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Color name
RGB 179 191 162

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 191 162 it is the complementary color RGB 76 64 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 191 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 191 162 shade: RGB 184 191 157, RGB 201 209 176, RGB 218 227 195, RGB 235 245 214 and RGB 252 255 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 191 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 191 162 shade: RGB 179 191 162, RGB 162 173 143, RGB 145 155 124, RGB 128 137 105 and RGB 111 119 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 191 162 shade: RGB 178 190 161, RGB 186 190 161, RGB 190 186 161, RGB 190 178 161 and RGB 190 171 161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 191 162 shade: RGB 178 190 161, RGB 170 190 161, RGB 163 190 161, RGB 161 190 168 and RGB 161 190 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 191 162 shade matches the following richer shades: RGB 178 190 161, RGB 180 202 148, RGB 182 215 136, RGB 185 228 123 and RGB 187 241 110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 191 162 shade: RGB 178 190 161, RGB 176 177 174, RGB 173 164 187, RGB 171 151 200 and RGB 169 139 212

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 191 162 shade: RGB 190 186 161, RGB 186 190 161, RGB 178 190 161, RGB 171 190 161 and RGB 163 190 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 191 162 shade: RGB 138 156 113, RGB 158 173 137, RGB 178 190 161, RGB 198 207 186 and RGB 218 224 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 191 162 shade: RGB 179 191 162, RGB 161 190 178 and RGB 190 161 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 191 162 shade: RGB 179 191 162, RGB 161 178 190 and RGB 190 161 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 191 162 shade: RGB 179 191 162, RGB 161 190 178, RGB 173 161 190 and RGB 190 161 173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 191 162 shade: RGB 179 191 162, RGB 161 190 187, RGB 173 161 190 and RGB 190 161 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 15 / 25

HEX #B3BFA2

RGB 179 191 162

HSL 84.83, 0.18%, 0.69%

LAB 75.73, -9.37, 13.24

 

Complementary color

CMYK 18 / 31 / 0 / 64

HEX #4C405D

RGB 76 64 93

HSL 264.83, 0.18%, 0.31%

LAB 29.4, 11.79, -15.31

 

CMYK 4 / 0 / 18 / 25

HEX #B8BF9D

RGB 184 191 157

HSL 72.35, 0.21%, 0.68%

LAB 76, -8.35, 16.36

 

CMYK 4 / 0 / 16 / 18

HEX #C9D1B0

RGB 201 209 176

HSL 74.55, 0.26%, 0.75%

LAB 82.46, -8.44, 15.47

 

CMYK 4 / 0 / 14 / 11

HEX #DAE3C3

RGB 218 227 195

HSL 76.88, 0.36%, 0.83%

LAB 88.82, -8.53, 14.62

 

CMYK 4 / 0 / 13 / 4

HEX #EBF5D6

RGB 235 245 214

HSL 79.35, 0.61%, 0.9%

LAB 95.09, -8.61, 13.8

 

CMYK 1 / 0 / 9 / 0

HEX #FCFFE9

RGB 252 255 233

HSL 68.18, 1%, 0.96%

LAB 99.26, -4.71, 10.16

 

CMYK 6 / 0 / 15 / 25

HEX #B3BFA2

RGB 179 191 162

HSL 84.83, 0.18%, 0.69%

LAB 75.73, -9.37, 13.24

 

CMYK 6 / 0 / 17 / 32

HEX #A2AD8F

RGB 162 173 143

HSL 82, 0.15%, 0.62%

LAB 69.15, -9.32, 14.13

 

CMYK 6 / 0 / 20 / 39

HEX #919B7C

RGB 145 155 124

HSL 79.35, 0.13%, 0.55%

LAB 62.44, -9.26, 15.08

 

CMYK 7 / 0 / 23 / 46

HEX #808969

RGB 128 137 105

HSL 76.88, 0.13%, 0.47%

LAB 55.58, -9.2, 16.1

 

CMYK 7 / 0 / 28 / 53

HEX #6F7756

RGB 111 119 86

HSL 74.55, 0.16%, 0.4%

LAB 48.57, -9.12, 17.19

 

CMYK 6 / 0 / 15 / 25

HEX #B2BEA1

RGB 178 190 161

HSL 84.83, 0.18%, 0.69%

LAB 75.37, -9.37, 13.26

 

