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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 164 0 it is the complementary color RGB 76 91 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 164 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 164 0 shade: RGB 184 164 0, RGB 201 182 14, RGB 218 200 33, RGB 235 218 52 and RGB 252 236 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 164 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 164 0 shade: RGB 179 164 0, RGB 162 146 0, RGB 145 128 0, RGB 128 110 0 and RGB 111 92 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 164 0 shade: RGB 178 163 0, RGB 178 115 0, RGB 178 67 0, RGB 178 19 0 and RGB 178 0 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 164 0 shade: RGB 178 163 0, RGB 145 178 0, RGB 97 178 0, RGB 49 178 0 and RGB 0 178 0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 164 0 shade matches the following richer shades: RGB 178 163 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 164 0 shade: RGB 178 163 0, RGB 164 151 14, RGB 149 139 28, RGB 135 127 43 and RGB 120 115 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 164 0 shade: RGB 178 65 0, RGB 178 113 0, RGB 178 160 0, RGB 148 178 0 and RGB 101 178 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 164 0 shade: RGB 95 87 0, RGB 137 125 0, RGB 178 163 0, RGB 219 201 0 and RGB 255 234 6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 164 0 shade: RGB 179 164 0, RGB 0 178 17 and RGB 89 0 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 164 0 shade: RGB 179 164 0, RGB 0 178 160 and RGB 160 0 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 164 0 shade: RGB 179 164 0, RGB 0 178 17, RGB 0 17 178 and RGB 178 0 160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 164 0 shade: RGB 179 164 0, RGB 0 178 71, RGB 0 17 178 and RGB 178 0 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 100 / 30

HEX #B3A400

RGB 179 164 0

HSL 54.97, 1%, 0.35%

LAB 66.62, -8.78, 69.45

 

Complementary color

CMYK 70 / 64 / 0 / 0

HEX #4C5BFF

RGB 76 91 255

HSL 234.97, 1%, 0.65%

LAB 47.29, 46.6, -82.96

 

CMYK 0 / 11 / 100 / 28

HEX #B8A400

RGB 184 164 0

HSL 53.48, 1%, 0.36%

LAB 67.08, -6.54, 69.99

 

CMYK 0 / 9 / 93 / 21

HEX #C9B60E

RGB 201 182 14

HSL 53.9, 0.87%, 0.42%

LAB 73.48, -8.24, 73.7

 

CMYK 0 / 8 / 85 / 15

HEX #DAC821

RGB 218 200 33

HSL 54.16, 0.74%, 0.49%

LAB 79.8, -9.72, 75.9

 

CMYK 0 / 7 / 78 / 8

HEX #EBDA34

RGB 235 218 52

HSL 54.43, 0.82%, 0.56%

LAB 86.03, -10.99, 76.87

 

CMYK 0 / 6 / 72 / 1

HEX #FCEC47

RGB 252 236 71

HSL 54.7, 0.97%, 0.63%

LAB 92.19, -12.09, 77.05

 

CMYK 0 / 8 / 100 / 30

HEX #B3A400

RGB 179 164 0

HSL 54.97, 1%, 0.35%

LAB 66.62, -8.78, 69.45

 

CMYK 0 / 10 / 100 / 36

HEX #A29200

RGB 162 146 0

HSL 54.07, 1%, 0.32%

LAB 60.1, -6.91, 64.05

 

CMYK 0 / 12 / 100 / 43

HEX #918000

RGB 145 128 0

HSL 52.97, 1%, 0.28%

LAB 53.45, -4.97, 58.54

 

CMYK 0 / 14 / 100 / 50

HEX #806E00

RGB 128 110 0

HSL 51.56, 1%, 0.25%

LAB 46.63, -2.94, 52.9

 

CMYK 0 / 17 / 100 / 56

HEX #6F5C00

RGB 111 92 0

HSL 49.73, 1%, 0.22%

LAB 39.64, -0.8, 47.12

 

