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Color name
RGB 180 79 47

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 79 47 it is the complementary color RGB 75 176 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 79 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 79 47 shade: RGB 185 79 42, RGB 202 97 61, RGB 219 115 80, RGB 236 133 99 and RGB 253 151 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 79 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 79 47 shade: RGB 180 79 47, RGB 163 61 28, RGB 146 43 9, RGB 129 25 0 and RGB 112 7 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 79 47 shade: RGB 182 79 47 and RGB 182 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 79 47 shade: RGB 182 79 47, RGB 182 116 47, RGB 182 152 47, RGB 175 182 47 and RGB 139 182 47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 79 47 shade matches the following richer shades: RGB 182 79 47, RGB 201 70 28 and RGB 219 60 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 79 47 shade: RGB 182 79 47, RGB 163 89 65, RGB 145 98 84, RGB 126 108 102 and RGB 108 118 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 79 47 shade: RGB 182 47 87, RGB 182 47 51, RGB 182 78 47, RGB 182 114 47 and RGB 182 150 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 79 47 shade: RGB 116 51 30, RGB 149 65 38, RGB 182 79 47, RGB 205 98 64 and RGB 214 125 97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 79 47 shade: RGB 180 79 47, RGB 123 182 47 and RGB 47 69 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 79 47 shade: RGB 180 79 47, RGB 47 182 78 and RGB 78 47 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 79 47 shade: RGB 180 79 47, RGB 123 182 47, RGB 47 150 182 and RGB 105 47 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 79 47 shade: RGB 180 79 47, RGB 83 182 47, RGB 47 150 182 and RGB 146 47 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 74 / 29

HEX #B44F2F

RGB 180 79 47

HSL 14.44, 0.59%, 0.45%

LAB 46.31, 39.02, 38.21

 

Complementary color

CMYK 64 / 15 / 0 / 18

HEX #4BB0D0

RGB 75 176 208

HSL 194.44, 0.59%, 0.55%

LAB 67.35, -19.56, -24.92

 

CMYK 0 / 57 / 77 / 27

HEX #B94F2A

RGB 185 79 42

HSL 15.52, 0.63%, 0.45%

LAB 47.07, 40.72, 41.88

 

CMYK 0 / 52 / 70 / 21

HEX #CA613D

RGB 202 97 61

HSL 15.32, 0.57%, 0.52%

LAB 53.43, 39.16, 39.59

 

CMYK 0 / 47 / 63 / 14

HEX #DB7350

RGB 219 115 80

HSL 15.11, 0.66%, 0.59%

LAB 59.8, 37.68, 37.44

 

CMYK 0 / 44 / 58 / 7

HEX #EC8563

RGB 236 133 99

HSL 14.89, 0.78%, 0.66%

LAB 66.14, 36.3, 35.49

 

CMYK 0 / 40 / 53 / 1

HEX #FD9776

RGB 253 151 118

HSL 14.67, 0.97%, 0.73%

LAB 72.44, 35.04, 33.72

 

CMYK 0 / 56 / 74 / 29

HEX #B44F2F

RGB 180 79 47

HSL 14.44, 0.59%, 0.45%

LAB 46.31, 39.02, 38.21

 

CMYK 0 / 63 / 83 / 36

HEX #A33D1C

RGB 163 61 28

HSL 14.67, 0.71%, 0.37%

LAB 39.93, 40.55, 40.61

 

CMYK 0 / 71 / 94 / 43

HEX #922B09

RGB 146 43 9

HSL 14.89, 0.88%, 0.3%

LAB 33.69, 41.9, 42.4

 

CMYK 0 / 81 / 100 / 49

HEX #811900

RGB 129 25 0

HSL 11.63, 1%, 0.25%

LAB 27.74, 42.68, 40.12

 

CMYK 0 / 94 / 100 / 56

HEX #700700

RGB 112 7 0

HSL 3.75, 1%, 0.22%

LAB 22.29, 42.09, 33.6

 

