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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 95 134 it is the complementary color RGB 76 160 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 95 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 95 134 shade: RGB 184 95 129, RGB 201 113 148, RGB 218 131 167, RGB 235 149 186 and RGB 252 167 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 95 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 95 134 shade: RGB 179 95 134, RGB 162 77 115, RGB 145 59 96, RGB 128 41 77 and RGB 111 23 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 95 134 shade: RGB 179 95 134, RGB 179 95 111 and RGB 179 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 95 134 shade: RGB 179 95 134, RGB 179 95 157, RGB 179 95 179, RGB 156 95 179 and RGB 134 95 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 95 134 shade matches the following richer shades: RGB 179 95 134, RGB 198 76 133, RGB 217 57 131 and RGB 236 38 130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 95 134 shade: RGB 179 95 134, RGB 160 114 136, RGB 141 133 137, RGB 122 152 138 and RGB 104 171 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 95 134 shade: RGB 179 95 179, RGB 179 95 157, RGB 179 95 134, RGB 179 95 112 and RGB 179 101 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 95 134 shade: RGB 131 61 93, RGB 159 74 114, RGB 179 95 134, RGB 193 123 155 and RGB 206 151 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 95 134 shade: RGB 179 95 134, RGB 179 157 95 and RGB 95 168 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 95 134 shade: RGB 179 95 134, RGB 134 179 95 and RGB 95 134 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 95 134 shade: RGB 179 95 134, RGB 179 157 95, RGB 95 179 140 and RGB 95 117 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 95 134 shade: RGB 179 95 134, RGB 177 179 95, RGB 95 179 140 and RGB 98 95 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 25 / 30

HEX #B35F86

RGB 179 95 134

HSL 332.14, 0.36%, 0.54%

LAB 51.25, 38.73, -6.34

 

Complementary color

CMYK 53 / 0 / 24 / 37

HEX #4CA079

RGB 76 160 121

HSL 152.14, 0.36%, 0.46%

LAB 59.94, -34.97, 12.69

 

CMYK 0 / 48 / 30 / 28

HEX #B85F81

RGB 184 95 129

HSL 337.08, 0.39%, 0.55%

LAB 51.79, 39.78, -2.5

 

CMYK 0 / 44 / 26 / 21

HEX #C97194

RGB 201 113 148

HSL 336.14, 0.45%, 0.62%

LAB 58.38, 38.92, -3.67

 

CMYK 0 / 40 / 23 / 15

HEX #DA83A7

RGB 218 131 167

HSL 335.17, 0.54%, 0.68%

LAB 64.91, 38.07, -4.68

 

CMYK 0 / 37 / 21 / 8

HEX #EB95BA

RGB 235 149 186

HSL 334.19, 0.68%, 0.75%

LAB 71.35, 37.27, -5.58

 

CMYK 0 / 34 / 19 / 1

HEX #FCA7CD

RGB 252 167 205

HSL 333.18, 0.93%, 0.82%

LAB 77.72, 36.51, -6.39

 

CMYK 0 / 47 / 25 / 30

HEX #B35F86

RGB 179 95 134

HSL 332.14, 0.36%, 0.54%

LAB 51.25, 38.73, -6.34

 

CMYK 0 / 52 / 29 / 36

HEX #A24D73

RGB 162 77 115

HSL 333.18, 0.36%, 0.47%

LAB 44.56, 39.56, -5.11

 

CMYK 0 / 59 / 34 / 43

HEX #913B60

RGB 145 59 96

HSL 334.19, 0.42%, 0.4%

LAB 37.83, 40.28, -3.57

 

CMYK 0 / 68 / 40 / 50

HEX #80294D

RGB 128 41 77

HSL 335.17, 0.51%, 0.33%

LAB 31.14, 40.73, -1.56

 

CMYK 0 / 79 / 48 / 56

HEX #6F173A

RGB 111 23 58

HSL 336.14, 0.66%, 0.26%

LAB 24.63, 40.51, 1.26

 

