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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 232 195 it is the complementary color RGB 76 23 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 232 195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 232 195 shade: RGB 184 232 190, RGB 201 250 209, RGB 218 255 228, RGB 235 255 247 and RGB 252 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 232 195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 232 195 shade: RGB 179 232 195, RGB 162 214 176, RGB 145 196 157, RGB 128 178 138 and RGB 111 160 119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 232 195 shade: RGB 180 232 196, RGB 180 232 182, RGB 192 232 180, RGB 206 232 180 and RGB 221 232 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 232 195 shade: RGB 180 232 196, RGB 180 232 210, RGB 180 232 224, RGB 180 226 232 and RGB 180 212 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 232 195 shade matches the following richer shades: RGB 180 232 196, RGB 172 240 193 and RGB 164 248 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 232 195 shade: RGB 180 232 196, RGB 188 224 199, RGB 196 217 202, RGB 203 209 205 and RGB 211 201 208

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 232 195 shade: RGB 192 232 180, RGB 180 232 182, RGB 180 232 196, RGB 180 232 210 and RGB 180 232 223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 232 195 shade: RGB 116 213 146, RGB 148 223 171, RGB 180 232 196, RGB 212 242 221 and RGB 243 251 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 232 195 shade: RGB 179 232 195, RGB 180 206 232 and RGB 232 180 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 232 195 shade: RGB 179 232 195, RGB 196 180 232 and RGB 232 196 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 232 195 shade: RGB 179 232 195, RGB 180 206 232, RGB 232 180 217 and RGB 232 206 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 232 195 shade: RGB 179 232 195, RGB 180 190 232, RGB 232 180 217 and RGB 232 222 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 16 / 9

HEX #B3E8C3

RGB 179 232 195

HSL 138.11, 0.54%, 0.81%

LAB 87.6, -24.17, 12.53

 

Complementary color

CMYK 0 / 70 / 21 / 70

HEX #4C173C

RGB 76 23 60

HSL 318.11, 0.54%, 0.19%

LAB 17.81, 29.67, -11.05

 

CMYK 21 / 0 / 18 / 9

HEX #B8E8BE

RGB 184 232 190

HSL 127.5, 0.51%, 0.82%

LAB 87.79, -23.45, 15.44

 

CMYK 20 / 0 / 16 / 2

HEX #C9FAD1

RGB 201 250 209

HSL 129.8, 0.83%, 0.88%

LAB 94.05, -23.3, 14.6

 

CMYK 15 / 0 / 11 / 0

HEX #DAFFE4

RGB 218 255 228

HSL 136.22, 1%, 0.93%

LAB 96.83, -16.87, 8.94

 

CMYK 8 / 0 / 3 / 0

HEX #EBFFF7

RGB 235 255 247

HSL 156, 1%, 0.96%

LAB 98.39, -7.95, 1.58

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 23 / 0 / 16 / 9

HEX #B3E8C3

RGB 179 232 195

HSL 138.11, 0.54%, 0.81%

LAB 87.6, -24.17, 12.53

 

CMYK 24 / 0 / 18 / 16

HEX #A2D6B0

RGB 162 214 176

HSL 136.15, 0.39%, 0.74%

LAB 81.24, -24.37, 13.38

 

CMYK 26 / 0 / 20 / 23

HEX #91C49D

RGB 145 196 157

HSL 134.12, 0.3%, 0.67%

LAB 74.78, -24.58, 14.28

 

CMYK 28 / 0 / 22 / 30

HEX #80B28A

RGB 128 178 138

HSL 132, 0.25%, 0.6%

LAB 68.22, -24.81, 15.23

 

CMYK 31 / 0 / 26 / 37

HEX #6FA077

RGB 111 160 119

HSL 129.8, 0.21%, 0.53%

LAB 61.53, -25.07, 16.25

 

CMYK 22 / 0 / 16 / 9

HEX #B4E8C4

RGB 180 232 196

HSL 138.46, 0.53%, 0.81%

LAB 87.68, -23.67, 12.13

 

CMYK 22 / 0 / 22 / 9

HEX #B4E8B6

RGB 180 232 182

HSL 122.31, 0.53%, 0.81%

LAB 87.38, -26.15, 19

 

