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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 241 152 it is the complementary color RGB 76 14 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 241 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 241 152 shade: RGB 184 241 147, RGB 201 255 166, RGB 218 255 185, RGB 235 255 204 and RGB 252 255 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 241 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 241 152 shade: RGB 179 241 152, RGB 162 223 133, RGB 145 205 114, RGB 128 187 95 and RGB 111 169 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 241 152 shade: RGB 178 240 151, RGB 202 240 151, RGB 226 240 151, RGB 240 230 151 and RGB 240 206 151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 241 152 shade: RGB 178 240 151, RGB 154 240 151, RGB 151 240 172, RGB 151 240 196 and RGB 151 240 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 241 152 shade matches the following richer shades: RGB 178 240 151 and RGB 175 250 142

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 241 152 shade: RGB 178 240 151, RGB 182 231 161, RGB 186 221 170, RGB 190 212 180 and RGB 193 202 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 241 152 shade: RGB 227 240 151, RGB 203 240 151, RGB 180 240 151, RGB 156 240 151 and RGB 151 240 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 241 152 shade: RGB 125 231 79, RGB 152 235 115, RGB 178 240 151, RGB 205 245 188 and RGB 232 250 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 241 152 shade: RGB 179 241 152, RGB 151 240 230 and RGB 240 151 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 241 152 shade: RGB 179 241 152, RGB 151 180 240 and RGB 240 151 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 241 152 shade: RGB 179 241 152, RGB 151 240 230, RGB 212 151 240 and RGB 240 151 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 241 152 shade: RGB 179 241 152, RGB 151 224 240, RGB 212 151 240 and RGB 240 168 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 37 / 5

HEX #B3F198

RGB 179 241 152

HSL 101.8, 0.76%, 0.77%

LAB 89.28, -35.35, 36.86

 

Complementary color

CMYK 26 / 86 / 0 / 60

HEX #4C0E67

RGB 76 14 103

HSL 281.8, 0.76%, 0.23%

LAB 19.35, 42.03, -37.75

 

CMYK 24 / 0 / 39 / 5

HEX #B8F193

RGB 184 241 147

HSL 96.38, 0.77%, 0.76%

LAB 89.49, -34.32, 39.67

 

CMYK 21 / 0 / 35 / 0

HEX #C9FFA6

RGB 201 255 166

HSL 96.4, 1%, 0.83%

LAB 94.61, -32.36, 37.13

 

CMYK 15 / 0 / 27 / 0

HEX #DAFFB9

RGB 218 255 185

HSL 91.71, 1%, 0.86%

LAB 95.97, -23.82, 29.64

 

CMYK 8 / 0 / 20 / 0

HEX #EBFFCC

RGB 235 255 204

HSL 83.53, 1%, 0.9%

LAB 97.45, -15.11, 22.23

 

CMYK 1 / 0 / 13 / 0

HEX #FCFFDF

RGB 252 255 223

HSL 65.63, 1%, 0.94%

LAB 99.04, -6.3, 14.96

 

CMYK 26 / 0 / 37 / 5

HEX #B3F198

RGB 179 241 152

HSL 101.8, 0.76%, 0.77%

LAB 89.28, -35.35, 36.86

 

CMYK 27 / 0 / 40 / 13

HEX #A2DF85

RGB 162 223 133

HSL 100.67, 0.58%, 0.7%

LAB 82.99, -35.5, 38

 

CMYK 29 / 0 / 44 / 20

HEX #91CD72

RGB 145 205 114

HSL 99.56, 0.48%, 0.63%

LAB 76.62, -35.63, 39.18

 

CMYK 32 / 0 / 49 / 27

HEX #80BB5F

RGB 128 187 95

HSL 98.48, 0.4%, 0.55%

LAB 70.15, -35.73, 40.38

 

CMYK 34 / 0 / 55 / 34

HEX #6FA94C

RGB 111 169 76

HSL 97.42, 0.38%, 0.48%

LAB 63.57, -35.76, 41.55

 

