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Color name
RGB 180 43 15

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 43 15 it is the complementary color RGB 75 212 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 43 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 43 15 shade: RGB 185 43 10, RGB 202 61 29, RGB 219 79 48, RGB 236 97 67 and RGB 253 115 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 43 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 43 15 shade: RGB 180 43 15, RGB 163 25 0, RGB 146 7 0, RGB 129 0 0 and RGB 112 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 43 15 shade: RGB 179 42 14 and RGB 179 14 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 43 15 shade: RGB 179 42 14, RGB 179 86 14, RGB 179 131 14, RGB 179 175 14 and RGB 138 179 14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 43 15 shade matches the following richer shades: RGB 179 42 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 43 15 shade: RGB 179 42 14, RGB 163 52 30, RGB 147 63 45, RGB 132 73 61 and RGB 116 83 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 43 15 shade: RGB 179 14 74, RGB 179 14 31, RGB 179 41 14, RGB 179 85 14 and RGB 179 129 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 43 15 shade: RGB 102 24 8, RGB 141 33 11, RGB 179 42 14, RGB 217 51 17 and RGB 237 72 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 43 15 shade: RGB 180 43 15, RGB 118 179 14 and RGB 14 52 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 43 15 shade: RGB 180 43 15, RGB 14 179 41 and RGB 41 14 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 43 15 shade: RGB 180 43 15, RGB 118 179 14, RGB 14 151 179 and RGB 74 14 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 43 15 shade: RGB 180 43 15, RGB 69 179 14, RGB 14 151 179 and RGB 124 14 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 92 / 29

HEX #B42B0F

RGB 180 43 15

HSL 10.18, 0.85%, 0.38%

LAB 40.35, 53.36, 47.94

 

Complementary color

CMYK 69 / 12 / 0 / 6

HEX #4BD4F0

RGB 75 212 240

HSL 190.18, 0.85%, 0.62%

LAB 78.97, -27.99, -24.52

 

CMYK 0 / 77 / 95 / 27

HEX #B92B0A

RGB 185 43 10

HSL 11.31, 0.9%, 0.38%

LAB 41.32, 54.86, 50.74

 

CMYK 0 / 70 / 86 / 21

HEX #CA3D1D

RGB 202 61 29

HSL 11.1, 0.75%, 0.45%

LAB 46.95, 54.26, 49.06

 

CMYK 0 / 64 / 78 / 14

HEX #DB4F30

RGB 219 79 48

HSL 10.88, 0.7%, 0.52%

LAB 52.8, 53.23, 46.49

 

CMYK 0 / 59 / 72 / 7

HEX #EC6143

RGB 236 97 67

HSL 10.65, 0.82%, 0.59%

LAB 58.78, 52, 43.86

 

CMYK 0 / 55 / 66 / 1

HEX #FD7356

RGB 253 115 86

HSL 10.42, 0.98%, 0.66%

LAB 64.82, 50.7, 41.4

 

CMYK 0 / 76 / 92 / 29

HEX #B42B0F

RGB 180 43 15

HSL 10.18, 0.85%, 0.38%

LAB 40.35, 53.36, 47.94

 

CMYK 0 / 85 / 100 / 36

HEX #A31900

RGB 163 25 0

HSL 9.2, 1%, 0.32%

LAB 34.97, 53.2, 48.52

 

CMYK 0 / 95 / 100 / 43

HEX #920700

RGB 146 7 0

HSL 2.88, 1%, 0.29%

LAB 30.07, 51.78, 43.54

 

CMYK 0 / 100 / 100 / 49

HEX #810000

RGB 129 0 0

HSL 0, 1%, 0.25%

LAB 25.76, 48.33, 38.36

 

CMYK 0 / 100 / 100 / 56

HEX #700000

RGB 112 0 0

HSL 0, 1%, 0.22%

LAB 21.74, 43.67, 33.02

 

CMYK 0 / 77 / 92 / 30

HEX #B32A0E

RGB 179 42 14

HSL 10.18, 0.85%, 0.38%

LAB 40.03, 53.36, 48

 

CMYK 0 / 92 / 92 / 30

HEX #B30E0E

RGB 179 14 14

HSL 0, 0.85%, 0.38%

LAB 37.72, 59.93, 46.44

 

CMYK 0 / 77 / 92 / 30

HEX #B32A0E

RGB 179 42 14

HSL 10.18, 0.85%, 0.38%

LAB 40.03, 53.36, 48

 

CMYK 0 / 52 / 92 / 30

HEX #B3560E

RGB 179 86 14

HSL 26.18, 0.85%, 0.38%

LAB 47.33, 34.02, 53.14

 

CMYK 0 / 27 / 92 / 30

HEX #B3830E

RGB 179 131 14

HSL 42.55, 0.85%, 0.38%

LAB 57.89, 9.31, 60.95

 

CMYK 0 / 2 / 92 / 30

HEX #B3AF0E

RGB 179 175 14

HSL 58.55, 0.85%, 0.38%

LAB 69.67, -14.31, 69.95

 

CMYK 23 / 0 / 92 / 30

HEX #8AB30E

RGB 138 179 14

HSL 74.91, 0.85%, 0.38%

LAB 67.78, -33.74, 67.17

 

CMYK 0 / 77 / 92 / 30

HEX #B32A0E

RGB 179 42 14

HSL 10.18, 0.85%, 0.38%

LAB 40.03, 53.36, 48

 

CMYK 0 / 77 / 92 / 30

HEX #B32A0E

RGB 179 42 14

HSL 10.18, 0.85%, 0.38%

LAB 40.03, 53.36, 48

 

