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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 20 7 it is the complementary color RGB 75 235 248. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 20 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 20 7 shade: RGB 185 20 2, RGB 202 38 21, RGB 219 56 40, RGB 236 74 59 and RGB 253 92 78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 20 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 20 7 shade: RGB 180 20 7, RGB 163 2 0, RGB 146 0 0, RGB 129 0 0 and RGB 112 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 20 7 shade: RGB 182 19 6 and RGB 182 6 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 20 7 shade: RGB 182 19 6, RGB 182 67 6, RGB 182 114 6, RGB 182 161 6 and RGB 155 182 6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 20 7 shade matches the following richer shades: RGB 182 19 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 20 7 shade: RGB 182 19 6, RGB 166 32 21, RGB 151 45 37, RGB 136 58 52 and RGB 121 71 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 20 7 shade: RGB 182 6 88, RGB 182 6 41, RGB 182 18 6, RGB 182 65 6 and RGB 182 111 6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 20 7 shade: RGB 102 11 3, RGB 142 15 5, RGB 182 19 6, RGB 221 24 8 and RGB 246 41 24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 20 7 shade: RGB 180 20 7, RGB 135 182 6 and RGB 6 65 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 20 7 shade: RGB 180 20 7, RGB 6 182 18 and RGB 18 6 182

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 20 7 shade: RGB 180 20 7, RGB 135 182 6, RGB 6 170 182 and RGB 53 6 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 20 7 shade: RGB 180 20 7, RGB 82 182 6, RGB 6 170 182 and RGB 106 6 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 96 / 29

HEX #B41407

RGB 180 20 7

HSL 4.51, 0.93%, 0.37%

LAB 38.23, 59.16, 49.42

 

Complementary color

CMYK 70 / 5 / 0 / 3

HEX #4BEBF8

RGB 75 235 248

HSL 184.51, 0.93%, 0.63%

LAB 85.85, -36.59, -18.32

 

CMYK 0 / 89 / 99 / 27

HEX #B91402

RGB 185 20 2

HSL 5.9, 0.98%, 0.37%

LAB 39.27, 60.47, 52.36

 

CMYK 0 / 81 / 90 / 21

HEX #CA2615

RGB 202 38 21

HSL 5.64, 0.81%, 0.44%

LAB 44.23, 61.54, 50.35

 

CMYK 0 / 74 / 82 / 14

HEX #DB3828

RGB 219 56 40

HSL 5.36, 0.71%, 0.51%

LAB 49.55, 61.68, 47.34

 

CMYK 0 / 69 / 75 / 7

HEX #EC4A3B

RGB 236 74 59

HSL 5.08, 0.82%, 0.58%

LAB 55.12, 61.24, 44.09

 

CMYK 0 / 64 / 69 / 1

HEX #FD5C4E

RGB 253 92 78

HSL 4.8, 0.98%, 0.65%

LAB 60.86, 60.45, 41.05

 

CMYK 0 / 89 / 96 / 29

HEX #B41407

RGB 180 20 7

HSL 4.51, 0.93%, 0.37%

LAB 38.23, 59.16, 49.42

 

CMYK 0 / 99 / 100 / 36

HEX #A30200

RGB 163 2 0

HSL 0.74, 1%, 0.32%

LAB 33.63, 57.05, 47.76

 

CMYK 0 / 100 / 100 / 43

HEX #920000

RGB 146 0 0

HSL 0, 1%, 0.29%

LAB 29.69, 52.87, 43.26

 

CMYK 0 / 100 / 100 / 49

HEX #810000

RGB 129 0 0

HSL 0, 1%, 0.25%

LAB 25.76, 48.33, 38.36

 

CMYK 0 / 100 / 100 / 56

HEX #700000

RGB 112 0 0

HSL 0, 1%, 0.22%

LAB 21.74, 43.67, 33.02

 

CMYK 0 / 90 / 97 / 29

HEX #B61306

RGB 182 19 6

HSL 4.43, 0.94%, 0.37%

LAB 38.59, 59.87, 50.2

 

CMYK 0 / 97 / 97 / 29

HEX #B60606

RGB 182 6 6

HSL 0, 0.94%, 0.37%

LAB 38, 61.58, 49.9

 

CMYK 0 / 90 / 97 / 29

HEX #B61306

RGB 182 19 6

HSL 4.43, 0.94%, 0.37%

LAB 38.59, 59.87, 50.2

 

CMYK 0 / 63 / 97 / 29

HEX #B64306

RGB 182 67 6

HSL 20.8, 0.94%, 0.37%

LAB 44.19, 44.4, 53.36

 

CMYK 0 / 37 / 97 / 29

HEX #B67206

RGB 182 114 6

HSL 36.82, 0.94%, 0.37%

LAB 54.02, 20, 59.77

 

CMYK 0 / 12 / 97 / 29

HEX #B6A106

RGB 182 161 6

HSL 52.84, 0.94%, 0.37%

LAB 66.1, -5.78, 68.41

 

CMYK 15 / 0 / 97 / 29

HEX #9BB606

RGB 155 182 6

HSL 69.2, 0.94%, 0.37%

LAB 69.78, -28.26, 70.21

 

CMYK 0 / 90 / 97 / 29

HEX #B61306

RGB 182 19 6

HSL 4.43, 0.94%, 0.37%

LAB 38.59, 59.87, 50.2

 

CMYK 0 / 90 / 97 / 29

HEX #B61306

RGB 182 19 6

HSL 4.43, 0.94%, 0.37%

LAB 38.59, 59.87, 50.2

 