CMYK 0 / 57 / 74 / 29

HEX #B64F2F

RGB 182 79 47

HSL 14.22, 0.59%, 0.45%

LAB 46.63, 39.79, 38.65

 

CMYK 0 / 74 / 74 / 29

HEX #B62F2F

RGB 182 47 47

HSL 0, 0.59%, 0.45%

LAB 41.51, 53.54, 32.98

 

CMYK 0 / 57 / 74 / 29

HEX #B64F2F

RGB 182 79 47

HSL 14.22, 0.59%, 0.45%

LAB 46.63, 39.79, 38.65

 

CMYK 0 / 36 / 74 / 29

HEX #B6742F

RGB 182 116 47

HSL 30.67, 0.59%, 0.45%

LAB 54.7, 20.04, 47.14

 

CMYK 0 / 16 / 74 / 29

HEX #B6982F

RGB 182 152 47

HSL 46.67, 0.59%, 0.45%

LAB 63.84, 0.15, 56.23

 

CMYK 4 / 0 / 74 / 29

HEX #AFB62F

RGB 175 182 47

HSL 63.11, 0.59%, 0.45%

LAB 71.4, -18.62, 63.23

 

CMYK 24 / 0 / 74 / 29

HEX #8BB62F

RGB 139 182 47

HSL 79.11, 0.59%, 0.45%

LAB 68.86, -33.52, 59.92

 

CMYK 0 / 57 / 74 / 29

HEX #B64F2F

RGB 182 79 47

HSL 14.22, 0.59%, 0.45%

LAB 46.63, 39.79, 38.65

 

CMYK 0 / 65 / 86 / 21

HEX #C9461C

RGB 201 70 28

HSL 14.57, 0.76%, 0.45%

LAB 48.11, 50.25, 50.39

 

CMYK 0 / 73 / 96 / 14

HEX #DB3C09

RGB 219 60 9

HSL 14.57, 0.92%, 0.45%

LAB 49.87, 59.79, 59.39

 

CMYK 0 / 57 / 74 / 29

HEX #B64F2F

RGB 182 79 47

HSL 14.22, 0.59%, 0.45%

LAB 46.63, 39.79, 38.65

 

CMYK 0 / 45 / 60 / 36

HEX #A35941

RGB 163 89 65

HSL 14.69, 0.43%, 0.45%

LAB 46.06, 28.05, 27.18

 

CMYK 0 / 32 / 42 / 43

HEX #916254

RGB 145 98 84

HSL 13.77, 0.27%, 0.45%

LAB 46.17, 17.25, 15.68

 

CMYK 0 / 14 / 19 / 51

HEX #7E6C66

RGB 126 108 102

HSL 15, 0.11%, 0.45%

LAB 47.13, 6.04, 5.97

 

CMYK 11 / 2 / 0 / 53

HEX #6C7679

RGB 108 118 121

HSL 193.85, 0.06%, 0.45%

LAB 48.92, -3.08, -2.93

 

CMYK 0 / 74 / 52 / 29

HEX #B62F57

RGB 182 47 87

HSL 342.22, 0.59%, 0.45%

LAB 42.26, 56.02, 9.31

 

CMYK 0 / 74 / 72 / 29

HEX #B62F33

RGB 182 47 51

HSL 358.22, 0.59%, 0.45%

LAB 41.56, 53.72, 30.67

 

CMYK 0 / 57 / 74 / 29

HEX #B64E2F

RGB 182 78 47

HSL 13.78, 0.59%, 0.45%

LAB 46.44, 40.28, 38.45

 

CMYK 0 / 37 / 74 / 29

HEX #B6722F

RGB 182 114 47

HSL 29.78, 0.59%, 0.45%

LAB 54.22, 21.15, 46.65

 

CMYK 0 / 18 / 74 / 29

HEX #B6962F

RGB 182 150 47

HSL 45.78, 0.59%, 0.45%

LAB 63.31, 1.24, 55.72

 

