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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 204 115 it is the complementary color RGB 76 51 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 204 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 204 115 shade: RGB 184 204 110, RGB 201 222 129, RGB 218 240 148, RGB 235 255 167 and RGB 252 255 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 204 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 204 115 shade: RGB 179 204 115, RGB 162 186 96, RGB 145 168 77, RGB 128 150 58 and RGB 111 132 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 204 115 shade: RGB 180 204 116, RGB 204 204 116, RGB 204 182 116, RGB 204 158 116 and RGB 204 134 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 204 115 shade: RGB 180 204 116, RGB 156 204 116, RGB 132 204 116, RGB 116 204 124 and RGB 116 204 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 204 115 shade matches the following richer shades: RGB 180 204 116, RGB 186 220 101, RGB 193 235 85 and RGB 200 250 70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 204 115 shade: RGB 180 204 116, RGB 173 189 131, RGB 166 174 146, RGB 160 159 162 and RGB 153 143 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 204 115 shade: RGB 204 181 116, RGB 204 204 116, RGB 181 204 116, RGB 157 204 116 and RGB 134 204 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 204 115 shade: RGB 143 175 63, RGB 163 194 85, RGB 180 204 116, RGB 196 215 146 and RGB 212 226 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 204 115 shade: RGB 179 204 115, RGB 116 204 157 and RGB 193 116 204

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 204 115 shade: RGB 179 204 115, RGB 116 181 204 and RGB 204 116 181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 204 115 shade: RGB 179 204 115, RGB 116 204 157, RGB 139 116 204 and RGB 204 116 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 204 115 shade: RGB 179 204 115, RGB 116 204 184, RGB 139 116 204 and RGB 204 116 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 44 / 20

HEX #B3CC73

RGB 179 204 115

HSL 76.85, 0.47%, 0.63%

LAB 78.47, -22.52, 41.45

 

Complementary color

CMYK 46 / 64 / 0 / 45

HEX #4C338C

RGB 76 51 140

HSL 256.85, 0.47%, 0.37%

LAB 28.9, 33.51, -45.81

 

CMYK 10 / 0 / 46 / 20

HEX #B8CC6E

RGB 184 204 110

HSL 72.77, 0.48%, 0.62%

LAB 78.75, -21.12, 44.35

 

CMYK 9 / 0 / 42 / 13

HEX #C9DE81

RGB 201 222 129

HSL 73.55, 0.58%, 0.69%

LAB 85.12, -21.31, 43.2

 

CMYK 9 / 0 / 38 / 6

HEX #DAF094

RGB 218 240 148

HSL 74.35, 0.75%, 0.76%

LAB 91.4, -21.46, 42.06

 

CMYK 8 / 0 / 35 / 0

HEX #EBFFA7

RGB 235 255 167

HSL 73.64, 1%, 0.83%

LAB 96.81, -20.14, 39.94

 

CMYK 1 / 0 / 27 / 0

HEX #FCFFBA

RGB 252 255 186

HSL 62.61, 1%, 0.86%

LAB 98.34, -11.55, 32.74

 

CMYK 12 / 0 / 44 / 20

HEX #B3CC73

RGB 179 204 115

HSL 76.85, 0.47%, 0.63%

LAB 78.47, -22.52, 41.45

 

CMYK 13 / 0 / 48 / 27

HEX #A2BA60

RGB 162 186 96

HSL 76, 0.39%, 0.55%

LAB 71.99, -22.36, 42.62

 

CMYK 14 / 0 / 54 / 34

HEX #91A84D

RGB 145 168 77

HSL 75.16, 0.37%, 0.48%

LAB 65.41, -22.12, 43.76

 

CMYK 15 / 0 / 61 / 41

HEX #80963A

RGB 128 150 58

HSL 74.35, 0.44%, 0.41%

LAB 58.7, -21.79, 44.77

 

CMYK 16 / 0 / 70 / 48

HEX #6F8427

RGB 111 132 39

HSL 73.55, 0.54%, 0.34%

LAB 51.87, -21.3, 45.47

 

CMYK 12 / 0 / 43 / 20

HEX #B4CC74

RGB 180 204 116

HSL 76.36, 0.46%, 0.63%

LAB 78.55, -22.02, 41.07

 

