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Color name
RGB 179 113 91

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 113 91 it is the complementary color RGB 76 142 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 113 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 113 91 shade: RGB 184 113 86, RGB 201 131 105, RGB 218 149 124, RGB 235 167 143 and RGB 252 185 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 113 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 113 91 shade: RGB 179 113 91, RGB 162 95 72, RGB 145 77 53, RGB 128 59 34 and RGB 111 41 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 113 91 shade: RGB 179 112 90 and RGB 179 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 113 91 shade: RGB 179 112 90, RGB 179 136 90, RGB 179 160 90, RGB 174 179 90 and RGB 150 179 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 113 91 shade matches the following richer shades: RGB 179 112 90, RGB 198 103 71, RGB 218 93 52 and RGB 237 83 32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 113 91 shade: RGB 179 112 90, RGB 160 122 110, RGB 140 132 129, RGB 121 142 148 and RGB 101 151 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 113 91 shade: RGB 179 90 115, RGB 179 90 92, RGB 179 112 90, RGB 179 136 90 and RGB 179 160 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 113 91 shade: RGB 128 76 59, RGB 156 93 72, RGB 179 112 90, RGB 192 137 119 and RGB 205 161 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 113 91 shade: RGB 179 113 91, RGB 139 179 90 and RGB 90 104 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 113 91 shade: RGB 179 113 91, RGB 90 179 112 and RGB 112 90 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 113 91 shade: RGB 179 113 91, RGB 139 179 90, RGB 90 157 179 and RGB 130 90 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 113 91 shade: RGB 179 113 91, RGB 112 179 90, RGB 90 157 179 and RGB 157 90 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 49 / 30

HEX #B3715B

RGB 179 113 91

HSL 15, 0.37%, 0.53%

LAB 54.19, 23.64, 23.08

 

Complementary color

CMYK 54 / 13 / 0 / 36

HEX #4C8EA4

RGB 76 142 164

HSL 195, 0.37%, 0.47%

LAB 55.65, -14.67, -18.08

 

CMYK 0 / 39 / 53 / 28

HEX #B87156

RGB 184 113 86

HSL 16.53, 0.41%, 0.53%

LAB 54.73, 25.22, 26.77

 

CMYK 0 / 35 / 48 / 21

HEX #C98369

RGB 201 131 105

HSL 16.25, 0.47%, 0.6%

LAB 61.37, 24.05, 25.15

 

CMYK 0 / 32 / 43 / 15

HEX #DA957C

RGB 218 149 124

HSL 15.96, 0.56%, 0.67%

LAB 67.91, 23.03, 23.71

 

CMYK 0 / 29 / 39 / 8

HEX #EBA78F

RGB 235 167 143

HSL 15.65, 0.7%, 0.74%

LAB 74.37, 22.11, 22.4

 

CMYK 0 / 27 / 36 / 1

HEX #FCB9A2

RGB 252 185 162

HSL 15.33, 0.94%, 0.81%

LAB 80.74, 21.3, 21.2

 

CMYK 0 / 37 / 49 / 30

HEX #B3715B

RGB 179 113 91

HSL 15, 0.37%, 0.53%

LAB 54.19, 23.64, 23.08

 

CMYK 0 / 41 / 56 / 36

HEX #A25F48

RGB 162 95 72

HSL 15.33, 0.38%, 0.46%

LAB 47.41, 24.88, 24.8

 

CMYK 0 / 47 / 63 / 43

HEX #914D35

RGB 145 77 53

HSL 15.65, 0.46%, 0.39%

LAB 40.55, 26.3, 26.77

 

CMYK 0 / 54 / 73 / 50

HEX #803B22

RGB 128 59 34

HSL 15.96, 0.58%, 0.32%

LAB 33.63, 27.91, 29.04

 

CMYK 0 / 63 / 86 / 56

HEX #6F290F

RGB 111 41 15

HSL 16.25, 0.76%, 0.25%

LAB 26.73, 29.63, 31.45

 

