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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 84 156 it is the complementary color RGB 76 171 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 84 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 84 156 shade: RGB 184 84 151, RGB 201 102 170, RGB 218 120 189, RGB 235 138 208 and RGB 252 156 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 84 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 84 156 shade: RGB 179 84 156, RGB 162 66 137, RGB 145 48 118, RGB 128 30 99 and RGB 111 12 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 84 156 shade: RGB 179 86 156, RGB 179 86 131, RGB 179 86 106 and RGB 179 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 84 156 shade: RGB 179 86 156, RGB 176 86 179, RGB 151 86 179, RGB 126 86 179 and RGB 101 86 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 84 156 shade matches the following richer shades: RGB 179 86 156, RGB 198 66 166, RGB 218 46 177 and RGB 238 26 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 84 156 shade: RGB 179 86 156, RGB 159 105 146, RGB 139 125 136, RGB 119 145 125 and RGB 99 165 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 84 156 shade: RGB 151 86 179, RGB 176 86 179, RGB 179 86 157, RGB 179 86 132 and RGB 179 86 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 84 156 shade: RGB 126 56 109, RGB 154 69 133, RGB 179 86 156, RGB 191 114 173 and RGB 204 143 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 84 156 shade: RGB 179 84 156, RGB 179 126 86 and RGB 86 179 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 84 156 shade: RGB 179 84 156, RGB 157 179 86 and RGB 86 157 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 84 156 shade: RGB 179 84 156, RGB 179 126 86, RGB 86 179 107 and RGB 86 138 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 84 156 shade: RGB 179 84 156, RGB 179 154 86, RGB 86 179 107 and RGB 86 110 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 13 / 30

HEX #B3549C

RGB 179 84 156

HSL 314.53, 0.38%, 0.52%

LAB 49.89, 47.75, -21.45

 

Complementary color

CMYK 56 / 0 / 42 / 33

HEX #4CAB63

RGB 76 171 99

HSL 134.53, 0.38%, 0.48%

LAB 62.98, -44.05, 28.79

 

CMYK 0 / 54 / 18 / 28

HEX #B85497

RGB 184 84 151

HSL 319.8, 0.41%, 0.53%

LAB 50.41, 48.5, -17.63

 

CMYK 0 / 49 / 15 / 21

HEX #C966AA

RGB 201 102 170

HSL 318.79, 0.48%, 0.59%

LAB 56.9, 47.85, -18.64

 

CMYK 0 / 45 / 13 / 15

HEX #DA78BD

RGB 218 120 189

HSL 317.76, 0.57%, 0.66%

LAB 63.35, 47.12, -19.48

 

CMYK 0 / 41 / 11 / 8

HEX #EB8AD0

RGB 235 138 208

HSL 316.7, 0.71%, 0.73%

LAB 69.75, 46.38, -20.2

 

CMYK 0 / 38 / 10 / 1

HEX #FC9CE3

RGB 252 156 227

HSL 315.63, 0.94%, 0.8%

LAB 76.08, 45.64, -20.85

 

CMYK 0 / 53 / 13 / 30

HEX #B3549C

RGB 179 84 156

HSL 314.53, 0.38%, 0.52%

LAB 49.89, 47.75, -21.45

 

CMYK 0 / 59 / 15 / 36

HEX #A24289

RGB 162 66 137

HSL 315.63, 0.42%, 0.45%

LAB 43.34, 48.25, -20.37

 

CMYK 0 / 67 / 19 / 43

HEX #913076

RGB 145 48 118

HSL 316.7, 0.5%, 0.38%

LAB 36.82, 48.42, -18.94

 

CMYK 0 / 77 / 23 / 50

HEX #801E63

RGB 128 30 99

HSL 317.76, 0.62%, 0.31%

LAB 30.44, 47.95, -16.95

 

CMYK 0 / 89 / 28 / 56

HEX #6F0C50

RGB 111 12 80

HSL 318.79, 0.8%, 0.24%

LAB 24.39, 46.25, -14.04

 

CMYK 0 / 52 / 13 / 30

HEX #B3569C

RGB 179 86 156

HSL 314.84, 0.38%, 0.52%

LAB 50.26, 46.76, -20.88

 

