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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 32 254 it is the complementary color RGB 76 223 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 32 254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 32 254 shade: RGB 184 32 249, RGB 201 50 255, RGB 218 68 255, RGB 235 86 255 and RGB 252 104 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 32 254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 32 254 shade: RGB 179 32 254, RGB 162 14 235, RGB 145 0 216, RGB 128 0 197 and RGB 111 0 178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 32 254 shade: RGB 178 31 253, RGB 238 31 253, RGB 253 31 209, RGB 253 31 149 and RGB 253 31 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 32 254 shade: RGB 178 31 253, RGB 118 31 253, RGB 59 31 253 and RGB 31 31 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 32 254 shade matches the following richer shades: RGB 178 31 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 32 254 shade: RGB 178 31 253, RGB 172 49 235, RGB 167 68 217, RGB 161 86 199 and RGB 155 104 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 32 254 shade: RGB 57 31 253, RGB 116 31 253, RGB 176 31 253, RGB 235 31 253 and RGB 253 31 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 32 254 shade: RGB 134 1 202, RGB 161 1 243, RGB 178 31 253, RGB 192 72 254 and RGB 206 113 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 32 254 shade: RGB 179 32 254, RGB 253 31 65 and RGB 31 253 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 32 254 shade: RGB 179 32 254, RGB 253 176 31 and RGB 31 253 176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 32 254 shade: RGB 179 32 254, RGB 253 31 65, RGB 109 253 31 and RGB 31 253 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 32 254 shade: RGB 179 32 254, RGB 253 65 31, RGB 109 253 31 and RGB 31 220 253

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 87 / 0 / 0

HEX #B320FE

RGB 179 32 254

HSL 279.73, 0.99%, 0.56%

LAB 49.22, 83.95, -78.83

 

Complementary color

CMYK 66 / 0 / 100 / 13

HEX #4CDF01

RGB 76 223 1

HSL 99.73, 0.99%, 0.44%

LAB 78.64, -69.9, 76.17

 

CMYK 26 / 87 / 0 / 2

HEX #B820F9

RGB 184 32 249

HSL 282.03, 0.95%, 0.55%

LAB 49.57, 83.7, -75.43

 

CMYK 21 / 80 / 0 / 0

HEX #C932FF

RGB 201 50 255

HSL 284.2, 1%, 0.6%

LAB 53.94, 83.19, -71.56

 

CMYK 15 / 73 / 0 / 0

HEX #DA44FF

RGB 218 68 255

HSL 288.13, 1%, 0.63%

LAB 58.28, 80.82, -64.43

 

CMYK 8 / 66 / 0 / 0

HEX #EB56FF

RGB 235 86 255

HSL 292.9, 1%, 0.67%

LAB 62.96, 77.92, -56.81

 

CMYK 1 / 59 / 0 / 0

HEX #FC68FF

RGB 252 104 255

HSL 298.81, 1%, 0.7%

LAB 67.88, 74.71, -48.85

 

CMYK 30 / 87 / 0 / 0

HEX #B320FE

RGB 179 32 254

HSL 279.73, 0.99%, 0.56%

LAB 49.22, 83.95, -78.83

 

CMYK 31 / 94 / 0 / 8

HEX #A20EEB

RGB 162 14 235

HSL 280.18, 0.89%, 0.49%

LAB 44.22, 81.05, -76.42

 

CMYK 33 / 100 / 0 / 15

HEX #9100D8

RGB 145 0 216

HSL 280.28, 1%, 0.42%

LAB 39.54, 76.94, -73.34

 

CMYK 35 / 100 / 0 / 23

HEX #8000C5

RGB 128 0 197

HSL 278.98, 1%, 0.39%

LAB 35.24, 71.38, -69.46

 

CMYK 38 / 100 / 0 / 30

HEX #6F00B2

RGB 111 0 178

HSL 277.42, 1%, 0.35%

LAB 30.86, 65.73, -65.51

 