CMYK 17 / 0 / 22 / 9

HEX #C0E8B4

RGB 192 232 180

HSL 106.15, 0.53%, 0.81%

LAB 88.07, -22.47, 21.11

 

CMYK 11 / 0 / 22 / 9

HEX #CEE8B4

RGB 206 232 180

HSL 90, 0.53%, 0.81%

LAB 88.98, -17.61, 22.51

 

CMYK 5 / 0 / 22 / 9

HEX #DDE8B4

RGB 221 232 180

HSL 72.69, 0.53%, 0.81%

LAB 90.04, -12.25, 24.12

 

CMYK 22 / 0 / 16 / 9

HEX #B4E8C4

RGB 180 232 196

HSL 138.46, 0.53%, 0.81%

LAB 87.68, -23.67, 12.13

 

CMYK 22 / 0 / 9 / 9

HEX #B4E8D2

RGB 180 232 210

HSL 154.62, 0.53%, 0.81%

LAB 88, -21.01, 5.27

 

CMYK 22 / 0 / 3 / 9

HEX #B4E8E0

RGB 180 232 224

HSL 170.77, 0.53%, 0.81%

LAB 88.35, -18.19, -1.56

 

CMYK 22 / 3 / 0 / 9

HEX #B4E2E8

RGB 180 226 232

HSL 186.92, 0.53%, 0.81%

LAB 86.96, -13.48, -7.82

 

CMYK 22 / 9 / 0 / 9

HEX #B4D4E8

RGB 180 212 232

HSL 203.08, 0.53%, 0.81%

LAB 83.24, -6.28, -13.36

 

CMYK 22 / 0 / 16 / 9

HEX #B4E8C4

RGB 180 232 196

HSL 138.46, 0.53%, 0.81%

LAB 87.68, -23.67, 12.13

 

CMYK 28 / 0 / 20 / 6

HEX #ACF0C1

RGB 172 240 193

HSL 138.53, 0.69%, 0.81%

LAB 89.37, -30.55, 16.01

 

CMYK 34 / 0 / 24 / 3

HEX #A4F8BD

RGB 164 248 189

HSL 137.86, 0.86%, 0.81%

LAB 91.1, -37.38, 20.44

 

CMYK 22 / 0 / 16 / 9

HEX #B4E8C4

RGB 180 232 196

HSL 138.46, 0.53%, 0.81%

LAB 87.68, -23.67, 12.13

 

CMYK 16 / 0 / 11 / 12

HEX #BCE0C7

RGB 188 224 199

HSL 138.33, 0.37%, 0.81%

LAB 86.07, -16.58, 8.32

 

CMYK 10 / 0 / 7 / 15

HEX #C4D9CA

RGB 196 217 202

HSL 137.14, 0.22%, 0.81%

LAB 84.81, -9.83, 4.99

 

CMYK 3 / 0 / 2 / 18

HEX #CBD1CD

RGB 203 209 205

HSL 140, 0.06%, 0.81%

LAB 83.29, -2.77, 1.26

 

CMYK 0 / 5 / 1 / 17

HEX #D3C9D0

RGB 211 201 208

HSL 318, 0.1%, 0.81%

LAB 81.93, 4.72, -2.25

 

CMYK 17 / 0 / 22 / 9

HEX #C0E8B4

RGB 192 232 180

HSL 106.15, 0.53%, 0.81%

LAB 88.07, -22.47, 21.11

 

CMYK 22 / 0 / 22 / 9

HEX #B4E8B6

RGB 180 232 182

HSL 122.31, 0.53%, 0.81%

LAB 87.38, -26.15, 19

 

CMYK 22 / 0 / 16 / 9

HEX #B4E8C4

RGB 180 232 196

HSL 138.46, 0.53%, 0.81%

LAB 87.68, -23.67, 12.13

 

CMYK 22 / 0 / 9 / 9

HEX #B4E8D2

RGB 180 232 210

HSL 154.62, 0.53%, 0.81%

LAB 88, -21.01, 5.27

 

