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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 119 2 it is the complementary color RGB 75 136 253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 119 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 119 2 shade: RGB 185 119 0, RGB 202 137 16, RGB 219 155 35, RGB 236 173 54 and RGB 253 191 73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 119 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 119 2 shade: RGB 180 119 2, RGB 163 101 0, RGB 146 83 0, RGB 129 65 0 and RGB 112 47 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 119 2 shade: RGB 181 120 1, RGB 181 71 1, RGB 181 23 1 and RGB 181 1 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 119 2 shade: RGB 181 120 1, RGB 181 168 1, RGB 146 181 1, RGB 97 181 1 and RGB 49 181 1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 119 2 shade matches the following richer shades: RGB 181 120 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 119 2 shade: RGB 181 120 1, RGB 166 115 16, RGB 152 110 31, RGB 137 106 46 and RGB 122 101 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 119 2 shade: RGB 181 22 1, RGB 181 70 1, RGB 181 118 1, RGB 181 166 1 and RGB 148 181 1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 119 2 shade: RGB 100 66 1, RGB 140 93 1, RGB 181 120 1, RGB 222 147 2 and RGB 252 170 13

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 119 2 shade: RGB 180 119 2, RGB 28 181 1 and RGB 46 1 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 119 2 shade: RGB 180 119 2, RGB 1 181 118 and RGB 118 1 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 119 2 shade: RGB 180 119 2, RGB 28 181 1, RGB 1 64 181 and RGB 154 1 181

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 119 2 shade: RGB 180 119 2, RGB 1 181 28, RGB 1 64 181 and RGB 181 1 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 99 / 29

HEX #B47702

RGB 180 119 2

HSL 39.44, 0.98%, 0.36%

LAB 54.97, 16.28, 61.05

 

Complementary color

CMYK 70 / 46 / 0 / 1

HEX #4B88FD

RGB 75 136 253

HSL 219.44, 0.98%, 0.64%

LAB 58.22, 18.36, -64.1

 

CMYK 0 / 36 / 100 / 27

HEX #B97700

RGB 185 119 0

HSL 38.59, 1%, 0.36%

LAB 55.59, 18.49, 62.13

 

CMYK 0 / 32 / 92 / 21

HEX #CA8910

RGB 202 137 16

HSL 39.03, 0.85%, 0.43%

LAB 62.07, 16.31, 64.88

 

CMYK 0 / 29 / 84 / 14

HEX #DB9B23

RGB 219 155 35

HSL 39.13, 0.72%, 0.5%

LAB 68.48, 14.39, 66.02

 

CMYK 0 / 27 / 77 / 7

HEX #ECAD36

RGB 236 173 54

HSL 39.23, 0.83%, 0.57%

LAB 74.82, 12.72, 66.03

 

CMYK 0 / 25 / 71 / 1

HEX #FDBF49

RGB 253 191 73

HSL 39.33, 0.98%, 0.64%

LAB 81.09, 11.26, 65.4

 

CMYK 0 / 34 / 99 / 29

HEX #B47702

RGB 180 119 2

HSL 39.44, 0.98%, 0.36%

LAB 54.97, 16.28, 61.05

 

CMYK 0 / 38 / 100 / 36

HEX #A36500

RGB 163 101 0

HSL 37.18, 1%, 0.32%

LAB 48.38, 18.7, 56.05

 

CMYK 0 / 43 / 100 / 43

HEX #925300

RGB 146 83 0

HSL 34.11, 1%, 0.29%

LAB 41.69, 21.24, 50.61

 

CMYK 0 / 50 / 100 / 49

HEX #814100

RGB 129 65 0

HSL 30.23, 1%, 0.25%

LAB 34.9, 23.85, 45.13

 

CMYK 0 / 58 / 100 / 56

HEX #702F00

RGB 112 47 0

HSL 25.18, 1%, 0.22%

LAB 28.05, 26.44, 39.05

 

CMYK 0 / 34 / 99 / 29

HEX #B57801

RGB 181 120 1

HSL 39.67, 0.99%, 0.36%

LAB 55.34, 16.16, 61.54

 

CMYK 0 / 61 / 99 / 29

HEX #B54701

RGB 181 71 1

HSL 23.33, 0.99%, 0.36%

LAB 44.71, 42.11, 54.96

 

CMYK 0 / 87 / 99 / 29

HEX #B51701

RGB 181 23 1

HSL 7.33, 0.99%, 0.36%

LAB 38.62, 58.8, 51.97

 

CMYK 0 / 99 / 99 / 29

HEX #B50101

RGB 181 1 1

HSL 0, 0.99%, 0.36%

LAB 37.57, 61.83, 51.55

 

CMYK 0 / 34 / 99 / 29

HEX #B57801

RGB 181 120 1

HSL 39.67, 0.99%, 0.36%

LAB 55.34, 16.16, 61.54

 

CMYK 0 / 7 / 99 / 29

HEX #B5A801

RGB 181 168 1

HSL 55.67, 0.99%, 0.36%

LAB 67.9, -9.97, 70.32

 

CMYK 19 / 0 / 99 / 29

HEX #92B501

RGB 146 181 1

HSL 71.67, 0.99%, 0.36%

LAB 68.87, -31.6, 69.83

 

CMYK 46 / 0 / 99 / 29

HEX #61B501

RGB 97 181 1

HSL 88, 0.99%, 0.36%

LAB 66.21, -49.88, 66.62

 

CMYK 73 / 0 / 99 / 29

HEX #31B501

RGB 49 181 1

HSL 104, 0.99%, 0.36%

LAB 64.73, -61.91, 64.82

 

CMYK 0 / 34 / 99 / 29

HEX #B57801

RGB 181 120 1

HSL 39.67, 0.99%, 0.36%

LAB 55.34, 16.16, 61.54

 

