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Color name
RGB 179 79 55

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 79 55 it is the complementary color RGB 76 176 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 79 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 79 55 shade: RGB 184 79 50, RGB 201 97 69, RGB 218 115 88, RGB 235 133 107 and RGB 252 151 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 79 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 79 55 shade: RGB 179 79 55, RGB 162 61 36, RGB 145 43 17, RGB 128 25 0 and RGB 111 7 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 79 55 shade: RGB 179 79 55 and RGB 179 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 79 55 shade: RGB 179 79 55, RGB 179 112 55, RGB 179 146 55, RGB 179 179 55 and RGB 145 179 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 79 55 shade matches the following richer shades: RGB 179 79 55, RGB 198 67 36 and RGB 217 55 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 79 55 shade: RGB 179 79 55, RGB 160 90 74, RGB 141 102 93, RGB 122 114 112 and RGB 103 125 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 79 55 shade: RGB 179 55 98, RGB 179 55 65, RGB 179 77 55, RGB 179 111 55 and RGB 179 144 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 79 55 shade: RGB 116 51 35, RGB 147 65 45, RGB 179 79 55, RGB 199 99 75 and RGB 209 127 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 79 55 shade: RGB 179 79 55, RGB 131 179 55 and RGB 55 82 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 79 55 shade: RGB 179 79 55, RGB 55 179 77 and RGB 77 55 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 79 55 shade: RGB 179 79 55, RGB 131 179 55, RGB 55 156 179 and RGB 102 55 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 79 55 shade: RGB 179 79 55, RGB 94 179 55, RGB 55 156 179 and RGB 140 55 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 69 / 30

HEX #B34F37

RGB 179 79 55

HSL 11.61, 0.53%, 0.46%

LAB 46.25, 39.04, 33.69

 

Complementary color

CMYK 62 / 12 / 0 / 22

HEX #4CB0C8

RGB 76 176 200

HSL 191.61, 0.53%, 0.54%

LAB 67.09, -21.83, -20.9

 

CMYK 0 / 57 / 73 / 28

HEX #B84F32

RGB 184 79 50

HSL 12.99, 0.57%, 0.46%

LAB 46.99, 40.69, 37.52

 

CMYK 0 / 52 / 66 / 21

HEX #C96145

RGB 201 97 69

HSL 12.73, 0.55%, 0.53%

LAB 53.38, 39.23, 35.13

 

CMYK 0 / 47 / 60 / 15

HEX #DA7358

RGB 218 115 88

HSL 12.46, 0.64%, 0.6%

LAB 59.77, 37.84, 32.99

 

CMYK 0 / 43 / 54 / 8

HEX #EB856B

RGB 235 133 107

HSL 12.19, 0.76%, 0.67%

LAB 66.14, 36.54, 31.09

 

CMYK 0 / 40 / 50 / 1

HEX #FC977E

RGB 252 151 126

HSL 11.9, 0.95%, 0.74%

LAB 72.45, 35.34, 29.39

 

CMYK 0 / 56 / 69 / 30

HEX #B34F37

RGB 179 79 55

HSL 11.61, 0.53%, 0.46%

LAB 46.25, 39.04, 33.69

 

CMYK 0 / 62 / 78 / 36

HEX #A23D24

RGB 162 61 36

HSL 11.9, 0.64%, 0.39%

LAB 39.83, 40.46, 36.32

 

CMYK 0 / 70 / 88 / 43

HEX #912B11

RGB 145 43 17

HSL 12.19, 0.79%, 0.32%

LAB 33.54, 41.71, 38.92

 

CMYK 0 / 80 / 100 / 50

HEX #801900

RGB 128 25 0

HSL 11.72, 1%, 0.25%

LAB 27.53, 42.35, 39.85

 

CMYK 0 / 94 / 100 / 56

HEX #6F0700

RGB 111 7 0

HSL 3.78, 1%, 0.22%

LAB 22.06, 41.8, 33.28

 

