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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 155 72 it is the complementary color RGB 76 100 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 155 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 155 72 shade: RGB 184 155 67, RGB 201 173 86, RGB 218 191 105, RGB 235 209 124 and RGB 252 227 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 155 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 155 72 shade: RGB 179 155 72, RGB 162 137 53, RGB 145 119 34, RGB 128 101 15 and RGB 111 83 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 155 72 shade: RGB 178 154 71, RGB 178 125 71, RGB 178 96 71 and RGB 178 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 155 72 shade: RGB 178 154 71, RGB 173 178 71, RGB 144 178 71, RGB 115 178 71 and RGB 86 178 71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 155 72 shade matches the following richer shades: RGB 178 154 71, RGB 198 165 51, RGB 219 176 30 and RGB 239 188 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 155 72 shade: RGB 178 154 71, RGB 158 143 91, RGB 138 132 111, RGB 118 121 131 and RGB 97 109 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 155 72 shade: RGB 178 96 71, RGB 178 124 71, RGB 178 153 71, RGB 175 178 71 and RGB 146 178 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 155 72 shade: RGB 119 103 47, RGB 149 129 59, RGB 178 154 71, RGB 192 171 98 and RGB 204 187 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 155 72 shade: RGB 179 155 72, RGB 74 178 71 and RGB 110 71 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 155 72 shade: RGB 179 155 72, RGB 71 178 153 and RGB 153 71 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 155 72 shade: RGB 179 155 72, RGB 74 178 71, RGB 71 96 178 and RGB 175 71 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 155 72 shade: RGB 179 155 72, RGB 71 178 99, RGB 71 96 178 and RGB 178 71 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 60 / 30

HEX #B39B48

RGB 179 155 72

HSL 46.54, 0.43%, 0.49%

LAB 64.56, -1.29, 45.93

 

Complementary color

CMYK 58 / 45 / 0 / 28

HEX #4C64B7

RGB 76 100 183

HSL 226.54, 0.43%, 0.51%

LAB 44.33, 16.51, -46.77

 

CMYK 0 / 16 / 64 / 28

HEX #B89B43

RGB 184 155 67

HSL 45.13, 0.47%, 0.49%

LAB 64.99, 0.54, 48.91

 

CMYK 0 / 14 / 57 / 21

HEX #C9AD56

RGB 201 173 86

HSL 45.39, 0.52%, 0.56%

LAB 71.54, -0.42, 47.74

 

CMYK 0 / 12 / 52 / 15

HEX #DABF69

RGB 218 191 105

HSL 45.66, 0.6%, 0.63%

LAB 77.99, -1.23, 46.51

 

CMYK 0 / 11 / 47 / 8

HEX #EBD17C

RGB 235 209 124

HSL 45.95, 0.74%, 0.7%

LAB 84.34, -1.91, 45.27

 

CMYK 0 / 10 / 43 / 1

HEX #FCE38F

RGB 252 227 143

HSL 46.24, 0.95%, 0.77%

LAB 90.6, -2.51, 44.06

 

CMYK 0 / 13 / 60 / 30

HEX #B39B48

RGB 179 155 72

HSL 46.54, 0.43%, 0.49%

LAB 64.56, -1.29, 45.93

 

CMYK 0 / 15 / 67 / 36

HEX #A28935

RGB 162 137 53

HSL 46.24, 0.51%, 0.42%

LAB 57.88, -0.27, 47.01

 

CMYK 0 / 18 / 77 / 43

HEX #917722

RGB 145 119 34

HSL 45.95, 0.62%, 0.35%

LAB 51.07, 1, 47.71

 

CMYK 0 / 21 / 88 / 50

HEX #80650F

RGB 128 101 15

HSL 45.66, 0.79%, 0.28%

LAB 44.13, 2.59, 47.43

 

CMYK 0 / 25 / 100 / 56

HEX #6F5300

RGB 111 83 0

HSL 44.86, 1%, 0.22%

LAB 37.05, 4.57, 45.32

 

CMYK 0 / 13 / 60 / 30

HEX #B29A47

RGB 178 154 71

HSL 46.54, 0.43%, 0.49%

LAB 64.19, -1.26, 45.96

 

