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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 221 238 it is the complementary color RGB 76 34 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 221 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 221 238 shade: RGB 184 221 233, RGB 201 239 252, RGB 218 255 255, RGB 235 255 255 and RGB 252 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 221 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 221 238 shade: RGB 179 221 238, RGB 162 203 219, RGB 145 185 200, RGB 128 167 181 and RGB 111 149 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 221 238 shade: RGB 180 221 238, RGB 180 205 238, RGB 180 190 238, RGB 185 180 238 and RGB 201 180 238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 221 238 shade: RGB 180 221 238, RGB 180 205 238, RGB 180 190 238 and RGB 180 180 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 221 238 shade matches the following richer shades: RGB 180 221 238, RGB 172 224 245 and RGB 165 227 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 221 238 shade: RGB 180 221 238, RGB 187 218 230, RGB 195 215 223, RGB 202 211 215 and RGB 209 208 208

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 221 238 shade: RGB 180 238 223, RGB 180 237 238, RGB 180 221 238, RGB 180 206 238 and RGB 180 190 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 221 238 shade: RGB 112 191 222, RGB 146 206 230, RGB 180 221 238, RGB 213 236 245 and RGB 247 251 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 221 238 shade: RGB 179 221 238, RGB 208 180 238 and RGB 238 231 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 221 238 shade: RGB 179 221 238, RGB 238 180 221 and RGB 221 238 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 221 238 shade: RGB 179 221 238, RGB 208 180 238, RGB 238 196 180 and RGB 210 238 180

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 221 238 shade: RGB 179 221 238, RGB 225 180 238, RGB 238 196 180 and RGB 192 238 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 7 / 0 / 7

HEX #B3DDEE

RGB 179 221 238

HSL 197.29, 0.63%, 0.82%

LAB 85.74, -9.91, -12.81

 

Complementary color

CMYK 0 / 55 / 78 / 70

HEX #4C2211

RGB 76 34 17

HSL 17.29, 0.63%, 0.18%

LAB 18.89, 18.36, 20.23

 

CMYK 21 / 5 / 0 / 9

HEX #B8DDE9

RGB 184 221 233

HSL 194.69, 0.53%, 0.82%

LAB 85.9, -9.52, -9.9

 

CMYK 20 / 5 / 0 / 1

HEX #C9EFFC

RGB 201 239 252

HSL 195.29, 0.89%, 0.89%

LAB 92.21, -9.53, -10.36

 

CMYK 15 / 0 / 0 / 0

HEX #DAFFFF

RGB 218 255 255

HSL 180, 1%, 0.93%

LAB 97.49, -11.79, -3.99

 

CMYK 8 / 0 / 0 / 0

HEX #EBFFFF

RGB 235 255 255

HSL 180, 1%, 0.96%

LAB 98.59, -6.47, -2.24

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 25 / 7 / 0 / 7

HEX #B3DDEE

RGB 179 221 238

HSL 197.29, 0.63%, 0.82%

LAB 85.74, -9.91, -12.81

 

CMYK 26 / 7 / 0 / 14

HEX #A2CBDB

RGB 162 203 219

HSL 196.84, 0.44%, 0.75%

LAB 79.33, -9.88, -12.38

 

CMYK 28 / 8 / 0 / 22

HEX #91B9C8

RGB 145 185 200

HSL 196.36, 0.33%, 0.68%

LAB 72.82, -9.86, -11.95

 

CMYK 29 / 8 / 0 / 29

HEX #80A7B5

RGB 128 167 181

HSL 195.85, 0.26%, 0.61%

LAB 66.18, -9.84, -11.51

 

CMYK 31 / 8 / 0 / 36

HEX #6F95A2

RGB 111 149 162

HSL 195.29, 0.22%, 0.54%

LAB 59.42, -9.82, -11.06

 

CMYK 24 / 7 / 0 / 7

HEX #B4DDEE

RGB 180 221 238

HSL 197.59, 0.63%, 0.82%

LAB 85.8, -9.61, -12.71

 

