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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 159 112 it is the complementary color RGB 76 96 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 159 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 159 112 shade: RGB 184 159 107, RGB 201 177 126, RGB 218 195 145, RGB 235 213 164 and RGB 252 231 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 159 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 159 112 shade: RGB 179 159 112, RGB 162 141 93, RGB 145 123 74, RGB 128 105 55 and RGB 111 87 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 159 112 shade: RGB 179 159 111, RGB 179 140 111, RGB 179 122 111 and RGB 179 111 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 159 112 shade: RGB 179 159 111, RGB 179 177 111, RGB 162 179 111, RGB 144 179 111 and RGB 126 179 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 159 112 shade matches the following richer shades: RGB 179 159 111, RGB 197 166 93, RGB 214 173 75, RGB 232 180 58 and RGB 250 187 40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 159 112 shade: RGB 179 159 111, RGB 161 151 129, RGB 143 144 146, RGB 126 137 164 and RGB 108 130 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 159 112 shade: RGB 179 122 111, RGB 179 140 111, RGB 179 158 111, RGB 179 177 111 and RGB 163 179 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 159 112 shade: RGB 136 117 71, RGB 163 140 86, RGB 179 159 111, RGB 193 177 138 and RGB 207 195 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 159 112 shade: RGB 179 159 112, RGB 118 179 111 and RGB 131 111 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 159 112 shade: RGB 179 159 112, RGB 111 179 158 and RGB 158 111 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 159 112 shade: RGB 179 159 112, RGB 118 179 111, RGB 111 131 179 and RGB 172 111 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 159 112 shade: RGB 179 159 112, RGB 111 179 124, RGB 111 131 179 and RGB 179 111 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 37 / 30

HEX #B39F70

RGB 179 159 112

HSL 42.09, 0.31%, 0.57%

LAB 66.17, 0.43, 27.23

 

Complementary color

CMYK 47 / 33 / 0 / 44

HEX #4C608F

RGB 76 96 143

HSL 222.09, 0.31%, 0.43%

LAB 41.03, 5.84, -28.31

 

CMYK 0 / 14 / 42 / 28

HEX #B89F6B

RGB 184 159 107

HSL 40.52, 0.35%, 0.57%

LAB 66.56, 1.92, 30.51

 

CMYK 0 / 12 / 37 / 21

HEX #C9B17E

RGB 201 177 126

HSL 40.8, 0.41%, 0.64%

LAB 73.13, 1.34, 29.28

 

CMYK 0 / 11 / 33 / 15

HEX #DAC391

RGB 218 195 145

HSL 41.1, 0.5%, 0.71%

LAB 79.6, 0.86, 28.13

 

CMYK 0 / 9 / 30 / 8

HEX #EBD5A4

RGB 235 213 164

HSL 41.41, 0.64%, 0.78%

LAB 85.97, 0.43, 27.04

 

CMYK 0 / 8 / 27 / 1

HEX #FCE7B7

RGB 252 231 183

HSL 41.74, 0.92%, 0.85%

LAB 92.25, 0.05, 26

 

CMYK 0 / 11 / 37 / 30

HEX #B39F70

RGB 179 159 112

HSL 42.09, 0.31%, 0.57%

LAB 66.17, 0.43, 27.23

 

CMYK 0 / 13 / 43 / 36

HEX #A28D5D

RGB 162 141 93

HSL 41.74, 0.27%, 0.5%

LAB 59.45, 1, 28.49

 

CMYK 0 / 15 / 49 / 43

HEX #917B4A

RGB 145 123 74

HSL 41.41, 0.32%, 0.43%

LAB 52.6, 1.7, 29.83

 

CMYK 0 / 18 / 57 / 50

HEX #806937

RGB 128 105 55

HSL 41.1, 0.4%, 0.36%

LAB 45.59, 2.57, 31.23

 

CMYK 0 / 22 / 68 / 56

HEX #6F5724

RGB 111 87 36

HSL 40.8, 0.51%, 0.29%

LAB 38.42, 3.69, 32.62

 

CMYK 0 / 11 / 38 / 30

HEX #B39F6F

RGB 179 159 111

HSL 42.35, 0.31%, 0.57%

LAB 66.16, 0.31, 27.75

 

