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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 205 179 it is the complementary color RGB 76 50 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 205 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 205 179 shade: RGB 184 205 174, RGB 201 223 193, RGB 218 241 212, RGB 235 255 231 and RGB 252 255 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 205 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 205 179 shade: RGB 179 205 179, RGB 162 187 160, RGB 145 169 141, RGB 128 151 122 and RGB 111 133 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 205 179 shade: RGB 177 204 177, RGB 185 204 177, RGB 192 204 177, RGB 199 204 177 and RGB 204 202 177

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 205 179 shade: RGB 177 204 177, RGB 177 204 185, RGB 177 204 192, RGB 177 204 199 and RGB 177 202 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 205 179 shade matches the following richer shades: RGB 177 204 177, RGB 167 214 167, RGB 157 225 157, RGB 146 235 146 and RGB 136 245 136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 205 179 shade: RGB 177 204 177, RGB 188 194 188, RGB 198 184 198, RGB 208 173 208 and RGB 219 163 219

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 205 179 shade: RGB 192 204 177, RGB 185 204 177, RGB 177 204 177, RGB 177 204 185 and RGB 177 204 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 205 179 shade: RGB 127 172 127, RGB 152 188 152, RGB 177 204 177, RGB 202 220 202 and RGB 227 237 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 205 179 shade: RGB 179 205 179, RGB 177 199 204 and RGB 204 177 188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 205 179 shade: RGB 179 205 179, RGB 177 177 204 and RGB 204 177 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 205 179 shade: RGB 179 205 179, RGB 177 199 204, RGB 204 177 204 and RGB 204 183 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 205 179 shade: RGB 179 205 179, RGB 177 191 204, RGB 204 177 204 and RGB 204 191 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 13 / 20

HEX #B3CDB3

RGB 179 205 179

HSL 120, 0.21%, 0.75%

LAB 79.9, -13.64, 10.03

 

Complementary color

CMYK 0 / 34 / 0 / 70

HEX #4C324C

RGB 76 50 76

HSL 300, 0.21%, 0.25%

LAB 24.76, 16.81, -11.3

 

CMYK 10 / 0 / 15 / 20

HEX #B8CDAE

RGB 184 205 174

HSL 100.65, 0.24%, 0.74%

LAB 80.13, -12.78, 13.07

 

CMYK 10 / 0 / 13 / 13

HEX #C9DFC1

RGB 201 223 193

HSL 104, 0.32%, 0.82%

LAB 86.53, -12.76, 12.24

 

CMYK 10 / 0 / 12 / 5

HEX #DAF1D4

RGB 218 241 212

HSL 107.59, 0.51%, 0.89%

LAB 92.83, -12.75, 11.46

 

CMYK 8 / 0 / 9 / 0

HEX #EBFFE7

RGB 235 255 231

HSL 110, 1%, 0.95%

LAB 98.01, -10.77, 9.24

 

CMYK 1 / 0 / 2 / 0

HEX #FCFFFA

RGB 252 255 250

HSL 96, 1%, 0.99%

LAB 99.66, -1.86, 2.03

 

CMYK 13 / 0 / 13 / 20

HEX #B3CDB3

RGB 179 205 179

HSL 120, 0.21%, 0.75%

LAB 79.9, -13.64, 10.03

 

CMYK 13 / 0 / 14 / 27

HEX #A2BBA0

RGB 162 187 160

HSL 115.56, 0.17%, 0.68%

LAB 73.39, -13.7, 10.84

 

CMYK 14 / 0 / 17 / 34

HEX #91A98D

RGB 145 169 141

HSL 111.43, 0.14%, 0.61%

LAB 66.76, -13.78, 11.7

 

CMYK 15 / 0 / 19 / 41

HEX #80977A

RGB 128 151 122

HSL 107.59, 0.12%, 0.54%

LAB 60, -13.87, 12.62

 

CMYK 17 / 0 / 23 / 48

HEX #6F8567

RGB 111 133 103

HSL 104, 0.13%, 0.46%

LAB 53.1, -13.97, 13.6

 

CMYK 13 / 0 / 13 / 20

HEX #B1CCB1

RGB 177 204 177

HSL 120, 0.21%, 0.75%

LAB 79.45, -14.18, 10.43

 

