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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 155 81 it is the complementary color RGB 76 100 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 155 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 155 81 shade: RGB 184 155 76, RGB 201 173 95, RGB 218 191 114, RGB 235 209 133 and RGB 252 227 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 155 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 155 81 shade: RGB 179 155 81, RGB 162 137 62, RGB 145 119 43, RGB 128 101 24 and RGB 111 83 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 155 81 shade: RGB 178 154 81, RGB 178 128 81, RGB 178 102 81 and RGB 178 81 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 155 81 shade: RGB 178 154 81, RGB 176 178 81, RGB 150 178 81, RGB 123 178 81 and RGB 97 178 81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 155 81 shade matches the following richer shades: RGB 178 154 81, RGB 198 165 61, RGB 219 175 40 and RGB 239 185 20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 155 81 shade: RGB 178 154 81, RGB 158 144 101, RGB 138 134 121, RGB 118 123 141 and RGB 97 113 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 155 81 shade: RGB 178 102 81, RGB 178 128 81, RGB 178 154 81, RGB 177 178 81 and RGB 151 178 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 155 81 shade: RGB 123 106 54, RGB 152 131 66, RGB 178 154 81, RGB 191 171 109 and RGB 203 187 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 155 81 shade: RGB 179 155 81, RGB 86 178 81 and RGB 115 81 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 155 81 shade: RGB 179 155 81, RGB 81 178 154 and RGB 154 81 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 155 81 shade: RGB 179 155 81, RGB 86 178 81, RGB 81 105 178 and RGB 173 81 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 155 81 shade: RGB 179 155 81, RGB 81 178 105, RGB 81 105 178 and RGB 178 81 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 55 / 30

HEX #B39B51

RGB 179 155 81

HSL 45.31, 0.39%, 0.51%

LAB 64.66, -0.58, 41.61

 

Complementary color

CMYK 56 / 43 / 0 / 32

HEX #4C64AE

RGB 76 100 174

HSL 225.31, 0.39%, 0.49%

LAB 43.81, 13.46, -42.34

 

CMYK 0 / 16 / 59 / 28

HEX #B89B4C

RGB 184 155 76

HSL 43.89, 0.43%, 0.51%

LAB 65.09, 1.18, 44.71

 

CMYK 0 / 14 / 53 / 21

HEX #C9AD5F

RGB 201 173 95

HSL 44.15, 0.5%, 0.58%

LAB 71.64, 0.31, 43.45

 

CMYK 0 / 12 / 48 / 15

HEX #DABF72

RGB 218 191 114

HSL 44.42, 0.58%, 0.65%

LAB 78.1, -0.42, 42.18

 

CMYK 0 / 11 / 43 / 8

HEX #EBD185

RGB 235 209 133

HSL 44.71, 0.72%, 0.72%

LAB 84.46, -1.04, 40.94

 

CMYK 0 / 10 / 40 / 1

HEX #FCE398

RGB 252 227 152

HSL 45, 0.94%, 0.79%

LAB 90.73, -1.58, 39.74

 

CMYK 0 / 13 / 55 / 30

HEX #B39B51

RGB 179 155 81

HSL 45.31, 0.39%, 0.51%

LAB 64.66, -0.58, 41.61

 

CMYK 0 / 15 / 62 / 36

HEX #A2893E

RGB 162 137 62

HSL 45, 0.45%, 0.44%

LAB 57.96, 0.34, 42.86

 

CMYK 0 / 18 / 70 / 43

HEX #91772B

RGB 145 119 43

HSL 44.71, 0.54%, 0.37%

LAB 51.14, 1.47, 43.94

 

CMYK 0 / 21 / 81 / 50

HEX #806518

RGB 128 101 24

HSL 44.42, 0.68%, 0.3%

LAB 44.18, 2.9, 44.47

 

CMYK 0 / 25 / 95 / 56

HEX #6F5305

RGB 111 83 5

HSL 44.15, 0.91%, 0.23%

LAB 37.07, 4.71, 43.75

 

CMYK 0 / 13 / 54 / 30

HEX #B29A51

RGB 178 154 81

HSL 45.15, 0.39%, 0.51%

LAB 64.3, -0.46, 41.16

 