CMYK 0 / 37 / 50 / 30

HEX #B3705A

RGB 179 112 90

HSL 14.83, 0.37%, 0.53%

LAB 53.93, 24.1, 23.32

 

CMYK 0 / 50 / 50 / 30

HEX #B35A5A

RGB 179 90 90

HSL 0, 0.37%, 0.53%

LAB 49.05, 36.05, 16.78

 

CMYK 0 / 37 / 50 / 30

HEX #B3705A

RGB 179 112 90

HSL 14.83, 0.37%, 0.53%

LAB 53.93, 24.1, 23.32

 

CMYK 0 / 24 / 50 / 30

HEX #B3885A

RGB 179 136 90

HSL 31.01, 0.37%, 0.53%

LAB 59.83, 10.7, 30.95

 

CMYK 0 / 11 / 50 / 30

HEX #B3A05A

RGB 179 160 90

HSL 47.19, 0.37%, 0.53%

LAB 66.11, -2.47, 38.78

 

CMYK 3 / 0 / 50 / 30

HEX #AEB35A

RGB 174 179 90

HSL 63.37, 0.37%, 0.53%

LAB 70.86, -14.56, 44.41

 

CMYK 16 / 0 / 50 / 30

HEX #96B35A

RGB 150 179 90

HSL 79.55, 0.37%, 0.53%

LAB 69.08, -24.27, 41.87

 

CMYK 0 / 37 / 50 / 30

HEX #B3705A

RGB 179 112 90

HSL 14.83, 0.37%, 0.53%

LAB 53.93, 24.1, 23.32

 

CMYK 0 / 48 / 64 / 22

HEX #C66747

RGB 198 103 71

HSL 15.12, 0.53%, 0.53%

LAB 54.2, 35.1, 34.9

 

CMYK 0 / 57 / 76 / 15

HEX #DA5D34

RGB 218 93 52

HSL 14.82, 0.69%, 0.53%

LAB 55.05, 46.74, 46.73

 

CMYK 0 / 65 / 86 / 7

HEX #ED5320

RGB 237 83 32

HSL 14.93, 0.85%, 0.53%

LAB 56.38, 57.25, 58.1

 

CMYK 0 / 37 / 50 / 30

HEX #B3705A

RGB 179 112 90

HSL 14.83, 0.37%, 0.53%

LAB 53.93, 24.1, 23.32

 

CMYK 0 / 24 / 31 / 37

HEX #A07A6E

RGB 160 122 110

HSL 14.4, 0.21%, 0.53%

LAB 54.57, 13.02, 12.28

 

CMYK 0 / 6 / 8 / 45

HEX #8C8481

RGB 140 132 129

HSL 16.36, 0.05%, 0.53%

LAB 55.75, 2.45, 2.69

 

CMYK 18 / 4 / 0 / 42

HEX #798E94

RGB 121 142 148

HSL 193.33, 0.11%, 0.53%

LAB 57.61, -6.13, -5.7

 

CMYK 40 / 10 / 0 / 34

HEX #6597A8

RGB 101 151 168

HSL 195.22, 0.28%, 0.53%

LAB 59.64, -12.22, -14.19

 

CMYK 0 / 50 / 36 / 30

HEX #B35A73

RGB 179 90 115

HSL 343.15, 0.37%, 0.53%

LAB 49.66, 38.8, 2.66

 

CMYK 0 / 50 / 49 / 30

HEX #B35A5C

RGB 179 90 92

HSL 358.65, 0.37%, 0.53%

LAB 49.09, 36.24, 15.65

 

CMYK 0 / 37 / 50 / 30

HEX #B3705A

RGB 179 112 90

HSL 14.83, 0.37%, 0.53%

LAB 53.93, 24.1, 23.32

 

CMYK 0 / 24 / 50 / 30

HEX #B3885A

RGB 179 136 90

HSL 31.01, 0.37%, 0.53%

LAB 59.83, 10.7, 30.95

 

