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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 52 227 it is the complementary color RGB 76 203 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 52 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 52 227 shade: RGB 184 52 222, RGB 201 70 241, RGB 218 88 255, RGB 235 106 255 and RGB 252 124 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 52 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 52 227 shade: RGB 179 52 227, RGB 162 34 208, RGB 145 16 189, RGB 128 0 170 and RGB 111 0 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 52 227 shade: RGB 179 53 227, RGB 226 53 227, RGB 227 53 181, RGB 227 53 134 and RGB 227 53 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 52 227 shade: RGB 179 53 227, RGB 132 53 227, RGB 85 53 227 and RGB 53 53 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 52 227 shade matches the following richer shades: RGB 179 53 227 and RGB 187 34 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 52 227 shade: RGB 179 53 227, RGB 171 71 208, RGB 162 90 190, RGB 154 108 171 and RGB 146 127 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 52 227 shade: RGB 85 53 227, RGB 131 53 227, RGB 178 53 227, RGB 224 53 227 and RGB 227 53 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 52 227 shade: RGB 132 23 174, RGB 160 28 210, RGB 179 53 227, RGB 193 89 232 and RGB 206 125 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 52 227 shade: RGB 179 52 227, RGB 227 53 67 and RGB 53 227 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 52 227 shade: RGB 179 52 227, RGB 227 178 53 and RGB 53 227 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 52 227 shade: RGB 179 52 227, RGB 227 53 67, RGB 102 227 53 and RGB 53 227 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 52 227 shade: RGB 179 52 227, RGB 227 90 53, RGB 102 227 53 and RGB 53 189 227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 77 / 0 / 11

HEX #B334E3

RGB 179 52 227

HSL 283.54, 0.76%, 0.55%

LAB 48.99, 73.7, -64.02

 

Complementary color

CMYK 63 / 0 / 86 / 20

HEX #4CCB1C

RGB 76 203 28

HSL 103.54, 0.76%, 0.45%

LAB 72.45, -62.84, 67.49

 

CMYK 17 / 77 / 0 / 13

HEX #B834DE

RGB 184 52 222

HSL 286.59, 0.72%, 0.54%

LAB 49.4, 73.67, -60.48

 

CMYK 17 / 71 / 0 / 5

HEX #C946F1

RGB 201 70 241

HSL 285.96, 0.86%, 0.61%

LAB 55.23, 74.3, -61.69

 

CMYK 15 / 65 / 0 / 0

HEX #DA58FF

RGB 218 88 255

HSL 286.71, 1%, 0.67%

LAB 60.87, 73.49, -60.27

 

CMYK 8 / 58 / 0 / 0

HEX #EB6AFF

RGB 235 106 255

HSL 291.95, 1%, 0.71%

LAB 65.9, 69.79, -52.14

 

CMYK 1 / 51 / 0 / 0

HEX #FC7CFF

RGB 252 124 255

HSL 298.63, 1%, 0.74%

LAB 71.1, 66, -43.8

 

CMYK 21 / 77 / 0 / 11

HEX #B334E3

RGB 179 52 227

HSL 283.54, 0.76%, 0.55%

LAB 48.99, 73.7, -64.02

 

CMYK 22 / 84 / 0 / 18

HEX #A222D0

RGB 162 34 208

HSL 284.14, 0.72%, 0.47%

LAB 43.33, 72.37, -62.44

 

CMYK 23 / 92 / 0 / 26

HEX #9110BD

RGB 145 16 189

HSL 284.74, 0.84%, 0.4%

LAB 37.96, 69.92, -60.21

 

CMYK 25 / 100 / 0 / 33

HEX #8000AA

RGB 128 0 170

HSL 285.18, 1%, 0.33%

LAB 32.9, 66.2, -57.27

 

CMYK 26 / 100 / 0 / 41

HEX #6F0097

RGB 111 0 151

HSL 284.11, 1%, 0.3%

LAB 28.42, 60.36, -53.16

 

