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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 60 154 it is the complementary color RGB 76 195 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 60 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 60 154 shade: RGB 184 60 149, RGB 201 78 168, RGB 218 96 187, RGB 235 114 206 and RGB 252 132 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 60 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 60 154 shade: RGB 179 60 154, RGB 162 42 135, RGB 145 24 116, RGB 128 6 97 and RGB 111 0 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 60 154 shade: RGB 179 59 154, RGB 179 59 122, RGB 179 59 89 and RGB 179 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 60 154 shade: RGB 179 59 154, RGB 172 59 179, RGB 140 59 179, RGB 108 59 179 and RGB 75 59 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 60 154 shade matches the following richer shades: RGB 179 59 154, RGB 199 40 165, RGB 218 21 177 and RGB 237 1 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 60 154 shade: RGB 179 59 154, RGB 160 79 143, RGB 140 98 132, RGB 121 118 120 and RGB 102 137 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 60 154 shade: RGB 139 59 179, RGB 171 59 179, RGB 179 59 155, RGB 179 59 123 and RGB 179 59 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 60 154 shade: RGB 117 39 101, RGB 148 49 127, RGB 179 59 154, RGB 197 83 173 and RGB 208 114 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 60 154 shade: RGB 179 60 154, RGB 179 107 59 and RGB 59 179 155

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 60 154 shade: RGB 179 60 154, RGB 155 179 59 and RGB 59 155 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 60 154 shade: RGB 179 60 154, RGB 179 107 59, RGB 59 179 83 and RGB 59 131 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 60 154 shade: RGB 179 60 154, RGB 179 143 59, RGB 59 179 83 and RGB 59 95 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 14 / 30

HEX #B33C9A

RGB 179 60 154

HSL 312.61, 0.5%, 0.47%

LAB 45.84, 58.2, -26.53

 

Complementary color

CMYK 61 / 0 / 48 / 24

HEX #4CC365

RGB 76 195 101

HSL 132.61, 0.5%, 0.53%

LAB 70.53, -53.28, 37.4

 

CMYK 0 / 67 / 19 / 28

HEX #B83C95

RGB 184 60 149

HSL 316.94, 0.51%, 0.48%

LAB 46.43, 58.79, -22.54

 

CMYK 0 / 61 / 16 / 21

HEX #C94EA8

RGB 201 78 168

HSL 316.1, 0.53%, 0.55%

LAB 52.61, 58.77, -24.05

 

CMYK 0 / 56 / 14 / 15

HEX #DA60BB

RGB 218 96 187

HSL 315.25, 0.62%, 0.62%

LAB 58.84, 58.44, -25.24

 

CMYK 0 / 51 / 12 / 8

HEX #EB72CE

RGB 235 114 206

HSL 314.38, 0.75%, 0.68%

LAB 65.08, 57.91, -26.22

 

CMYK 0 / 48 / 11 / 1

HEX #FC84E1

RGB 252 132 225

HSL 313.5, 0.95%, 0.75%

LAB 71.31, 57.28, -27.04

 

CMYK 0 / 66 / 14 / 30

HEX #B33C9A

RGB 179 60 154

HSL 312.61, 0.5%, 0.47%

LAB 45.84, 58.2, -26.53

 

CMYK 0 / 74 / 17 / 36

HEX #A22A87

RGB 162 42 135

HSL 313.5, 0.59%, 0.4%

LAB 39.73, 57.7, -24.74

 

CMYK 0 / 83 / 20 / 43

HEX #911874

RGB 145 24 116

HSL 314.38, 0.72%, 0.33%

LAB 33.84, 56.29, -22.29

 

CMYK 0 / 95 / 24 / 50

HEX #800661

RGB 128 6 97

HSL 315.25, 0.91%, 0.26%

LAB 28.33, 53.49, -18.92

 

CMYK 0 / 100 / 30 / 56

HEX #6F004E

RGB 111 0 78

HSL 317.84, 1%, 0.22%

LAB 23.44, 48.5, -14.16

 

CMYK 0 / 67 / 14 / 30

HEX #B33B9A

RGB 179 59 154

HSL 312.5, 0.5%, 0.47%

LAB 45.7, 58.59, -26.75

 