CMYK 22 / 0 / 4 / 9

HEX #B4E8DF

RGB 180 232 223

HSL 169.62, 0.53%, 0.81%

LAB 88.33, -18.4, -1.08

 

CMYK 46 / 0 / 31 / 16

HEX #74D592

RGB 116 213 146

HSL 138.56, 0.54%, 0.65%

LAB 78.1, -43.21, 24.47

 

CMYK 34 / 0 / 23 / 13

HEX #94DFAB

RGB 148 223 171

HSL 138.4, 0.54%, 0.73%

LAB 82.92, -33.95, 18.26

 

CMYK 22 / 0 / 16 / 9

HEX #B4E8C4

RGB 180 232 196

HSL 138.46, 0.53%, 0.81%

LAB 87.68, -23.67, 12.13

 

CMYK 12 / 0 / 9 / 5

HEX #D4F2DD

RGB 212 242 221

HSL 138, 0.54%, 0.89%

LAB 92.89, -13.67, 6.84

 

CMYK 3 / 0 / 2 / 2

HEX #F3FBF6

RGB 243 251 246

HSL 142.5, 0.5%, 0.97%

LAB 97.91, -3.51, 1.46

 

CMYK 23 / 0 / 16 / 9

HEX #B3E8C3

RGB 179 232 195

HSL 138.11, 0.54%, 0.81%

LAB 87.6, -24.17, 12.53

 

CMYK 22 / 11 / 0 / 9

HEX #B4CEE8

RGB 180 206 232

HSL 210, 0.53%, 0.81%

LAB 81.66, -3.13, -15.73

 

CMYK 0 / 22 / 20 / 9

HEX #E8B4B9

RGB 232 180 185

HSL 354.23, 0.53%, 0.81%

LAB 78.05, 19.57, 4.72

 

CMYK 23 / 0 / 16 / 9

HEX #B3E8C3

RGB 179 232 195

HSL 138.11, 0.54%, 0.81%

LAB 87.6, -24.17, 12.53

 

CMYK 16 / 22 / 0 / 9

HEX #C4B4E8

RGB 196 180 232

HSL 258.46, 0.53%, 0.81%

LAB 76.19, 15.83, -23.89

 

CMYK 0 / 16 / 22 / 9

HEX #E8C4B4

RGB 232 196 180

HSL 18.46, 0.53%, 0.81%

LAB 81.8, 10.34, 12.77

 

CMYK 23 / 0 / 16 / 9

HEX #B3E8C3

RGB 179 232 195

HSL 138.11, 0.54%, 0.81%

LAB 87.6, -24.17, 12.53

 

CMYK 22 / 11 / 0 / 9

HEX #B4CEE8

RGB 180 206 232

HSL 210, 0.53%, 0.81%

LAB 81.66, -3.13, -15.73

 

CMYK 0 / 22 / 6 / 9

HEX #E8B4D9

RGB 232 180 217

HSL 317.31, 0.53%, 0.81%

LAB 78.93, 24.74, -11.33

 

CMYK 0 / 11 / 22 / 9

HEX #E8CEB4

RGB 232 206 180

HSL 30, 0.53%, 0.81%

LAB 84.27, 5.09, 16.26

 

CMYK 23 / 0 / 16 / 9

HEX #B3E8C3

RGB 179 232 195

HSL 138.11, 0.54%, 0.81%

LAB 87.6, -24.17, 12.53

 

CMYK 22 / 18 / 0 / 9

HEX #B4BEE8

RGB 180 190 232

HSL 228.46, 0.53%, 0.81%

LAB 77.49, 5.43, -22.03

 

CMYK 0 / 22 / 6 / 9

HEX #E8B4D9

RGB 232 180 217

HSL 317.31, 0.53%, 0.81%

LAB 78.93, 24.74, -11.33

 

CMYK 0 / 4 / 22 / 9

HEX #E8DEB4

RGB 232 222 180

HSL 48.46, 0.53%, 0.81%

LAB 88.3, -3.18, 21.87

 

Description

Color code: RGB 179 232 195 | qconv.com Color code: RGB 179 232 195 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 232 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 232 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 16 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 16% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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