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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 152 200 it is the complementary color RGB 75 103 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 152 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 152 200 shade: RGB 185 152 195, RGB 202 170 214, RGB 219 188 233, RGB 236 206 252 and RGB 253 224 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 152 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 152 200 shade: RGB 180 152 200, RGB 163 134 181, RGB 146 116 162, RGB 129 98 143 and RGB 112 80 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 152 200 shade: RGB 179 152 199, RGB 192 152 199, RGB 199 152 193, RGB 199 152 181 and RGB 199 152 168

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 152 200 shade: RGB 179 152 199, RGB 167 152 199, RGB 154 152 199 and RGB 152 152 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 152 200 shade matches the following richer shades: RGB 179 152 199, RGB 182 139 212, RGB 184 126 225, RGB 186 113 238 and RGB 188 101 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 152 200 shade: RGB 179 152 199, RGB 177 165 186, RGB 175 177 174, RGB 173 190 161 and RGB 171 203 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 152 200 shade: RGB 154 152 199, RGB 167 152 199, RGB 179 152 199, RGB 192 152 199 and RGB 199 152 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 152 200 shade: RGB 140 98 170, RGB 160 125 185, RGB 179 152 199, RGB 199 179 214 and RGB 219 205 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 152 200 shade: RGB 180 152 200, RGB 199 152 162 and RGB 152 199 160

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 152 200 shade: RGB 180 152 200, RGB 199 179 152 and RGB 152 199 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 152 200 shade: RGB 180 152 200, RGB 199 152 162, RGB 171 199 152 and RGB 152 199 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 152 200 shade: RGB 180 152 200, RGB 199 156 152, RGB 171 199 152 and RGB 152 195 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 24 / 0 / 22

HEX #B498C8

RGB 180 152 200

HSL 275, 0.3%, 0.69%

LAB 66.77, 19.4, -20.82

 

Complementary color

CMYK 27 / 0 / 47 / 60

HEX #4B6737

RGB 75 103 55

HSL 95, 0.3%, 0.31%

LAB 40.36, -19.87, 23.77

 

CMYK 5 / 22 / 0 / 24

HEX #B998C3

RGB 185 152 195

HSL 286.05, 0.26%, 0.68%

LAB 67.06, 20.04, -17.56

 

CMYK 6 / 21 / 0 / 16

HEX #CAAAD6

RGB 202 170 214

HSL 283.64, 0.35%, 0.75%

LAB 73.65, 19.53, -17.92

 

CMYK 6 / 19 / 0 / 9

HEX #DBBCE9

RGB 219 188 233

HSL 281.33, 0.51%, 0.83%

LAB 80.13, 19.06, -18.28

 

CMYK 6 / 18 / 0 / 1

HEX #ECCEFC

RGB 236 206 252

HSL 279.13, 0.88%, 0.9%

LAB 86.51, 18.62, -18.64

 

CMYK 1 / 12 / 0 / 0

HEX #FDE0FF

RGB 253 224 255

HSL 296.13, 1%, 0.94%

LAB 92.32, 15.25, -11.36

 

CMYK 10 / 24 / 0 / 22

HEX #B498C8

RGB 180 152 200

HSL 275, 0.3%, 0.69%

LAB 66.77, 19.4, -20.82

 

CMYK 10 / 26 / 0 / 29

HEX #A386B5

RGB 163 134 181

HSL 277.02, 0.24%, 0.62%

LAB 60.04, 19.95, -20.54

 

CMYK 10 / 28 / 0 / 36

HEX #9274A2

RGB 146 116 162

HSL 279.13, 0.2%, 0.55%

LAB 53.18, 20.55, -20.26

 

CMYK 10 / 31 / 0 / 44

HEX #81628F

RGB 129 98 143

HSL 281.33, 0.19%, 0.47%

LAB 46.16, 21.21, -20

 

CMYK 10 / 35 / 0 / 51

HEX #70507C

RGB 112 80 124

HSL 283.64, 0.22%, 0.4%

LAB 38.96, 21.95, -19.73

 

CMYK 10 / 24 / 0 / 22

HEX #B398C7

RGB 179 152 199

HSL 274.47, 0.3%, 0.69%

LAB 66.64, 18.86, -20.47

 