CMYK 0 / 56 / 74 / 55

HEX #74331E

RGB 116 51 30

HSL 14.65, 0.59%, 0.29%

LAB 29.85, 27.03, 26.58

 

CMYK 0 / 56 / 74 / 42

HEX #954126

RGB 149 65 38

HSL 14.59, 0.59%, 0.37%

LAB 38.39, 33.54, 33.03

 

CMYK 0 / 57 / 74 / 29

HEX #B64F2F

RGB 182 79 47

HSL 14.22, 0.59%, 0.45%

LAB 46.63, 39.79, 38.65

 

CMYK 0 / 52 / 69 / 20

HEX #CD6240

RGB 205 98 64

HSL 14.47, 0.59%, 0.53%

LAB 54.12, 39.97, 38.88

 

CMYK 0 / 42 / 55 / 16

HEX #D67D61

RGB 214 125 97

HSL 14.36, 0.59%, 0.61%

LAB 61.5, 31.74, 30.09

 

CMYK 0 / 56 / 74 / 29

HEX #B44F2F

RGB 180 79 47

HSL 14.44, 0.59%, 0.45%

LAB 46.31, 39.02, 38.21

 

CMYK 32 / 0 / 74 / 29

HEX #7BB62F

RGB 123 182 47

HSL 86.22, 0.59%, 0.45%

LAB 67.93, -39.65, 58.69

 

CMYK 74 / 62 / 0 / 29

HEX #2F45B6

RGB 47 69 182

HSL 230.22, 0.59%, 0.45%

LAB 34.47, 31.48, -62.2

 

CMYK 0 / 56 / 74 / 29

HEX #B44F2F

RGB 180 79 47

HSL 14.44, 0.59%, 0.45%

LAB 46.31, 39.02, 38.21

 

CMYK 74 / 0 / 57 / 29

HEX #2FB64E

RGB 47 182 78

HSL 133.78, 0.59%, 0.45%

LAB 65.44, -57.29, 42.26

 

CMYK 57 / 74 / 0 / 29

HEX #4E2FB6

RGB 78 47 182

HSL 253.78, 0.59%, 0.45%

LAB 31.88, 48.6, -66.37

 

CMYK 0 / 56 / 74 / 29

HEX #B44F2F

RGB 180 79 47

HSL 14.44, 0.59%, 0.45%

LAB 46.31, 39.02, 38.21

 

CMYK 32 / 0 / 74 / 29

HEX #7BB62F

RGB 123 182 47

HSL 86.22, 0.59%, 0.45%

LAB 67.93, -39.65, 58.69

 

CMYK 74 / 18 / 0 / 29

HEX #2F96B6

RGB 47 150 182

HSL 194.22, 0.59%, 0.45%

LAB 57.84, -18.32, -25.06

 

CMYK 42 / 74 / 0 / 29

HEX #692FB6

RGB 105 47 182

HSL 265.78, 0.59%, 0.45%

LAB 34.83, 52.81, -61.42

 

CMYK 0 / 56 / 74 / 29

HEX #B44F2F

RGB 180 79 47

HSL 14.44, 0.59%, 0.45%

LAB 46.31, 39.02, 38.21

 

CMYK 54 / 0 / 74 / 29

HEX #53B62F

RGB 83 182 47

HSL 104, 0.59%, 0.45%

LAB 66.14, -52.69, 56.32

 

CMYK 74 / 18 / 0 / 29

HEX #2F96B6

RGB 47 150 182

HSL 194.22, 0.59%, 0.45%

LAB 57.84, -18.32, -25.06

 

CMYK 20 / 74 / 0 / 29

HEX #922FB6

RGB 146 47 182

HSL 284, 0.59%, 0.45%

LAB 40.45, 60.47, -52.05

 

Description

Color code: RGB 180 79 47 | qconv.com Color code: RGB 180 79 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 79 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 79 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 74 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 74% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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