CMYK 0 / 67 / 32 / 30

HEX #B33B7A

RGB 179 59 122

HSL 328.5, 0.5%, 0.47%

LAB 44.4, 54.22, -9.34

 

CMYK 0 / 67 / 50 / 30

HEX #B33B59

RGB 179 59 89

HSL 345, 0.5%, 0.47%

LAB 43.41, 50.73, 9.6

 

CMYK 0 / 67 / 67 / 30

HEX #B33B3B

RGB 179 59 59

HSL 0, 0.5%, 0.47%

LAB 42.8, 48.53, 27.24

 

CMYK 0 / 67 / 14 / 30

HEX #B33B9A

RGB 179 59 154

HSL 312.5, 0.5%, 0.47%

LAB 45.7, 58.59, -26.75

 

CMYK 4 / 67 / 0 / 30

HEX #AC3BB3

RGB 172 59 179

HSL 296.5, 0.5%, 0.47%

LAB 45.84, 60.95, -41.42

 

CMYK 22 / 67 / 0 / 30

HEX #8C3BB3

RGB 140 59 179

HSL 280.5, 0.5%, 0.47%

LAB 41.15, 53.6, -49.19

 

CMYK 40 / 67 / 0 / 30

HEX #6C3BB3

RGB 108 59 179

HSL 264.5, 0.5%, 0.47%

LAB 37.06, 46.7, -56

 

CMYK 58 / 67 / 0 / 30

HEX #4B3BB3

RGB 75 59 179

HSL 248, 0.5%, 0.47%

LAB 33.73, 40.61, -61.57

 

CMYK 0 / 67 / 14 / 30

HEX #B33B9A

RGB 179 59 154

HSL 312.5, 0.5%, 0.47%

LAB 45.7, 58.59, -26.75

 

CMYK 0 / 80 / 17 / 22

HEX #C728A5

RGB 199 40 165

HSL 312.83, 0.67%, 0.47%

LAB 47.46, 71, -30.29

 

CMYK 0 / 90 / 19 / 15

HEX #DA15B1

RGB 218 21 177

HSL 312.49, 0.82%, 0.47%

LAB 50.23, 79.97, -32.8

 

CMYK 0 / 100 / 21 / 7

HEX #ED01BC

RGB 237 1 188

HSL 312.46, 0.99%, 0.47%

LAB 53.66, 86.56, -33.61

 

CMYK 0 / 67 / 14 / 30

HEX #B33B9A

RGB 179 59 154

HSL 312.5, 0.5%, 0.47%

LAB 45.7, 58.59, -26.75

 

CMYK 0 / 51 / 11 / 37

HEX #A04F8F

RGB 160 79 143

HSL 312.59, 0.34%, 0.47%

LAB 45.7, 42.21, -20.37

 

CMYK 0 / 30 / 6 / 45

HEX #8C6284

RGB 140 98 132

HSL 311.43, 0.18%, 0.47%

LAB 46.94, 22.82, -12.11

 

CMYK 0 / 2 / 1 / 53

HEX #797678

RGB 121 118 120

HSL 320, 0.01%, 0.47%

LAB 49.95, 1.54, -0.7

 

CMYK 26 / 0 / 20 / 46

HEX #66896D

RGB 102 137 109

HSL 132, 0.15%, 0.47%

LAB 53.84, -18.28, 11.1

 

CMYK 22 / 67 / 0 / 30

HEX #8B3BB3

RGB 139 59 179

HSL 280, 0.5%, 0.47%

LAB 41.01, 53.37, -49.42

 

CMYK 4 / 67 / 0 / 30

HEX #AB3BB3

RGB 171 59 179

HSL 296, 0.5%, 0.47%

LAB 45.69, 60.72, -41.67

 

CMYK 0 / 67 / 13 / 30

HEX #B33B9B

RGB 179 59 155

HSL 312, 0.5%, 0.47%

LAB 45.74, 58.74, -27.27

 

CMYK 0 / 67 / 31 / 30

HEX #B33B7B

RGB 179 59 123

HSL 328, 0.5%, 0.47%

LAB 44.44, 54.34, -9.9

 