CMYK 4 / 24 / 0 / 22

HEX #C098C7

RGB 192 152 199

HSL 291.06, 0.3%, 0.69%

LAB 67.86, 23.18, -18.5

 

CMYK 0 / 24 / 3 / 22

HEX #C798C1

RGB 199 152 193

HSL 307.66, 0.3%, 0.69%

LAB 68.35, 24.4, -14.36

 

CMYK 0 / 24 / 9 / 22

HEX #C798B5

RGB 199 152 181

HSL 322.98, 0.3%, 0.69%

LAB 67.97, 22.25, -8.24

 

CMYK 0 / 24 / 16 / 22

HEX #C798A8

RGB 199 152 168

HSL 339.57, 0.3%, 0.69%

LAB 67.6, 20.06, -1.53

 

CMYK 10 / 24 / 0 / 22

HEX #B398C7

RGB 179 152 199

HSL 274.47, 0.3%, 0.69%

LAB 66.64, 18.86, -20.47

 

CMYK 16 / 24 / 0 / 22

HEX #A798C7

RGB 167 152 199

HSL 259.15, 0.3%, 0.69%

LAB 65.59, 14.96, -22.17

 

CMYK 23 / 24 / 0 / 22

HEX #9A98C7

RGB 154 152 199

HSL 242.55, 0.3%, 0.69%

LAB 64.52, 10.83, -23.9

 

CMYK 24 / 24 / 0 / 22

HEX #9898C7

RGB 152 152 199

HSL 240, 0.3%, 0.69%

LAB 64.37, 10.21, -24.15

 

CMYK 10 / 24 / 0 / 22

HEX #B398C7

RGB 179 152 199

HSL 274.47, 0.3%, 0.69%

LAB 66.64, 18.86, -20.47

 

CMYK 14 / 34 / 0 / 17

HEX #B68BD4

RGB 182 139 212

HSL 275.34, 0.46%, 0.69%

LAB 64.29, 29.87, -31.3

 

CMYK 18 / 44 / 0 / 12

HEX #B87EE1

RGB 184 126 225

HSL 275.15, 0.62%, 0.69%

LAB 62.12, 40.49, -41.92

 

CMYK 22 / 53 / 0 / 7

HEX #BA71EE

RGB 186 113 238

HSL 275.04, 0.79%, 0.69%

LAB 60.27, 50.84, -52.07

 

CMYK 25 / 60 / 0 / 2

HEX #BC65FA

RGB 188 101 250

HSL 275.03, 0.94%, 0.69%

LAB 58.88, 60.02, -60.92

 

CMYK 10 / 24 / 0 / 22

HEX #B398C7

RGB 179 152 199

HSL 274.47, 0.3%, 0.69%

LAB 66.64, 18.86, -20.47

 

CMYK 5 / 11 / 0 / 27

HEX #B1A5BA

RGB 177 165 186

HSL 274.29, 0.13%, 0.69%

LAB 69.33, 8.3, -9.22

 

CMYK 1 / 0 / 2 / 31

HEX #AFB1AE

RGB 175 177 174

HSL 100, 0.02%, 0.69%

LAB 71.97, -1.26, 1.28

 

CMYK 9 / 0 / 15 / 25

HEX #ADBEA1

RGB 173 190 161

HSL 95.17, 0.18%, 0.69%

LAB 75, -11.18, 12.69

 

CMYK 16 / 0 / 27 / 20

HEX #ABCB94

RGB 171 203 148

HSL 94.91, 0.35%, 0.69%

LAB 78.17, -20.62, 24.01

 

CMYK 23 / 24 / 0 / 22

HEX #9A98C7

RGB 154 152 199

HSL 242.55, 0.3%, 0.69%

LAB 64.52, 10.83, -23.9

 

CMYK 16 / 24 / 0 / 22

HEX #A798C7

RGB 167 152 199

HSL 259.15, 0.3%, 0.69%

LAB 65.59, 14.96, -22.17

 

CMYK 10 / 24 / 0 / 22

HEX #B398C7

RGB 179 152 199

HSL 274.47, 0.3%, 0.69%

LAB 66.64, 18.86, -20.47

 