CMYK 0 / 8 / 100 / 30

HEX #B2A300

RGB 178 163 0

HSL 54.94, 1%, 0.35%

LAB 66.26, -8.71, 69.15

 

CMYK 0 / 35 / 100 / 30

HEX #B27300

RGB 178 115 0

HSL 38.76, 1%, 0.35%

LAB 53.74, 17.59, 60.49

 

CMYK 0 / 62 / 100 / 30

HEX #B24300

RGB 178 67 0

HSL 22.58, 1%, 0.35%

LAB 43.48, 42.84, 54.3

 

CMYK 0 / 89 / 100 / 30

HEX #B21300

RGB 178 19 0

HSL 6.4, 1%, 0.35%

LAB 37.72, 58.71, 51.63

 

CMYK 0 / 100 / 100 / 30

HEX #B20000

RGB 178 0 0

HSL 0, 1%, 0.35%

LAB 36.86, 61.17, 51.27

 

CMYK 0 / 8 / 100 / 30

HEX #B2A300

RGB 178 163 0

HSL 54.94, 1%, 0.35%

LAB 66.26, -8.71, 69.15

 

CMYK 19 / 0 / 100 / 30

HEX #91B200

RGB 145 178 0

HSL 71.12, 1%, 0.35%

LAB 67.92, -30.62, 69.2

 

CMYK 46 / 0 / 100 / 30

HEX #61B200

RGB 97 178 0

HSL 87.3, 1%, 0.35%

LAB 65.26, -48.73, 66.01

 

CMYK 72 / 0 / 100 / 30

HEX #31B200

RGB 49 178 0

HSL 103.48, 1%, 0.35%

LAB 63.75, -61, 64.17

 

CMYK 100 / 0 / 100 / 30

HEX #00B200

RGB 0 178 0

HSL 120, 1%, 0.35%

LAB 63.21, -65.81, 63.52

 

CMYK 0 / 8 / 100 / 30

HEX #B2A300

RGB 178 163 0

HSL 54.94, 1%, 0.35%

LAB 66.26, -8.71, 69.15

 

CMYK 0 / 8 / 100 / 30

HEX #B2A300

RGB 178 163 0

HSL 54.94, 1%, 0.35%

LAB 66.26, -8.71, 69.15

 

CMYK 0 / 8 / 91 / 36

HEX #A4970E

RGB 164 151 14

HSL 54.8, 0.84%, 0.35%

LAB 61.7, -8.47, 63.21

 

CMYK 0 / 7 / 81 / 42

HEX #958B1C

RGB 149 139 28

HSL 55.04, 0.68%, 0.35%

LAB 57.02, -8.49, 55.43

 

CMYK 0 / 6 / 68 / 47

HEX #877F2B

RGB 135 127 43

HSL 54.78, 0.52%, 0.35%

LAB 52.4, -7.62, 44.94

 

CMYK 0 / 4 / 53 / 53

HEX #787339

RGB 120 115 57

HSL 55.24, 0.36%, 0.35%

LAB 47.69, -6.65, 32.47

 

CMYK 0 / 63 / 100 / 30

HEX #B24100

RGB 178 65 0

HSL 21.91, 1%, 0.35%

LAB 43.13, 43.76, 54.12

 

CMYK 0 / 37 / 100 / 30

HEX #B27100

RGB 178 113 0

HSL 38.09, 1%, 0.35%

LAB 53.25, 18.7, 60.17

 

CMYK 0 / 10 / 100 / 30

HEX #B2A000

RGB 178 160 0

HSL 53.93, 1%, 0.35%

LAB 65.44, -7.12, 68.56

 

CMYK 17 / 0 / 100 / 30

HEX #94B200

RGB 148 178 0

HSL 70.11, 1%, 0.35%

LAB 68.12, -29.37, 69.45

 