CMYK 0 / 56 / 69 / 30

HEX #B34F37

RGB 179 79 55

HSL 11.61, 0.53%, 0.46%

LAB 46.25, 39.04, 33.69

 

CMYK 0 / 69 / 69 / 30

HEX #B33737

RGB 179 55 55

HSL 0, 0.53%, 0.46%

LAB 42.14, 49.95, 28.83

 

CMYK 0 / 56 / 69 / 30

HEX #B34F37

RGB 179 79 55

HSL 11.61, 0.53%, 0.46%

LAB 46.25, 39.04, 33.69

 

CMYK 0 / 37 / 69 / 30

HEX #B37037

RGB 179 112 55

HSL 27.58, 0.53%, 0.46%

LAB 53.44, 21.38, 41.82

 

CMYK 0 / 18 / 69 / 30

HEX #B39237

RGB 179 146 55

HSL 44.03, 0.53%, 0.46%

LAB 62.01, 2.49, 50.99

 

CMYK 0 / 0 / 69 / 30

HEX #B3B337

RGB 179 179 55

HSL 60, 0.53%, 0.46%

LAB 70.94, -15, 60.04

 

CMYK 19 / 0 / 69 / 30

HEX #91B337

RGB 145 179 55

HSL 76.45, 0.53%, 0.46%

LAB 68.41, -29.24, 56.68

 

CMYK 0 / 56 / 69 / 30

HEX #B34F37

RGB 179 79 55

HSL 11.61, 0.53%, 0.46%

LAB 46.25, 39.04, 33.69

 

CMYK 0 / 66 / 82 / 22

HEX #C64324

RGB 198 67 36

HSL 11.48, 0.69%, 0.46%

LAB 47.17, 50.69, 45.71

 

CMYK 0 / 75 / 92 / 15

HEX #D93711

RGB 217 55 17

HSL 11.4, 0.85%, 0.46%

LAB 48.91, 60.94, 56.42

 

CMYK 0 / 56 / 69 / 30

HEX #B34F37

RGB 179 79 55

HSL 11.61, 0.53%, 0.46%

LAB 46.25, 39.04, 33.69

 

CMYK 0 / 44 / 54 / 37

HEX #A05A4A

RGB 160 90 74

HSL 11.16, 0.37%, 0.46%

LAB 46.02, 27.03, 21.76

 

CMYK 0 / 28 / 34 / 45

HEX #8D665D

RGB 141 102 93

HSL 11.25, 0.21%, 0.46%

LAB 46.92, 14.4, 11.27

 

CMYK 0 / 7 / 8 / 52

HEX #7A7270

RGB 122 114 112

HSL 12, 0.04%, 0.46%

LAB 48.69, 2.71, 2.21

 

CMYK 21 / 5 / 0 / 49

HEX #677D83

RGB 103 125 131

HSL 192.86, 0.12%, 0.46%

LAB 50.91, -6.55, -5.92

 

CMYK 0 / 69 / 45 / 30

HEX #B33762

RGB 179 55 98

HSL 339.19, 0.53%, 0.46%

LAB 43.06, 53.17, 3.51

 

CMYK 0 / 69 / 64 / 30

HEX #B33741

RGB 179 55 65

HSL 355.16, 0.53%, 0.46%

LAB 42.3, 50.53, 22.97

 

CMYK 0 / 57 / 69 / 30

HEX #B34D37

RGB 179 77 55

HSL 10.65, 0.53%, 0.46%

LAB 45.86, 40.04, 33.24

 

CMYK 0 / 38 / 69 / 30

HEX #B36F37

RGB 179 111 55

HSL 27.1, 0.53%, 0.46%

LAB 53.2, 21.94, 41.56

 

CMYK 0 / 20 / 69 / 30

HEX #B39037

RGB 179 144 55

HSL 43.06, 0.53%, 0.46%

LAB 61.49, 3.59, 50.44

 