CMYK 9 / 0 / 13 / 20

HEX #B9CCB1

RGB 185 204 177

HSL 102.22, 0.21%, 0.75%

LAB 80, -11.4, 11.29

 

CMYK 6 / 0 / 13 / 20

HEX #C0CCB1

RGB 192 204 177

HSL 86.67, 0.21%, 0.75%

LAB 80.5, -8.93, 12.07

 

CMYK 2 / 0 / 13 / 20

HEX #C7CCB1

RGB 199 204 177

HSL 71.11, 0.21%, 0.75%

LAB 81.02, -6.42, 12.88

 

CMYK 0 / 1 / 13 / 20

HEX #CCCAB1

RGB 204 202 177

HSL 55.56, 0.21%, 0.75%

LAB 80.88, -3.57, 12.74

 

CMYK 13 / 0 / 13 / 20

HEX #B1CCB1

RGB 177 204 177

HSL 120, 0.21%, 0.75%

LAB 79.45, -14.18, 10.43

 

CMYK 13 / 0 / 9 / 20

HEX #B1CCB9

RGB 177 204 185

HSL 137.78, 0.21%, 0.75%

LAB 79.63, -12.72, 6.42

 

CMYK 13 / 0 / 6 / 20

HEX #B1CCC0

RGB 177 204 192

HSL 153.33, 0.21%, 0.75%

LAB 79.81, -11.39, 2.92

 

CMYK 13 / 0 / 2 / 20

HEX #B1CCC7

RGB 177 204 199

HSL 168.89, 0.21%, 0.75%

LAB 79.99, -10.02, -0.57

 

CMYK 13 / 1 / 0 / 20

HEX #B1CACC

RGB 177 202 204

HSL 184.44, 0.21%, 0.75%

LAB 79.58, -7.97, -3.85

 

CMYK 13 / 0 / 13 / 20

HEX #B1CCB1

RGB 177 204 177

HSL 120, 0.21%, 0.75%

LAB 79.45, -14.18, 10.43

 

CMYK 22 / 0 / 22 / 16

HEX #A7D6A7

RGB 167 214 167

HSL 120, 0.36%, 0.75%

LAB 81.35, -24.32, 18.32

 

CMYK 30 / 0 / 30 / 12

HEX #9DE19D

RGB 157 225 157

HSL 120, 0.53%, 0.75%

LAB 83.68, -34.5, 26.65

 

CMYK 38 / 0 / 38 / 8

HEX #92EB92

RGB 146 235 146

HSL 120, 0.69%, 0.75%

LAB 85.81, -44.14, 34.99

 

CMYK 44 / 0 / 44 / 4

HEX #88F588

RGB 136 245 136

HSL 120, 0.84%, 0.75%

LAB 88.12, -52.71, 42.83

 

CMYK 13 / 0 / 13 / 20

HEX #B1CCB1

RGB 177 204 177

HSL 120, 0.21%, 0.75%

LAB 79.45, -14.18, 10.43

 

CMYK 3 / 0 / 3 / 24

HEX #BCC2BC

RGB 188 194 188

HSL 120, 0.05%, 0.75%

LAB 77.82, -3.18, 2.28

 

CMYK 0 / 7 / 0 / 22

HEX #C6B8C6

RGB 198 184 198

HSL 300, 0.11%, 0.75%

LAB 76.29, 7.48, -5.28

 

CMYK 0 / 17 / 0 / 18

HEX #D0ADD0

RGB 208 173 208

HSL 300, 0.27%, 0.75%

LAB 74.73, 18.75, -12.96

 

CMYK 0 / 26 / 0 / 14

HEX #DBA3DB

RGB 219 163 219

HSL 300, 0.44%, 0.75%

LAB 73.78, 29.9, -20.3

 

CMYK 6 / 0 / 13 / 20

HEX #C0CCB1

RGB 192 204 177

HSL 86.67, 0.21%, 0.75%

LAB 80.5, -8.93, 12.07

 

CMYK 9 / 0 / 13 / 20

HEX #B9CCB1

RGB 185 204 177

HSL 102.22, 0.21%, 0.75%

LAB 80, -11.4, 11.29

 

CMYK 13 / 0 / 13 / 20

HEX #B1CCB1

RGB 177 204 177

HSL 120, 0.21%, 0.75%

LAB 79.45, -14.18, 10.43

 