CMYK 30 / 88 / 0 / 1

HEX #B21FFD

RGB 178 31 253

HSL 279.73, 0.98%, 0.56%

LAB 48.93, 83.83, -78.75

 

CMYK 6 / 88 / 0 / 1

HEX #EE1FFD

RGB 238 31 253

HSL 295.95, 0.98%, 0.56%

LAB 58.27, 92.64, -63.17

 

CMYK 0 / 88 / 17 / 1

HEX #FD1FD1

RGB 253 31 209

HSL 311.89, 0.98%, 0.56%

LAB 58.48, 89.24, -37.95

 

CMYK 0 / 88 / 41 / 1

HEX #FD1F95

RGB 253 31 149

HSL 328.11, 0.98%, 0.56%

LAB 56.12, 82.9, -6.7

 

CMYK 0 / 88 / 65 / 1

HEX #FD1F59

RGB 253 31 89

HSL 344.32, 0.98%, 0.56%

LAB 54.64, 78.76, 27.11

 

CMYK 30 / 88 / 0 / 1

HEX #B21FFD

RGB 178 31 253

HSL 279.73, 0.98%, 0.56%

LAB 48.93, 83.83, -78.75

 

CMYK 53 / 88 / 0 / 1

HEX #761FFD

RGB 118 31 253

HSL 263.51, 0.98%, 0.56%

LAB 41.09, 77.19, -91.92

 

CMYK 77 / 88 / 0 / 1

HEX #3B1FFD

RGB 59 31 253

HSL 247.57, 0.98%, 0.56%

LAB 35.99, 73.43, -100.54

 

CMYK 88 / 88 / 0 / 1

HEX #1F1FFD

RGB 31 31 253

HSL 240, 0.98%, 0.56%

LAB 34.73, 72.59, -102.67

 

CMYK 30 / 88 / 0 / 1

HEX #B21FFD

RGB 178 31 253

HSL 279.73, 0.98%, 0.56%

LAB 48.93, 83.83, -78.75

 

CMYK 30 / 88 / 0 / 1

HEX #B21FFD

RGB 178 31 253

HSL 279.73, 0.98%, 0.56%

LAB 48.93, 83.83, -78.75

 

CMYK 27 / 79 / 0 / 8

HEX #AC31EB

RGB 172 49 235

HSL 279.68, 0.82%, 0.56%

LAB 48.22, 75.01, -69.85

 

CMYK 23 / 69 / 0 / 15

HEX #A744D9

RGB 167 68 217

HSL 279.87, 0.66%, 0.56%

LAB 48.71, 63.5, -58.87

 

CMYK 19 / 57 / 0 / 22

HEX #A156C7

RGB 161 86 199

HSL 279.82, 0.5%, 0.56%

LAB 49.93, 49.85, -46.66

 

CMYK 14 / 43 / 0 / 29

HEX #9B68B5

RGB 155 104 181

HSL 279.74, 0.34%, 0.56%

LAB 52.07, 34.51, -32.93

 

CMYK 77 / 88 / 0 / 1

HEX #391FFD

RGB 57 31 253

HSL 247.03, 0.98%, 0.56%

LAB 35.87, 73.35, -100.74

 

CMYK 54 / 88 / 0 / 1

HEX #741FFD

RGB 116 31 253

HSL 262.97, 0.98%, 0.56%

LAB 40.87, 77.01, -92.29

 

CMYK 30 / 88 / 0 / 1

HEX #B01FFD

RGB 176 31 253

HSL 279.19, 0.98%, 0.56%

LAB 48.64, 83.57, -79.24

 

CMYK 7 / 88 / 0 / 1

HEX #EB1FFD

RGB 235 31 253

HSL 295.14, 0.98%, 0.56%

LAB 57.78, 92.16, -63.98

 

CMYK 0 / 88 / 16 / 1

HEX #FD1FD5

RGB 253 31 213

HSL 310.81, 0.98%, 0.56%

LAB 58.66, 89.73, -39.93

 