CMYK 0 / 28 / 54 / 30

HEX #B28051

RGB 178 128 81

HSL 29.07, 0.39%, 0.51%

LAB 57.56, 13.9, 32.96

 

CMYK 0 / 43 / 54 / 30

HEX #B26651

RGB 178 102 81

HSL 12.99, 0.39%, 0.51%

LAB 51.34, 28.38, 25.08

 

CMYK 0 / 54 / 54 / 30

HEX #B25151

RGB 178 81 81

HSL 0, 0.39%, 0.51%

LAB 46.9, 39.49, 19.25

 

CMYK 0 / 13 / 54 / 30

HEX #B29A51

RGB 178 154 81

HSL 45.15, 0.39%, 0.51%

LAB 64.3, -0.46, 41.16

 

CMYK 1 / 0 / 54 / 30

HEX #B0B251

RGB 176 178 81

HSL 61.24, 0.39%, 0.51%

LAB 70.64, -14.01, 48.52

 

CMYK 16 / 0 / 54 / 30

HEX #96B251

RGB 150 178 81

HSL 77.32, 0.39%, 0.51%

LAB 68.69, -24.68, 45.76

 

CMYK 31 / 0 / 54 / 30

HEX #7BB251

RGB 123 178 81

HSL 94.02, 0.39%, 0.51%

LAB 67.01, -35.01, 43.37

 

CMYK 46 / 0 / 54 / 30

HEX #61B251

RGB 97 178 81

HSL 110.1, 0.39%, 0.51%

LAB 65.73, -43.74, 41.53

 

CMYK 0 / 13 / 54 / 30

HEX #B29A51

RGB 178 154 81

HSL 45.15, 0.39%, 0.51%

LAB 64.3, -0.46, 41.16

 

CMYK 0 / 17 / 69 / 22

HEX #C6A53D

RGB 198 165 61

HSL 45.55, 0.55%, 0.51%

LAB 68.93, 0.91, 56.17

 

CMYK 0 / 20 / 82 / 14

HEX #DBAF28

RGB 219 175 40

HSL 45.25, 0.71%, 0.51%

LAB 73.46, 3.87, 68.79

 

CMYK 0 / 23 / 92 / 6

HEX #EFB914

RGB 239 185 20

HSL 45.21, 0.87%, 0.51%

LAB 77.93, 6.84, 77.79

 

CMYK 0 / 13 / 54 / 30

HEX #B29A51

RGB 178 154 81

HSL 45.15, 0.39%, 0.51%

LAB 64.3, -0.46, 41.16

 

CMYK 0 / 9 / 36 / 38

HEX #9E9065

RGB 158 144 101

HSL 45.26, 0.23%, 0.51%

LAB 60.03, -1.39, 24.77

 

CMYK 0 / 3 / 12 / 46

HEX #8A8679

RGB 138 134 121

HSL 45.88, 0.07%, 0.51%

LAB 55.92, -0.9, 7.53

 

CMYK 16 / 13 / 0 / 45

HEX #767B8D

RGB 118 123 141

HSL 226.96, 0.09%, 0.51%

LAB 51.77, 2.09, -10.38

 

CMYK 40 / 30 / 0 / 36

HEX #6171A2

RGB 97 113 162

HSL 225.23, 0.26%, 0.51%

LAB 48.21, 6.9, -28.28

 

CMYK 0 / 43 / 54 / 30

HEX #B26651

RGB 178 102 81

HSL 12.99, 0.39%, 0.51%

LAB 51.34, 28.38, 25.08

 

CMYK 0 / 28 / 54 / 30

HEX #B28051

RGB 178 128 81

HSL 29.07, 0.39%, 0.51%

LAB 57.56, 13.9, 32.96

 

CMYK 0 / 13 / 54 / 30

HEX #B29A51

RGB 178 154 81

HSL 45.15, 0.39%, 0.51%

LAB 64.3, -0.46, 41.16

 

CMYK 1 / 0 / 54 / 30

HEX #B1B251

RGB 177 178 81

HSL 60.62, 0.39%, 0.51%

LAB 70.72, -13.59, 48.63

 