CMYK 13 / 0 / 9 / 20

HEX #B1CCB9

RGB 177 204 185

HSL 137.78, 0.21%, 0.75%

LAB 79.63, -12.72, 6.42

 

CMYK 13 / 0 / 6 / 20

HEX #B1CCC0

RGB 177 204 192

HSL 153.33, 0.21%, 0.75%

LAB 79.81, -11.39, 2.92

 

CMYK 26 / 0 / 26 / 33

HEX #7FAC7F

RGB 127 172 127

HSL 120, 0.21%, 0.59%

LAB 66.17, -24.16, 18.4

 

CMYK 19 / 0 / 19 / 26

HEX #98BC98

RGB 152 188 152

HSL 120, 0.21%, 0.67%

LAB 72.83, -19.13, 14.29

 

CMYK 13 / 0 / 13 / 20

HEX #B1CCB1

RGB 177 204 177

HSL 120, 0.21%, 0.75%

LAB 79.45, -14.18, 10.43

 

CMYK 8 / 0 / 8 / 14

HEX #CADCCA

RGB 202 220 202

HSL 120, 0.2%, 0.83%

LAB 86.01, -9.33, 6.78

 

CMYK 4 / 0 / 4 / 7

HEX #E3EDE3

RGB 227 237 227

HSL 120, 0.22%, 0.91%

LAB 92.77, -5.11, 3.68

 

CMYK 13 / 0 / 13 / 20

HEX #B3CDB3

RGB 179 205 179

HSL 120, 0.21%, 0.75%

LAB 79.9, -13.64, 10.03

 

CMYK 13 / 2 / 0 / 20

HEX #B1C7CC

RGB 177 199 204

HSL 191.11, 0.21%, 0.75%

LAB 78.78, -6.4, -5.03

 

CMYK 0 / 13 / 8 / 20

HEX #CCB1BC

RGB 204 177 188

HSL 335.56, 0.21%, 0.75%

LAB 74.77, 11.57, -2.01

 

CMYK 13 / 0 / 13 / 20

HEX #B3CDB3

RGB 179 205 179

HSL 120, 0.21%, 0.75%

LAB 79.9, -13.64, 10.03

 

CMYK 13 / 13 / 0 / 20

HEX #B1B1CC

RGB 177 177 204

HSL 240, 0.21%, 0.75%

LAB 72.99, 5.4, -13.65

 

CMYK 0 / 13 / 13 / 20

HEX #CCB1B1

RGB 204 177 177

HSL 0, 0.21%, 0.75%

LAB 74.48, 9.71, 3.58

 

CMYK 13 / 0 / 13 / 20

HEX #B3CDB3

RGB 179 205 179

HSL 120, 0.21%, 0.75%

LAB 79.9, -13.64, 10.03

 

CMYK 13 / 2 / 0 / 20

HEX #B1C7CC

RGB 177 199 204

HSL 191.11, 0.21%, 0.75%

LAB 78.78, -6.4, -5.03

 

CMYK 0 / 13 / 0 / 20

HEX #CCB1CC

RGB 204 177 204

HSL 300, 0.21%, 0.75%

LAB 75.23, 14.46, -10.07

 

CMYK 0 / 10 / 13 / 20

HEX #CCB7B1

RGB 204 183 177

HSL 13.33, 0.21%, 0.75%

LAB 75.99, 6.48, 5.77

 

CMYK 13 / 0 / 13 / 20

HEX #B3CDB3

RGB 179 205 179

HSL 120, 0.21%, 0.75%

LAB 79.9, -13.64, 10.03

 

CMYK 13 / 6 / 0 / 20

HEX #B1BFCC

RGB 177 191 204

HSL 208.89, 0.21%, 0.75%

LAB 76.66, -2.16, -8.17

 

CMYK 0 / 13 / 0 / 20

HEX #CCB1CC

RGB 204 177 204

HSL 300, 0.21%, 0.75%

LAB 75.23, 14.46, -10.07

 

CMYK 0 / 6 / 13 / 20

HEX #CCBFB1

RGB 204 191 177

HSL 31.11, 0.21%, 0.75%

LAB 78.04, 2.21, 8.69

 

Description

Color code: RGB 179 205 179 | qconv.com Color code: RGB 179 205 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 205 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 205 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 13 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 13% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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