CMYK 4 / 24 / 0 / 22

HEX #C098C7

RGB 192 152 199

HSL 291.06, 0.3%, 0.69%

LAB 67.86, 23.18, -18.5

 

CMYK 0 / 24 / 3 / 22

HEX #C798C2

RGB 199 152 194

HSL 306.38, 0.3%, 0.69%

LAB 68.38, 24.59, -14.87

 

CMYK 18 / 42 / 0 / 33

HEX #8C62AA

RGB 140 98 170

HSL 275, 0.3%, 0.53%

LAB 48.53, 30.89, -32.19

 

CMYK 14 / 32 / 0 / 27

HEX #A07DB9

RGB 160 125 185

HSL 275, 0.3%, 0.61%

LAB 57.7, 24.98, -26.45

 

CMYK 10 / 24 / 0 / 22

HEX #B398C7

RGB 179 152 199

HSL 274.47, 0.3%, 0.69%

LAB 66.64, 18.86, -20.47

 

CMYK 7 / 16 / 0 / 16

HEX #C7B3D6

RGB 199 179 214

HSL 274.29, 0.3%, 0.77%

LAB 75.6, 13.62, -15.01

 

CMYK 4 / 10 / 0 / 11

HEX #DBCDE4

RGB 219 205 228

HSL 276.52, 0.3%, 0.85%

LAB 84.13, 9.01, -9.6

 

CMYK 10 / 24 / 0 / 22

HEX #B498C8

RGB 180 152 200

HSL 275, 0.3%, 0.69%

LAB 66.77, 19.4, -20.82

 

CMYK 0 / 24 / 19 / 22

HEX #C798A2

RGB 199 152 162

HSL 347.23, 0.3%, 0.69%

LAB 67.43, 19.1, 1.59

 

CMYK 24 / 0 / 20 / 22

HEX #98C7A0

RGB 152 199 160

HSL 130.21, 0.3%, 0.69%

LAB 76.11, -23.2, 14.58

 

CMYK 10 / 24 / 0 / 22

HEX #B498C8

RGB 180 152 200

HSL 275, 0.3%, 0.69%

LAB 66.77, 19.4, -20.82

 

CMYK 0 / 10 / 24 / 22

HEX #C7B398

RGB 199 179 152

HSL 34.47, 0.3%, 0.69%

LAB 73.96, 2.9, 16.41

 

CMYK 24 / 0 / 10 / 22

HEX #98C7B3

RGB 152 199 179

HSL 154.47, 0.3%, 0.69%

LAB 76.54, -19.55, 4.99

 

CMYK 10 / 24 / 0 / 22

HEX #B498C8

RGB 180 152 200

HSL 275, 0.3%, 0.69%

LAB 66.77, 19.4, -20.82

 

CMYK 0 / 24 / 19 / 22

HEX #C798A2

RGB 199 152 162

HSL 347.23, 0.3%, 0.69%

LAB 67.43, 19.1, 1.59

 

CMYK 14 / 0 / 24 / 22

HEX #ABC798

RGB 171 199 152

HSL 95.74, 0.3%, 0.69%

LAB 77.14, -17.99, 20.48

 

CMYK 24 / 0 / 5 / 22

HEX #98C7BD

RGB 152 199 189

HSL 167.23, 0.3%, 0.69%

LAB 76.8, -17.47, -0.04

 

CMYK 10 / 24 / 0 / 22

HEX #B498C8

RGB 180 152 200

HSL 275, 0.3%, 0.69%

LAB 66.77, 19.4, -20.82

 

CMYK 0 / 22 / 24 / 22

HEX #C79C98

RGB 199 156 152

HSL 5.11, 0.3%, 0.69%

LAB 68.16, 15.38, 8.21

 

CMYK 14 / 0 / 24 / 22

HEX #ABC798

RGB 171 199 152

HSL 95.74, 0.3%, 0.69%

LAB 77.14, -17.99, 20.48

 

CMYK 24 / 2 / 0 / 22

HEX #98C3C7

RGB 152 195 199

HSL 185.11, 0.3%, 0.69%

LAB 75.96, -13.24, -6.67

 

Description

Color code: RGB 180 152 200 | qconv.com Color code: RGB 180 152 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 152 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 152 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 24 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 24% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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