CMYK 15 / 0 / 54 / 30

HEX #97B251

RGB 151 178 81

HSL 76.7, 0.39%, 0.51%

LAB 68.76, -24.28, 45.86

 

CMYK 0 / 14 / 56 / 52

HEX #7B6A36

RGB 123 106 54

HSL 45.22, 0.39%, 0.35%

LAB 45.34, -0.41, 31.35

 

CMYK 0 / 14 / 57 / 40

HEX #988342

RGB 152 131 66

HSL 45.35, 0.39%, 0.43%

LAB 55.38, -0.46, 37.63

 

CMYK 0 / 13 / 54 / 30

HEX #B29A51

RGB 178 154 81

HSL 45.15, 0.39%, 0.51%

LAB 64.3, -0.46, 41.16

 

CMYK 0 / 10 / 43 / 25

HEX #BFAB6D

RGB 191 171 109

HSL 45.37, 0.39%, 0.59%

LAB 70.39, -1.43, 34.51

 

CMYK 0 / 8 / 32 / 20

HEX #CBBB8A

RGB 203 187 138

HSL 45.23, 0.38%, 0.67%

LAB 76.11, -1.69, 26.92

 

CMYK 0 / 13 / 55 / 30

HEX #B39B51

RGB 179 155 81

HSL 45.31, 0.39%, 0.51%

LAB 64.66, -0.58, 41.61

 

CMYK 52 / 0 / 54 / 30

HEX #56B251

RGB 86 178 81

HSL 116.91, 0.39%, 0.51%

LAB 65.29, -46.95, 40.9

 

CMYK 35 / 54 / 0 / 30

HEX #7351B2

RGB 115 81 178

HSL 261.03, 0.39%, 0.51%

LAB 42.38, 35.77, -46.8

 

CMYK 0 / 13 / 55 / 30

HEX #B39B51

RGB 179 155 81

HSL 45.31, 0.39%, 0.51%

LAB 64.66, -0.58, 41.61

 

CMYK 54 / 0 / 13 / 30

HEX #51B29A

RGB 81 178 154

HSL 165.15, 0.39%, 0.51%

LAB 66.46, -34.45, 3.65

 

CMYK 13 / 54 / 0 / 30

HEX #9A51B2

RGB 154 81 178

HSL 285.15, 0.39%, 0.51%

LAB 46.93, 46.09, -39.27

 

CMYK 0 / 13 / 55 / 30

HEX #B39B51

RGB 179 155 81

HSL 45.31, 0.39%, 0.51%

LAB 64.66, -0.58, 41.61

 

CMYK 52 / 0 / 54 / 30

HEX #56B251

RGB 86 178 81

HSL 116.91, 0.39%, 0.51%

LAB 65.29, -46.95, 40.9

 

CMYK 54 / 41 / 0 / 30

HEX #5169B2

RGB 81 105 178

HSL 225.15, 0.39%, 0.51%

LAB 45.73, 12.76, -41.62

 

CMYK 3 / 54 / 0 / 30

HEX #AD51B2

RGB 173 81 178

HSL 296.91, 0.39%, 0.51%

LAB 49.48, 51.31, -35.09

 

CMYK 0 / 13 / 55 / 30

HEX #B39B51

RGB 179 155 81

HSL 45.31, 0.39%, 0.51%

LAB 64.66, -0.58, 41.61

 

CMYK 54 / 0 / 41 / 30

HEX #51B269

RGB 81 178 105

HSL 134.85, 0.39%, 0.51%

LAB 65.44, -44.69, 28.87

 

CMYK 54 / 41 / 0 / 30

HEX #5169B2

RGB 81 105 178

HSL 225.15, 0.39%, 0.51%

LAB 45.73, 12.76, -41.62

 

CMYK 0 / 54 / 13 / 30

HEX #B2519A

RGB 178 81 154

HSL 314.85, 0.39%, 0.51%

LAB 49.11, 48.59, -21.48

 

Description

Color code: RGB 179 155 81 | qconv.com Color code: RGB 179 155 81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 155 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 155 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 55 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 55% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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