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Color name
RGB 179 144 29

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 144 29 it is the complementary color RGB 76 111 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 144 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 144 29 shade: RGB 184 144 24, RGB 201 162 43, RGB 218 180 62, RGB 235 198 81 and RGB 252 216 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 144 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 144 29 shade: RGB 179 144 29, RGB 162 126 10, RGB 145 108 0, RGB 128 90 0 and RGB 111 72 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 144 29 shade: RGB 179 144 29, RGB 179 104 29, RGB 179 63 29 and RGB 179 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 144 29 shade: RGB 179 144 29, RGB 174 179 29, RGB 133 179 29, RGB 93 179 29 and RGB 52 179 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 144 29 shade matches the following richer shades: RGB 179 144 29 and RGB 196 153 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 144 29 shade: RGB 179 144 29, RGB 162 135 46, RGB 145 126 63, RGB 129 117 80 and RGB 112 108 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 144 29 shade: RGB 179 64 29, RGB 179 104 29, RGB 179 144 29, RGB 174 179 29 and RGB 134 179 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 144 29 shade: RGB 108 87 17, RGB 144 116 23, RGB 179 144 29, RGB 215 173 35 and RGB 224 187 67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 144 29 shade: RGB 179 144 29, RGB 34 179 29 and RGB 84 29 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 144 29 shade: RGB 179 144 29, RGB 29 179 144 and RGB 144 29 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 144 29 shade: RGB 179 144 29, RGB 34 179 29, RGB 29 64 179 and RGB 174 29 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 144 29 shade: RGB 179 144 29, RGB 29 179 69, RGB 29 64 179 and RGB 179 29 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 84 / 30

HEX #B3901D

RGB 179 144 29

HSL 46, 0.72%, 0.41%

LAB 61.32, 2.48, 60.01

 

Complementary color

CMYK 66 / 51 / 0 / 11

HEX #4C6FE2

RGB 76 111 226

HSL 226, 0.72%, 0.59%

LAB 49.97, 24.44, -62.35

 

CMYK 0 / 22 / 87 / 28

HEX #B89018

RGB 184 144 24

HSL 45, 0.77%, 0.41%

LAB 61.83, 4.6, 62.01

 

CMYK 0 / 19 / 79 / 21

HEX #C9A22B

RGB 201 162 43

HSL 45.19, 0.65%, 0.48%

LAB 68.34, 3.01, 62.6

 

CMYK 0 / 17 / 72 / 15

HEX #DAB43E

RGB 218 180 62

HSL 45.38, 0.68%, 0.55%

LAB 74.76, 1.66, 62.29

 

CMYK 0 / 16 / 66 / 8

HEX #EBC651

RGB 235 198 81

HSL 45.58, 0.79%, 0.62%

LAB 81.1, 0.5, 61.53

 

CMYK 0 / 14 / 60 / 1

HEX #FCD864

RGB 252 216 100

HSL 45.79, 0.96%, 0.69%

LAB 87.35, -0.49, 60.52

 

CMYK 0 / 20 / 84 / 30

HEX #B3901D

RGB 179 144 29

HSL 46, 0.72%, 0.41%

LAB 61.32, 2.48, 60.01

 

CMYK 0 / 22 / 94 / 36

HEX #A27E0A

RGB 162 126 10

HSL 45.79, 0.88%, 0.34%

LAB 54.68, 4.25, 58.44

 

CMYK 0 / 26 / 100 / 43

HEX #916C00

RGB 145 108 0

HSL 44.69, 1%, 0.28%

LAB 47.94, 6.34, 54.68

 

CMYK 0 / 30 / 100 / 50

HEX #805A00

RGB 128 90 0

HSL 42.19, 1%, 0.25%

LAB 41.06, 8.72, 49.03

 

CMYK 0 / 35 / 100 / 56

HEX #6F4800

RGB 111 72 0

HSL 38.92, 1%, 0.22%

LAB 34.01, 11.25, 43.27

 