CMYK 0 / 47 / 25 / 30

HEX #B35F86

RGB 179 95 134

HSL 332.14, 0.36%, 0.54%

LAB 51.25, 38.73, -6.34

 

CMYK 0 / 47 / 38 / 30

HEX #B35F6F

RGB 179 95 111

HSL 348.57, 0.36%, 0.54%

LAB 50.59, 35.68, 6.39

 

CMYK 0 / 47 / 47 / 30

HEX #B35F5F

RGB 179 95 95

HSL 0, 0.36%, 0.54%

LAB 50.21, 33.9, 15.39

 

CMYK 0 / 47 / 25 / 30

HEX #B35F86

RGB 179 95 134

HSL 332.14, 0.36%, 0.54%

LAB 51.25, 38.73, -6.34

 

CMYK 0 / 47 / 12 / 30

HEX #B35F9D

RGB 179 95 157

HSL 315.71, 0.36%, 0.54%

LAB 52.07, 42.32, -18.71

 

CMYK 0 / 47 / 0 / 30

HEX #B35FB3

RGB 179 95 179

HSL 300, 0.36%, 0.54%

LAB 52.97, 46.2, -30.14

 

CMYK 13 / 47 / 0 / 30

HEX #9C5FB3

RGB 156 95 179

HSL 283.57, 0.36%, 0.54%

LAB 50.11, 39.38, -34.84

 

CMYK 25 / 47 / 0 / 30

HEX #865FB3

RGB 134 95 179

HSL 267.86, 0.36%, 0.54%

LAB 47.63, 32.99, -38.9

 

CMYK 0 / 47 / 25 / 30

HEX #B35F86

RGB 179 95 134

HSL 332.14, 0.36%, 0.54%

LAB 51.25, 38.73, -6.34

 

CMYK 0 / 62 / 33 / 22

HEX #C64C85

RGB 198 76 133

HSL 331.97, 0.52%, 0.54%

LAB 50.53, 54.06, -6.51

 

CMYK 0 / 74 / 40 / 15

HEX #D93983

RGB 217 57 131

HSL 332.25, 0.68%, 0.54%

LAB 51.06, 66.51, -4.18

 

CMYK 0 / 84 / 45 / 7

HEX #EC2682

RGB 236 38 130

HSL 332.12, 0.84%, 0.54%

LAB 52.76, 76.15, -0.67

 

CMYK 0 / 47 / 25 / 30

HEX #B35F86

RGB 179 95 134

HSL 332.14, 0.36%, 0.54%

LAB 51.25, 38.73, -6.34

 

CMYK 0 / 29 / 15 / 37

HEX #A07288

RGB 160 114 136

HSL 331.3, 0.19%, 0.54%

LAB 53.26, 21.64, -4.8

 

CMYK 0 / 6 / 3 / 45

HEX #8D8589

RGB 141 133 137

HSL 330, 0.03%, 0.54%

LAB 56.33, 3.76, -1.08

 

CMYK 20 / 0 / 9 / 40

HEX #7A988A

RGB 122 152 138

HSL 152, 0.13%, 0.54%

LAB 60.27, -13.44, 3.91

 

CMYK 39 / 0 / 18 / 33

HEX #68AB8C

RGB 104 171 140

HSL 152.24, 0.29%, 0.54%

LAB 64.93, -28.47, 9.33

 

CMYK 0 / 47 / 0 / 30

HEX #B35FB3

RGB 179 95 179

HSL 300, 0.36%, 0.54%

LAB 52.97, 46.2, -30.14

 

CMYK 0 / 47 / 12 / 30

HEX #B35F9D

RGB 179 95 157

HSL 315.71, 0.36%, 0.54%

LAB 52.07, 42.32, -18.71

 

CMYK 0 / 47 / 25 / 30

HEX #B35F86

RGB 179 95 134

HSL 332.14, 0.36%, 0.54%

LAB 51.25, 38.73, -6.34

 

CMYK 0 / 47 / 37 / 30

HEX #B35F70

RGB 179 95 112

HSL 347.86, 0.36%, 0.54%

LAB 50.61, 35.8, 5.83

 

