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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 4 188 it is the complementary color RGB 76 251 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 4 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 4 188 shade: RGB 184 4 183, RGB 201 22 202, RGB 218 40 221, RGB 235 58 240 and RGB 252 76 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 4 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 4 188 shade: RGB 179 4 188, RGB 162 0 169, RGB 145 0 150, RGB 128 0 131 and RGB 111 0 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 4 188 shade: RGB 180 3 189, RGB 189 3 148, RGB 189 3 98, RGB 189 3 48 and RGB 189 3 3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 4 188 shade: RGB 180 3 189, RGB 130 3 189, RGB 80 3 189, RGB 30 3 189 and RGB 3 3 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 4 188 shade matches the following richer shades: RGB 180 3 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 4 188 shade: RGB 180 3 189, RGB 166 19 174, RGB 152 35 158, RGB 138 50 142 and RGB 124 66 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 4 188 shade: RGB 81 3 189, RGB 131 3 189, RGB 180 3 189, RGB 189 3 149 and RGB 189 3 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 4 188 shade: RGB 103 2 109, RGB 142 3 149, RGB 180 3 189, RGB 219 4 230 and RGB 239 25 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 4 188 shade: RGB 179 4 188, RGB 189 31 3 and RGB 3 189 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 4 188 shade: RGB 179 4 188, RGB 189 180 3 and RGB 3 189 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 4 188 shade: RGB 179 4 188, RGB 189 31 3, RGB 13 189 3 and RGB 3 162 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 4 188 shade: RGB 179 4 188, RGB 189 87 3, RGB 13 189 3 and RGB 3 106 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 98 / 0 / 26

HEX #B304BC

RGB 179 4 188

HSL 297.07, 0.96%, 0.38%

LAB 43.21, 76.31, -50.84

 

Complementary color

CMYK 70 / 0 / 73 / 2

HEX #4CFB43

RGB 76 251 67

HSL 117.07, 0.96%, 0.62%

LAB 87.45, -76, 70.73

 

CMYK 0 / 98 / 1 / 28

HEX #B804B7

RGB 184 4 183

HSL 300.33, 0.96%, 0.37%

LAB 43.79, 76.37, -46.92

 

CMYK 0 / 89 / 0 / 21

HEX #C916CA

RGB 201 22 202

HSL 299.67, 0.8%, 0.44%

LAB 48.58, 80.14, -50.18

 

CMYK 1 / 82 / 0 / 13

HEX #DA28DD

RGB 218 40 221

HSL 299.01, 0.73%, 0.51%

LAB 53.65, 82.81, -52.81

 

CMYK 2 / 76 / 0 / 6

HEX #EB3AF0

RGB 235 58 240

HSL 298.35, 0.86%, 0.58%

LAB 58.96, 84.55, -54.87

 

CMYK 1 / 70 / 0 / 0

HEX #FC4CFF

RGB 252 76 255

HSL 298.99, 1%, 0.65%

LAB 64.23, 84.95, -54.64

 

CMYK 5 / 98 / 0 / 26

HEX #B304BC

RGB 179 4 188

HSL 297.07, 0.96%, 0.38%

LAB 43.21, 76.31, -50.84

 

CMYK 4 / 100 / 0 / 34

HEX #A200A9

RGB 162 0 169

HSL 297.51, 1%, 0.33%

LAB 38.8, 71.05, -46.82

 

CMYK 3 / 100 / 0 / 41

HEX #910096

RGB 145 0 150

HSL 298, 1%, 0.29%

LAB 34.44, 65.3, -42.5

 

CMYK 2 / 100 / 0 / 49

HEX #800083

RGB 128 0 131

HSL 298.63, 1%, 0.26%

LAB 29.98, 59.42, -38.06

 

CMYK 1 / 100 / 0 / 56

HEX #6F0070

RGB 111 0 112

HSL 299.46, 1%, 0.22%

LAB 25.41, 53.39, -33.5

 

