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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 126 219 it is the complementary color RGB 75 129 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 126 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 126 219 shade: RGB 185 126 214, RGB 202 144 233, RGB 219 162 252, RGB 236 180 255 and RGB 253 198 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 126 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 126 219 shade: RGB 180 126 219, RGB 163 108 200, RGB 146 90 181, RGB 129 72 162 and RGB 112 54 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 126 219 shade: RGB 180 127 219, RGB 205 127 219, RGB 219 127 208, RGB 219 127 183 and RGB 219 127 158

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 126 219 shade: RGB 180 127 219, RGB 156 127 219, RGB 131 127 219 and RGB 127 127 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 126 219 shade matches the following richer shades: RGB 180 127 219, RGB 182 114 232 and RGB 185 101 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 126 219 shade: RGB 180 127 219, RGB 178 140 205, RGB 176 154 192, RGB 174 167 179 and RGB 172 180 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 126 219 shade: RGB 130 127 219, RGB 155 127 219, RGB 179 127 219, RGB 203 127 219 and RGB 219 127 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 126 219 shade: RGB 143 63 200, RGB 162 95 210, RGB 180 127 219, RGB 199 159 228 and RGB 218 192 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 126 219 shade: RGB 180 126 219, RGB 219 127 149 and RGB 127 219 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 126 219 shade: RGB 180 126 219, RGB 219 179 127 and RGB 127 219 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 126 219 shade: RGB 180 126 219, RGB 219 127 149, RGB 167 219 127 and RGB 127 219 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 126 219 shade: RGB 180 126 219, RGB 219 133 127, RGB 167 219 127 and RGB 127 213 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 42 / 0 / 14

HEX #B47EDB

RGB 180 126 219

HSL 274.84, 0.56%, 0.68%

LAB 61.43, 38.02, -39.69

 

Complementary color

CMYK 42 / 0 / 72 / 49

HEX #4B8124

RGB 75 129 36

HSL 94.84, 0.56%, 0.32%

LAB 48.67, -34.55, 42.71

 

CMYK 14 / 41 / 0 / 16

HEX #B97ED6

RGB 185 126 214

HSL 280.23, 0.52%, 0.67%

LAB 61.73, 38.41, -36.38

 

CMYK 13 / 38 / 0 / 9

HEX #CA90E9

RGB 202 144 233

HSL 279.1, 0.67%, 0.74%

LAB 68.3, 37.64, -36.55

 

CMYK 13 / 36 / 0 / 1

HEX #DBA2FC

RGB 219 162 252

HSL 278, 0.94%, 0.81%

LAB 74.78, 36.92, -36.72

 

CMYK 7 / 29 / 0 / 0

HEX #ECB4FF

RGB 236 180 255

HSL 284.8, 1%, 0.85%

LAB 80.57, 33.05, -29.26

 

CMYK 1 / 22 / 0 / 0

HEX #FDC6FF

RGB 253 198 255

HSL 297.89, 1%, 0.89%

LAB 86.25, 28.88, -20.47

 

CMYK 18 / 42 / 0 / 14

HEX #B47EDB

RGB 180 126 219

HSL 274.84, 0.56%, 0.68%

LAB 61.43, 38.02, -39.69

 

CMYK 19 / 46 / 0 / 22

HEX #A36CC8

RGB 163 108 200

HSL 275.87, 0.46%, 0.6%

LAB 54.74, 38.85, -39.59

 

CMYK 19 / 50 / 0 / 29

HEX #925AB5

RGB 146 90 181

HSL 276.92, 0.38%, 0.53%

LAB 47.96, 39.7, -39.47

 

CMYK 20 / 56 / 0 / 36

HEX #8148A2

RGB 129 72 162

HSL 278, 0.38%, 0.46%

LAB 41.07, 40.55, -39.3

 

CMYK 22 / 62 / 0 / 44

HEX #70368F

RGB 112 54 143

HSL 279.1, 0.45%, 0.39%

LAB 34.12, 41.31, -39.02

 

CMYK 18 / 42 / 0 / 14

HEX #B47FDB

RGB 180 127 219

HSL 274.57, 0.56%, 0.68%

LAB 61.65, 37.47, -39.34

 

