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Color name
RGB 179 191 114

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 191 114 it is the complementary color RGB 76 64 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 191 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 191 114 shade: RGB 184 191 109, RGB 201 209 128, RGB 218 227 147, RGB 235 245 166 and RGB 252 255 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 191 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 191 114 shade: RGB 179 191 114, RGB 162 173 95, RGB 145 155 76, RGB 128 137 57 and RGB 111 119 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 191 114 shade: RGB 179 191 114, RGB 191 182 114, RGB 191 162 114, RGB 191 141 114 and RGB 191 120 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 191 114 shade: RGB 179 191 114, RGB 158 191 114, RGB 137 191 114, RGB 116 191 114 and RGB 114 191 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 191 114 shade matches the following richer shades: RGB 179 191 114, RGB 191 208 97, RGB 202 224 81 and RGB 213 241 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 191 114 shade: RGB 179 191 114, RGB 168 175 130, RGB 156 158 147, RGB 145 142 163 and RGB 134 125 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 191 114 shade: RGB 191 162 114, RGB 191 182 114, RGB 180 191 114, RGB 159 191 114 and RGB 138 191 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 191 114 shade: RGB 140 154 69, RGB 164 178 85, RGB 179 191 114, RGB 194 204 142 and RGB 210 217 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 191 114 shade: RGB 179 191 114, RGB 114 191 141 and RGB 172 114 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 191 114 shade: RGB 179 191 114, RGB 114 180 191 and RGB 191 114 180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 191 114 shade: RGB 179 191 114, RGB 114 191 141, RGB 125 114 191 and RGB 191 114 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 191 114 shade: RGB 179 191 114, RGB 114 191 164, RGB 125 114 191 and RGB 191 114 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 40 / 25

HEX #B3BF72

RGB 179 191 114

HSL 69.35, 0.38%, 0.6%

LAB 74.86, -16.15, 37.42

 

Complementary color

CMYK 46 / 55 / 0 / 45

HEX #4C408D

RGB 76 64 141

HSL 249.35, 0.38%, 0.4%

LAB 32.09, 25.73, -41.27

 

CMYK 4 / 0 / 43 / 25

HEX #B8BF6D

RGB 184 191 109

HSL 65.12, 0.39%, 0.59%

LAB 75.17, -14.72, 40.43

 

CMYK 4 / 0 / 39 / 18

HEX #C9D180

RGB 201 209 128

HSL 65.93, 0.47%, 0.66%

LAB 81.61, -15, 39.25

 

CMYK 4 / 0 / 35 / 11

HEX #DAE393

RGB 218 227 147

HSL 66.75, 0.59%, 0.73%

LAB 87.94, -15.23, 38.1

 

CMYK 4 / 0 / 32 / 4

HEX #EBF5A6

RGB 235 245 166

HSL 67.59, 0.8%, 0.81%

LAB 94.19, -15.42, 37

 

CMYK 1 / 0 / 27 / 0

HEX #FCFFB9

RGB 252 255 185

HSL 62.57, 1%, 0.86%

LAB 98.32, -11.68, 33.22

 

CMYK 6 / 0 / 40 / 25

HEX #B3BF72

RGB 179 191 114

HSL 69.35, 0.38%, 0.6%

LAB 74.86, -16.15, 37.42

 

CMYK 6 / 0 / 45 / 32

HEX #A2AD5F

RGB 162 173 95

HSL 68.46, 0.32%, 0.53%

LAB 68.31, -15.9, 38.62

 

CMYK 6 / 0 / 51 / 39

HEX #919B4C

RGB 145 155 76

HSL 67.59, 0.34%, 0.45%

LAB 61.64, -15.57, 39.81

 

CMYK 7 / 0 / 58 / 46

HEX #808939

RGB 128 137 57

HSL 66.75, 0.41%, 0.38%

LAB 54.84, -15.13, 40.94

 

CMYK 7 / 0 / 68 / 53

HEX #6F7726

RGB 111 119 38

HSL 65.93, 0.52%, 0.31%

LAB 47.9, -14.52, 41.81

 

CMYK 6 / 0 / 40 / 25

HEX #B3BF72

RGB 179 191 114

HSL 69.35, 0.38%, 0.6%

LAB 74.86, -16.15, 37.42

 

