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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 157 85 it is the complementary color RGB 76 98 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 157 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 157 85 shade: RGB 184 157 80, RGB 201 175 99, RGB 218 193 118, RGB 235 211 137 and RGB 252 229 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 157 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 157 85 shade: RGB 179 157 85, RGB 162 139 66, RGB 145 121 47, RGB 128 103 28 and RGB 111 85 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 157 85 shade: RGB 179 157 86, RGB 179 132 86, RGB 179 107 86 and RGB 179 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 157 85 shade: RGB 179 157 86, RGB 175 179 86, RGB 150 179 86, RGB 125 179 86 and RGB 100 179 86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 157 85 shade matches the following richer shades: RGB 179 157 86, RGB 198 167 66, RGB 218 178 46 and RGB 238 188 26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 157 85 shade: RGB 179 157 86, RGB 159 146 105, RGB 139 136 125, RGB 119 125 145 and RGB 99 115 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 157 85 shade: RGB 179 106 86, RGB 179 131 86, RGB 179 155 86, RGB 177 179 86 and RGB 152 179 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 157 85 shade: RGB 126 109 56, RGB 154 134 69, RGB 179 157 86, RGB 191 173 114 and RGB 204 190 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 157 85 shade: RGB 179 157 85, RGB 90 179 86 and RGB 118 86 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 157 85 shade: RGB 179 157 85, RGB 86 179 155 and RGB 155 86 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 157 85 shade: RGB 179 157 85, RGB 90 179 86, RGB 86 109 179 and RGB 174 86 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 157 85 shade: RGB 179 157 85, RGB 86 179 109, RGB 86 109 179 and RGB 179 86 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 53 / 30

HEX #B39D55

RGB 179 157 85

HSL 45.96, 0.38%, 0.52%

LAB 65.24, -1.31, 40.29

 

Complementary color

CMYK 55 / 42 / 0 / 33

HEX #4C62AA

RGB 76 98 170

HSL 225.96, 0.38%, 0.48%

LAB 43.02, 13.39, -41.24

 

CMYK 0 / 15 / 57 / 28

HEX #B89D50

RGB 184 157 80

HSL 44.42, 0.42%, 0.52%

LAB 65.66, 0.41, 43.41

 

CMYK 0 / 13 / 51 / 21

HEX #C9AF63

RGB 201 175 99

HSL 44.71, 0.49%, 0.59%

LAB 72.21, -0.4, 42.13

 

CMYK 0 / 11 / 46 / 15

HEX #DAC176

RGB 218 193 118

HSL 45, 0.57%, 0.66%

LAB 78.67, -1.08, 40.87

 

CMYK 0 / 10 / 42 / 8

HEX #EBD389

RGB 235 211 137

HSL 45.31, 0.71%, 0.73%

LAB 85.03, -1.66, 39.64

 

CMYK 0 / 9 / 38 / 1

HEX #FCE59C

RGB 252 229 156

HSL 45.63, 0.94%, 0.8%

LAB 91.3, -2.16, 38.46

 

CMYK 0 / 12 / 53 / 30

HEX #B39D55

RGB 179 157 85

HSL 45.96, 0.38%, 0.52%

LAB 65.24, -1.31, 40.29

 

CMYK 0 / 14 / 59 / 36

HEX #A28B42

RGB 162 139 66

HSL 45.63, 0.42%, 0.45%

LAB 58.55, -0.46, 41.56

 

CMYK 0 / 17 / 68 / 43

HEX #91792F

RGB 145 121 47

HSL 45.31, 0.51%, 0.38%

LAB 51.72, 0.58, 42.71

 

CMYK 0 / 20 / 78 / 50

HEX #80671C

RGB 128 103 28

HSL 45, 0.64%, 0.31%

LAB 44.76, 1.91, 43.45

 

CMYK 0 / 23 / 92 / 56

HEX #6F5509

RGB 111 85 9

HSL 44.71, 0.85%, 0.24%

LAB 37.66, 3.61, 43.02

 

CMYK 0 / 12 / 52 / 30

HEX #B39D56

RGB 179 157 86

HSL 45.81, 0.38%, 0.52%

LAB 65.25, -1.22, 39.79

 