CMYK 0 / 56 / 70 / 55

HEX #743323

RGB 116 51 35

HSL 11.85, 0.54%, 0.3%

LAB 29.92, 27.33, 23.65

 

CMYK 0 / 56 / 69 / 42

HEX #93412D

RGB 147 65 45

HSL 11.76, 0.53%, 0.38%

LAB 38.15, 33.12, 28.66

 

CMYK 0 / 56 / 69 / 30

HEX #B34F37

RGB 179 79 55

HSL 11.61, 0.53%, 0.46%

LAB 46.25, 39.04, 33.69

 

CMYK 0 / 50 / 62 / 22

HEX #C7634B

RGB 199 99 75

HSL 11.61, 0.53%, 0.54%

LAB 53.57, 37.83, 31.94

 

CMYK 0 / 39 / 49 / 18

HEX #D17F6B

RGB 209 127 107

HSL 11.76, 0.53%, 0.62%

LAB 61.48, 29.6, 24.36

 

CMYK 0 / 56 / 69 / 30

HEX #B34F37

RGB 179 79 55

HSL 11.61, 0.53%, 0.46%

LAB 46.25, 39.04, 33.69

 

CMYK 27 / 0 / 69 / 30

HEX #83B337

RGB 131 179 55

HSL 83.23, 0.53%, 0.46%

LAB 67.53, -34.77, 55.49

 

CMYK 69 / 54 / 0 / 30

HEX #3752B3

RGB 55 82 179

HSL 226.94, 0.53%, 0.46%

LAB 38.02, 22.95, -54.64

 

CMYK 0 / 56 / 69 / 30

HEX #B34F37

RGB 179 79 55

HSL 11.61, 0.53%, 0.46%

LAB 46.25, 39.04, 33.69

 

CMYK 69 / 0 / 57 / 30

HEX #37B34D

RGB 55 179 77

HSL 130.65, 0.53%, 0.46%

LAB 64.63, -55.03, 41.82

 

CMYK 57 / 69 / 0 / 30

HEX #4D37B3

RGB 77 55 179

HSL 250.65, 0.53%, 0.46%

LAB 33.06, 43.23, -62.65

 

CMYK 0 / 56 / 69 / 30

HEX #B34F37

RGB 179 79 55

HSL 11.61, 0.53%, 0.46%

LAB 46.25, 39.04, 33.69

 

CMYK 27 / 0 / 69 / 30

HEX #83B337

RGB 131 179 55

HSL 83.23, 0.53%, 0.46%

LAB 67.53, -34.77, 55.49

 

CMYK 69 / 13 / 0 / 30

HEX #379CB3

RGB 55 156 179

HSL 191.13, 0.53%, 0.46%

LAB 59.75, -21.37, -20.43

 

CMYK 43 / 69 / 0 / 30

HEX #6637B3

RGB 102 55 179

HSL 262.74, 0.53%, 0.46%

LAB 35.62, 47.6, -58.37

 

CMYK 0 / 56 / 69 / 30

HEX #B34F37

RGB 179 79 55

HSL 11.61, 0.53%, 0.46%

LAB 46.25, 39.04, 33.69

 

CMYK 47 / 0 / 69 / 30

HEX #5EB337

RGB 94 179 55

HSL 101.13, 0.53%, 0.46%

LAB 65.67, -47.71, 52.98

 

CMYK 69 / 13 / 0 / 30

HEX #379CB3

RGB 55 156 179

HSL 191.13, 0.53%, 0.46%

LAB 59.75, -21.37, -20.43

 

CMYK 22 / 69 / 0 / 30

HEX #8C37B3

RGB 140 55 179

HSL 281.13, 0.53%, 0.46%

LAB 40.51, 55.38, -50.21

 

Description

Color code: RGB 179 79 55 | qconv.com Color code: RGB 179 79 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 79 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 79 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 69 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 69% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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