CMYK 0 / 30 / 60 / 30

HEX #B27D47

RGB 178 125 71

HSL 30.28, 0.43%, 0.49%

LAB 56.67, 14.76, 37.24

 

CMYK 0 / 46 / 60 / 30

HEX #B26047

RGB 178 96 71

HSL 14.02, 0.43%, 0.49%

LAB 49.84, 30.82, 28.91

 

CMYK 0 / 60 / 60 / 30

HEX #B24747

RGB 178 71 71

HSL 0, 0.43%, 0.49%

LAB 44.84, 43.6, 22.55

 

CMYK 0 / 13 / 60 / 30

HEX #B29A47

RGB 178 154 71

HSL 46.54, 0.43%, 0.49%

LAB 64.19, -1.26, 45.96

 

CMYK 3 / 0 / 60 / 30

HEX #ADB247

RGB 173 178 71

HSL 62.8, 0.43%, 0.49%

LAB 70.3, -16.04, 52.63

 

CMYK 19 / 0 / 60 / 30

HEX #90B247

RGB 144 178 71

HSL 79.07, 0.43%, 0.49%

LAB 68.19, -27.98, 49.7

 

CMYK 35 / 0 / 60 / 30

HEX #73B247

RGB 115 178 71

HSL 95.33, 0.43%, 0.49%

LAB 66.47, -38.9, 47.31

 

CMYK 52 / 0 / 60 / 30

HEX #56B247

RGB 86 178 71

HSL 111.59, 0.43%, 0.49%

LAB 65.18, -48.14, 45.49

 

CMYK 0 / 13 / 60 / 30

HEX #B29A47

RGB 178 154 71

HSL 46.54, 0.43%, 0.49%

LAB 64.19, -1.26, 45.96

 

CMYK 0 / 17 / 74 / 22

HEX #C6A533

RGB 198 165 51

HSL 46.53, 0.59%, 0.49%

LAB 68.86, 0.41, 60.1

 

CMYK 0 / 20 / 86 / 14

HEX #DBB01E

RGB 219 176 30

HSL 46.35, 0.76%, 0.49%

LAB 73.68, 3.08, 71.64

 

CMYK 0 / 21 / 96 / 6

HEX #EFBC0A

RGB 239 188 10

HSL 46.64, 0.92%, 0.49%

LAB 78.66, 5.17, 79.62

 

CMYK 0 / 13 / 60 / 30

HEX #B29A47

RGB 178 154 71

HSL 46.54, 0.43%, 0.49%

LAB 64.19, -1.26, 45.96

 

CMYK 0 / 9 / 42 / 38

HEX #9E8F5B

RGB 158 143 91

HSL 46.57, 0.27%, 0.49%

LAB 59.59, -2.03, 29.67

 

CMYK 0 / 4 / 20 / 46

HEX #8A846F

RGB 138 132 111

HSL 46.67, 0.11%, 0.49%

LAB 55.13, -1.45, 12.16

 

CMYK 10 / 8 / 0 / 49

HEX #767983

RGB 118 121 131

HSL 226.15, 0.05%, 0.49%

LAB 50.88, 1, -5.84

 

CMYK 36 / 28 / 0 / 40

HEX #616D98

RGB 97 109 152

HSL 226.91, 0.22%, 0.49%

LAB 46.64, 6.46, -24.83

 

CMYK 0 / 46 / 60 / 30

HEX #B26047

RGB 178 96 71

HSL 14.02, 0.43%, 0.49%

LAB 49.84, 30.82, 28.91

 

CMYK 0 / 30 / 60 / 30

HEX #B27C47

RGB 178 124 71

HSL 29.72, 0.43%, 0.49%

LAB 56.42, 15.32, 36.94

 

CMYK 0 / 14 / 60 / 30

HEX #B29947

RGB 178 153 71

HSL 45.98, 0.43%, 0.49%

LAB 63.92, -0.72, 45.66

 

CMYK 2 / 0 / 60 / 30

HEX #AFB247

RGB 175 178 71

HSL 61.68, 0.43%, 0.49%

LAB 70.46, -15.2, 52.86

 