CMYK 0 / 26 / 52 / 30

HEX #B38456

RGB 179 132 86

HSL 29.68, 0.38%, 0.52%

LAB 58.75, 12.55, 31.76

 

CMYK 0 / 40 / 52 / 30

HEX #B36B56

RGB 179 107 86

HSL 13.55, 0.38%, 0.52%

LAB 52.7, 26.49, 23.99

 

CMYK 0 / 52 / 52 / 30

HEX #B35656

RGB 179 86 86

HSL 0, 0.38%, 0.52%

LAB 48.15, 37.76, 17.95

 

CMYK 0 / 12 / 52 / 30

HEX #B39D56

RGB 179 157 86

HSL 45.81, 0.38%, 0.52%

LAB 65.25, -1.22, 39.79

 

CMYK 2 / 0 / 52 / 30

HEX #AFB356

RGB 175 179 86

HSL 62.58, 0.38%, 0.52%

LAB 70.89, -14.51, 46.41

 

CMYK 16 / 0 / 52 / 30

HEX #96B356

RGB 150 179 86

HSL 78.71, 0.38%, 0.52%

LAB 69.04, -24.69, 43.77

 

CMYK 30 / 0 / 52 / 30

HEX #7DB356

RGB 125 179 86

HSL 94.84, 0.38%, 0.52%

LAB 67.48, -34.19, 41.53

 

CMYK 44 / 0 / 52 / 30

HEX #64B356

RGB 100 179 86

HSL 110.97, 0.38%, 0.52%

LAB 66.23, -42.61, 39.73

 

CMYK 0 / 12 / 52 / 30

HEX #B39D56

RGB 179 157 86

HSL 45.81, 0.38%, 0.52%

LAB 65.25, -1.22, 39.79

 

CMYK 0 / 16 / 67 / 22

HEX #C6A742

RGB 198 167 66

HSL 45.91, 0.54%, 0.52%

LAB 69.5, 0.12, 54.61

 

CMYK 0 / 18 / 79 / 15

HEX #DAB22E

RGB 218 178 46

HSL 46.05, 0.7%, 0.52%

LAB 74.15, 2.05, 67.5

 

CMYK 0 / 21 / 89 / 7

HEX #EEBC1A

RGB 238 188 26

HSL 45.85, 0.86%, 0.52%

LAB 78.59, 4.94, 77.19

 

CMYK 0 / 12 / 52 / 30

HEX #B39D56

RGB 179 157 86

HSL 45.81, 0.38%, 0.52%

LAB 65.25, -1.22, 39.79

 

CMYK 0 / 8 / 34 / 38

HEX #9F9269

RGB 159 146 105

HSL 45.56, 0.22%, 0.52%

LAB 60.74, -1.56, 23.52

 

CMYK 0 / 2 / 10 / 45

HEX #8B887D

RGB 139 136 125

HSL 47.14, 0.06%, 0.52%

LAB 56.66, -0.93, 6.3

 

CMYK 18 / 14 / 0 / 43

HEX #777D91

RGB 119 125 145

HSL 226.15, 0.11%, 0.52%

LAB 52.55, 2.2, -11.54

 

CMYK 40 / 30 / 0 / 35

HEX #6373A5

RGB 99 115 165

HSL 225.45, 0.27%, 0.52%

LAB 49.05, 7.13, -28.72

 

CMYK 0 / 41 / 52 / 30

HEX #B36A56

RGB 179 106 86

HSL 12.9, 0.38%, 0.52%

LAB 52.47, 27.04, 23.69

 

CMYK 0 / 27 / 52 / 30

HEX #B38356

RGB 179 131 86

HSL 29.03, 0.38%, 0.52%

LAB 58.5, 13.11, 31.45

 

CMYK 0 / 13 / 52 / 30

HEX #B39B56

RGB 179 155 86

HSL 44.52, 0.38%, 0.52%

LAB 64.72, -0.14, 39.15

 

CMYK 1 / 0 / 52 / 30

HEX #B1B356

RGB 177 179 86

HSL 61.29, 0.38%, 0.52%

LAB 71.05, -13.68, 46.64

 

