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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 255 209 it is the complementary color RGB 75 0 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 255 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 255 209 shade: RGB 185 255 204, RGB 202 255 223, RGB 219 255 242, RGB 236 255 255 and RGB 253 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 255 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 255 209 shade: RGB 180 255 209, RGB 163 237 190, RGB 146 219 171, RGB 129 201 152 and RGB 112 183 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 255 209 shade: RGB 178 255 208, RGB 178 255 187, RGB 190 255 178, RGB 210 255 178 and RGB 231 255 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 255 209 shade: RGB 178 255 208, RGB 178 255 228, RGB 178 255 249, RGB 178 240 255 and RGB 178 219 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 255 209 shade matches the following richer shades: RGB 178 255 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 255 209 shade: RGB 178 255 208, RGB 184 248 209, RGB 190 242 210, RGB 197 236 212 and RGB 203 230 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 255 209 shade: RGB 189 255 178, RGB 178 255 187, RGB 178 255 207, RGB 178 255 228 and RGB 178 255 248

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 255 209 shade: RGB 95 255 157, RGB 137 255 182, RGB 178 255 208 and RGB 219 255 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 255 209 shade: RGB 180 255 209, RGB 178 210 255 and RGB 255 178 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 255 209 shade: RGB 180 255 209, RGB 207 178 255 and RGB 255 207 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 255 209 shade: RGB 180 255 209, RGB 178 210 255, RGB 255 178 225 and RGB 255 223 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 255 209 shade: RGB 180 255 209, RGB 178 187 255, RGB 255 178 225 and RGB 255 246 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 18 / 0

HEX #B4FFD1

RGB 180 255 209

HSL 143.2, 1%, 0.85%

LAB 94.24, -32.2, 14.7

 

Complementary color

CMYK 0 / 100 / 39 / 71

HEX #4B002E

RGB 75 0 46

HSL 323.2, 1%, 0.15%

LAB 13.79, 36.27, -7.2

 

CMYK 27 / 0 / 20 / 0

HEX #B9FFCC

RGB 185 255 204

HSL 136.29, 1%, 0.86%

LAB 94.4, -31.59, 17.52

 

CMYK 21 / 0 / 13 / 0

HEX #CAFFDF

RGB 202 255 223

HSL 143.77, 1%, 0.9%

LAB 95.75, -22.87, 9.83

 

CMYK 14 / 0 / 5 / 0

HEX #DBFFF2

RGB 219 255 242

HSL 158.33, 1%, 0.93%

LAB 97.22, -13.99, 2.32

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 29 / 0 / 18 / 0

HEX #B4FFD1

RGB 180 255 209

HSL 143.2, 1%, 0.85%

LAB 94.24, -32.2, 14.7

 

CMYK 31 / 0 / 20 / 7

HEX #A3EDBE

RGB 163 237 190

HSL 141.89, 0.67%, 0.78%

LAB 88, -32.44, 15.58

 

CMYK 33 / 0 / 22 / 14

HEX #92DBAB

RGB 146 219 171

HSL 140.55, 0.5%, 0.72%

LAB 81.68, -32.69, 16.51

 

CMYK 36 / 0 / 24 / 21

HEX #81C998

RGB 129 201 152

HSL 139.17, 0.4%, 0.65%

LAB 75.27, -32.96, 17.51

 

CMYK 39 / 0 / 27 / 28

HEX #70B785

RGB 112 183 133

HSL 137.75, 0.33%, 0.58%

LAB 68.76, -33.23, 18.57

 

CMYK 30 / 0 / 18 / 0

HEX #B2FFD0

RGB 178 255 208

HSL 143.38, 1%, 0.85%

LAB 94.11, -32.98, 15.02

 

CMYK 30 / 0 / 27 / 0

HEX #B2FFBB

RGB 178 255 187

HSL 127.01, 1%, 0.85%

LAB 93.7, -36.68, 25.16

 

CMYK 25 / 0 / 30 / 0

HEX #BEFFB2

RGB 190 255 178

HSL 110.65, 1%, 0.85%

LAB 94.18, -34.31, 30.46

 

CMYK 18 / 0 / 30 / 0

HEX #D2FFB2

RGB 210 255 178

HSL 95.06, 1%, 0.85%

LAB 95.34, -27.6, 32.23

 

CMYK 9 / 0 / 30 / 0

HEX #E7FFB2

RGB 231 255 178

HSL 78.7, 1%, 0.85%

LAB 96.71, -20.2, 34.29

 

CMYK 30 / 0 / 18 / 0

HEX #B2FFD0

RGB 178 255 208

HSL 143.38, 1%, 0.85%

LAB 94.11, -32.98, 15.02

 

CMYK 30 / 0 / 11 / 0

HEX #B2FFE4

RGB 178 255 228

HSL 158.96, 1%, 0.85%

LAB 94.56, -29.1, 5.38

 

CMYK 30 / 0 / 2 / 0

HEX #B2FFF9

RGB 178 255 249

HSL 175.32, 1%, 0.85%

LAB 95.09, -24.68, -4.69

 

CMYK 30 / 6 / 0 / 0

HEX #B2F0FF

RGB 178 240 255

HSL 191.69, 1%, 0.85%

LAB 91.24, -15.98, -13.51

 

CMYK 30 / 14 / 0 / 0

HEX #B2DBFF

RGB 178 219 255

HSL 208.05, 1%, 0.85%

LAB 85.68, -5.24, -21.88

 

CMYK 30 / 0 / 18 / 0

HEX #B2FFD0

RGB 178 255 208

HSL 143.38, 1%, 0.85%

LAB 94.11, -32.98, 15.02

 