CMYK 0 / 22 / 38 / 30

HEX #B38C6F

RGB 179 140 111

HSL 25.59, 0.31%, 0.57%

LAB 61.21, 10.77, 21.15

 

CMYK 0 / 32 / 38 / 30

HEX #B37A6F

RGB 179 122 111

HSL 9.71, 0.31%, 0.57%

LAB 56.73, 20.84, 15.03

 

CMYK 0 / 38 / 38 / 30

HEX #B36F6F

RGB 179 111 111

HSL 0, 0.31%, 0.57%

LAB 54.13, 26.97, 11.41

 

CMYK 0 / 11 / 38 / 30

HEX #B39F6F

RGB 179 159 111

HSL 42.35, 0.31%, 0.57%

LAB 66.16, 0.31, 27.75

 

CMYK 0 / 1 / 38 / 30

HEX #B3B16F

RGB 179 177 111

HSL 58.24, 0.31%, 0.57%

LAB 70.99, -9.29, 34.03

 

CMYK 9 / 0 / 38 / 30

HEX #A2B36F

RGB 162 179 111

HSL 75, 0.31%, 0.57%

LAB 70.22, -17.11, 32.78

 

CMYK 20 / 0 / 38 / 30

HEX #90B36F

RGB 144 179 111

HSL 90.88, 0.31%, 0.57%

LAB 68.98, -24.02, 30.93

 

CMYK 30 / 0 / 38 / 30

HEX #7EB36F

RGB 126 179 111

HSL 106.76, 0.31%, 0.57%

LAB 67.89, -30.52, 29.3

 

CMYK 0 / 11 / 38 / 30

HEX #B39F6F

RGB 179 159 111

HSL 42.35, 0.31%, 0.57%

LAB 66.16, 0.31, 27.75

 

CMYK 0 / 16 / 53 / 23

HEX #C5A65D

RGB 197 166 93

HSL 42.12, 0.47%, 0.57%

LAB 69.42, 2.19, 41.68

 

CMYK 0 / 19 / 65 / 16

HEX #D6AD4B

RGB 214 173 75

HSL 42.3, 0.63%, 0.57%

LAB 72.69, 4.35, 54.51

 

CMYK 0 / 22 / 75 / 9

HEX #E8B43A

RGB 232 180 58

HSL 42.07, 0.79%, 0.57%

LAB 76.13, 7.48, 65.65

 

CMYK 0 / 25 / 84 / 2

HEX #FABB28

RGB 250 187 40

HSL 42, 0.95%, 0.57%

LAB 79.62, 10.89, 75.28

 

CMYK 0 / 11 / 38 / 30

HEX #B39F6F

RGB 179 159 111

HSL 42.35, 0.31%, 0.57%

LAB 66.16, 0.31, 27.75

 

CMYK 0 / 6 / 20 / 37

HEX #A19781

RGB 161 151 129

HSL 41.25, 0.15%, 0.57%

LAB 62.76, -0.07, 12.92

 

CMYK 2 / 1 / 0 / 43

HEX #8F9092

RGB 143 144 146

HSL 220, 0.01%, 0.57%

LAB 59.76, 0.03, -1.19

 

CMYK 23 / 16 / 0 / 36

HEX #7E89A4

RGB 126 137 164

HSL 222.63, 0.17%, 0.57%

LAB 57.08, 2.12, -15.63

 

CMYK 41 / 29 / 0 / 29

HEX #6C82B6

RGB 108 130 182

HSL 222.16, 0.34%, 0.57%

LAB 54.59, 5.56, -29.89

 

CMYK 0 / 32 / 38 / 30

HEX #B37A6F

RGB 179 122 111

HSL 9.71, 0.31%, 0.57%

LAB 56.73, 20.84, 15.03

 

CMYK 0 / 22 / 38 / 30

HEX #B38C6F

RGB 179 140 111

HSL 25.59, 0.31%, 0.57%

LAB 61.21, 10.77, 21.15

 

CMYK 0 / 12 / 38 / 30

HEX #B39E6F

RGB 179 158 111

HSL 41.47, 0.31%, 0.57%

LAB 65.89, 0.86, 27.4

 