CMYK 0 / 81 / 87 / 35

HEX #A62015

RGB 166 32 21

HSL 4.55, 0.78%, 0.37%

LAB 36.36, 52.56, 41.07

 

CMYK 0 / 70 / 75 / 41

HEX #972D25

RGB 151 45 37

HSL 4.21, 0.61%, 0.37%

LAB 35.18, 43.67, 30.15

 

CMYK 0 / 57 / 62 / 47

HEX #883A34

RGB 136 58 52

HSL 4.29, 0.45%, 0.37%

LAB 35.02, 32.9, 20.16

 

CMYK 0 / 41 / 45 / 53

HEX #794743

RGB 121 71 67

HSL 4.44, 0.29%, 0.37%

LAB 35.94, 20.9, 11.57

 

CMYK 0 / 97 / 52 / 29

HEX #B60658

RGB 182 6 88

HSL 332.05, 0.94%, 0.37%

LAB 39.21, 64.87, 4.35

 

CMYK 0 / 97 / 77 / 29

HEX #B60629

RGB 182 6 41

HSL 348.07, 0.94%, 0.37%

LAB 38.26, 62.3, 32.93

 

CMYK 0 / 90 / 97 / 29

HEX #B61206

RGB 182 18 6

HSL 4.09, 0.94%, 0.37%

LAB 38.53, 60.04, 50.17

 

CMYK 0 / 64 / 97 / 29

HEX #B64106

RGB 182 65 6

HSL 20.11, 0.94%, 0.37%

LAB 43.86, 45.3, 53.15

 

CMYK 0 / 39 / 97 / 29

HEX #B66F06

RGB 182 111 6

HSL 35.8, 0.94%, 0.37%

LAB 53.31, 21.67, 59.28

 

CMYK 0 / 89 / 97 / 60

HEX #660B03

RGB 102 11 3

HSL 4.85, 0.94%, 0.21%

LAB 20.32, 38.17, 29.57

 

CMYK 0 / 89 / 96 / 44

HEX #8E0F05

RGB 142 15 5

HSL 4.38, 0.93%, 0.29%

LAB 29.67, 49.38, 40.81

 

CMYK 0 / 90 / 97 / 29

HEX #B61306

RGB 182 19 6

HSL 4.43, 0.94%, 0.37%

LAB 38.59, 59.87, 50.2

 

CMYK 0 / 89 / 96 / 13

HEX #DD1808

RGB 221 24 8

HSL 4.51, 0.93%, 0.45%

LAB 47.03, 69.46, 58.34

 

CMYK 0 / 83 / 90 / 4

HEX #F62918

RGB 246 41 24

HSL 4.59, 0.93%, 0.53%

LAB 53.22, 73.08, 59.53

 

CMYK 0 / 89 / 96 / 29

HEX #B41407

RGB 180 20 7

HSL 4.51, 0.93%, 0.37%

LAB 38.23, 59.16, 49.42

 

CMYK 26 / 0 / 97 / 29

HEX #87B606

RGB 135 182 6

HSL 76.02, 0.94%, 0.37%

LAB 68.48, -36.44, 68.63

 

CMYK 97 / 64 / 0 / 29

HEX #0641B6

RGB 6 65 182

HSL 219.89, 0.94%, 0.37%

LAB 32.25, 31.24, -65.89

 

CMYK 0 / 89 / 96 / 29

HEX #B41407

RGB 180 20 7

HSL 4.51, 0.93%, 0.37%

LAB 38.23, 59.16, 49.42

 

CMYK 97 / 0 / 90 / 29

HEX #06B612

RGB 6 182 18

HSL 124.09, 0.94%, 0.37%

LAB 64.59, -66.16, 62.2

 

CMYK 90 / 97 / 0 / 29

HEX #1206B6

RGB 18 6 182

HSL 244.09, 0.94%, 0.37%

LAB 22.43, 60.19, -82.16

 

CMYK 0 / 89 / 96 / 29

HEX #B41407

RGB 180 20 7

HSL 4.51, 0.93%, 0.37%

LAB 38.23, 59.16, 49.42

 

CMYK 26 / 0 / 97 / 29

HEX #87B606

RGB 135 182 6

HSL 76.02, 0.94%, 0.37%

LAB 68.48, -36.44, 68.63

 

CMYK 97 / 7 / 0 / 29

HEX #06AAB6

RGB 6 170 182

HSL 184.09, 0.94%, 0.37%

LAB 63.48, -31.49, -16.5

 

CMYK 71 / 97 / 0 / 29

HEX #3506B6

RGB 53 6 182

HSL 256.02, 0.94%, 0.37%

LAB 24.53, 61.17, -78.61

 

CMYK 0 / 89 / 96 / 29

HEX #B41407

RGB 180 20 7

HSL 4.51, 0.93%, 0.37%

LAB 38.23, 59.16, 49.42

 

CMYK 55 / 0 / 97 / 29

HEX #52B606

RGB 82 182 6

HSL 94.09, 0.94%, 0.37%

LAB 65.95, -54.66, 65.56

 

CMYK 97 / 7 / 0 / 29

HEX #06AAB6

RGB 6 170 182

HSL 184.09, 0.94%, 0.37%

LAB 63.48, -31.49, -16.5

 

CMYK 42 / 97 / 0 / 29

HEX #6A06B6

RGB 106 6 182

HSL 274.09, 0.94%, 0.37%

LAB 30.81, 65.1, -68

 

Description

Color code: RGB 180 20 7 | qconv.com Color code: RGB 180 20 7 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 20 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 20 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 96 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 96% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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