CMYK 0 / 34 / 99 / 29

HEX #B57801

RGB 181 120 1

HSL 39.67, 0.99%, 0.36%

LAB 55.34, 16.16, 61.54

 

CMYK 0 / 31 / 90 / 35

HEX #A67310

RGB 166 115 16

HSL 39.6, 0.82%, 0.36%

LAB 52.29, 12.4, 55.57

 

CMYK 0 / 28 / 80 / 40

HEX #986E1F

RGB 152 110 31

HSL 39.17, 0.66%, 0.36%

LAB 49.41, 9.26, 47.6

 

CMYK 0 / 23 / 66 / 46

HEX #896A2E

RGB 137 106 46

HSL 39.56, 0.5%, 0.36%

LAB 46.74, 5.43, 37.54

 

CMYK 0 / 17 / 50 / 52

HEX #7A653D

RGB 122 101 61

HSL 39.34, 0.33%, 0.36%

LAB 43.92, 2.75, 25.7

 

CMYK 0 / 88 / 99 / 29

HEX #B51601

RGB 181 22 1

HSL 7, 0.99%, 0.36%

LAB 38.55, 59, 51.94

 

CMYK 0 / 61 / 99 / 29

HEX #B54601

RGB 181 70 1

HSL 23, 0.99%, 0.36%

LAB 44.53, 42.58, 54.86

 

CMYK 0 / 35 / 99 / 29

HEX #B57601

RGB 181 118 1

HSL 39, 0.99%, 0.36%

LAB 54.85, 17.27, 61.21

 

CMYK 0 / 8 / 99 / 29

HEX #B5A601

RGB 181 166 1

HSL 55, 0.99%, 0.36%

LAB 67.35, -8.93, 69.93

 

CMYK 18 / 0 / 99 / 29

HEX #94B501

RGB 148 181 1

HSL 71, 0.99%, 0.36%

LAB 69, -30.78, 69.99

 

CMYK 0 / 34 / 99 / 61

HEX #644201

RGB 100 66 1

HSL 39.39, 0.98%, 0.2%

LAB 30.9, 9.51, 40.05

 

CMYK 0 / 34 / 99 / 45

HEX #8C5D01

RGB 140 93 1

HSL 39.71, 0.99%, 0.28%

LAB 43.37, 12.7, 51.04

 

CMYK 0 / 34 / 99 / 29

HEX #B57801

RGB 181 120 1

HSL 39.67, 0.99%, 0.36%

LAB 55.34, 16.16, 61.54

 

CMYK 0 / 34 / 99 / 13

HEX #DE9302

RGB 222 147 2

HSL 39.55, 0.98%, 0.44%

LAB 66.83, 19.46, 71.44

 

CMYK 0 / 33 / 95 / 1

HEX #FCAA0D

RGB 252 170 13

HSL 39.41, 0.98%, 0.52%

LAB 75.75, 20.17, 77.86

 

CMYK 0 / 34 / 99 / 29

HEX #B47702

RGB 180 119 2

HSL 39.44, 0.98%, 0.36%

LAB 54.97, 16.28, 61.05

 

CMYK 85 / 0 / 99 / 29

HEX #1CB501

RGB 28 181 1

HSL 111, 0.99%, 0.36%

LAB 64.4, -64.8, 64.43

 

CMYK 75 / 99 / 0 / 29

HEX #2E01B5

RGB 46 1 181

HSL 255, 0.99%, 0.36%

LAB 23.47, 61.74, -79.79

 

CMYK 0 / 34 / 99 / 29

HEX #B47702

RGB 180 119 2

HSL 39.44, 0.98%, 0.36%

LAB 54.97, 16.28, 61.05

 

CMYK 99 / 0 / 35 / 29

HEX #01B576

RGB 1 181 118

HSL 159, 0.99%, 0.36%

LAB 65.25, -53.78, 21.44

 

CMYK 35 / 99 / 0 / 29

HEX #7601B5

RGB 118 1 181

HSL 279, 0.99%, 0.36%

LAB 32.28, 66.95, -64.93

 

CMYK 0 / 34 / 99 / 29

HEX #B47702

RGB 180 119 2

HSL 39.44, 0.98%, 0.36%

LAB 54.97, 16.28, 61.05

 

CMYK 85 / 0 / 99 / 29

HEX #1CB501

RGB 28 181 1

HSL 111, 0.99%, 0.36%

LAB 64.4, -64.8, 64.43

 

CMYK 99 / 65 / 0 / 29

HEX #0140B5

RGB 1 64 181

HSL 219, 0.99%, 0.36%

LAB 31.83, 31.34, -65.99

 

CMYK 15 / 99 / 0 / 29

HEX #9A01B5

RGB 154 1 181

HSL 291, 0.99%, 0.36%

LAB 38.25, 71.66, -54.94

 

CMYK 0 / 34 / 99 / 29

HEX #B47702

RGB 180 119 2

HSL 39.44, 0.98%, 0.36%

LAB 54.97, 16.28, 61.05

 

CMYK 99 / 0 / 85 / 29

HEX #01B51C

RGB 1 181 28

HSL 129, 0.99%, 0.36%

LAB 64.27, -65.7, 59.79

 

CMYK 99 / 65 / 0 / 29

HEX #0140B5

RGB 1 64 181

HSL 219, 0.99%, 0.36%

LAB 31.83, 31.34, -65.99

 

CMYK 0 / 99 / 15 / 29

HEX #B5019A

RGB 181 1 154

HSL 309, 0.99%, 0.36%

LAB 41.5, 72.09, -33.29

 

Description

Color code: RGB 180 119 2 | qconv.com Color code: RGB 180 119 2 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 119 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 119 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 99 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 99% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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