0 / 29

HEX #08A8B4

RGB 8 168 180

HSL 184.19, 0.91%, 0.37%

LAB 62.8, -31.1, -16.4

 

CMYK 0 / 96 / 8 / 29

HEX #B408A6

RGB 180 8 166

HSL 304.88, 0.91%, 0.37%

LAB 42.2, 72.84, -39.41

 

CMYK 0 / 70 / 96 / 29

HEX #B43608

RGB 180 54 8

HSL 16.05, 0.91%, 0.37%

LAB 41.78, 49.25, 51.14

 

CMYK 96 / 0 / 89 / 29

HEX #08B413

RGB 8 180 19

HSL 123.84, 0.91%, 0.37%

LAB 63.95, -65.47, 61.47

 

CMYK 96 / 26 / 0 / 29

HEX #0886B4

RGB 8 134 180

HSL 196.05, 0.91%, 0.37%

LAB 52.28, -13.37, -32.59

 

CMYK 0 / 96 / 8 / 29

HEX #B408A6

RGB 180 8 166

HSL 304.88, 0.91%, 0.37%

LAB 42.2, 72.84, -39.41

 

CMYK 0 / 42 / 96 / 29

HEX #B46908

RGB 180 105 8

HSL 33.84, 0.91%, 0.37%

LAB 51.64, 24.13, 57.61

 

CMYK 96 / 0 / 89 / 29

HEX #08B413

RGB 8 180 19

HSL 123.84, 0.91%, 0.37%

LAB 63.95, -65.47, 61.47

 

CMYK 96 / 54 / 0 / 29

HEX #0852B4

RGB 8 82 180

HSL 214.19, 0.91%, 0.37%

LAB 36.71, 19.07, -57.42

 

Description

Color code: RGB 180 8 166 | qconv.com Color code: RGB 180 8 166 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 8 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 8 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 8 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 8% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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