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Color name
RGB 179 60 68

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 60 68 it is the complementary color RGB 76 195 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 60 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 60 68 shade: RGB 184 60 63, RGB 201 78 82, RGB 218 96 101, RGB 235 114 120 and RGB 252 132 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 60 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 60 68 shade: RGB 179 60 68, RGB 162 42 49, RGB 145 24 30, RGB 128 6 11 and RGB 111 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 60 68 shade: RGB 179 59 67 and RGB 179 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 60 68 shade: RGB 179 59 67, RGB 179 59 100, RGB 179 59 132, RGB 179 59 164 and RGB 162 59 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 60 68 shade matches the following richer shades: RGB 179 59 67, RGB 199 40 51, RGB 218 21 34 and RGB 237 1 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 60 68 shade: RGB 179 59 67, RGB 160 79 84, RGB 140 98 101, RGB 121 118 118 and RGB 102 137 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 60 68 shade: RGB 179 59 133, RGB 179 59 101, RGB 179 59 69, RGB 179 81 59 and RGB 179 113 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 60 68 shade: RGB 117 39 44, RGB 148 49 56, RGB 179 59 67, RGB 197 83 90 and RGB 208 114 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 60 68 shade: RGB 179 60 68, RGB 165 179 59 and RGB 59 117 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 60 68 shade: RGB 179 60 68, RGB 69 179 59 and RGB 59 69 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 60 68 shade: RGB 179 60 68, RGB 165 179 59, RGB 59 179 169 and RGB 73 59 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 60 68 shade: RGB 179 60 68, RGB 129 179 59, RGB 59 179 169 and RGB 109 59 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 62 / 30

HEX #B33C44

RGB 179 60 68

HSL 355.97, 0.5%, 0.47%

LAB 43.11, 48.67, 22.17

 

Complementary color

CMYK 61 / 0 / 4 / 24

HEX #4CC3BB

RGB 76 195 187

HSL 175.97, 0.5%, 0.53%

LAB 72.33, -34.85, -5.89

 

CMYK 0 / 67 / 66 / 28

HEX #B83C3F

RGB 184 60 63

HSL 358.55, 0.51%, 0.48%

LAB 43.92, 50.03, 26.41

 

CMYK 0 / 61 / 59 / 21

HEX #C94E52

RGB 201 78 82

HSL 358.05, 0.53%, 0.55%

LAB 50.07, 49.24, 23.51

 

CMYK 0 / 56 / 54 / 15

HEX #DA6065

RGB 218 96 101

HSL 357.54, 0.62%, 0.62%

LAB 56.3, 48.27, 21.09

 

CMYK 0 / 51 / 49 / 8

HEX #EB7278

RGB 235 114 120

HSL 357.02, 0.75%, 0.68%

LAB 62.55, 47.23, 19.04

 

CMYK 0 / 48 / 45 / 1

HEX #FC848B

RGB 252 132 139

HSL 356.5, 0.95%, 0.75%

LAB 68.8, 46.19, 17.27

 

CMYK 0 / 66 / 62 / 30

HEX #B33C44

RGB 179 60 68

HSL 355.97, 0.5%, 0.47%

LAB 43.11, 48.67, 22.17

 

CMYK 0 / 74 / 70 / 36

HEX #A22A31

RGB 162 42 49

HSL 356.5, 0.59%, 0.4%

LAB 37.04, 49.08, 25.56

 

CMYK 0 / 83 / 79 / 43

HEX #91181E

RGB 145 24 30

HSL 357.02, 0.72%, 0.33%

LAB 31.27, 48.73, 29.72

 

CMYK 0 / 95 / 91 / 50

HEX #80060B

RGB 128 6 11

HSL 357.54, 0.91%, 0.26%

LAB 25.99, 47.13, 33.99

 

CMYK 0 / 100 / 100 / 56

HEX #6F0000

RGB 111 0 0

HSL 0, 1%, 0.22%

LAB 21.5, 43.4, 32.69

 