CMYK 34 / 100 / 0 / 21

HEX #8601CA

RGB 134 1 202

HSL 279.7, 0.99%, 0.4%

LAB 36.66, 72.9, -70.02

 

CMYK 34 / 100 / 0 / 5

HEX #A101F3

RGB 161 1 243

HSL 279.67, 0.99%, 0.48%

LAB 44.33, 83.7, -80.77

 

CMYK 30 / 88 / 0 / 1

HEX #B21FFD

RGB 178 31 253

HSL 279.73, 0.98%, 0.56%

LAB 48.93, 83.83, -78.75

 

CMYK 24 / 72 / 0 / 0

HEX #C048FE

RGB 192 72 254

HSL 279.56, 0.99%, 0.64%

LAB 55.07, 74.34, -69.24

 

CMYK 19 / 56 / 0 / 0

HEX #CE71FE

RGB 206 113 254

HSL 279.57, 0.99%, 0.72%

LAB 63.42, 59.29, -55.76

 

CMYK 30 / 87 / 0 / 0

HEX #B320FE

RGB 179 32 254

HSL 279.73, 0.99%, 0.56%

LAB 49.22, 83.95, -78.83

 

CMYK 0 / 88 / 74 / 1

HEX #FD1F41

RGB 253 31 65

HSL 350.81, 0.98%, 0.56%

LAB 54.29, 77.74, 40.74

 

CMYK 88 / 0 / 66 / 1

HEX #1FFD57

RGB 31 253 87

HSL 135.14, 0.98%, 0.56%

LAB 87.6, -80.11, 63.44

 

CMYK 30 / 87 / 0 / 0

HEX #B320FE

RGB 179 32 254

HSL 279.73, 0.99%, 0.56%

LAB 49.22, 83.95, -78.83

 

CMYK 0 / 30 / 88 / 1

HEX #FDB01F

RGB 253 176 31

HSL 39.19, 0.98%, 0.56%

LAB 77.3, 17.71, 75.81

 

CMYK 88 / 0 / 30 / 1

HEX #1FFDB0

RGB 31 253 176

HSL 159.19, 0.98%, 0.56%

LAB 88.77, -66.19, 23.31

 

CMYK 30 / 87 / 0 / 0

HEX #B320FE

RGB 179 32 254

HSL 279.73, 0.99%, 0.56%

LAB 49.22, 83.95, -78.83

 

CMYK 0 / 88 / 74 / 1

HEX #FD1F41

RGB 253 31 65

HSL 350.81, 0.98%, 0.56%

LAB 54.29, 77.74, 40.74

 

CMYK 57 / 0 / 88 / 1

HEX #6DFD1F

RGB 109 253 31

HSL 98.92, 0.98%, 0.56%

LAB 88.73, -71.57, 81.33

 

CMYK 88 / 0 / 13 / 1

HEX #1FFDDC

RGB 31 253 220

HSL 171.08, 0.98%, 0.56%

LAB 89.72, -55.86, 1.99

 

CMYK 30 / 87 / 0 / 0

HEX #B320FE

RGB 179 32 254

HSL 279.73, 0.99%, 0.56%

LAB 49.22, 83.95, -78.83

 

CMYK 0 / 74 / 88 / 1

HEX #FD411F

RGB 253 65 31

HSL 9.19, 0.98%, 0.56%

LAB 56.84, 68.8, 60.07

 

CMYK 57 / 0 / 88 / 1

HEX #6DFD1F

RGB 109 253 31

HSL 98.92, 0.98%, 0.56%

LAB 88.73, -71.57, 81.33

 

CMYK 88 / 13 / 0 / 1

HEX #1FDCFD

RGB 31 220 253

HSL 188.92, 0.98%, 0.56%

LAB 81.05, -31.88, -28.31

 

Description

Color code: RGB 179 32 254 | qconv.com Color code: RGB 179 32 254 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 32 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 32 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 87 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 87% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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