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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 88 168 it is the complementary color RGB 75 167 87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 88 168. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 88 168 shade: RGB 185 88 163, RGB 202 106 182, RGB 219 124 201, RGB 236 142 220 and RGB 253 160 239

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 88 168. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 88 168 shade: RGB 180 88 168, RGB 163 70 149, RGB 146 52 130, RGB 129 34 111 and RGB 112 16 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 88 168 shade: RGB 180 89 168, RGB 180 89 144, RGB 180 89 119, RGB 180 89 95 and RGB 180 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 88 168 shade: RGB 180 89 168, RGB 168 89 180, RGB 143 89 180, RGB 118 89 180 and RGB 94 89 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 88 168 shade matches the following richer shades: RGB 180 89 168, RGB 200 70 183, RGB 219 50 197 and RGB 238 31 211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 88 168 shade: RGB 180 89 168, RGB 161 108 154, RGB 141 128 140, RGB 122 147 125 and RGB 103 167 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 88 168 shade: RGB 142 89 180, RGB 167 89 180, RGB 180 89 170, RGB 180 89 145 and RGB 180 89 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 88 168 shade: RGB 129 58 120, RGB 158 71 146, RGB 180 89 168, RGB 193 118 183 and RGB 206 146 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 88 168 shade: RGB 180 88 168, RGB 180 118 89 and RGB 89 180 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 88 168 shade: RGB 180 88 168, RGB 170 180 89 and RGB 89 170 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 88 168 shade: RGB 180 88 168, RGB 180 118 89, RGB 89 180 100 and RGB 89 151 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 88 168 shade: RGB 180 88 168, RGB 180 145 89, RGB 89 180 100 and RGB 89 124 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 7 / 29

HEX #B458A8

RGB 180 88 168

HSL 307.83, 0.38%, 0.53%

LAB 51.28, 48.08, -26.36

 

Complementary color

CMYK 55 / 0 / 48 / 35

HEX #4BA757

RGB 75 167 87

HSL 127.83, 0.38%, 0.47%

LAB 61.5, -44.59, 33.16

 

CMYK 0 / 52 / 12 / 27

HEX #B958A3

RGB 185 88 163

HSL 313.61, 0.41%, 0.54%

LAB 51.77, 48.74, -22.61

 

CMYK 0 / 48 / 10 / 21

HEX #CA6AB6

RGB 202 106 182

HSL 312.5, 0.48%, 0.6%

LAB 58.27, 48.08, -23.45

 

CMYK 0 / 43 / 8 / 14

HEX #DB7CC9

RGB 219 124 201

HSL 311.37, 0.57%, 0.67%

LAB 64.72, 47.36, -24.15

 

CMYK 0 / 40 / 7 / 7

HEX #EC8EDC

RGB 236 142 220

HSL 310.21, 0.71%, 0.74%

LAB 71.11, 46.63, -24.75

 

CMYK 0 / 37 / 6 / 1

HEX #FDA0EF

RGB 253 160 239

HSL 309.03, 0.96%, 0.81%

LAB 77.43, 45.9, -25.29

 

CMYK 0 / 51 / 7 / 29

HEX #B458A8

RGB 180 88 168

HSL 307.83, 0.38%, 0.53%

LAB 51.28, 48.08, -26.36

 

CMYK 0 / 57 / 9 / 36

HEX #A34695

RGB 163 70 149

HSL 309.03, 0.4%, 0.46%

LAB 44.71, 48.61, -25.47

 

CMYK 0 / 64 / 11 / 43

HEX #923482

RGB 146 52 130

HSL 310.21, 0.47%, 0.39%

LAB 38.16, 48.87, -24.3

 

CMYK 0 / 74 / 14 / 49

HEX #81226F

RGB 129 34 111

HSL 311.37, 0.58%, 0.32%

LAB 31.71, 48.57, -22.66

 

CMYK 0 / 86 / 18 / 56

HEX #70105C

RGB 112 16 92

HSL 312.5, 0.75%, 0.25%

LAB 25.53, 47.19, -20.25

 

CMYK 0 / 51 / 7 / 29

HEX #B459A8

RGB 180 89 168

HSL 307.91, 0.38%, 0.53%

LAB 51.47, 47.58, -26.06

 