CMYK 0 / 67 / 63 / 30

HEX #B33B43

RGB 179 59 67

HSL 356, 0.5%, 0.47%

LAB 42.94, 49.03, 22.56

 

CMYK 0 / 67 / 67 / 30

HEX #B33B3B

RGB 179 59 59

HSL 0, 0.5%, 0.47%

LAB 42.8, 48.53, 27.24

 

CMYK 0 / 67 / 63 / 30

HEX #B33B43

RGB 179 59 67

HSL 356, 0.5%, 0.47%

LAB 42.94, 49.03, 22.56

 

CMYK 0 / 67 / 44 / 30

HEX #B33B64

RGB 179 59 100

HSL 339.5, 0.5%, 0.47%

LAB 43.7, 51.77, 3.19

 

CMYK 0 / 67 / 26 / 30

HEX #B33B84

RGB 179 59 132

HSL 323.5, 0.5%, 0.47%

LAB 44.77, 55.49, -14.89

 

CMYK 0 / 67 / 8 / 30

HEX #B33BA4

RGB 179 59 164

HSL 307.5, 0.5%, 0.47%

LAB 46.17, 60.14, -31.97

 

CMYK 9 / 67 / 0 / 30

HEX #A23BB3

RGB 162 59 179

HSL 291.5, 0.5%, 0.47%

LAB 44.32, 58.63, -43.93

 

CMYK 0 / 67 / 63 / 30

HEX #B33B43

RGB 179 59 67

HSL 356, 0.5%, 0.47%

LAB 42.94, 49.03, 22.56

 

CMYK 0 / 80 / 74 / 22

HEX #C72833

RGB 199 40 51

HSL 355.85, 0.67%, 0.47%

LAB 44.09, 60.98, 34.44

 

CMYK 0 / 90 / 84 / 15

HEX #DA1522

RGB 218 21 34

HSL 356.04, 0.82%, 0.47%

LAB 46.39, 69.5, 47.41

 

CMYK 0 / 100 / 93 / 7

HEX #ED0111

RGB 237 1 17

HSL 355.93, 0.99%, 0.47%

LAB 49.58, 75.85, 58.83

 

CMYK 0 / 67 / 63 / 30

HEX #B33B43

RGB 179 59 67

HSL 356, 0.5%, 0.47%

LAB 42.94, 49.03, 22.56

 

CMYK 0 / 51 / 48 / 37

HEX #A04F54

RGB 160 79 84

HSL 356.3, 0.34%, 0.47%

LAB 43.81, 34.01, 12.77

 

CMYK 0 / 30 / 28 / 45

HEX #8C6265

RGB 140 98 101

HSL 355.71, 0.18%, 0.47%

LAB 45.98, 17.49, 5.12

 

CMYK 0 / 2 / 2 / 53

HEX #797676

RGB 121 118 118

HSL 0, 0.01%, 0.47%

LAB 49.89, 1.15, 0.4

 

CMYK 26 / 0 / 1 / 46

HEX #668987

RGB 102 137 135

HSL 176.57, 0.15%, 0.47%

LAB 54.52, -12.64, -2.92

 

CMYK 0 / 67 / 26 / 30

HEX #B33B85

RGB 179 59 133

HSL 323, 0.5%, 0.47%

LAB 44.81, 55.62, -15.44

 

CMYK 0 / 67 / 44 / 30

HEX #B33B65

RGB 179 59 101

HSL 339, 0.5%, 0.47%

LAB 43.73, 51.87, 2.61

 

CMYK 0 / 67 / 61 / 30

HEX #B33B45

RGB 179 59 69

HSL 355, 0.5%, 0.47%

LAB 42.98, 49.16, 21.38

 

CMYK 0 / 55 / 67 / 30

HEX #B3513B

RGB 179 81 59

HSL 11, 0.5%, 0.47%

LAB 46.69, 38.27, 31.95

 