CMYK 0 / 67 / 49 / 30

HEX #B33B5B

RGB 179 59 91

HSL 344, 0.5%, 0.47%

LAB 43.46, 50.91, 8.43

 

CMYK 0 / 67 / 14 / 54

HEX #752765

RGB 117 39 101

HSL 312.31, 0.5%, 0.31%

LAB 29.84, 41.63, -19.33

 

CMYK 0 / 67 / 14 / 42

HEX #94317F

RGB 148 49 127

HSL 312.73, 0.5%, 0.39%

LAB 37.89, 50.22, -22.85

 

CMYK 0 / 67 / 14 / 30

HEX #B33B9A

RGB 179 59 154

HSL 312.5, 0.5%, 0.47%

LAB 45.7, 58.59, -26.75

 

CMYK 0 / 58 / 12 / 23

HEX #C553AD

RGB 197 83 173

HSL 312.63, 0.5%, 0.55%

LAB 53.03, 56.21, -26.37

 

CMYK 0 / 45 / 10 / 18

HEX #D072BC

RGB 208 114 188

HSL 312.77, 0.5%, 0.63%

LAB 60.85, 46.88, -22.85

 

CMYK 0 / 66 / 14 / 30

HEX #B33C9A

RGB 179 60 154

HSL 312.61, 0.5%, 0.47%

LAB 45.84, 58.2, -26.53

 

CMYK 0 / 40 / 67 / 30

HEX #B36B3B

RGB 179 107 59

HSL 24, 0.5%, 0.47%

LAB 52.3, 24.39, 38.49

 

CMYK 67 / 0 / 13 / 30

HEX #3BB39B

RGB 59 179 155

HSL 168, 0.5%, 0.47%

LAB 66.16, -38.83, 2.59

 

CMYK 0 / 66 / 14 / 30

HEX #B33C9A

RGB 179 60 154

HSL 312.61, 0.5%, 0.47%

LAB 45.84, 58.2, -26.53

 

CMYK 13 / 0 / 67 / 30

HEX #9BB33B

RGB 155 179 59

HSL 72, 0.5%, 0.47%

LAB 69.13, -24.9, 56.05

 

CMYK 67 / 13 / 0 / 30

HEX #3B9BB3

RGB 59 155 179

HSL 192, 0.5%, 0.47%

LAB 59.55, -20.24, -20.72

 

CMYK 0 / 66 / 14 / 30

HEX #B33C9A

RGB 179 60 154

HSL 312.61, 0.5%, 0.47%

LAB 45.84, 58.2, -26.53

 

CMYK 0 / 40 / 67 / 30

HEX #B36B3B

RGB 179 107 59

HSL 24, 0.5%, 0.47%

LAB 52.3, 24.39, 38.49

 

CMYK 67 / 0 / 54 / 30

HEX #3BB353

RGB 59 179 83

HSL 132, 0.5%, 0.47%

LAB 64.8, -53.45, 39.14

 

CMYK 67 / 27 / 0 / 30

HEX #3B83B3

RGB 59 131 179

HSL 204, 0.5%, 0.47%

LAB 52.31, -6.99, -31.91

 

CMYK 0 / 66 / 14 / 30

HEX #B33C9A

RGB 179 60 154

HSL 312.61, 0.5%, 0.47%

LAB 45.84, 58.2, -26.53

 

CMYK 0 / 20 / 67 / 30

HEX #B38F3B

RGB 179 143 59

HSL 42, 0.5%, 0.47%

LAB 61.26, 4.37, 48.4

 

CMYK 67 / 0 / 54 / 30

HEX #3BB353

RGB 59 179 83

HSL 132, 0.5%, 0.47%

LAB 64.8, -53.45, 39.14

 

CMYK 67 / 47 / 0 / 30

HEX #3B5FB3

RGB 59 95 179

HSL 222, 0.5%, 0.47%

LAB 41.8, 15.14, -48.54

 

Description

Color code: RGB 179 60 154 | qconv.com Color code: RGB 179 60 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 60 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 60 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 14 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 14% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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