CMYK 5 / 98 / 0 / 26

HEX #B403BD

RGB 180 3 189

HSL 297.1, 0.97%, 0.38%

LAB 43.42, 76.72, -51.08

 

CMYK 0 / 98 / 22 / 26

HEX #BD0394

RGB 189 3 148

HSL 313.23, 0.97%, 0.38%

LAB 42.8, 72.65, -27.51

 

CMYK 0 / 98 / 48 / 26

HEX #BD0362

RGB 189 3 98

HSL 329.35, 0.97%, 0.38%

LAB 40.84, 67.58, 0.53

 

CMYK 0 / 98 / 75 / 26

HEX #BD0330

RGB 189 3 48

HSL 345.48, 0.97%, 0.38%

LAB 39.74, 64.62, 30.74

 

CMYK 0 / 98 / 98 / 26

HEX #BD0303

RGB 189 3 3

HSL 0, 0.97%, 0.38%

LAB 39.4, 63.67, 52.54

 

CMYK 5 / 98 / 0 / 26

HEX #B403BD

RGB 180 3 189

HSL 297.1, 0.97%, 0.38%

LAB 43.42, 76.72, -51.08

 

CMYK 31 / 98 / 0 / 26

HEX #8203BD

RGB 130 3 189

HSL 280.97, 0.97%, 0.38%

LAB 34.97, 69.66, -65.18

 

CMYK 58 / 98 / 0 / 26

HEX #5003BD

RGB 80 3 189

HSL 264.84, 0.97%, 0.38%

LAB 27.97, 64.94, -76.97

 

CMYK 84 / 98 / 0 / 26

HEX #1E03BD

RGB 30 3 189

HSL 248.71, 0.97%, 0.38%

LAB 23.72, 62.87, -84.16

 

CMYK 98 / 98 / 0 / 26

HEX #0303BD

RGB 3 3 189

HSL 240, 0.97%, 0.38%

LAB 22.86, 62.55, -85.62

 

CMYK 5 / 98 / 0 / 26

HEX #B403BD

RGB 180 3 189

HSL 297.1, 0.97%, 0.38%

LAB 43.42, 76.72, -51.08

 

CMYK 5 / 98 / 0 / 26

HEX #B403BD

RGB 180 3 189

HSL 297.1, 0.97%, 0.38%

LAB 43.42, 76.72, -51.08

 

CMYK 5 / 89 / 0 / 32

HEX #A613AE

RGB 166 19 174

HSL 296.9, 0.8%, 0.38%

LAB 40.62, 70.21, -46.86

 

CMYK 4 / 78 / 0 / 38

HEX #98239E

RGB 152 35 158

HSL 297.07, 0.64%, 0.38%

LAB 38.46, 61.28, -40.87

 

CMYK 3 / 65 / 0 / 44

HEX #8A328E

RGB 138 50 142

HSL 297.39, 0.48%, 0.38%

LAB 37.18, 49.71, -33.3

 

CMYK 2 / 48 / 0 / 50

HEX #7C427F

RGB 124 66 127

HSL 297.05, 0.32%, 0.38%

LAB 37.32, 34.79, -24

 

CMYK 57 / 98 / 0 / 26

HEX #5103BD

RGB 81 3 189

HSL 265.16, 0.97%, 0.38%

LAB 28.08, 65.01, -76.78

 

CMYK 31 / 98 / 0 / 26

HEX #8303BD

RGB 131 3 189

HSL 281.29, 0.97%, 0.38%

LAB 35.13, 69.78, -64.92

 

CMYK 5 / 98 / 0 / 26

HEX #B403BD

RGB 180 3 189

HSL 297.1, 0.97%, 0.38%

LAB 43.42, 76.72, -51.08

 

CMYK 0 / 98 / 21 / 26

HEX #BD0395

RGB 189 3 149

HSL 312.9, 0.97%, 0.38%

LAB 42.84, 72.77, -28.05

 

CMYK 0 / 98 / 47 / 26

HEX #BD0364

RGB 189 3 100

HSL 328.71, 0.97%, 0.38%

LAB 40.9, 67.74, -0.64

 