CMYK 0 / 20 / 84 / 30

HEX #B3901D

RGB 179 144 29

HSL 46, 0.72%, 0.41%

LAB 61.32, 2.48, 60.01

 

CMYK 0 / 42 / 84 / 30

HEX #B3681D

RGB 179 104 29

HSL 30, 0.72%, 0.41%

LAB 51.35, 24.68, 51.41

 

CMYK 0 / 65 / 84 / 30

HEX #B33F1D

RGB 179 63 29

HSL 13.6, 0.72%, 0.41%

LAB 43.1, 45.53, 44.09

 

CMYK 0 / 84 / 84 / 30

HEX #B31D1D

RGB 179 29 29

HSL 0, 0.72%, 0.41%

LAB 38.81, 57.37, 40.16

 

CMYK 0 / 20 / 84 / 30

HEX #B3901D

RGB 179 144 29

HSL 46, 0.72%, 0.41%

LAB 61.32, 2.48, 60.01

 

CMYK 3 / 0 / 84 / 30

HEX #AEB31D

RGB 174 179 29

HSL 62, 0.72%, 0.41%

LAB 70.4, -18.2, 67.51

 

CMYK 26 / 0 / 84 / 30

HEX #85B31D

RGB 133 179 29

HSL 78.4, 0.72%, 0.41%

LAB 67.51, -35.33, 63.89

 

CMYK 48 / 0 / 84 / 30

HEX #5DB31D

RGB 93 179 29

HSL 94.4, 0.72%, 0.41%

LAB 65.48, -49.63, 61.32

 

CMYK 71 / 0 / 84 / 30

HEX #34B31D

RGB 52 179 29

HSL 110.8, 0.72%, 0.41%

LAB 64.21, -59.89, 59.7

 

CMYK 0 / 20 / 84 / 30

HEX #B3901D

RGB 179 144 29

HSL 46, 0.72%, 0.41%

LAB 61.32, 2.48, 60.01

 

CMYK 0 / 22 / 94 / 23

HEX #C4990C

RGB 196 153 12

HSL 45.98, 0.88%, 0.41%

LAB 65.39, 4.88, 67.71

 

CMYK 0 / 20 / 84 / 30

HEX #B3901D

RGB 179 144 29

HSL 46, 0.72%, 0.41%

LAB 61.32, 2.48, 60.01

 

CMYK 0 / 17 / 72 / 36

HEX #A2872E

RGB 162 135 46

HSL 46.03, 0.56%, 0.41%

LAB 57.28, 0.44, 49.47

 

CMYK 0 / 13 / 57 / 43

HEX #917E3F

RGB 145 126 63

HSL 46.1, 0.39%, 0.41%

LAB 53.28, -1.04, 36.53

 

CMYK 0 / 9 / 38 / 49

HEX #817550

RGB 129 117 80

HSL 45.31, 0.23%, 0.41%

LAB 49.46, -1.2, 22.12

 

CMYK 0 / 4 / 14 / 56

HEX #706C60

RGB 112 108 96

HSL 45, 0.08%, 0.41%

LAB 45.65, -0.71, 7.27

 

CMYK 0 / 64 / 84 / 30

HEX #B3401D

RGB 179 64 29

HSL 14, 0.72%, 0.41%

LAB 43.27, 45.09, 44.24

 

CMYK 0 / 42 / 84 / 30

HEX #B3681D

RGB 179 104 29

HSL 30, 0.72%, 0.41%

LAB 51.35, 24.68, 51.41

 

CMYK 0 / 20 / 84 / 30

HEX #B3901D

RGB 179 144 29

HSL 46, 0.72%, 0.41%

LAB 61.32, 2.48, 60.01

 

CMYK 3 / 0 / 84 / 30

HEX #AEB31D

RGB 174 179 29

HSL 62, 0.72%, 0.41%

LAB 70.4, -18.2, 67.51

 