CMYK 0 / 0 / 43 / 20

HEX #CCCC74

RGB 204 204 116

HSL 60, 0.46%, 0.63%

LAB 80.34, -12.58, 43.69

 

CMYK 0 / 11 / 43 / 20

HEX #CCB674

RGB 204 182 116

HSL 45, 0.46%, 0.63%

LAB 74.54, -1.2, 36.41

 

CMYK 0 / 23 / 43 / 20

HEX #CC9E74

RGB 204 158 116

HSL 28.64, 0.46%, 0.63%

LAB 68.43, 11.67, 28.48

 

CMYK 0 / 34 / 43 / 20

HEX #CC8674

RGB 204 134 116

HSL 12.27, 0.46%, 0.63%

LAB 62.63, 24.76, 20.75

 

CMYK 12 / 0 / 43 / 20

HEX #B4CC74

RGB 180 204 116

HSL 76.36, 0.46%, 0.63%

LAB 78.55, -22.02, 41.07

 

CMYK 24 / 0 / 43 / 20

HEX #9CCC74

RGB 156 204 116

HSL 92.73, 0.46%, 0.63%

LAB 76.99, -31.01, 38.78

 

CMYK 35 / 0 / 43 / 20

HEX #84CC74

RGB 132 204 116

HSL 109.09, 0.46%, 0.63%

LAB 75.67, -39.29, 36.83

 

CMYK 43 / 0 / 39 / 20

HEX #74CC7C

RGB 116 204 124

HSL 125.45, 0.46%, 0.63%

LAB 75.05, -43.05, 31.81

 

CMYK 43 / 0 / 27 / 20

HEX #74CC94

RGB 116 204 148

HSL 141.82, 0.46%, 0.63%

LAB 75.47, -38.86, 19.83

 

CMYK 12 / 0 / 43 / 20

HEX #B4CC74

RGB 180 204 116

HSL 76.36, 0.46%, 0.63%

LAB 78.55, -22.02, 41.07

 

CMYK 15 / 0 / 54 / 14

HEX #BADC65

RGB 186 220 101

HSL 77.14, 0.63%, 0.63%

LAB 83.21, -28.94, 53.97

 

CMYK 18 / 0 / 64 / 8

HEX #C1EB55

RGB 193 235 85

HSL 76.8, 0.79%, 0.63%

LAB 87.68, -34.49, 65.9

 

CMYK 20 / 0 / 72 / 2

HEX #C8FA46

RGB 200 250 70

HSL 76.67, 0.95%, 0.63%

LAB 92.17, -39.47, 76.07

 

CMYK 12 / 0 / 43 / 20

HEX #B4CC74

RGB 180 204 116

HSL 76.36, 0.46%, 0.63%

LAB 78.55, -22.02, 41.07

 

CMYK 8 / 0 / 31 / 26

HEX #ADBD83

RGB 173 189 131

HSL 76.55, 0.31%, 0.63%

LAB 74.14, -15.31, 27.56

 

CMYK 5 / 0 / 16 / 32

HEX #A6AE92

RGB 166 174 146

HSL 77.14, 0.15%, 0.63%

LAB 69.79, -7.86, 13.44

 

CMYK 1 / 2 / 0 / 36

HEX #A09FA2

RGB 160 159 162

HSL 260, 0.02%, 0.63%

LAB 65.65, 0.94, -1.44

 

CMYK 14 / 19 / 0 / 31

HEX #998FB1

RGB 153 143 177

HSL 257.65, 0.18%, 0.63%

LAB 61.3, 10.59, -16.44

 

CMYK 0 / 11 / 43 / 20

HEX #CCB574

RGB 204 181 116

HSL 44.32, 0.46%, 0.63%

LAB 74.28, -0.68, 36.08

 

CMYK 0 / 0 / 43 / 20

HEX #CCCC74

RGB 204 204 116

HSL 60, 0.46%, 0.63%

LAB 80.34, -12.58, 43.69

 

CMYK 11 / 0 / 43 / 20

HEX #B5CC74

RGB 181 204 116

HSL 75.68, 0.46%, 0.63%

LAB 78.62, -21.63, 41.18

 