CMYK 24 / 14 / 0 / 7

HEX #B4CDEE

RGB 180 205 238

HSL 214.14, 0.63%, 0.82%

LAB 81.59, -1.25, -19.04

 

CMYK 24 / 20 / 0 / 7

HEX #B4BEEE

RGB 180 190 238

HSL 229.66, 0.63%, 0.82%

LAB 77.7, 6.81, -24.95

 

CMYK 22 / 24 / 0 / 7

HEX #B9B4EE

RGB 185 180 238

HSL 245.17, 0.63%, 0.82%

LAB 75.53, 13.78, -28.23

 

CMYK 16 / 24 / 0 / 7

HEX #C9B4EE

RGB 201 180 238

HSL 261.72, 0.63%, 0.82%

LAB 76.82, 18.68, -26.15

 

CMYK 24 / 7 / 0 / 7

HEX #B4DDEE

RGB 180 221 238

HSL 197.59, 0.63%, 0.82%

LAB 85.8, -9.61, -12.71

 

CMYK 24 / 14 / 0 / 7

HEX #B4CDEE

RGB 180 205 238

HSL 214.14, 0.63%, 0.82%

LAB 81.59, -1.25, -19.04

 

CMYK 24 / 20 / 0 / 7

HEX #B4BEEE

RGB 180 190 238

HSL 229.66, 0.63%, 0.82%

LAB 77.7, 6.81, -24.95

 

CMYK 24 / 24 / 0 / 7

HEX #B4B4EE

RGB 180 180 238

HSL 240, 0.63%, 0.82%

LAB 75.15, 12.28, -28.85

 

CMYK 24 / 7 / 0 / 7

HEX #B4DDEE

RGB 180 221 238

HSL 197.59, 0.63%, 0.82%

LAB 85.8, -9.61, -12.71

 

CMYK 30 / 9 / 0 / 4

HEX #ACE0F5

RGB 172 224 245

HSL 197.26, 0.78%, 0.82%

LAB 86.34, -11.86, -15.64

 

CMYK 35 / 10 / 0 / 1

HEX #A5E3FC

RGB 165 227 252

HSL 197.24, 0.94%, 0.82%

LAB 86.98, -13.64, -18.4

 

CMYK 24 / 7 / 0 / 7

HEX #B4DDEE

RGB 180 221 238

HSL 197.59, 0.63%, 0.82%

LAB 85.8, -9.61, -12.71

 

CMYK 19 / 5 / 0 / 10

HEX #BBDAE6

RGB 187 218 230

HSL 196.74, 0.46%, 0.82%

LAB 85.21, -7.7, -9.31

 

CMYK 13 / 4 / 0 / 13

HEX #C3D7DF

RGB 195 215 223

HSL 197.14, 0.3%, 0.82%

LAB 84.76, -5.08, -6.22

 

CMYK 6 / 2 / 0 / 16

HEX #CAD3D7

RGB 202 211 215

HSL 198.46, 0.14%, 0.82%

LAB 83.99, -2.28, -3.04

 

CMYK 0 / 0 / 0 / 18

HEX #D1D0D0

RGB 209 208 208

HSL 0, 0.01%, 0.82%

LAB 83.56, 0.35, 0.11

 

CMYK 24 / 0 / 6 / 7

HEX #B4EEDF

RGB 180 238 223

HSL 164.48, 0.63%, 0.82%

LAB 89.94, -21.36, 1.28

 

CMYK 24 / 0 / 0 / 7

HEX #B4EDEE

RGB 180 237 238

HSL 181.03, 0.63%, 0.82%

LAB 90.07, -17.71, -6.37

 

CMYK 24 / 7 / 0 / 7

HEX #B4DDEE

RGB 180 221 238

HSL 197.59, 0.63%, 0.82%

LAB 85.8, -9.61, -12.71

 

CMYK 24 / 13 / 0 / 7

HEX #B4CEEE

RGB 180 206 238

HSL 213.1, 0.63%, 0.82%

LAB 81.85, -1.78, -18.65

 