CMYK 2 / 0 / 15 / 25

HEX #BABEA1

RGB 186 190 161

HSL 68.28, 0.18%, 0.69%

LAB 75.97, -6.45, 14.19

 

CMYK 0 / 2 / 15 / 25

HEX #BEBAA1

RGB 190 186 161

HSL 51.72, 0.18%, 0.69%

LAB 75.23, -2.86, 13.19

 

CMYK 0 / 6 / 15 / 25

HEX #BEB2A1

RGB 190 178 161

HSL 35.17, 0.18%, 0.69%

LAB 73.13, 1.4, 10.22

 

CMYK 0 / 10 / 15 / 25

HEX #BEABA1

RGB 190 171 161

HSL 20.69, 0.18%, 0.69%

LAB 71.31, 5.18, 7.63

 

CMYK 6 / 0 / 15 / 25

HEX #B2BEA1

RGB 178 190 161

HSL 84.83, 0.18%, 0.69%

LAB 75.37, -9.37, 13.26

 

CMYK 11 / 0 / 15 / 25

HEX #AABEA1

RGB 170 190 161

HSL 101.38, 0.18%, 0.69%

LAB 74.79, -12.25, 12.36

 

CMYK 14 / 0 / 15 / 25

HEX #A3BEA1

RGB 163 190 161

HSL 115.86, 0.18%, 0.69%

LAB 74.31, -14.72, 11.61

 

CMYK 15 / 0 / 12 / 25

HEX #A1BEA8

RGB 161 190 168

HSL 134.48, 0.18%, 0.69%

LAB 74.34, -14.13, 7.84

 

CMYK 15 / 0 / 8 / 25

HEX #A1BEAF

RGB 161 190 175

HSL 148.97, 0.18%, 0.69%

LAB 74.51, -12.79, 4.29

 

CMYK 6 / 0 / 15 / 25

HEX #B2BEA1

RGB 178 190 161

HSL 84.83, 0.18%, 0.69%

LAB 75.37, -9.37, 13.26

 

CMYK 11 / 0 / 27 / 21

HEX #B4CA94

RGB 180 202 148

HSL 84.44, 0.34%, 0.69%

LAB 78.51, -16.84, 24.56

 

CMYK 15 / 0 / 37 / 16

HEX #B6D788

RGB 182 215 136

HSL 85.06, 0.5%, 0.69%

LAB 82.01, -24.2, 35.46

 

CMYK 19 / 0 / 46 / 11

HEX #B9E47B

RGB 185 228 123

HSL 84.57, 0.66%, 0.69%

LAB 85.62, -30.85, 46.51

 

CMYK 22 / 0 / 54 / 5

HEX #BBF16E

RGB 187 241 110

HSL 84.73, 0.82%, 0.69%

LAB 89.21, -37.42, 56.89

 

CMYK 6 / 0 / 15 / 25

HEX #B2BEA1

RGB 178 190 161

HSL 84.83, 0.18%, 0.69%

LAB 75.37, -9.37, 13.26

 

CMYK 1 / 0 / 2 / 31

HEX #B0B1AE

RGB 176 177 174

HSL 80, 0.02%, 0.69%

LAB 72.05, -0.91, 1.4

 

CMYK 7 / 12 / 0 / 27

HEX #ADA4BB

RGB 173 164 187

HSL 263.48, 0.14%, 0.69%

LAB 68.77, 7.68, -10.64

 

CMYK 15 / 25 / 0 / 22

HEX #AB97C8

RGB 171 151 200

HSL 264.49, 0.31%, 0.69%

LAB 65.72, 17.03, -22.5

 

CMYK 20 / 34 / 0 / 17

HEX #A98BD4

RGB 169 139 212

HSL 264.66, 0.46%, 0.69%

LAB 63.06, 25.89, -33.32

 

CMYK 0 / 2 / 15 / 25

HEX #BEBAA1

RGB 190 186 161

HSL 51.72, 0.18%, 0.69%

LAB 75.23, -2.86, 13.19

 

CMYK 2 / 0 / 15 / 25

HEX #BABEA1

RGB 186 190 161

HSL 68.28, 0.18%, 0.69%

LAB 75.97, -6.45, 14.19

 

CMYK 6 / 0 / 15 / 25

HEX #B2BEA1

RGB 178 190 161

HSL 84.83, 0.18%, 0.69%

LAB 75.37, -9.37, 13.26

 