CMYK 18 / 0 / 60 / 30

HEX #92B247

RGB 146 178 71

HSL 77.94, 0.43%, 0.49%

LAB 68.32, -27.18, 49.89

 

CMYK 0 / 13 / 61 / 53

HEX #77672F

RGB 119 103 47

HSL 46.67, 0.43%, 0.33%

LAB 43.98, -1.13, 33.39

 

CMYK 0 / 13 / 60 / 42

HEX #95813B

RGB 149 129 59

HSL 46.67, 0.43%, 0.41%

LAB 54.45, -1.25, 40.03

 

CMYK 0 / 13 / 60 / 30

HEX #B29A47

RGB 178 154 71

HSL 46.54, 0.43%, 0.49%

LAB 64.19, -1.26, 45.96

 

CMYK 0 / 11 / 49 / 25

HEX #C0AB62

RGB 192 171 98

HSL 46.6, 0.43%, 0.57%

LAB 70.33, -2.12, 40.14

 

CMYK 0 / 8 / 37 / 20

HEX #CCBB80

RGB 204 187 128

HSL 46.58, 0.43%, 0.65%

LAB 76.03, -2.51, 32.09

 

CMYK 0 / 13 / 60 / 30

HEX #B39B48

RGB 179 155 72

HSL 46.54, 0.43%, 0.49%

LAB 64.56, -1.29, 45.93

 

CMYK 58 / 0 / 60 / 30

HEX #4AB247

RGB 74 178 71

HSL 118.32, 0.43%, 0.49%

LAB 64.76, -51.32, 44.91

 

CMYK 38 / 60 / 0 / 30

HEX #6E47B2

RGB 110 71 178

HSL 261.87, 0.43%, 0.49%

LAB 39.64, 40.32, -51.22

 

CMYK 0 / 13 / 60 / 30

HEX #B39B48

RGB 179 155 72

HSL 46.54, 0.43%, 0.49%

LAB 64.56, -1.29, 45.93

 

CMYK 60 / 0 / 14 / 30

HEX #47B299

RGB 71 178 153

HSL 165.98, 0.43%, 0.49%

LAB 66.12, -36.76, 3.67

 

CMYK 14 / 60 / 0 / 30

HEX #9947B2

RGB 153 71 178

HSL 285.98, 0.43%, 0.49%

LAB 44.93, 50.85, -42.45

 

CMYK 0 / 13 / 60 / 30

HEX #B39B48

RGB 179 155 72

HSL 46.54, 0.43%, 0.49%

LAB 64.56, -1.29, 45.93

 

CMYK 58 / 0 / 60 / 30

HEX #4AB247

RGB 74 178 71

HSL 118.32, 0.43%, 0.49%

LAB 64.76, -51.32, 44.91

 

CMYK 60 / 46 / 0 / 30

HEX #4760B2

RGB 71 96 178

HSL 225.98, 0.43%, 0.49%

LAB 42.64, 16.33, -46.57

 

CMYK 2 / 60 / 0 / 30

HEX #AF47B2

RGB 175 71 178

HSL 298.32, 0.43%, 0.49%

LAB 48.05, 56.48, -37.31

 

CMYK 0 / 13 / 60 / 30

HEX #B39B48

RGB 179 155 72

HSL 46.54, 0.43%, 0.49%

LAB 64.56, -1.29, 45.93

 

CMYK 60 / 0 / 44 / 30

HEX #47B263

RGB 71 178 99

HSL 135.7, 0.43%, 0.49%

LAB 65.03, -48.09, 31.4

 

CMYK 60 / 46 / 0 / 30

HEX #4760B2

RGB 71 96 178

HSL 225.98, 0.43%, 0.49%

LAB 42.64, 16.33, -46.57

 

CMYK 0 / 60 / 16 / 30

HEX #B24796

RGB 178 71 150

HSL 315.7, 0.43%, 0.49%

LAB 47.2, 52.65, -22.04

 

Description

Color code: RGB 179 155 72 | qconv.com Color code: RGB 179 155 72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 155 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 155 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 60 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 60% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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