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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 61 195 it is the complementary color RGB 76 194 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 61 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 61 195 shade: RGB 184 61 190, RGB 201 79 209, RGB 218 97 228, RGB 235 115 247 and RGB 252 133 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 61 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 61 195 shade: RGB 179 61 195, RGB 162 43 176, RGB 145 25 157, RGB 128 7 138 and RGB 111 0 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 61 195 shade: RGB 178 59 195, RGB 195 59 174, RGB 195 59 138, RGB 195 59 101 and RGB 195 59 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 61 195 shade: RGB 178 59 195, RGB 142 59 195, RGB 106 59 195, RGB 69 59 195 and RGB 59 59 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 61 195 shade matches the following richer shades: RGB 178 59 195, RGB 194 39 215 and RGB 210 18 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 61 195 shade: RGB 178 59 195, RGB 163 80 174, RGB 147 101 153, RGB 131 121 133 and RGB 116 142 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 61 195 shade: RGB 104 59 195, RGB 141 59 195, RGB 177 59 195, RGB 195 59 177 and RGB 195 59 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 61 195 shade: RGB 121 40 131, RGB 149 50 163, RGB 178 59 195, RGB 191 91 204 and RGB 203 123 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 61 195 shade: RGB 179 61 195, RGB 195 68 59 and RGB 59 195 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 61 195 shade: RGB 179 61 195, RGB 195 177 59 and RGB 59 195 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 61 195 shade: RGB 179 61 195, RGB 195 68 59, RGB 77 195 59 and RGB 59 186 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 61 195 shade: RGB 179 61 195, RGB 195 109 59, RGB 77 195 59 and RGB 59 145 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 69 / 0 / 24

HEX #B33DC3

RGB 179 61 195

HSL 292.84, 0.53%, 0.5%

LAB 48.08, 64.62, -47.13

 

Complementary color

CMYK 61 / 0 / 69 / 24

HEX #4CC23C

RGB 76 194 60

HSL 112.84, 0.53%, 0.5%

LAB 69.79, -57.79, 55.14

 

CMYK 3 / 68 / 0 / 25

HEX #B83DBE

RGB 184 61 190

HSL 297.21, 0.51%, 0.49%

LAB 48.57, 64.86, -43.41

 

CMYK 4 / 62 / 0 / 18

HEX #C94FD1

RGB 201 79 209

HSL 296.31, 0.59%, 0.56%

LAB 54.67, 64.99, -44.51

 

CMYK 4 / 57 / 0 / 11

HEX #DA61E4

RGB 218 97 228

HSL 295.42, 0.71%, 0.64%

LAB 60.83, 64.76, -45.35

 

CMYK 5 / 53 / 0 / 3

HEX #EB73F7

RGB 235 115 247

HSL 294.55, 0.89%, 0.71%

LAB 67.01, 64.31, -46

 

CMYK 1 / 48 / 0 / 0

HEX #FC85FF

RGB 252 133 255

HSL 298.52, 1%, 0.76%

LAB 72.69, 61.79, -41.32

 

CMYK 8 / 69 / 0 / 24

HEX #B33DC3

RGB 179 61 195

HSL 292.84, 0.53%, 0.5%

LAB 48.08, 64.62, -47.13

 

CMYK 8 / 76 / 0 / 31

HEX #A22BB0

RGB 162 43 176

HSL 293.68, 0.61%, 0.43%

LAB 42.07, 63.98, -45.76

 

CMYK 8 / 84 / 0 / 38

HEX #91199D

RGB 145 25 157

HSL 294.55, 0.73%, 0.36%

LAB 36.27, 62.42, -43.83

 

CMYK 7 / 95 / 0 / 46

HEX #80078A

RGB 128 7 138

HSL 295.42, 0.9%, 0.28%

LAB 30.82, 59.48, -41.08

 

CMYK 7 / 100 / 0 / 53

HEX #6F0077

RGB 111 0 119

HSL 295.97, 1%, 0.23%

LAB 25.9, 54.55, -37.21

 

CMYK 9 / 70 / 0 / 24

HEX #B23BC3

RGB 178 59 195

HSL 292.5, 0.54%, 0.5%

LAB 47.67, 65.15, -47.81

 