CMYK 0 / 52 / 27 / 30

HEX #B35683

RGB 179 86 131

HSL 330.97, 0.38%, 0.52%

LAB 49.35, 42.97, -7.39

 

CMYK 0 / 52 / 41 / 30

HEX #B3566A

RGB 179 86 106

HSL 347.1, 0.38%, 0.52%

LAB 48.61, 39.8, 6.57

 

CMYK 0 / 52 / 52 / 30

HEX #B35656

RGB 179 86 86

HSL 0, 0.38%, 0.52%

LAB 48.15, 37.76, 17.95

 

CMYK 0 / 52 / 13 / 30

HEX #B3569C

RGB 179 86 156

HSL 314.84, 0.38%, 0.52%

LAB 50.26, 46.76, -20.88

 

CMYK 2 / 52 / 0 / 30

HEX #B056B3

RGB 176 86 179

HSL 298.06, 0.38%, 0.52%

LAB 50.85, 49.88, -33.49

 

CMYK 16 / 52 / 0 / 30

HEX #9756B3

RGB 151 86 179

HSL 281.94, 0.38%, 0.52%

LAB 47.61, 42.84, -38.81

 

CMYK 30 / 52 / 0 / 30

HEX #7E56B3

RGB 126 86 179

HSL 265.81, 0.38%, 0.52%

LAB 44.72, 35.99, -43.57

 

CMYK 44 / 52 / 0 / 30

HEX #6556B3

RGB 101 86 179

HSL 249.68, 0.38%, 0.52%

LAB 42.27, 29.6, -47.63

 

CMYK 0 / 52 / 13 / 30

HEX #B3569C

RGB 179 86 156

HSL 314.84, 0.38%, 0.52%

LAB 50.26, 46.76, -20.88

 

CMYK 0 / 67 / 16 / 22

HEX #C642A6

RGB 198 66 166

HSL 314.55, 0.54%, 0.52%

LAB 50.28, 62.57, -26.51

 

CMYK 0 / 79 / 19 / 15

HEX #DA2EB1

RGB 218 46 177

HSL 314.3, 0.7%, 0.52%

LAB 51.88, 75.21, -30.24

 

CMYK 0 / 89 / 21 / 7

HEX #EE1ABB

RGB 238 26 187

HSL 314.43, 0.86%, 0.52%

LAB 54.56, 84.41, -31.62

 

CMYK 0 / 52 / 13 / 30

HEX #B3569C

RGB 179 86 156

HSL 314.84, 0.38%, 0.52%

LAB 50.26, 46.76, -20.88

 

CMYK 0 / 34 / 8 / 38

HEX #9F6992

RGB 159 105 146

HSL 314.44, 0.22%, 0.52%

LAB 51.32, 28.18, -13.59

 

CMYK 0 / 10 / 2 / 45

HEX #8B7D88

RGB 139 125 136

HSL 312.86, 0.06%, 0.52%

LAB 53.96, 7.42, -4.01

 

CMYK 18 / 0 / 14 / 43

HEX #77917D

RGB 119 145 125

HSL 133.85, 0.11%, 0.52%

LAB 57.71, -13.36, 7.58

 

CMYK 40 / 0 / 30 / 35

HEX #63A573

RGB 99 165 115

HSL 134.55, 0.27%, 0.52%

LAB 62.34, -32.1, 19.47

 

CMYK 16 / 52 / 0 / 30

HEX #9756B3

RGB 151 86 179

HSL 281.94, 0.38%, 0.52%

LAB 47.61, 42.84, -38.81

 

CMYK 2 / 52 / 0 / 30

HEX #B056B3

RGB 176 86 179

HSL 298.06, 0.38%, 0.52%

LAB 50.85, 49.88, -33.49

 

CMYK 0 / 52 / 12 / 30

HEX #B3569D

RGB 179 86 157

HSL 314.19, 0.38%, 0.52%

LAB 50.3, 46.92, -21.41

 

CMYK 0 / 52 / 26 / 30

HEX #B35684

RGB 179 86 132

HSL 330.32, 0.38%, 0.52%

LAB 49.38, 43.11, -7.94

 