CMYK 10 / 0 / 15 / 25

HEX #ABBEA1

RGB 171 190 161

HSL 99.31, 0.18%, 0.69%

LAB 74.86, -11.89, 12.47

 

CMYK 14 / 0 / 15 / 25

HEX #A3BEA1

RGB 163 190 161

HSL 115.86, 0.18%, 0.69%

LAB 74.31, -14.72, 11.61

 

CMYK 12 / 0 / 28 / 39

HEX #8A9C71

RGB 138 156 113

HSL 85.12, 0.18%, 0.53%

LAB 61.97, -14.25, 20.47

 

CMYK 9 / 0 / 21 / 32

HEX #9EAD89

RGB 158 173 137

HSL 85, 0.18%, 0.61%

LAB 68.72, -11.79, 16.78

 

CMYK 6 / 0 / 15 / 25

HEX #B2BEA1

RGB 178 190 161

HSL 84.83, 0.18%, 0.69%

LAB 75.37, -9.37, 13.26

 

CMYK 4 / 0 / 10 / 19

HEX #C6CFBA

RGB 198 207 186

HSL 85.71, 0.18%, 0.77%

LAB 81.93, -6.83, 9.38

 

CMYK 3 / 0 / 6 / 12

HEX #DAE0D2

RGB 218 224 210

HSL 85.71, 0.18%, 0.85%

LAB 88.39, -4.5, 6.14

 

CMYK 6 / 0 / 15 / 25

HEX #B3BFA2

RGB 179 191 162

HSL 84.83, 0.18%, 0.69%

LAB 75.73, -9.37, 13.24

 

CMYK 15 / 0 / 6 / 25

HEX #A1BEB2

RGB 161 190 178

HSL 155.17, 0.18%, 0.69%

LAB 74.58, -12.2, 2.77

 

CMYK 0 / 15 / 0 / 25

HEX #BEA1BE

RGB 190 161 190

HSL 300, 0.18%, 0.69%

LAB 69.58, 15.77, -10.94

 

CMYK 6 / 0 / 15 / 25

HEX #B3BFA2

RGB 179 191 162

HSL 84.83, 0.18%, 0.69%

LAB 75.73, -9.37, 13.24

 

CMYK 15 / 6 / 0 / 25

HEX #A1B2BE

RGB 161 178 190

HSL 204.83, 0.18%, 0.69%

LAB 71.65, -3.37, -8.11

 

CMYK 0 / 15 / 6 / 25

HEX #BEA1B2

RGB 190 161 178

HSL 324.83, 0.18%, 0.69%

LAB 69.22, 13.56, -4.81

 

CMYK 6 / 0 / 15 / 25

HEX #B3BFA2

RGB 179 191 162

HSL 84.83, 0.18%, 0.69%

LAB 75.73, -9.37, 13.24

 

CMYK 15 / 0 / 6 / 25

HEX #A1BEB2

RGB 161 190 178

HSL 155.17, 0.18%, 0.69%

LAB 74.58, -12.2, 2.77

 

CMYK 9 / 15 / 0 / 25

HEX #ADA1BE

RGB 173 161 190

HSL 264.83, 0.18%, 0.69%

LAB 68.09, 9.96, -13.33

 

CMYK 0 / 15 / 9 / 25

HEX #BEA1AD

RGB 190 161 173

HSL 335.17, 0.18%, 0.69%

LAB 69.08, 12.67, -2.25

 

CMYK 6 / 0 / 15 / 25

HEX #B3BFA2

RGB 179 191 162

HSL 84.83, 0.18%, 0.69%

LAB 75.73, -9.37, 13.24

 

CMYK 15 / 0 / 2 / 25

HEX #A1BEBB

RGB 161 190 187

HSL 173.79, 0.18%, 0.69%

LAB 74.82, -10.38, -1.78

 

CMYK 9 / 15 / 0 / 25

HEX #ADA1BE

RGB 173 161 190

HSL 264.83, 0.18%, 0.69%

LAB 68.09, 9.96, -13.33

 

CMYK 0 / 15 / 14 / 25

HEX #BEA1A4

RGB 190 161 164

HSL 353.79, 0.18%, 0.69%

LAB 68.84, 11.14, 2.4

 

Description

Color code: RGB 179 191 162 | qconv.com Color code: RGB 179 191 162 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 191 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 191 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 15 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 15% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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