CMYK 0 / 70 / 11 / 24

HEX #C33BAE

RGB 195 59 174

HSL 309.26, 0.54%, 0.5%

LAB 49.24, 65.59, -32.89

 

CMYK 0 / 70 / 29 / 24

HEX #C33B8A

RGB 195 59 138

HSL 325.15, 0.54%, 0.5%

LAB 47.71, 60.68, -13.81

 

CMYK 0 / 70 / 48 / 24

HEX #C33B65

RGB 195 59 101

HSL 341.47, 0.54%, 0.5%

LAB 46.54, 56.75, 7.01

 

CMYK 0 / 70 / 67 / 24

HEX #C33B41

RGB 195 59 65

HSL 357.35, 0.54%, 0.5%

LAB 45.79, 54.14, 27.97

 

CMYK 9 / 70 / 0 / 24

HEX #B23BC3

RGB 178 59 195

HSL 292.5, 0.54%, 0.5%

LAB 47.67, 65.15, -47.81

 

CMYK 27 / 70 / 0 / 24

HEX #8E3BC3

RGB 142 59 195

HSL 276.62, 0.54%, 0.5%

LAB 42.49, 57.51, -56.4

 

CMYK 46 / 70 / 0 / 24

HEX #6A3BC3

RGB 106 59 195

HSL 260.74, 0.54%, 0.5%

LAB 38.08, 50.58, -63.76

 

CMYK 65 / 70 / 0 / 24

HEX #453BC3

RGB 69 59 195

HSL 244.41, 0.54%, 0.5%

LAB 34.67, 44.83, -69.48

 

CMYK 70 / 70 / 0 / 24

HEX #3B3BC3

RGB 59 59 195

HSL 240, 0.54%, 0.5%

LAB 33.98, 43.62, -70.64

 

CMYK 9 / 70 / 0 / 24

HEX #B23BC3

RGB 178 59 195

HSL 292.5, 0.54%, 0.5%

LAB 47.67, 65.15, -47.81

 

CMYK 10 / 82 / 0 / 16

HEX #C227D7

RGB 194 39 215

HSL 292.84, 0.69%, 0.5%

LAB 49.29, 77.8, -56.59

 

CMYK 11 / 92 / 0 / 7

HEX #D212EC

RGB 210 18 236

HSL 292.84, 0.86%, 0.5%

LAB 52.05, 87.31, -63.92

 

CMYK 9 / 70 / 0 / 24

HEX #B23BC3

RGB 178 59 195

HSL 292.5, 0.54%, 0.5%

LAB 47.67, 65.15, -47.81

 

CMYK 6 / 54 / 0 / 32

HEX #A350AE

RGB 163 80 174

HSL 292.98, 0.37%, 0.5%

LAB 47.73, 48.27, -35.59

 

CMYK 4 / 34 / 0 / 40

HEX #936599

RGB 147 101 153

HSL 293.08, 0.2%, 0.5%

LAB 49.27, 27.69, -20.99

 

CMYK 2 / 9 / 0 / 48

HEX #837985

RGB 131 121 133

HSL 290, 0.05%, 0.5%

LAB 52.06, 6.17, -5.15

 

CMYK 18 / 0 / 21 / 44

HEX #748E70

RGB 116 142 112

HSL 112, 0.12%, 0.5%

LAB 56.32, -15.31, 13

 

CMYK 47 / 70 / 0 / 24

HEX #683BC3

RGB 104 59 195

HSL 259.85, 0.54%, 0.5%

LAB 37.86, 50.23, -64.12

 

CMYK 28 / 70 / 0 / 24

HEX #8D3BC3

RGB 141 59 195

HSL 276.18, 0.54%, 0.5%

LAB 42.35, 57.31, -56.62

 

CMYK 9 / 70 / 0 / 24

HEX #B13BC3

RGB 177 59 195

HSL 292.06, 0.54%, 0.5%

LAB 47.51, 64.94, -48.06

 

CMYK 0 / 70 / 9 / 24

HEX #C33BB1

RGB 195 59 177

HSL 307.94, 0.54%, 0.5%

LAB 49.38, 66.05, -34.42

 