CMYK 0 / 52 / 40 / 30

HEX #B3566B

RGB 179 86 107

HSL 346.45, 0.38%, 0.52%

LAB 48.64, 39.91, 6

 

CMYK 0 / 56 / 13 / 51

HEX #7E386D

RGB 126 56 109

HSL 314.57, 0.38%, 0.36%

LAB 34.74, 37.45, -16.75

 

CMYK 0 / 55 / 14 / 40

HEX #9A4585

RGB 154 69 133

HSL 314.82, 0.38%, 0.44%

LAB 42.49, 43.73, -19.34

 

CMYK 0 / 52 / 13 / 30

HEX #B3569C

RGB 179 86 156

HSL 314.84, 0.38%, 0.52%

LAB 50.26, 46.76, -20.88

 

CMYK 0 / 40 / 9 / 25

HEX #BF72AD

RGB 191 114 173

HSL 314.03, 0.38%, 0.6%

LAB 58.16, 38.89, -18.57

 

CMYK 0 / 30 / 7 / 20

HEX #CC8FBD

RGB 204 143 189

HSL 314.75, 0.37%, 0.68%

LAB 66.64, 30.32, -14.66

 

CMYK 0 / 53 / 13 / 30

HEX #B3549C

RGB 179 84 156

HSL 314.53, 0.38%, 0.52%

LAB 49.89, 47.75, -21.45

 

CMYK 0 / 30 / 52 / 30

HEX #B37E56

RGB 179 126 86

HSL 25.81, 0.38%, 0.52%

LAB 57.25, 15.9, 29.86

 

CMYK 52 / 0 / 9 / 30

HEX #56B3A3

RGB 86 179 163

HSL 169.68, 0.38%, 0.52%

LAB 67.17, -31.58, -0.27

 

CMYK 0 / 53 / 13 / 30

HEX #B3549C

RGB 179 84 156

HSL 314.53, 0.38%, 0.52%

LAB 49.89, 47.75, -21.45

 

CMYK 12 / 0 / 52 / 30

HEX #9DB356

RGB 157 179 86

HSL 74.19, 0.38%, 0.52%

LAB 69.53, -21.89, 44.47

 

CMYK 52 / 12 / 0 / 30

HEX #569DB3

RGB 86 157 179

HSL 194.19, 0.38%, 0.52%

LAB 61.09, -16.1, -18.29

 

CMYK 0 / 53 / 13 / 30

HEX #B3549C

RGB 179 84 156

HSL 314.53, 0.38%, 0.52%

LAB 49.89, 47.75, -21.45

 

CMYK 0 / 30 / 52 / 30

HEX #B37E56

RGB 179 126 86

HSL 25.81, 0.38%, 0.52%

LAB 57.25, 15.9, 29.86

 

CMYK 52 / 0 / 40 / 30

HEX #56B36B

RGB 86 179 107

HSL 133.55, 0.38%, 0.52%

LAB 65.97, -43.49, 28.53

 

CMYK 52 / 23 / 0 / 30

HEX #568AB3

RGB 86 138 179

HSL 206.45, 0.38%, 0.52%

LAB 55.49, -5.58, -26.87

 

CMYK 0 / 53 / 13 / 30

HEX #B3549C

RGB 179 84 156

HSL 314.53, 0.38%, 0.52%

LAB 49.89, 47.75, -21.45

 

CMYK 0 / 14 / 52 / 30

HEX #B39A56

RGB 179 154 86

HSL 43.87, 0.38%, 0.52%

LAB 64.46, 0.41, 38.82

 

CMYK 52 / 0 / 40 / 30

HEX #56B36B

RGB 86 179 107

HSL 133.55, 0.38%, 0.52%

LAB 65.97, -43.49, 28.53

 

CMYK 52 / 39 / 0 / 30

HEX #566EB3

RGB 86 110 179

HSL 224.52, 0.38%, 0.52%

LAB 47.48, 11.12, -39.41

 

Description

Color code: RGB 179 84 156 | qconv.com Color code: RGB 179 84 156 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 84 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 84 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 13 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 13% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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