CMYK 30 / 0 / 18 / 0

HEX #B2FFD0

RGB 178 255 208

HSL 143.38, 1%, 0.85%

LAB 94.11, -32.98, 15.02

 

CMYK 26 / 0 / 16 / 3

HEX #B8F8D1

RGB 184 248 209

HSL 143.44, 0.82%, 0.85%

LAB 92.54, -27.7, 12.32

 

CMYK 21 / 0 / 13 / 5

HEX #BEF2D2

RGB 190 242 210

HSL 143.08, 0.67%, 0.85%

LAB 91.28, -22.76, 10.05

 

CMYK 17 / 0 / 10 / 7

HEX #C5ECD4

RGB 197 236 212

HSL 143.08, 0.51%, 0.85%

LAB 90.14, -17.22, 7.44

 

CMYK 12 / 0 / 7 / 10

HEX #CBE6D5

RGB 203 230 213

HSL 142.22, 0.35%, 0.85%

LAB 88.97, -12.07, 5.27

 

CMYK 26 / 0 / 30 / 0

HEX #BDFFB2

RGB 189 255 178

HSL 111.43, 1%, 0.85%

LAB 94.12, -34.64, 30.37

 

CMYK 30 / 0 / 27 / 0

HEX #B2FFBB

RGB 178 255 187

HSL 127.01, 1%, 0.85%

LAB 93.7, -36.68, 25.16

 

CMYK 30 / 0 / 19 / 0

HEX #B2FFCF

RGB 178 255 207

HSL 142.6, 1%, 0.85%

LAB 94.09, -33.16, 15.5

 

CMYK 30 / 0 / 11 / 0

HEX #B2FFE4

RGB 178 255 228

HSL 158.96, 1%, 0.85%

LAB 94.56, -29.1, 5.38

 

CMYK 30 / 0 / 3 / 0

HEX #B2FFF8

RGB 178 255 248

HSL 174.55, 1%, 0.85%

LAB 95.06, -24.9, -4.21

 

CMYK 63 / 0 / 38 / 0

HEX #5FFF9D

RGB 95 255 157

HSL 143.25, 1%, 0.69%

LAB 90.04, -62.9, 34.75

 

CMYK 46 / 0 / 29 / 0

HEX #89FFB6

RGB 137 255 182

HSL 142.88, 1%, 0.77%

LAB 91.78, -49.13, 24.77

 

CMYK 30 / 0 / 18 / 0

HEX #B2FFD0

RGB 178 255 208

HSL 143.38, 1%, 0.85%

LAB 94.11, -32.98, 15.02

 

CMYK 14 / 0 / 9 / 0

HEX #DBFFE9

RGB 219 255 233

HSL 143.33, 1%, 0.93%

LAB 97.01, -15.65, 6.63

 

CMYK 29 / 0 / 18 / 0

HEX #B4FFD1

RGB 180 255 209

HSL 143.2, 1%, 0.85%

LAB 94.24, -32.2, 14.7

 

CMYK 30 / 18 / 0 / 0

HEX #B2D2FF

RGB 178 210 255

HSL 215.06, 1%, 0.85%

LAB 83.33, -0.51, -25.46

 

CMYK 0 / 30 / 30 / 0

HEX #FFB2B3

RGB 255 178 179

HSL 359.22, 1%, 0.85%

LAB 79.82, 28.19, 10.81

 

CMYK 29 / 0 / 18 / 0

HEX #B4FFD1

RGB 180 255 209

HSL 143.2, 1%, 0.85%

LAB 94.24, -32.2, 14.7

 

CMYK 19 / 30 / 0 / 0

HEX #CFB2FF

RGB 207 178 255

HSL 262.6, 1%, 0.85%

LAB 77.48, 25.3, -34.25

 

CMYK 0 / 19 / 30 / 0

HEX #FFCFB2

RGB 255 207 178

HSL 22.6, 1%, 0.85%

LAB 86.55, 12.88, 20.8

 

CMYK 29 / 0 / 18 / 0

HEX #B4FFD1

RGB 180 255 209

HSL 143.2, 1%, 0.85%

LAB 94.24, -32.2, 14.7

 

CMYK 30 / 18 / 0 / 0

HEX #B2D2FF

RGB 178 210 255

HSL 215.06, 1%, 0.85%

LAB 83.33, -0.51, -25.46

 

CMYK 0 / 30 / 12 / 0

HEX #FFB2E1

RGB 255 178 225

HSL 323.38, 1%, 0.85%

LAB 81.04, 34.88, -12.26

 

CMYK 0 / 13 / 30 / 0

HEX #FFDFB2

RGB 255 223 178

HSL 35.06, 1%, 0.85%

LAB 90.44, 4.62, 26.14

 

CMYK 29 / 0 / 18 / 0

HEX #B4FFD1

RGB 180 255 209

HSL 143.2, 1%, 0.85%

LAB 94.24, -32.2, 14.7

 

CMYK 30 / 27 / 0 / 0

HEX #B2BBFF

RGB 178 187 255

HSL 232.99, 1%, 0.85%

LAB 77.42, 11.92, -34.53

 

CMYK 0 / 30 / 12 / 0

HEX #FFB2E1

RGB 255 178 225

HSL 323.38, 1%, 0.85%

LAB 81.04, 34.88, -12.26

 

CMYK 0 / 4 / 30 / 0

HEX #FFF6B2

RGB 255 246 178

HSL 52.99, 1%, 0.85%

LAB 96.16, -7, 33.87

 

Description

Color code: RGB 180 255 209 | qconv.com Color code: RGB 180 255 209 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 255 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 255 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 18 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 18% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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