CMYK 0 / 5 / 40 / 25

HEX #BFB672

RGB 191 182 114

HSL 52.99, 0.38%, 0.6%

LAB 73.38, -6.7, 35.73

 

CMYK 0 / 15 / 40 / 25

HEX #BFA272

RGB 191 162 114

HSL 37.4, 0.38%, 0.6%

LAB 68.12, 3.96, 28.92

 

CMYK 0 / 26 / 40 / 25

HEX #BF8D72

RGB 191 141 114

HSL 21.04, 0.38%, 0.6%

LAB 62.79, 15.47, 21.83

 

CMYK 0 / 37 / 40 / 25

HEX #BF7872

RGB 191 120 114

HSL 4.68, 0.38%, 0.6%

LAB 57.77, 27.07, 14.97

 

CMYK 6 / 0 / 40 / 25

HEX #B3BF72

RGB 179 191 114

HSL 69.35, 0.38%, 0.6%

LAB 74.86, -16.15, 37.42

 

CMYK 17 / 0 / 40 / 25

HEX #9EBF72

RGB 158 191 114

HSL 85.71, 0.38%, 0.6%

LAB 73.38, -24.27, 35.23

 

CMYK 28 / 0 / 40 / 25

HEX #89BF72

RGB 137 191 114

HSL 102.08, 0.38%, 0.6%

LAB 72.09, -31.92, 33.31

 

CMYK 39 / 0 / 40 / 25

HEX #74BF72

RGB 116 191 114

HSL 118.44, 0.38%, 0.6%

LAB 71, -38.9, 31.69

 

CMYK 40 / 0 / 31 / 25

HEX #72BF84

RGB 114 191 132

HSL 134.03, 0.38%, 0.6%

LAB 71.22, -36.51, 22.49

 

CMYK 6 / 0 / 40 / 25

HEX #B3BF72

RGB 179 191 114

HSL 69.35, 0.38%, 0.6%

LAB 74.86, -16.15, 37.42

 

CMYK 8 / 0 / 53 / 18

HEX #BFD061

RGB 191 208 97

HSL 69.19, 0.54%, 0.6%

LAB 80.21, -21.56, 52.4

 

CMYK 10 / 0 / 64 / 12

HEX #CAE051

RGB 202 224 81

HSL 69.23, 0.7%, 0.6%

LAB 85.23, -26.1, 65.08

 

CMYK 12 / 0 / 73 / 5

HEX #D5F140

RGB 213 241 64

HSL 69.49, 0.86%, 0.6%

LAB 90.52, -30.64, 76.72

 

CMYK 6 / 0 / 40 / 25

HEX #B3BF72

RGB 179 191 114

HSL 69.35, 0.38%, 0.6%

LAB 74.86, -16.15, 37.42

 

CMYK 4 / 0 / 26 / 31

HEX #A8AF82

RGB 168 175 130

HSL 69.33, 0.22%, 0.6%

LAB 69.89, -10.12, 22.31

 

CMYK 1 / 0 / 7 / 38

HEX #9C9E93

RGB 156 158 147

HSL 70.91, 0.05%, 0.6%

LAB 64.67, -2.77, 5.49

 

CMYK 11 / 13 / 0 / 36

HEX #918EA3

RGB 145 142 163

HSL 248.57, 0.1%, 0.6%

LAB 59.9, 5.39, -10.67

 

CMYK 26 / 31 / 0 / 29

HEX #867DB4

RGB 134 125 180

HSL 249.82, 0.27%, 0.6%

LAB 55.1, 15.59, -27.79

 

CMYK 0 / 15 / 40 / 25

HEX #BFA272

RGB 191 162 114

HSL 37.4, 0.38%, 0.6%

LAB 68.12, 3.96, 28.92

 

CMYK 0 / 5 / 40 / 25

HEX #BFB672

RGB 191 182 114

HSL 52.99, 0.38%, 0.6%

LAB 73.38, -6.7, 35.73

 

CMYK 6 / 0 / 40 / 25

HEX #B4BF72

RGB 180 191 114

HSL 68.57, 0.38%, 0.6%

LAB 74.94, -15.76, 37.53

 