CMYK 6 / 42 / 0 / 14

HEX #CD7FDB

RGB 205 127 219

HSL 290.87, 0.56%, 0.68%

LAB 64.38, 44.82, -34.88

 

CMYK 0 / 42 / 5 / 14

HEX #DB7FD0

RGB 219 127 208

HSL 307.17, 0.56%, 0.68%

LAB 65.59, 47.02, -26.74

 

CMYK 0 / 42 / 16 / 14

HEX #DB7FB7

RGB 219 127 183

HSL 323.48, 0.56%, 0.68%

LAB 64.69, 42.9, -14.05

 

CMYK 0 / 42 / 28 / 14

HEX #DB7F9E

RGB 219 127 158

HSL 339.78, 0.56%, 0.68%

LAB 63.92, 39.26, -1

 

CMYK 18 / 42 / 0 / 14

HEX #B47FDB

RGB 180 127 219

HSL 274.57, 0.56%, 0.68%

LAB 61.65, 37.47, -39.34

 

CMYK 29 / 42 / 0 / 14

HEX #9C7FDB

RGB 156 127 219

HSL 258.91, 0.56%, 0.68%

LAB 59.31, 30.63, -43.19

 

CMYK 40 / 42 / 0 / 14

HEX #837FDB

RGB 131 127 219

HSL 242.61, 0.56%, 0.68%

LAB 57.19, 23.95, -46.67

 

CMYK 42 / 42 / 0 / 14

HEX #7F7FDB

RGB 127 127 219

HSL 240, 0.56%, 0.68%

LAB 56.89, 22.94, -47.17

 

CMYK 18 / 42 / 0 / 14

HEX #B47FDB

RGB 180 127 219

HSL 274.57, 0.56%, 0.68%

LAB 61.65, 37.47, -39.34

 

CMYK 22 / 51 / 0 / 9

HEX #B672E8

RGB 182 114 232

HSL 274.58, 0.72%, 0.68%

LAB 59.71, 47.95, -49.64

 

CMYK 24 / 59 / 0 / 4

HEX #B965F5

RGB 185 101 245

HSL 275, 0.88%, 0.68%

LAB 58.24, 58.23, -59.19

 

CMYK 18 / 42 / 0 / 14

HEX #B47FDB

RGB 180 127 219

HSL 274.57, 0.56%, 0.68%

LAB 61.65, 37.47, -39.34

 

CMYK 13 / 32 / 0 / 20

HEX #B28CCD

RGB 178 140 205

HSL 275.08, 0.39%, 0.68%

LAB 63.86, 26.55, -28.09

 

CMYK 8 / 20 / 0 / 25

HEX #B09AC0

RGB 176 154 192

HSL 274.74, 0.23%, 0.68%

LAB 66.63, 15.29, -16.61

 

CMYK 3 / 7 / 0 / 30

HEX #AEA7B3

RGB 174 167 179

HSL 275, 0.07%, 0.68%

LAB 69.39, 4.78, -5.27

 

CMYK 4 / 0 / 8 / 29

HEX #ACB4A6

RGB 172 180 166

HSL 94.29, 0.09%, 0.68%

LAB 72.34, -5.4, 6.17

 

CMYK 41 / 42 / 0 / 14

HEX #827FDB

RGB 130 127 219

HSL 241.96, 0.56%, 0.68%

LAB 57.11, 23.7, -46.8

 

CMYK 29 / 42 / 0 / 14

HEX #9B7FDB

RGB 155 127 219

HSL 258.26, 0.56%, 0.68%

LAB 59.22, 30.36, -43.34

 

CMYK 18 / 42 / 0 / 14

HEX #B37FDB

RGB 179 127 219

HSL 273.91, 0.56%, 0.68%

LAB 61.55, 37.18, -39.51

 

CMYK 7 / 42 / 0 / 14

HEX #CB7FDB

RGB 203 127 219

HSL 289.57, 0.56%, 0.68%

LAB 64.15, 44.22, -35.25

 