CMYK 0 / 70 / 28 / 24

HEX #C33B8D

RGB 195 59 141

HSL 323.82, 0.54%, 0.5%

LAB 47.82, 61.05, -15.45

 

CMYK 8 / 69 / 0 / 49

HEX #792883

RGB 121 40 131

HSL 293.41, 0.53%, 0.34%

LAB 32.31, 47.68, -34.42

 

CMYK 9 / 69 / 0 / 36

HEX #9532A3

RGB 149 50 163

HSL 292.57, 0.53%, 0.42%

LAB 40.11, 56.28, -41.27

 

CMYK 9 / 70 / 0 / 24

HEX #B23BC3

RGB 178 59 195

HSL 292.5, 0.54%, 0.5%

LAB 47.67, 65.15, -47.81

 

CMYK 6 / 55 / 0 / 20

HEX #BF5BCC

RGB 191 91 204

HSL 293.1, 0.53%, 0.58%

LAB 54.99, 56.2, -41.25

 

CMYK 5 / 43 / 0 / 16

HEX #CB7BD6

RGB 203 123 214

HSL 292.75, 0.53%, 0.66%

LAB 63.11, 45.36, -34.08

 

CMYK 8 / 69 / 0 / 24

HEX #B33DC3

RGB 179 61 195

HSL 292.84, 0.53%, 0.5%

LAB 48.08, 64.62, -47.13

 

CMYK 0 / 65 / 70 / 24

HEX #C3443B

RGB 195 68 59

HSL 3.97, 0.54%, 0.5%

LAB 47.04, 50.16, 33.02

 

CMYK 70 / 0 / 37 / 24

HEX #3BC37A

RGB 59 195 122

HSL 147.79, 0.54%, 0.5%

LAB 70.43, -52.91, 26.41

 

CMYK 8 / 69 / 0 / 24

HEX #B33DC3

RGB 179 61 195

HSL 292.84, 0.53%, 0.5%

LAB 48.08, 64.62, -47.13

 

CMYK 0 / 9 / 70 / 24

HEX #C3B13B

RGB 195 177 59

HSL 52.06, 0.54%, 0.5%

LAB 71.8, -6.85, 59.81

 

CMYK 70 / 0 / 9 / 24

HEX #3BC3B1

RGB 59 195 177

HSL 172.06, 0.54%, 0.5%

LAB 71.65, -40.2, -1.5

 

CMYK 8 / 69 / 0 / 24

HEX #B33DC3

RGB 179 61 195

HSL 292.84, 0.53%, 0.5%

LAB 48.08, 64.62, -47.13

 

CMYK 0 / 65 / 70 / 24

HEX #C3443B

RGB 195 68 59

HSL 3.97, 0.54%, 0.5%

LAB 47.04, 50.16, 33.02

 

CMYK 61 / 0 / 70 / 24

HEX #4DC33B

RGB 77 195 59

HSL 112.06, 0.54%, 0.5%

LAB 70.12, -58, 55.89

 

CMYK 70 / 5 / 0 / 24

HEX #3BBAC3

RGB 59 186 195

HSL 183.97, 0.54%, 0.5%

LAB 69.46, -30.94, -14.6

 

CMYK 8 / 69 / 0 / 24

HEX #B33DC3

RGB 179 61 195

HSL 292.84, 0.53%, 0.5%

LAB 48.08, 64.62, -47.13

 

CMYK 0 / 44 / 70 / 24

HEX #C36D3B

RGB 195 109 59

HSL 22.06, 0.54%, 0.5%

LAB 54.92, 29.99, 42.03

 

CMYK 61 / 0 / 70 / 24

HEX #4DC33B

RGB 77 195 59

HSL 112.06, 0.54%, 0.5%

LAB 70.12, -58, 55.89

 

CMYK 70 / 26 / 0 / 24

HEX #3B91C3

RGB 59 145 195

HSL 202.06, 0.54%, 0.5%

LAB 57.19, -9.52, -33.41

 

Description

Color code: RGB 179 61 195 | qconv.com Color code: RGB 179 61 195 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 61 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 61 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 69 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 69% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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