CMYK 17 / 0 / 40 / 25

HEX #9FBF72

RGB 159 191 114

HSL 84.94, 0.38%, 0.6%

LAB 73.45, -23.89, 35.33

 

CMYK 28 / 0 / 40 / 25

HEX #8ABF72

RGB 138 191 114

HSL 101.3, 0.38%, 0.6%

LAB 72.15, -31.57, 33.4

 

CMYK 9 / 0 / 55 / 40

HEX #8C9A45

RGB 140 154 69

HSL 69.88, 0.38%, 0.44%

LAB 60.88, -17.82, 42.28

 

CMYK 8 / 0 / 52 / 30

HEX #A4B255

RGB 164 178 85

HSL 69.03, 0.38%, 0.52%

LAB 69.75, -18.63, 45.34

 

CMYK 6 / 0 / 40 / 25

HEX #B3BF72

RGB 179 191 114

HSL 69.35, 0.38%, 0.6%

LAB 74.86, -16.15, 37.42

 

CMYK 5 / 0 / 30 / 20

HEX #C2CC8E

RGB 194 204 142

HSL 69.68, 0.38%, 0.68%

LAB 79.96, -13.45, 29.83

 

CMYK 3 / 0 / 21 / 15

HEX #D2D9AB

RGB 210 217 171

HSL 69.13, 0.38%, 0.76%

LAB 85.13, -10.02, 21.92

 

CMYK 6 / 0 / 40 / 25

HEX #B3BF72

RGB 179 191 114

HSL 69.35, 0.38%, 0.6%

LAB 74.86, -16.15, 37.42

 

CMYK 40 / 0 / 26 / 25

HEX #72BF8D

RGB 114 191 141

HSL 141.04, 0.38%, 0.6%

LAB 71.39, -34.84, 17.91

 

CMYK 10 / 40 / 0 / 25

HEX #AC72BF

RGB 172 114 191

HSL 285.19, 0.38%, 0.6%

LAB 56.65, 36.25, -31.39

 

CMYK 6 / 0 / 40 / 25

HEX #B3BF72

RGB 179 191 114

HSL 69.35, 0.38%, 0.6%

LAB 74.86, -16.15, 37.42

 

CMYK 40 / 6 / 0 / 25

HEX #72B4BF

RGB 114 180 191

HSL 188.57, 0.38%, 0.6%

LAB 69.46, -18.12, -12.22

 

CMYK 0 / 40 / 6 / 25

HEX #BF72B4

RGB 191 114 180

HSL 308.57, 0.38%, 0.6%

LAB 58.42, 40.12, -22.19

 

CMYK 6 / 0 / 40 / 25

HEX #B3BF72

RGB 179 191 114

HSL 69.35, 0.38%, 0.6%

LAB 74.86, -16.15, 37.42

 

CMYK 40 / 0 / 26 / 25

HEX #72BF8D

RGB 114 191 141

HSL 141.04, 0.38%, 0.6%

LAB 71.39, -34.84, 17.91

 

CMYK 35 / 40 / 0 / 25

HEX #7D72BF

RGB 125 114 191

HSL 248.57, 0.38%, 0.6%

LAB 52.01, 22.34, -38.99

 

CMYK 0 / 40 / 14 / 25

HEX #BF72A4

RGB 191 114 164

HSL 321.04, 0.38%, 0.6%

LAB 57.84, 37.38, -13.87

 

CMYK 6 / 0 / 40 / 25

HEX #B3BF72

RGB 179 191 114

HSL 69.35, 0.38%, 0.6%

LAB 74.86, -16.15, 37.42

 

CMYK 40 / 0 / 14 / 25

HEX #72BFA4

RGB 114 191 164

HSL 158.96, 0.38%, 0.6%

LAB 71.91, -30.09, 6.18

 

CMYK 35 / 40 / 0 / 25

HEX #7D72BF

RGB 125 114 191

HSL 248.57, 0.38%, 0.6%

LAB 52.01, 22.34, -38.99

 

CMYK 0 / 40 / 26 / 25

HEX #BF728D

RGB 191 114 141

HSL 338.96, 0.38%, 0.6%

LAB 57.11, 33.83, -1.63

 

Description

Color code: RGB 179 191 114 | qconv.com Color code: RGB 179 191 114 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 191 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 191 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 40 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 40% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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