CMYK 0 / 51 / 20 / 29

HEX #B45990

RGB 180 89 144

HSL 323.74, 0.38%, 0.53%

LAB 50.52, 43.67, -13.36

 

CMYK 0 / 51 / 34 / 29

HEX #B45977

RGB 180 89 119

HSL 340.22, 0.38%, 0.53%

LAB 49.71, 40.18, 0.36

 

CMYK 0 / 51 / 47 / 29

HEX #B4595F

RGB 180 89 95

HSL 356.04, 0.38%, 0.53%

LAB 49.1, 37.44, 13.89

 

CMYK 0 / 51 / 51 / 29

HEX #B45959

RGB 180 89 89

HSL 0, 0.38%, 0.53%

LAB 48.97, 36.85, 17.29

 

CMYK 0 / 51 / 7 / 29

HEX #B459A8

RGB 180 89 168

HSL 307.91, 0.38%, 0.53%

LAB 51.47, 47.58, -26.06

 

CMYK 7 / 51 / 0 / 29

HEX #A859B4

RGB 168 89 180

HSL 292.09, 0.38%, 0.53%

LAB 50.41, 46.28, -34.84

 

CMYK 21 / 51 / 0 / 29

HEX #8F59B4

RGB 143 89 180

HSL 275.6, 0.38%, 0.53%

LAB 47.34, 39.19, -39.88

 

CMYK 34 / 51 / 0 / 29

HEX #7659B4

RGB 118 89 180

HSL 259.12, 0.38%, 0.53%

LAB 44.65, 32.38, -44.32

 

CMYK 48 / 51 / 0 / 29

HEX #5E59B4

RGB 94 89 180

HSL 243.3, 0.38%, 0.53%

LAB 42.49, 26.4, -47.9

 

CMYK 0 / 51 / 7 / 29

HEX #B459A8

RGB 180 89 168

HSL 307.91, 0.38%, 0.53%

LAB 51.47, 47.58, -26.06

 

CMYK 0 / 65 / 9 / 22

HEX #C846B7

RGB 200 70 183

HSL 307.85, 0.54%, 0.53%

LAB 51.93, 64.08, -33.88

 

CMYK 0 / 77 / 10 / 14

HEX #DB32C5

RGB 219 50 197

HSL 307.81, 0.7%, 0.53%

LAB 53.35, 77.1, -39.53

 

CMYK 0 / 87 / 11 / 7

HEX #EE1FD3

RGB 238 31 211

HSL 307.83, 0.86%, 0.53%

LAB 55.95, 86.69, -43.25

 

CMYK 0 / 51 / 7 / 29

HEX #B459A8

RGB 180 89 168

HSL 307.91, 0.38%, 0.53%

LAB 51.47, 47.58, -26.06

 

CMYK 0 / 33 / 4 / 37

HEX #A16C9A

RGB 161 108 154

HSL 307.92, 0.22%, 0.53%

LAB 52.55, 28.66, -16.41

 

CMYK 0 / 9 / 1 / 45

HEX #8D808C

RGB 141 128 140

HSL 304.62, 0.05%, 0.53%

LAB 55.07, 7.22, -4.68

 

CMYK 17 / 0 / 15 / 42

HEX #7A937D

RGB 122 147 125

HSL 127.2, 0.1%, 0.53%

LAB 58.5, -13.36, 8.73

 

CMYK 38 / 0 / 34 / 35

HEX #67A76F

RGB 103 167 111

HSL 127.5, 0.27%, 0.53%

LAB 63.07, -32.51, 22.68

 

CMYK 21 / 51 / 0 / 29

HEX #8E59B4

RGB 142 89 180

HSL 274.95, 0.38%, 0.53%

LAB 47.22, 38.91, -40.07

 

CMYK 7 / 51 / 0 / 29

HEX #A759B4

RGB 167 89 180

HSL 291.43, 0.38%, 0.53%

LAB 50.28, 45.99, -35.05

 

CMYK 0 / 51 / 6 / 29

HEX #B459AA

RGB 180 89 170

HSL 306.59, 0.38%, 0.53%

LAB 51.55, 47.93, -27.1

 