CMYK 43 / 0 / 100 / 30

HEX #65B200

RGB 101 178 0

HSL 85.96, 1%, 0.35%

LAB 65.44, -47.4, 66.23

 

CMYK 0 / 8 / 100 / 63

HEX #5F5700

RGB 95 87 0

HSL 54.95, 1%, 0.19%

LAB 36.46, -5.84, 44.08

 

CMYK 0 / 9 / 100 / 46

HEX #897D00

RGB 137 125 0

HSL 54.74, 1%, 0.27%

LAB 51.82, -7.07, 57.02

 

CMYK 0 / 8 / 100 / 30

HEX #B2A300

RGB 178 163 0

HSL 54.94, 1%, 0.35%

LAB 66.26, -8.71, 69.15

 

CMYK 0 / 8 / 100 / 14

HEX #DBC900

RGB 219 201 0

HSL 55.07, 1%, 0.43%

LAB 80.09, -10.27, 80.76

 

CMYK 0 / 8 / 98 / 0

HEX #FFEA06

RGB 255 234 6

HSL 54.94, 1%, 0.51%

LAB 91.74, -11.36, 90.1

 

CMYK 0 / 8 / 100 / 30

HEX #B3A400

RGB 179 164 0

HSL 54.97, 1%, 0.35%

LAB 66.62, -8.78, 69.45

 

CMYK 100 / 0 / 90 / 30

HEX #00B211

RGB 0 178 17

HSL 125.73, 1%, 0.35%

LAB 63.24, -65.37, 61.21

 

CMYK 50 / 100 / 0 / 30

HEX #5900B2

RGB 89 0 178

HSL 270, 1%, 0.35%

LAB 27.68, 63.65, -70.87

 

CMYK 0 / 8 / 100 / 30

HEX #B3A400

RGB 179 164 0

HSL 54.97, 1%, 0.35%

LAB 66.62, -8.78, 69.45

 

CMYK 100 / 0 / 10 / 30

HEX #00B2A0

RGB 0 178 160

HSL 173.93, 1%, 0.35%

LAB 65.26, -42.04, -1.59

 

CMYK 10 / 100 / 0 / 30

HEX #A000B2

RGB 160 0 178

HSL 293.93, 1%, 0.35%

LAB 39.05, 72.17, -51.82

 

CMYK 0 / 8 / 100 / 30

HEX #B3A400

RGB 179 164 0

HSL 54.97, 1%, 0.35%

LAB 66.62, -8.78, 69.45

 

CMYK 100 / 0 / 90 / 30

HEX #00B211

RGB 0 178 17

HSL 125.73, 1%, 0.35%

LAB 63.24, -65.37, 61.21

 

CMYK 100 / 90 / 0 / 30

HEX #0011B2

RGB 0 17 178

HSL 234.27, 1%, 0.35%

LAB 22.36, 55.93, -79.9

 

CMYK 0 / 100 / 10 / 30

HEX #B200A0

RGB 178 0 160

HSL 306.07, 1%, 0.35%

LAB 41.22, 72.45, -37.39

 

CMYK 0 / 8 / 100 / 30

HEX #B3A400

RGB 179 164 0

HSL 54.97, 1%, 0.35%

LAB 66.62, -8.78, 69.45

 

CMYK 100 / 0 / 60 / 30

HEX #00B247

RGB 0 178 71

HSL 143.93, 1%, 0.35%

LAB 63.59, -61.01, 43.24

 

CMYK 100 / 90 / 0 / 30

HEX #0011B2

RGB 0 17 178

HSL 234.27, 1%, 0.35%

LAB 22.36, 55.93, -79.9

 

CMYK 0 / 100 / 40 / 30

HEX #B2006B

RGB 178 0 107

HSL 323.93, 1%, 0.35%

LAB 38.77, 66.26, -8.48

 

Description

Color code: RGB 179 164 0 | qconv.com Color code: RGB 179 164 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 164 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 164 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 100 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 100% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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