CMYK 21 / 77 / 0 / 11

HEX #B335E3

RGB 179 53 227

HSL 283.45, 0.76%, 0.55%

LAB 49.1, 73.38, -63.84

 

CMYK 0 / 77 / 0 / 11

HEX #E235E3

RGB 226 53 227

HSL 299.66, 0.76%, 0.55%

LAB 56.35, 82.14, -51.82

 

CMYK 0 / 77 / 20 / 11

HEX #E335B5

RGB 227 53 181

HSL 315.86, 0.76%, 0.55%

LAB 54.25, 75.87, -28.76

 

CMYK 0 / 77 / 41 / 11

HEX #E33586

RGB 227 53 134

HSL 332.07, 0.76%, 0.55%

LAB 52.51, 70.63, -3.64

 

CMYK 0 / 77 / 62 / 11

HEX #E33557

RGB 227 53 87

HSL 348.28, 0.76%, 0.55%

LAB 51.34, 66.99, 23.06

 

CMYK 21 / 77 / 0 / 11

HEX #B335E3

RGB 179 53 227

HSL 283.45, 0.76%, 0.55%

LAB 49.1, 73.38, -63.84

 

CMYK 42 / 77 / 0 / 11

HEX #8435E3

RGB 132 53 227

HSL 267.24, 0.76%, 0.55%

LAB 42.76, 65.6, -74.44

 

CMYK 63 / 77 / 0 / 11

HEX #5535E3

RGB 85 53 227

HSL 251.03, 0.76%, 0.55%

LAB 37.88, 59.5, -82.63

 

CMYK 77 / 77 / 0 / 11

HEX #3535E3

RGB 53 53 227

HSL 240, 0.76%, 0.55%

LAB 35.69, 56.71, -86.32

 

CMYK 21 / 77 / 0 / 11

HEX #B335E3

RGB 179 53 227

HSL 283.45, 0.76%, 0.55%

LAB 49.1, 73.38, -63.84

 

CMYK 24 / 86 / 0 / 4

HEX #BB22F6

RGB 187 34 246

HSL 283.3, 0.92%, 0.55%

LAB 49.93, 83.18, -73.14

 

CMYK 21 / 77 / 0 / 11

HEX #B335E3

RGB 179 53 227

HSL 283.45, 0.76%, 0.55%

LAB 49.1, 73.38, -63.84

 

CMYK 18 / 66 / 0 / 18

HEX #AB47D0

RGB 171 71 208

HSL 283.8, 0.59%, 0.55%

LAB 49.15, 61.23, -52.98

 

CMYK 15 / 53 / 0 / 25

HEX #A25ABE

RGB 162 90 190

HSL 283.2, 0.43%, 0.55%

LAB 50.35, 46.12, -40.79

 

CMYK 10 / 37 / 0 / 33

HEX #9A6CAB

RGB 154 108 171

HSL 283.81, 0.27%, 0.55%

LAB 52.44, 29.75, -26.57

 

CMYK 5 / 17 / 0 / 40

HEX #927F99

RGB 146 127 153

HSL 283.85, 0.11%, 0.55%

LAB 55.67, 12.24, -11.26

 

CMYK 63 / 77 / 0 / 11

HEX #5535E3

RGB 85 53 227

HSL 251.03, 0.76%, 0.55%

LAB 37.88, 59.5, -82.63

 

CMYK 42 / 77 / 0 / 11

HEX #8335E3

RGB 131 53 227

HSL 266.9, 0.76%, 0.55%

LAB 42.64, 65.45, -74.64

 

CMYK 22 / 77 / 0 / 11

HEX #B235E3

RGB 178 53 227

HSL 283.1, 0.76%, 0.55%

LAB 48.95, 73.2, -64.08

 

CMYK 1 / 77 / 0 / 11

HEX #E035E3

RGB 224 53 227

HSL 298.97, 0.76%, 0.55%

LAB 56.03, 81.76, -52.35

 