CMYK 0 / 44 / 47 / 30

HEX #B3655F

RGB 179 101 95

HSL 4.29, 0.36%, 0.54%

LAB 51.52, 30.66, 17.18

 

CMYK 0 / 53 / 29 / 49

HEX #833D5D

RGB 131 61 93

HSL 332.57, 0.36%, 0.38%

LAB 35.89, 33.97, -4.79

 

CMYK 0 / 53 / 28 / 38

HEX #9F4A72

RGB 159 74 114

HSL 331.76, 0.36%, 0.46%

LAB 43.48, 39.93, -6.14

 

CMYK 0 / 47 / 25 / 30

HEX #B35F86

RGB 179 95 134

HSL 332.14, 0.36%, 0.54%

LAB 51.25, 38.73, -6.34

 

CMYK 0 / 36 / 20 / 24

HEX #C17B9B

RGB 193 123 155

HSL 332.57, 0.36%, 0.62%

LAB 59.77, 31.75, -5.77

 

CMYK 0 / 27 / 14 / 19

HEX #CE97B1

RGB 206 151 177

HSL 331.64, 0.36%, 0.7%

LAB 68.34, 24.6, -5.39

 

CMYK 0 / 47 / 25 / 30

HEX #B35F86

RGB 179 95 134

HSL 332.14, 0.36%, 0.54%

LAB 51.25, 38.73, -6.34

 

CMYK 0 / 12 / 47 / 30

HEX #B39D5F

RGB 179 157 95

HSL 44.29, 0.36%, 0.54%

LAB 65.38, -0.36, 35.28

 

CMYK 47 / 6 / 0 / 30

HEX #5FA8B3

RGB 95 168 179

HSL 187.86, 0.36%, 0.54%

LAB 64.72, -19.81, -12.77

 

CMYK 0 / 47 / 25 / 30

HEX #B35F86

RGB 179 95 134

HSL 332.14, 0.36%, 0.54%

LAB 51.25, 38.73, -6.34

 

CMYK 25 / 0 / 47 / 30

HEX #86B35F

RGB 134 179 95

HSL 92.14, 0.36%, 0.54%

LAB 68.12, -29.82, 37.95

 

CMYK 47 / 25 / 0 / 30

HEX #5F86B3

RGB 95 134 179

HSL 212.14, 0.36%, 0.54%

LAB 54.8, -1.09, -27.9

 

CMYK 0 / 47 / 25 / 30

HEX #B35F86

RGB 179 95 134

HSL 332.14, 0.36%, 0.54%

LAB 51.25, 38.73, -6.34

 

CMYK 0 / 12 / 47 / 30

HEX #B39D5F

RGB 179 157 95

HSL 44.29, 0.36%, 0.54%

LAB 65.38, -0.36, 35.28

 

CMYK 47 / 0 / 22 / 30

HEX #5FB38C

RGB 95 179 140

HSL 152.14, 0.36%, 0.54%

LAB 66.95, -34.76, 12.13

 

CMYK 47 / 35 / 0 / 30

HEX #5F75B3

RGB 95 117 179

HSL 224.29, 0.36%, 0.54%

LAB 49.99, 9.02, -35.41

 

CMYK 0 / 47 / 25 / 30

HEX #B35F86

RGB 179 95 134

HSL 332.14, 0.36%, 0.54%

LAB 51.25, 38.73, -6.34

 

CMYK 1 / 0 / 47 / 30

HEX #B1B35F

RGB 177 179 95

HSL 61.43, 0.36%, 0.54%

LAB 71.16, -12.85, 42.36

 

CMYK 47 / 0 / 22 / 30

HEX #5FB38C

RGB 95 179 140

HSL 152.14, 0.36%, 0.54%

LAB 66.95, -34.76, 12.13

 

CMYK 45 / 47 / 0 / 30

HEX #625FB3

RGB 98 95 179

HSL 242.14, 0.36%, 0.54%

LAB 44.28, 23.33, -44.42

 

Description

Color code: RGB 179 95 134 | qconv.com Color code: RGB 179 95 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 95 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 95 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 25 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 25% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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