CMYK 0 / 42 / 5 / 14

HEX #DB7FD1

RGB 219 127 209

HSL 306.52, 0.56%, 0.68%

LAB 65.63, 47.2, -27.24

 

CMYK 29 / 69 / 0 / 22

HEX #8F3FC8

RGB 143 63 200

HSL 275.04, 0.55%, 0.52%

LAB 43.6, 57.05, -57.5

 

CMYK 23 / 55 / 0 / 18

HEX #A25FD2

RGB 162 95 210

HSL 274.96, 0.56%, 0.6%

LAB 52.42, 47.87, -48.97

 

CMYK 18 / 42 / 0 / 14

HEX #B47FDB

RGB 180 127 219

HSL 274.57, 0.56%, 0.68%

LAB 61.65, 37.47, -39.34

 

CMYK 13 / 30 / 0 / 11

HEX #C79FE4

RGB 199 159 228

HSL 274.78, 0.56%, 0.76%

LAB 71.24, 27.46, -29.28

 

CMYK 8 / 19 / 0 / 7

HEX #DAC0ED

RGB 218 192 237

HSL 274.67, 0.56%, 0.84%

LAB 81.14, 17.37, -18.91

 

CMYK 18 / 42 / 0 / 14

HEX #B47EDB

RGB 180 126 219

HSL 274.84, 0.56%, 0.68%

LAB 61.43, 38.02, -39.69

 

CMYK 0 / 42 / 32 / 14

HEX #DB7F95

RGB 219 127 149

HSL 345.65, 0.56%, 0.68%

LAB 63.68, 38.08, 3.77

 

CMYK 42 / 0 / 35 / 14

HEX #7FDB8E

RGB 127 219 142

HSL 129.78, 0.56%, 0.68%

LAB 80.25, -43.44, 29.52

 

CMYK 18 / 42 / 0 / 14

HEX #B47EDB

RGB 180 126 219

HSL 274.84, 0.56%, 0.68%

LAB 61.43, 38.02, -39.69

 

CMYK 0 / 18 / 42 / 14

HEX #DBB37F

RGB 219 179 127

HSL 33.91, 0.56%, 0.68%

LAB 75.35, 7.63, 31.98

 

CMYK 42 / 0 / 18 / 14

HEX #7FDBB3

RGB 127 219 179

HSL 153.91, 0.56%, 0.68%

LAB 80.98, -36.5, 11.17

 

CMYK 18 / 42 / 0 / 14

HEX #B47EDB

RGB 180 126 219

HSL 274.84, 0.56%, 0.68%

LAB 61.43, 38.02, -39.69

 

CMYK 0 / 42 / 32 / 14

HEX #DB7F95

RGB 219 127 149

HSL 345.65, 0.56%, 0.68%

LAB 63.68, 38.08, 3.77

 

CMYK 24 / 0 / 42 / 14

HEX #A7DB7F

RGB 167 219 127

HSL 93.91, 0.56%, 0.68%

LAB 82.06, -32.69, 39.86

 

CMYK 42 / 0 / 10 / 14

HEX #7FDBC5

RGB 127 219 197

HSL 165.65, 0.56%, 0.68%

LAB 81.4, -32.58, 2.24

 

CMYK 18 / 42 / 0 / 14

HEX #B47EDB

RGB 180 126 219

HSL 274.84, 0.56%, 0.68%

LAB 61.43, 38.02, -39.69

 

CMYK 0 / 39 / 42 / 14

HEX #DB857F

RGB 219 133 127

HSL 3.91, 0.56%, 0.68%

LAB 64.46, 32.31, 17.35

 

CMYK 24 / 0 / 42 / 14

HEX #A7DB7F

RGB 167 219 127

HSL 93.91, 0.56%, 0.68%

LAB 82.06, -32.69, 39.86

 

CMYK 42 / 3 / 0 / 14

HEX #7FD5DB

RGB 127 213 219

HSL 183.91, 0.56%, 0.68%

LAB 80.3, -24.43, -11.12

 

Description

Color code: RGB 180 126 219 | qconv.com Color code: RGB 180 126 219 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 126 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 126 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 42 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 42% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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