CMYK 24 / 20 / 0 / 7

HEX #B4BEEE

RGB 180 190 238

HSL 229.66, 0.63%, 0.82%

LAB 77.7, 6.81, -24.95

 

CMYK 50 / 14 / 0 / 13

HEX #70BFDE

RGB 112 191 222

HSL 196.91, 0.63%, 0.65%

LAB 73.53, -15.97, -23.01

 

CMYK 37 / 10 / 0 / 10

HEX #92CEE6

RGB 146 206 230

HSL 197.14, 0.63%, 0.74%

LAB 79.59, -13.3, -17.97

 

CMYK 24 / 7 / 0 / 7

HEX #B4DDEE

RGB 180 221 238

HSL 197.59, 0.63%, 0.82%

LAB 85.8, -9.61, -12.71

 

CMYK 13 / 4 / 0 / 4

HEX #D5ECF5

RGB 213 236 245

HSL 196.88, 0.62%, 0.9%

LAB 92.01, -5.76, -6.92

 

CMYK 2 / 1 / 0 / 1

HEX #F7FBFD

RGB 247 251 253

HSL 200, 0.6%, 0.98%

LAB 98.38, -0.95, -1.43

 

CMYK 25 / 7 / 0 / 7

HEX #B3DDEE

RGB 179 221 238

HSL 197.29, 0.63%, 0.82%

LAB 85.74, -9.91, -12.81

 

CMYK 13 / 24 / 0 / 7

HEX #D0B4EE

RGB 208 180 238

HSL 268.97, 0.63%, 0.82%

LAB 77.42, 20.88, -25.18

 

CMYK 0 / 3 / 24 / 7

HEX #EEE7B4

RGB 238 231 180

HSL 52.76, 0.63%, 0.82%

LAB 91.06, -5.53, 25.74

 

CMYK 25 / 7 / 0 / 7

HEX #B3DDEE

RGB 179 221 238

HSL 197.29, 0.63%, 0.82%

LAB 85.74, -9.91, -12.81

 

CMYK 0 / 24 / 7 / 7

HEX #EEB4DD

RGB 238 180 221

HSL 317.59, 0.63%, 0.82%

LAB 79.64, 27.46, -12.38

 

CMYK 7 / 0 / 24 / 7

HEX #DDEEB4

RGB 221 238 180

HSL 77.59, 0.63%, 0.82%

LAB 91.6, -15.23, 26.27

 

CMYK 25 / 7 / 0 / 7

HEX #B3DDEE

RGB 179 221 238

HSL 197.29, 0.63%, 0.82%

LAB 85.74, -9.91, -12.81

 

CMYK 13 / 24 / 0 / 7

HEX #D0B4EE

RGB 208 180 238

HSL 268.97, 0.63%, 0.82%

LAB 77.42, 20.88, -25.18

 

CMYK 0 / 18 / 24 / 7

HEX #EEC4B4

RGB 238 196 180

HSL 16.55, 0.63%, 0.82%

LAB 82.35, 12.56, 13.63

 

CMYK 12 / 0 / 24 / 7

HEX #D2EEB4

RGB 210 238 180

HSL 88.97, 0.63%, 0.82%

LAB 90.85, -19.15, 25.11

 

CMYK 25 / 7 / 0 / 7

HEX #B3DDEE

RGB 179 221 238

HSL 197.29, 0.63%, 0.82%

LAB 85.74, -9.91, -12.81

 

CMYK 5 / 24 / 0 / 7

HEX #E1B4EE

RGB 225 180 238

HSL 286.55, 0.63%, 0.82%

LAB 78.94, 26.28, -22.72

 

CMYK 0 / 18 / 24 / 7

HEX #EEC4B4

RGB 238 196 180

HSL 16.55, 0.63%, 0.82%

LAB 82.35, 12.56, 13.63

 

CMYK 19 / 0 / 24 / 7

HEX #C0EEB4

RGB 192 238 180

HSL 107.59, 0.63%, 0.82%

LAB 89.7, -25.36, 23.35

 

Description

Color code: RGB 179 221 238 | qconv.com Color code: RGB 179 221 238 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 221 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 221 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 7 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 7% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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