CMYK 0 / 77 / 19 / 11

HEX #E335B7

RGB 227 53 183

HSL 315.17, 0.76%, 0.55%

LAB 54.34, 76.13, -29.79

 

CMYK 24 / 87 / 0 / 32

HEX #8417AE

RGB 132 23 174

HSL 283.31, 0.77%, 0.39%

LAB 35.15, 63.76, -55.97

 

CMYK 24 / 87 / 0 / 18

HEX #A01CD2

RGB 160 28 210

HSL 283.52, 0.76%, 0.47%

LAB 42.7, 73.82, -64.63

 

CMYK 21 / 77 / 0 / 11

HEX #B335E3

RGB 179 53 227

HSL 283.45, 0.76%, 0.55%

LAB 49.1, 73.38, -63.84

 

CMYK 17 / 62 / 0 / 9

HEX #C159E8

RGB 193 89 232

HSL 283.64, 0.76%, 0.63%

LAB 56.4, 63.05, -54.84

 

CMYK 13 / 47 / 0 / 7

HEX #CE7DED

RGB 206 125 237

HSL 283.39, 0.76%, 0.71%

LAB 64.89, 49.73, -44.07

 

CMYK 21 / 77 / 0 / 11

HEX #B334E3

RGB 179 52 227

HSL 283.54, 0.76%, 0.55%

LAB 48.99, 73.7, -64.02

 

CMYK 0 / 77 / 70 / 11

HEX #E33543

RGB 227 53 67

HSL 355.17, 0.76%, 0.55%

LAB 51.02, 65.95, 34.51

 

CMYK 77 / 0 / 52 / 11

HEX #35E36C

RGB 53 227 108

HSL 138.97, 0.76%, 0.55%

LAB 80.05, -67.49, 45.68

 

CMYK 21 / 77 / 0 / 11

HEX #B334E3

RGB 179 52 227

HSL 283.54, 0.76%, 0.55%

LAB 48.99, 73.7, -64.02

 

CMYK 0 / 22 / 77 / 11

HEX #E3B235

RGB 227 178 53

HSL 43.1, 0.76%, 0.55%

LAB 75.09, 6.19, 66.31

 

CMYK 77 / 0 / 22 / 11

HEX #35E3B2

RGB 53 227 178

HSL 163.1, 0.76%, 0.55%

LAB 81.24, -54.15, 11.79

 

CMYK 21 / 77 / 0 / 11

HEX #B334E3

RGB 179 52 227

HSL 283.54, 0.76%, 0.55%

LAB 48.99, 73.7, -64.02

 

CMYK 0 / 77 / 70 / 11

HEX #E33543

RGB 227 53 67

HSL 355.17, 0.76%, 0.55%

LAB 51.02, 65.95, 34.51

 

CMYK 55 / 0 / 77 / 11

HEX #66E335

RGB 102 227 53

HSL 103.1, 0.76%, 0.55%

LAB 80.75, -63.52, 68.84

 

CMYK 77 / 0 / 7 / 11

HEX #35E3D4

RGB 53 227 212

HSL 174.83, 0.76%, 0.55%

LAB 82.08, -45.52, -4.98

 

CMYK 21 / 77 / 0 / 11

HEX #B334E3

RGB 179 52 227

HSL 283.54, 0.76%, 0.55%

LAB 48.99, 73.7, -64.02

 

CMYK 0 / 60 / 77 / 11

HEX #E35A35

RGB 227 90 53

HSL 12.76, 0.76%, 0.55%

LAB 55.99, 51.4, 47.65

 

CMYK 55 / 0 / 77 / 11

HEX #66E335

RGB 102 227 53

HSL 103.1, 0.76%, 0.55%

LAB 80.75, -63.52, 68.84

 

CMYK 77 / 17 / 0 / 11

HEX #35BDE3

RGB 53 189 227

HSL 193.1, 0.76%, 0.55%

LAB 71.35, -23.21, -29.22

 

Description

Color code: RGB 179 52 227 | qconv.com Color code: RGB 179 52 227 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 52 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 52 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 77 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 77% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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