CMYK 0 / 37 / 67 / 30

HEX #B3713B

RGB 179 113 59

HSL 27, 0.5%, 0.47%

LAB 53.72, 21.06, 40.1

 

CMYK 0 / 67 / 62 / 54

HEX #75272C

RGB 117 39 44

HSL 356.15, 0.5%, 0.31%

LAB 27.89, 34.58, 15.4

 

CMYK 0 / 67 / 62 / 42

HEX #943138

RGB 148 49 56

HSL 355.76, 0.5%, 0.39%

LAB 35.55, 42, 18.74

 

CMYK 0 / 67 / 63 / 30

HEX #B33B43

RGB 179 59 67

HSL 356, 0.5%, 0.47%

LAB 42.94, 49.03, 22.56

 

CMYK 0 / 58 / 54 / 23

HEX #C5535A

RGB 197 83 90

HSL 356.32, 0.5%, 0.55%

LAB 50.45, 46.15, 19.14

 

CMYK 0 / 45 / 42 / 18

HEX #D07278

RGB 208 114 120

HSL 356.17, 0.5%, 0.63%

LAB 58.79, 37.44, 13.26

 

CMYK 0 / 66 / 62 / 30

HEX #B33C44

RGB 179 60 68

HSL 355.97, 0.5%, 0.47%

LAB 43.11, 48.67, 22.17

 

CMYK 8 / 0 / 67 / 30

HEX #A5B33B

RGB 165 179 59

HSL 67, 0.5%, 0.47%

LAB 69.86, -20.73, 57.04

 

CMYK 67 / 35 / 0 / 30

HEX #3B75B3

RGB 59 117 179

HSL 211, 0.5%, 0.47%

LAB 48.14, 1.32, -38.44

 

CMYK 0 / 66 / 62 / 30

HEX #B33C44

RGB 179 60 68

HSL 355.97, 0.5%, 0.47%

LAB 43.11, 48.67, 22.17

 

CMYK 61 / 0 / 67 / 30

HEX #45B33B

RGB 69 179 59

HSL 115, 0.5%, 0.47%

LAB 64.82, -54.16, 50.19

 

CMYK 67 / 61 / 0 / 30

HEX #3B45B3

RGB 59 69 179

HSL 235, 0.5%, 0.47%

LAB 34.88, 31.98, -59.73

 

CMYK 0 / 66 / 62 / 30

HEX #B33C44

RGB 179 60 68

HSL 355.97, 0.5%, 0.47%

LAB 43.11, 48.67, 22.17

 

CMYK 8 / 0 / 67 / 30

HEX #A5B33B

RGB 165 179 59

HSL 67, 0.5%, 0.47%

LAB 69.86, -20.73, 57.04

 

CMYK 67 / 0 / 6 / 30

HEX #3BB3A9

RGB 59 179 169

HSL 175, 0.5%, 0.47%

LAB 66.55, -35.08, -4.61

 

CMYK 59 / 67 / 0 / 30

HEX #493BB3

RGB 73 59 179

HSL 247, 0.5%, 0.47%

LAB 33.56, 40.29, -61.85

 

CMYK 0 / 66 / 62 / 30

HEX #B33C44

RGB 179 60 68

HSL 355.97, 0.5%, 0.47%

LAB 43.11, 48.67, 22.17

 

CMYK 28 / 0 / 67 / 30

HEX #81B33B

RGB 129 179 59

HSL 85, 0.5%, 0.47%

LAB 67.44, -35.25, 53.77

 

CMYK 67 / 0 / 6 / 30

HEX #3BB3A9

RGB 59 179 169

HSL 175, 0.5%, 0.47%

LAB 66.55, -35.08, -4.61

 

CMYK 39 / 67 / 0 / 30

HEX #6D3BB3

RGB 109 59 179

HSL 265, 0.5%, 0.47%

LAB 37.18, 46.91, -55.8

 

Description

Color code: RGB 179 60 68 | qconv.com Color code: RGB 179 60 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 60 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 60 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 62 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 62% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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