CMYK 0 / 11 / 50 / 30

HEX #B3A05A

RGB 179 160 90

HSL 47.19, 0.37%, 0.53%

LAB 66.11, -2.47, 38.78

 

CMYK 0 / 41 / 54 / 50

HEX #804C3B

RGB 128 76 59

HSL 14.78, 0.37%, 0.37%

LAB 37.97, 20.09, 19.42

 

CMYK 0 / 40 / 54 / 39

HEX #9C5D48

RGB 156 93 72

HSL 15, 0.37%, 0.45%

LAB 46.13, 23.5, 22.98

 

CMYK 0 / 37 / 50 / 30

HEX #B3705A

RGB 179 112 90

HSL 14.83, 0.37%, 0.53%

LAB 53.93, 24.1, 23.32

 

CMYK 0 / 29 / 38 / 25

HEX #C08977

RGB 192 137 119

HSL 14.79, 0.37%, 0.61%

LAB 62.02, 18.68, 18

 

CMYK 0 / 21 / 28 / 20

HEX #CDA193

RGB 205 161 147

HSL 14.48, 0.37%, 0.69%

LAB 69.88, 14.23, 13.51

 

CMYK 0 / 37 / 49 / 30

HEX #B3715B

RGB 179 113 91

HSL 15, 0.37%, 0.53%

LAB 54.19, 23.64, 23.08

 

CMYK 22 / 0 / 50 / 30

HEX #8BB35A

RGB 139 179 90

HSL 86.97, 0.37%, 0.53%

LAB 68.36, -28.53, 40.82

 

CMYK 50 / 42 / 0 / 30

HEX #5A68B3

RGB 90 104 179

HSL 230.56, 0.37%, 0.53%

LAB 46.08, 15.79, -41.6

 

CMYK 0 / 37 / 49 / 30

HEX #B3715B

RGB 179 113 91

HSL 15, 0.37%, 0.53%

LAB 54.19, 23.64, 23.08

 

CMYK 50 / 0 / 37 / 30

HEX #5AB370

RGB 90 179 112

HSL 134.83, 0.37%, 0.53%

LAB 66.2, -41.56, 26.22

 

CMYK 37 / 50 / 0 / 30

HEX #705AB3

RGB 112 90 179

HSL 254.83, 0.37%, 0.53%

LAB 44.25, 29.94, -44.41

 

CMYK 0 / 37 / 49 / 30

HEX #B3715B

RGB 179 113 91

HSL 15, 0.37%, 0.53%

LAB 54.19, 23.64, 23.08

 

CMYK 22 / 0 / 50 / 30

HEX #8BB35A

RGB 139 179 90

HSL 86.97, 0.37%, 0.53%

LAB 68.36, -28.53, 40.82

 

CMYK 50 / 12 / 0 / 30

HEX #5A9DB3

RGB 90 157 179

HSL 194.83, 0.37%, 0.53%

LAB 61.26, -15.19, -18.02

 

CMYK 27 / 50 / 0 / 30

HEX #825AB3

RGB 130 90 179

HSL 266.97, 0.37%, 0.53%

LAB 46.06, 34.77, -41.42

 

CMYK 0 / 37 / 49 / 30

HEX #B3715B

RGB 179 113 91

HSL 15, 0.37%, 0.53%

LAB 54.19, 23.64, 23.08

 

CMYK 37 / 0 / 50 / 30

HEX #70B35A

RGB 112 179 90

HSL 105.17, 0.37%, 0.53%

LAB 66.84, -38.23, 38.62

 

CMYK 50 / 12 / 0 / 30

HEX #5A9DB3

RGB 90 157 179

HSL 194.83, 0.37%, 0.53%

LAB 61.26, -15.19, -18.02

 

CMYK 12 / 50 / 0 / 30

HEX #9D5AB3

RGB 157 90 179

HSL 285.17, 0.37%, 0.53%

LAB 49.17, 42.39, -36.29

 

Description

Color code: RGB 179 113 91 | qconv.com Color code: RGB 179 113 91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 113 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 113 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 49 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 49% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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