CMYK 23 / 0 / 43 / 20

HEX #9DCC74

RGB 157 204 116

HSL 92.05, 0.46%, 0.63%

LAB 77.05, -30.65, 38.87

 

CMYK 34 / 0 / 43 / 20

HEX #86CC74

RGB 134 204 116

HSL 107.73, 0.46%, 0.63%

LAB 75.77, -38.63, 36.98

 

CMYK 18 / 0 / 64 / 31

HEX #8FAF3F

RGB 143 175 63

HSL 77.14, 0.47%, 0.47%

LAB 67.17, -27.57, 52.08

 

CMYK 16 / 0 / 56 / 24

HEX #A3C255

RGB 163 194 85

HSL 77.06, 0.47%, 0.55%

LAB 74.21, -26.94, 50.49

 

CMYK 12 / 0 / 43 / 20

HEX #B4CC74

RGB 180 204 116

HSL 76.36, 0.46%, 0.63%

LAB 78.55, -22.02, 41.07

 

CMYK 9 / 0 / 32 / 16

HEX #C4D792

RGB 196 215 146

HSL 76.52, 0.46%, 0.71%

LAB 83.13, -17.69, 32

 

CMYK 6 / 0 / 22 / 11

HEX #D4E2B0

RGB 212 226 176

HSL 76.8, 0.46%, 0.79%

LAB 87.74, -13.09, 22.93

 

CMYK 12 / 0 / 44 / 20

HEX #B3CC73

RGB 179 204 115

HSL 76.85, 0.47%, 0.63%

LAB 78.47, -22.52, 41.45

 

CMYK 43 / 0 / 23 / 20

HEX #74CC9D

RGB 116 204 157

HSL 147.95, 0.46%, 0.63%

LAB 75.66, -37.1, 15.29

 

CMYK 5 / 43 / 0 / 20

HEX #C174CC

RGB 193 116 204

HSL 292.5, 0.46%, 0.63%

LAB 60.06, 44.14, -33.29

 

CMYK 12 / 0 / 44 / 20

HEX #B3CC73

RGB 179 204 115

HSL 76.85, 0.47%, 0.63%

LAB 78.47, -22.52, 41.45

 

CMYK 43 / 11 / 0 / 20

HEX #74B5CC

RGB 116 181 204

HSL 195.68, 0.46%, 0.63%

LAB 70.26, -14.71, -18.14

 

CMYK 0 / 43 / 11 / 20

HEX #CC74B5

RGB 204 116 181

HSL 315.68, 0.46%, 0.63%

LAB 60.48, 43.41, -19.46

 

CMYK 12 / 0 / 44 / 20

HEX #B3CC73

RGB 179 204 115

HSL 76.85, 0.47%, 0.63%

LAB 78.47, -22.52, 41.45

 

CMYK 43 / 0 / 23 / 20

HEX #74CC9D

RGB 116 204 157

HSL 147.95, 0.46%, 0.63%

LAB 75.66, -37.1, 15.29

 

CMYK 32 / 43 / 0 / 20

HEX #8B74CC

RGB 139 116 204

HSL 255.68, 0.46%, 0.63%

LAB 54.39, 28.48, -42.59

 

CMYK 0 / 43 / 20 / 20

HEX #CC74A3

RGB 204 116 163

HSL 327.95, 0.46%, 0.63%

LAB 59.86, 40.56, -10.09

 

CMYK 12 / 0 / 44 / 20

HEX #B3CC73

RGB 179 204 115

HSL 76.85, 0.47%, 0.63%

LAB 78.47, -22.52, 41.45

 

CMYK 43 / 0 / 10 / 20

HEX #74CCB8

RGB 116 204 184

HSL 166.36, 0.46%, 0.63%

LAB 76.29, -31.25, 1.7

 

CMYK 32 / 43 / 0 / 20

HEX #8B74CC

RGB 139 116 204

HSL 255.68, 0.46%, 0.63%

LAB 54.39, 28.48, -42.59

 

CMYK 0 / 43 / 33 / 20

HEX #CC7488

RGB 204 116 136

HSL 346.36, 0.46%, 0.63%

LAB 59.07, 36.8, 4.33

 

Description

Color code: RGB 179 204 115 | qconv.com Color code: RGB 179 204 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 204 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 204 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 44 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 44% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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