CMYK 0 / 1 / 38 / 30

HEX #B3B16F

RGB 179 177 111

HSL 58.24, 0.31%, 0.57%

LAB 70.99, -9.29, 34.03

 

CMYK 9 / 0 / 38 / 30

HEX #A3B36F

RGB 163 179 111

HSL 74.12, 0.31%, 0.57%

LAB 70.3, -16.71, 32.89

 

CMYK 0 / 14 / 48 / 47

HEX #887547

RGB 136 117 71

HSL 42.46, 0.31%, 0.41%

LAB 49.99, 0.82, 28.02

 

CMYK 0 / 14 / 47 / 36

HEX #A38C56

RGB 163 140 86

HSL 42.08, 0.31%, 0.49%

LAB 59.17, 1.23, 31.94

 

CMYK 0 / 11 / 38 / 30

HEX #B39F6F

RGB 179 159 111

HSL 42.35, 0.31%, 0.57%

LAB 66.16, 0.31, 27.75

 

CMYK 0 / 8 / 28 / 24

HEX #C1B18A

RGB 193 177 138

HSL 42.55, 0.31%, 0.65%

LAB 72.64, -0.32, 22.07

 

CMYK 0 / 6 / 20 / 19

HEX #CFC3A5

RGB 207 195 165

HSL 42.86, 0.3%, 0.73%

LAB 79.05, -0.65, 16.61

 

CMYK 0 / 11 / 37 / 30

HEX #B39F70

RGB 179 159 112

HSL 42.09, 0.31%, 0.57%

LAB 66.17, 0.43, 27.23

 

CMYK 34 / 0 / 38 / 30

HEX #76B36F

RGB 118 179 111

HSL 113.82, 0.31%, 0.57%

LAB 67.46, -33.25, 28.65

 

CMYK 27 / 38 / 0 / 30

HEX #836FB3

RGB 131 111 179

HSL 257.65, 0.31%, 0.57%

LAB 51.21, 22.7, -33.3

 

CMYK 0 / 11 / 37 / 30

HEX #B39F70

RGB 179 159 112

HSL 42.09, 0.31%, 0.57%

LAB 66.17, 0.43, 27.23

 

CMYK 38 / 0 / 12 / 30

HEX #6FB39E

RGB 111 179 158

HSL 161.47, 0.31%, 0.57%

LAB 68.09, -26.42, 3.94

 

CMYK 12 / 38 / 0 / 30

HEX #9E6FB3

RGB 158 111 179

HSL 281.47, 0.31%, 0.57%

LAB 53.91, 31.03, -28.88

 

CMYK 0 / 11 / 37 / 30

HEX #B39F70

RGB 179 159 112

HSL 42.09, 0.31%, 0.57%

LAB 66.17, 0.43, 27.23

 

CMYK 34 / 0 / 38 / 30

HEX #76B36F

RGB 118 179 111

HSL 113.82, 0.31%, 0.57%

LAB 67.46, -33.25, 28.65

 

CMYK 38 / 27 / 0 / 30

HEX #6F83B3

RGB 111 131 179

HSL 222.35, 0.31%, 0.57%

LAB 54.93, 4.96, -27.62

 

CMYK 4 / 38 / 0 / 30

HEX #AC6FB3

RGB 172 111 179

HSL 293.82, 0.31%, 0.57%

LAB 55.48, 35.47, -26.33

 

CMYK 0 / 11 / 37 / 30

HEX #B39F70

RGB 179 159 112

HSL 42.09, 0.31%, 0.57%

LAB 66.17, 0.43, 27.23

 

CMYK 38 / 0 / 31 / 30

HEX #6FB37C

RGB 111 179 124

HSL 131.47, 0.31%, 0.57%

LAB 67.33, -33.32, 21.47

 

CMYK 38 / 27 / 0 / 30

HEX #6F83B3

RGB 111 131 179

HSL 222.35, 0.31%, 0.57%

LAB 54.93, 4.96, -27.62

 

CMYK 0 / 38 / 8 / 30

HEX #B36FA5

RGB 179 111 165

HSL 312.35, 0.31%, 0.57%

LAB 55.76, 35.13, -17.75

 

Description

Color code: RGB 179 159 112 | qconv.com Color code: RGB 179 159 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 159 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 159 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 37 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 37% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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