CMYK 26 / 0 / 37 / 6

HEX #B2F097

RGB 178 240 151

HSL 101.8, 0.75%, 0.77%

LAB 88.93, -35.37, 36.89

 

CMYK 16 / 0 / 37 / 6

HEX #CAF097

RGB 202 240 151

HSL 85.62, 0.75%, 0.77%

LAB 90.37, -26.97, 39.05

 

CMYK 6 / 0 / 37 / 6

HEX #E2F097

RGB 226 240 151

HSL 69.44, 0.75%, 0.77%

LAB 92.01, -18.12, 41.48

 

CMYK 0 / 4 / 37 / 6

HEX #F0E697

RGB 240 230 151

HSL 53.26, 0.75%, 0.77%

LAB 90.48, -7.84, 39.72

 

CMYK 0 / 14 / 37 / 6

HEX #F0CE97

RGB 240 206 151

HSL 37.08, 0.75%, 0.77%

LAB 84.43, 4.41, 31.79

 

CMYK 26 / 0 / 37 / 6

HEX #B2F097

RGB 178 240 151

HSL 101.8, 0.75%, 0.77%

LAB 88.93, -35.37, 36.89

 

CMYK 36 / 0 / 37 / 6

HEX #9AF097

RGB 154 240 151

HSL 117.98, 0.75%, 0.77%

LAB 87.69, -43.12, 35.03

 

CMYK 37 / 0 / 28 / 6

HEX #97F0AC

RGB 151 240 172

HSL 134.16, 0.75%, 0.77%

LAB 87.91, -40.61, 24.65

 

CMYK 37 / 0 / 18 / 6

HEX #97F0C4

RGB 151 240 196

HSL 150.34, 0.75%, 0.77%

LAB 88.39, -36.14, 12.93

 

CMYK 37 / 0 / 8 / 6

HEX #97F0DC

RGB 151 240 220

HSL 166.52, 0.75%, 0.77%

LAB 88.95, -31.13, 1.23

 

CMYK 26 / 0 / 37 / 6

HEX #B2F097

RGB 178 240 151

HSL 101.8, 0.75%, 0.77%

LAB 88.93, -35.37, 36.89

 

CMYK 30 / 0 / 43 / 2

HEX #AFFA8E

RGB 175 250 142

HSL 101.67, 0.92%, 0.77%

LAB 91.43, -42.05, 44.5

 

CMYK 26 / 0 / 37 / 6

HEX #B2F097

RGB 178 240 151

HSL 101.8, 0.75%, 0.77%

LAB 88.93, -35.37, 36.89

 

CMYK 21 / 0 / 30 / 9

HEX #B6E7A1

RGB 182 231 161

HSL 102, 0.59%, 0.77%

LAB 86.83, -28.37, 29.1

 

CMYK 16 / 0 / 23 / 13

HEX #BADDAA

RGB 186 221 170

HSL 101.18, 0.43%, 0.77%

LAB 84.51, -20.76, 21.32

 

CMYK 10 / 0 / 15 / 17

HEX #BED4B4

RGB 190 212 180

HSL 101.25, 0.27%, 0.77%

LAB 82.56, -13.22, 13.37

 

CMYK 4 / 0 / 6 / 21

HEX #C1CABD

RGB 193 202 189

HSL 101.54, 0.11%, 0.77%

LAB 80.32, -5.46, 5.41

 

CMYK 5 / 0 / 37 / 6

HEX #E3F097

RGB 227 240 151

HSL 68.76, 0.75%, 0.77%

LAB 92.08, -17.74, 41.59

 

CMYK 15 / 0 / 37 / 6

HEX #CBF097

RGB 203 240 151

HSL 84.94, 0.75%, 0.77%

LAB 90.44, -26.61, 39.14

 

CMYK 25 / 0 / 37 / 6

HEX #B4F097

RGB 180 240 151

HSL 100.45, 0.75%, 0.77%

LAB 89.04, -34.69, 37.06

 

CMYK 35 / 0 / 37 / 6

HEX #9CF097

RGB 156 240 151

HSL 116.63, 0.75%, 0.77%

LAB 87.79, -42.5, 35.18

 