CMYK 0 / 51 / 19 / 29

HEX #B45991

RGB 180 89 145

HSL 323.08, 0.38%, 0.53%

LAB 50.56, 43.82, -13.9

 

CMYK 0 / 51 / 33 / 29

HEX #B45979

RGB 180 89 121

HSL 338.9, 0.38%, 0.53%

LAB 49.77, 40.43, -0.75

 

CMYK 0 / 55 / 7 / 49

HEX #813A78

RGB 129 58 120

HSL 307.61, 0.38%, 0.37%

LAB 36.08, 39.31, -21.54

 

CMYK 0 / 55 / 8 / 38

HEX #9E4792

RGB 158 71 146

HSL 308.28, 0.38%, 0.45%

LAB 44.02, 46.15, -24.8

 

CMYK 0 / 51 / 7 / 29

HEX #B459A8

RGB 180 89 168

HSL 307.91, 0.38%, 0.53%

LAB 51.47, 47.58, -26.06

 

CMYK 0 / 39 / 5 / 24

HEX #C176B7

RGB 193 118 183

HSL 308, 0.38%, 0.61%

LAB 59.63, 39.16, -22.03

 

CMYK 0 / 29 / 4 / 19

HEX #CE92C6

RGB 206 146 198

HSL 308, 0.38%, 0.69%

LAB 67.84, 30.97, -17.85

 

CMYK 0 / 51 / 7 / 29

HEX #B458A8

RGB 180 88 168

HSL 307.83, 0.38%, 0.53%

LAB 51.28, 48.08, -26.36

 

CMYK 0 / 34 / 51 / 29

HEX #B47659

RGB 180 118 89

HSL 19.12, 0.38%, 0.53%

LAB 55.46, 21.07, 25.92

 

CMYK 51 / 0 / 14 / 29

HEX #59B49A

RGB 89 180 154

HSL 162.86, 0.38%, 0.53%

LAB 67.35, -33.56, 4.97

 

CMYK 0 / 51 / 7 / 29

HEX #B458A8

RGB 180 88 168

HSL 307.83, 0.38%, 0.53%

LAB 51.28, 48.08, -26.36

 

CMYK 6 / 0 / 51 / 29

HEX #AAB459

RGB 170 180 89

HSL 66.59, 0.38%, 0.53%

LAB 70.81, -16.81, 44.77

 

CMYK 51 / 6 / 0 / 29

HEX #59AAB4

RGB 89 170 180

HSL 186.59, 0.38%, 0.53%

LAB 65.1, -21.96, -12.78

 

CMYK 0 / 51 / 7 / 29

HEX #B458A8

RGB 180 88 168

HSL 307.83, 0.38%, 0.53%

LAB 51.28, 48.08, -26.36

 

CMYK 0 / 34 / 51 / 29

HEX #B47659

RGB 180 118 89

HSL 19.12, 0.38%, 0.53%

LAB 55.46, 21.07, 25.92

 

CMYK 51 / 0 / 44 / 29

HEX #59B464

RGB 89 180 100

HSL 127.25, 0.38%, 0.53%

LAB 66.28, -44.25, 32.61

 

CMYK 51 / 16 / 0 / 29

HEX #5997B4

RGB 89 151 180

HSL 199.12, 0.38%, 0.53%

LAB 59.48, -11.87, -21.29

 

CMYK 0 / 51 / 7 / 29

HEX #B458A8

RGB 180 88 168

HSL 307.83, 0.38%, 0.53%

LAB 51.28, 48.08, -26.36

 

CMYK 0 / 19 / 51 / 29

HEX #B49159

RGB 180 145 89

HSL 36.92, 0.38%, 0.53%

LAB 62.23, 6.04, 34.54

 

CMYK 51 / 0 / 44 / 29

HEX #59B464

RGB 89 180 100

HSL 127.25, 0.38%, 0.53%

LAB 66.28, -44.25, 32.61

 

CMYK 51 / 31 / 0 / 29

HEX #597CB4

RGB 89 124 180

HSL 216.92, 0.38%, 0.53%

LAB 51.65, 3.63, -33.41

 

Description

Color code: RGB 180 88 168 | qconv.com Color code: RGB 180 88 168 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 88 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 88 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 7 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 7% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

54% - Home - isABelt Webst...
Link: http://isabelt.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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