CMYK 6 / 98 / 0 / 57

HEX #67026D

RGB 103 2 109

HSL 296.64, 0.96%, 0.22%

LAB 23.77, 51.06, -34.27

 

CMYK 5 / 98 / 0 / 42

HEX #8E0395

RGB 142 3 149

HSL 297.12, 0.96%, 0.3%

LAB 33.95, 64.24, -42.7

 

CMYK 5 / 98 / 0 / 26

HEX #B403BD

RGB 180 3 189

HSL 297.1, 0.97%, 0.38%

LAB 43.42, 76.72, -51.08

 

CMYK 5 / 98 / 0 / 10

HEX #DB04E6

RGB 219 4 230

HSL 297.08, 0.97%, 0.46%

LAB 52.8, 88.9, -59.26

 

CMYK 4 / 90 / 0 / 2

HEX #EF19FA

RGB 239 25 250

HSL 297.07, 0.96%, 0.54%

LAB 57.99, 93.15, -61.95

 

CMYK 5 / 98 / 0 / 26

HEX #B304BC

RGB 179 4 188

HSL 297.07, 0.96%, 0.38%

LAB 43.21, 76.31, -50.84

 

CMYK 0 / 84 / 98 / 26

HEX #BD1F03

RGB 189 31 3

HSL 9.03, 0.97%, 0.38%

LAB 40.91, 59.34, 53.21

 

CMYK 98 / 0 / 44 / 26

HEX #03BD6A

RGB 3 189 106

HSL 153.23, 0.97%, 0.38%

LAB 67.62, -58.93, 30.92

 

CMYK 5 / 98 / 0 / 26

HEX #B304BC

RGB 179 4 188

HSL 297.07, 0.96%, 0.38%

LAB 43.21, 76.31, -50.84

 

CMYK 0 / 5 / 98 / 26

HEX #BDB403

RGB 189 180 3

HSL 57.1, 0.97%, 0.38%

LAB 71.87, -12.61, 73.3

 

CMYK 98 / 0 / 5 / 26

HEX #03BDB4

RGB 3 189 180

HSL 177.1, 0.97%, 0.38%

LAB 69.26, -40.98, -6.73

 

CMYK 5 / 98 / 0 / 26

HEX #B304BC

RGB 179 4 188

HSL 297.07, 0.96%, 0.38%

LAB 43.21, 76.31, -50.84

 

CMYK 0 / 84 / 98 / 26

HEX #BD1F03

RGB 189 31 3

HSL 9.03, 0.97%, 0.38%

LAB 40.91, 59.34, 53.21

 

CMYK 93 / 0 / 98 / 26

HEX #0DBD03

RGB 13 189 3

HSL 116.77, 0.97%, 0.38%

LAB 66.89, -68.15, 66.14

 

CMYK 98 / 14 / 0 / 26

HEX #03A2BD

RGB 3 162 189

HSL 188.71, 0.97%, 0.38%

LAB 61.25, -25.32, -23.82

 

CMYK 5 / 98 / 0 / 26

HEX #B304BC

RGB 179 4 188

HSL 297.07, 0.96%, 0.38%

LAB 43.21, 76.31, -50.84

 

CMYK 0 / 54 / 98 / 26

HEX #BD5703

RGB 189 87 3

HSL 27.1, 0.97%, 0.38%

LAB 49.06, 37.4, 57.66

 

CMYK 93 / 0 / 98 / 26

HEX #0DBD03

RGB 13 189 3

HSL 116.77, 0.97%, 0.38%

LAB 66.89, -68.15, 66.14

 

CMYK 98 / 44 / 0 / 26

HEX #036ABD

RGB 3 106 189

HSL 206.77, 0.97%, 0.38%

LAB 44.24, 6.77, -50.54

 

Description

Color code: RGB 179 4 188 | qconv.com Color code: RGB 179 4 188 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 4 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 4 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 98 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 98% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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