CMYK 37 / 0 / 29 / 6

HEX #97F0AB

RGB 151 240 171

HSL 133.48, 0.75%, 0.77%

LAB 87.89, -40.78, 25.14

 

CMYK 46 / 0 / 66 / 9

HEX #7DE74F

RGB 125 231 79

HSL 101.84, 0.76%, 0.61%

LAB 82.95, -56.75, 62.18

 

CMYK 35 / 0 / 51 / 8

HEX #98EB73

RGB 152 235 115

HSL 101.5, 0.75%, 0.69%

LAB 85.67, -46.38, 49.95

 

CMYK 26 / 0 / 37 / 6

HEX #B2F097

RGB 178 240 151

HSL 101.8, 0.75%, 0.77%

LAB 88.93, -35.37, 36.89

 

CMYK 16 / 0 / 23 / 4

HEX #CDF5BC

RGB 205 245 188

HSL 102.11, 0.74%, 0.85%

LAB 92.54, -23.05, 23.29

 

CMYK 7 / 0 / 10 / 2

HEX #E8FAE0

RGB 232 250 224

HSL 101.54, 0.72%, 0.93%

LAB 96.37, -10.48, 10.46

 

CMYK 26 / 0 / 37 / 5

HEX #B3F198

RGB 179 241 152

HSL 101.8, 0.76%, 0.77%

LAB 89.28, -35.35, 36.86

 

CMYK 37 / 0 / 4 / 6

HEX #97F0E6

RGB 151 240 230

HSL 173.26, 0.75%, 0.77%

LAB 89.21, -28.9, -3.62

 

CMYK 0 / 37 / 10 / 6

HEX #F097D7

RGB 240 151 215

HSL 316.85, 0.75%, 0.77%

LAB 73.26, 42.41, -18.68

 

CMYK 26 / 0 / 37 / 5

HEX #B3F198

RGB 179 241 152

HSL 101.8, 0.76%, 0.77%

LAB 89.28, -35.35, 36.86

 

CMYK 37 / 25 / 0 / 6

HEX #97B4F0

RGB 151 180 240

HSL 220.45, 0.75%, 0.77%

LAB 73.23, 4.55, -33.06

 

CMYK 0 / 37 / 25 / 6

HEX #F097B4

RGB 240 151 180

HSL 340.45, 0.75%, 0.77%

LAB 72.2, 37.1, -0.94

 

CMYK 26 / 0 / 37 / 5

HEX #B3F198

RGB 179 241 152

HSL 101.8, 0.76%, 0.77%

LAB 89.28, -35.35, 36.86

 

CMYK 37 / 0 / 4 / 6

HEX #97F0E6

RGB 151 240 230

HSL 173.26, 0.75%, 0.77%

LAB 89.21, -28.9, -3.62

 

CMYK 12 / 37 / 0 / 6

HEX #D497F0

RGB 212 151 240

HSL 281.12, 0.75%, 0.77%

LAB 71.16, 38.29, -35.87

 

CMYK 0 / 37 / 33 / 6

HEX #F097A2

RGB 240 151 162

HSL 352.58, 0.75%, 0.77%

LAB 71.74, 34.72, 8.37

 

CMYK 26 / 0 / 37 / 5

HEX #B3F198

RGB 179 241 152

HSL 101.8, 0.76%, 0.77%

LAB 89.28, -35.35, 36.86

 

CMYK 37 / 7 / 0 / 6

HEX #97E0F0

RGB 151 224 240

HSL 190.79, 0.75%, 0.77%

LAB 85.09, -18.7, -15

 

CMYK 12 / 37 / 0 / 6

HEX #D497F0

RGB 212 151 240

HSL 281.12, 0.75%, 0.77%

LAB 71.16, 38.29, -35.87

 

CMYK 0 / 30 / 37 / 6

HEX #F0A897

RGB 240 168 151

HSL 11.46, 0.75%, 0.77%

LAB 75.3, 24.42, 19.43

 

Description

Color code: RGB 179 241 152 | qconv.com Color code: RGB 179 241 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 241 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 241 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 37 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 37% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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