CMYK 0 / 68 / 82 / 36

HEX #A3341E

RGB 163 52 30

HSL 9.92, 0.69%, 0.38%

LAB 38.44, 44.65, 38.17

 

CMYK 0 / 57 / 69 / 42

HEX #933F2D

RGB 147 63 45

HSL 10.59, 0.53%, 0.38%

LAB 37.75, 34.16, 28.18

 

CMYK 0 / 45 / 54 / 48

HEX #84493D

RGB 132 73 61

HSL 10.14, 0.37%, 0.38%

LAB 37.86, 23.75, 18.15

 

CMYK 0 / 28 / 34 / 55

HEX #74534D

RGB 116 83 77

HSL 9.23, 0.2%, 0.38%

LAB 38.61, 12.87, 8.94

 

CMYK 0 / 92 / 59 / 30

HEX #B30E4A

RGB 179 14 74

HSL 338.18, 0.85%, 0.38%

LAB 38.54, 62.24, 12.3

 

CMYK 0 / 92 / 83 / 30

HEX #B30E1F

RGB 179 14 31

HSL 353.82, 0.85%, 0.38%

LAB 37.84, 60.27, 38.14

 

CMYK 0 / 77 / 92 / 30

HEX #B3290E

RGB 179 41 14

HSL 9.82, 0.85%, 0.38%

LAB 39.92, 53.68, 47.92

 

CMYK 0 / 53 / 92 / 30

HEX #B3550E

RGB 179 85 14

HSL 25.82, 0.85%, 0.38%

LAB 47.12, 34.54, 52.99

 

CMYK 0 / 28 / 92 / 30

HEX #B3810E

RGB 179 129 14

HSL 41.82, 0.85%, 0.38%

LAB 57.38, 10.42, 60.57

 

CMYK 0 / 76 / 92 / 60

HEX #661808

RGB 102 24 8

HSL 10.21, 0.85%, 0.22%

LAB 21.93, 33.93, 29.28

 

CMYK 0 / 77 / 92 / 45

HEX #8D210B

RGB 141 33 11

HSL 10.15, 0.86%, 0.3%

LAB 31.29, 44.11, 39.46

 

CMYK 0 / 77 / 92 / 30

HEX #B32A0E

RGB 179 42 14

HSL 10.18, 0.85%, 0.38%

LAB 40.03, 53.36, 48

 

CMYK 0 / 76 / 92 / 15

HEX #D93311

RGB 217 51 17

HSL 10.2, 0.85%, 0.46%

LAB 48.46, 62.21, 56.12

 

CMYK 0 / 70 / 84 / 7

HEX #ED4826

RGB 237 72 38

HSL 10.25, 0.85%, 0.54%

LAB 54.84, 61.66, 54.31

 

CMYK 0 / 76 / 92 / 29

HEX #B42B0F

RGB 180 43 15

HSL 10.18, 0.85%, 0.38%

LAB 40.35, 53.36, 47.94

 

CMYK 34 / 0 / 92 / 30

HEX #76B30E

RGB 118 179 14

HSL 82.18, 0.85%, 0.38%

LAB 66.61, -41.52, 65.74

 

CMYK 92 / 71 / 0 / 30

HEX #0E34B3

RGB 14 52 179

HSL 226.18, 0.85%, 0.38%

LAB 28.91, 38.82, -69.6

 

CMYK 0 / 76 / 92 / 29

HEX #B42B0F

RGB 180 43 15

HSL 10.18, 0.85%, 0.38%

LAB 40.35, 53.36, 47.94

 

CMYK 92 / 0 / 77 / 30

HEX #0EB329

RGB 14 179 41

HSL 129.82, 0.85%, 0.38%

LAB 63.75, -63.69, 55.55

 

CMYK 77 / 92 / 0 / 30

HEX #290EB3

RGB 41 14 179

HSL 249.82, 0.85%, 0.38%

LAB 23.8, 58.07, -78.04

 

CMYK 0 / 76 / 92 / 29

HEX #B42B0F

RGB 180 43 15

HSL 10.18, 0.85%, 0.38%

LAB 40.35, 53.36, 47.94

 

CMYK 34 / 0 / 92 / 30

HEX #76B30E

RGB 118 179 14

HSL 82.18, 0.85%, 0.38%

LAB 66.61, -41.52, 65.74

 

CMYK 92 / 16 / 0 / 30

HEX #0E97B3

RGB 14 151 179

HSL 190.18, 0.85%, 0.38%

LAB 57.54, -22.68, -23.87

 

CMYK 59 / 92 / 0 / 30

HEX #4A0EB3

RGB 74 14 179

HSL 261.82, 0.85%, 0.38%

LAB 26.8, 60.03, -72.97

 

CMYK 0 / 76 / 92 / 29

HEX #B42B0F

RGB 180 43 15

HSL 10.18, 0.85%, 0.38%

LAB 40.35, 53.36, 47.94

 

CMYK 61 / 0 / 92 / 30

HEX #45B30E

RGB 69 179 14

HSL 100, 0.85%, 0.38%

LAB 64.59, -56.82, 63.25

 

CMYK 92 / 16 / 0 / 30

HEX #0E97B3

RGB 14 151 179

HSL 190.18, 0.85%, 0.38%

LAB 57.54, -22.68, -23.87

 

CMYK 31 / 92 / 0 / 30

HEX #7C0EB3

RGB 124 14 179

HSL 280, 0.85%, 0.38%

LAB 33.68, 65.4, -61.41

 

Description

Color code: RGB 180 43 15 | qconv.com Color code: RGB 180 43 15 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 43 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 43 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 92 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 92% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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