CMYK 15 / 0 / 52 / 30

HEX #98B356

RGB 152 179 86

HSL 77.42, 0.38%, 0.52%

LAB 69.17, -23.89, 43.96

 

CMYK 0 / 13 / 56 / 51

HEX #7E6D38

RGB 126 109 56

HSL 45.43, 0.38%, 0.36%

LAB 46.52, -0.58, 31.76

 

CMYK 0 / 13 / 55 / 40

HEX #9A8645

RGB 154 134 69

HSL 45.88, 0.38%, 0.44%

LAB 56.44, -0.98, 37.38

 

CMYK 0 / 12 / 52 / 30

HEX #B39D56

RGB 179 157 86

HSL 45.81, 0.38%, 0.52%

LAB 65.25, -1.22, 39.79

 

CMYK 0 / 9 / 40 / 25

HEX #BFAD72

RGB 191 173 114

HSL 45.97, 0.38%, 0.6%

LAB 70.99, -1.95, 32.66

 

CMYK 0 / 7 / 30 / 20

HEX #CCBE8F

RGB 204 190 143

HSL 46.23, 0.37%, 0.68%

LAB 77.07, -2.24, 25.57

 

CMYK 0 / 12 / 53 / 30

HEX #B39D55

RGB 179 157 85

HSL 45.96, 0.38%, 0.52%

LAB 65.24, -1.31, 40.29

 

CMYK 50 / 0 / 52 / 30

HEX #5AB356

RGB 90 179 86

HSL 117.42, 0.38%, 0.52%

LAB 65.82, -45.58, 39.13

 

CMYK 34 / 52 / 0 / 30

HEX #7656B3

RGB 118 86 179

HSL 260.65, 0.38%, 0.52%

LAB 43.89, 33.88, -44.95

 

CMYK 0 / 12 / 53 / 30

HEX #B39D55

RGB 179 157 85

HSL 45.96, 0.38%, 0.52%

LAB 65.24, -1.31, 40.29

 

CMYK 52 / 0 / 13 / 30

HEX #56B39B

RGB 86 179 155

HSL 164.52, 0.38%, 0.52%

LAB 66.96, -33.56, 3.85

 

CMYK 13 / 52 / 0 / 30

HEX #9B56B3

RGB 155 86 179

HSL 284.52, 0.38%, 0.52%

LAB 48.11, 43.96, -37.99

 

CMYK 0 / 12 / 53 / 30

HEX #B39D55

RGB 179 157 85

HSL 45.96, 0.38%, 0.52%

LAB 65.24, -1.31, 40.29

 

CMYK 50 / 0 / 52 / 30

HEX #5AB356

RGB 90 179 86

HSL 117.42, 0.38%, 0.52%

LAB 65.82, -45.58, 39.13

 

CMYK 52 / 39 / 0 / 30

HEX #566DB3

RGB 86 109 179

HSL 225.16, 0.38%, 0.52%

LAB 47.2, 11.74, -39.85

 

CMYK 3 / 52 / 0 / 30

HEX #AE56B3

RGB 174 86 179

HSL 296.77, 0.38%, 0.52%

LAB 50.58, 49.31, -33.93

 

CMYK 0 / 12 / 53 / 30

HEX #B39D55

RGB 179 157 85

HSL 45.96, 0.38%, 0.52%

LAB 65.24, -1.31, 40.29

 

CMYK 52 / 0 / 39 / 30

HEX #56B36D

RGB 86 179 109

HSL 134.84, 0.38%, 0.52%

LAB 66, -43.14, 27.52

 

CMYK 52 / 39 / 0 / 30

HEX #566DB3

RGB 86 109 179

HSL 225.16, 0.38%, 0.52%

LAB 47.2, 11.74, -39.85

 

CMYK 0 / 52 / 13 / 30

HEX #B3569B

RGB 179 86 155

HSL 315.48, 0.38%, 0.52%

LAB 50.22, 46.59, -20.35

 

Description

Color code: RGB 179 157 85 | qconv.com Color code: RGB 179 157 85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 157 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 157 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 53 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 53% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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