CMYK 25 / 0 / 84 / 30

HEX #86B31D

RGB 134 179 29

HSL 78, 0.72%, 0.41%

LAB 67.57, -34.94, 63.97

 

CMYK 0 / 19 / 84 / 58

HEX #6C5711

RGB 108 87 17

HSL 46.15, 0.73%, 0.25%

LAB 37.92, 1.18, 40.57

 

CMYK 0 / 19 / 84 / 44

HEX #907417

RGB 144 116 23

HSL 46.12, 0.72%, 0.33%

LAB 50.08, 1.8, 50.73

 

CMYK 0 / 20 / 84 / 30

HEX #B3901D

RGB 179 144 29

HSL 46, 0.72%, 0.41%

LAB 61.32, 2.48, 60.01

 

CMYK 0 / 20 / 84 / 16

HEX #D7AD23

RGB 215 173 35

HSL 46, 0.72%, 0.49%

LAB 72.53, 3.04, 69.26

 

CMYK 0 / 17 / 70 / 12

HEX #E0BB43

RGB 224 187 67

HSL 45.86, 0.72%, 0.57%

LAB 77.16, 0.8, 62.9

 

CMYK 0 / 20 / 84 / 30

HEX #B3901D

RGB 179 144 29

HSL 46, 0.72%, 0.41%

LAB 61.32, 2.48, 60.01

 

CMYK 81 / 0 / 84 / 30

HEX #22B31D

RGB 34 179 29

HSL 118, 0.72%, 0.41%

LAB 63.89, -62.64, 59.29

 

CMYK 53 / 84 / 0 / 30

HEX #541DB3

RGB 84 29 179

HSL 262, 0.72%, 0.41%

LAB 29.46, 56.5, -68.55

 

CMYK 0 / 20 / 84 / 30

HEX #B3901D

RGB 179 144 29

HSL 46, 0.72%, 0.41%

LAB 61.32, 2.48, 60.01

 

CMYK 84 / 0 / 20 / 30

HEX #1DB390

RGB 29 179 144

HSL 166, 0.72%, 0.41%

LAB 65.37, -45.32, 7.45

 

CMYK 20 / 84 / 0 / 30

HEX #901DB3

RGB 144 29 179

HSL 286, 0.72%, 0.41%

LAB 37.95, 65.22, -54.31

 

CMYK 0 / 20 / 84 / 30

HEX #B3901D

RGB 179 144 29

HSL 46, 0.72%, 0.41%

LAB 61.32, 2.48, 60.01

 

CMYK 81 / 0 / 84 / 30

HEX #22B31D

RGB 34 179 29

HSL 118, 0.72%, 0.41%

LAB 63.89, -62.64, 59.29

 

CMYK 84 / 64 / 0 / 30

HEX #1D40B3

RGB 29 64 179

HSL 226, 0.72%, 0.41%

LAB 32.22, 31.89, -64.14

 

CMYK 3 / 84 / 0 / 30

HEX #AE1DB3

RGB 174 29 179

HSL 298, 0.72%, 0.41%

LAB 42.96, 70.56, -45.99

 

CMYK 0 / 20 / 84 / 30

HEX #B3901D

RGB 179 144 29

HSL 46, 0.72%, 0.41%

LAB 61.32, 2.48, 60.01

 

CMYK 84 / 0 / 61 / 30

HEX #1DB345

RGB 29 179 69

HSL 136, 0.72%, 0.41%

LAB 64.11, -59.75, 44.81

 

CMYK 84 / 64 / 0 / 30

HEX #1D40B3

RGB 29 64 179

HSL 226, 0.72%, 0.41%

LAB 32.22, 31.89, -64.14

 

CMYK 0 / 84 / 22 / 30

HEX #B31D8B

RGB 179 29 139

HSL 316, 0.72%, 0.41%

LAB 41.73, 65.82, -23.84

 

Description

Color code: RGB 179 144 29 | qconv.com Color code: RGB 179 144 29 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 144 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 144 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 84 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 84% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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