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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 112 117 it is the complementary color RGB 76 143 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 112 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 112 117 shade: RGB 184 112 112, RGB 201 130 131, RGB 218 148 150, RGB 235 166 169 and RGB 252 184 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 112 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 112 117 shade: RGB 179 112 117, RGB 162 94 98, RGB 145 76 79, RGB 128 58 60 and RGB 111 40 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 112 117 shade: RGB 179 111 116 and RGB 179 111 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 112 117 shade: RGB 179 111 116, RGB 179 111 134, RGB 179 111 153, RGB 179 111 171 and RGB 168 111 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 112 117 shade matches the following richer shades: RGB 179 111 116, RGB 197 93 101, RGB 214 75 86, RGB 232 58 71 and RGB 250 40 56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 112 117 shade: RGB 179 111 116, RGB 161 129 131, RGB 143 146 146, RGB 126 164 161 and RGB 108 182 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 112 117 shade: RGB 179 111 153, RGB 179 111 135, RGB 179 111 117, RGB 179 123 111 and RGB 179 141 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 112 117 shade: RGB 136 71 76, RGB 163 86 91, RGB 179 111 116, RGB 193 138 142 and RGB 207 165 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 112 117 shade: RGB 179 112 117, RGB 171 179 111 and RGB 111 144 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 112 117 shade: RGB 179 112 117, RGB 117 179 111 and RGB 111 117 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 112 117 shade: RGB 179 112 117, RGB 171 179 111, RGB 111 179 173 and RGB 119 111 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 112 117 shade: RGB 179 112 117, RGB 151 179 111, RGB 111 179 173 and RGB 139 111 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 35 / 30

HEX #B37075

RGB 179 112 117

HSL 355.52, 0.31%, 0.57%

LAB 54.51, 27.17, 8.43

 

Complementary color

CMYK 47 / 0 / 3 / 44

HEX #4C8F8A

RGB 76 143 138

HSL 175.52, 0.31%, 0.43%

LAB 55.09, -22.57, -3.96

 

CMYK 0 / 39 / 39 / 28

HEX #B87070

RGB 184 112 112

HSL 0, 0.34%, 0.58%

LAB 55.02, 28.49, 12.16

 

CMYK 0 / 35 / 35 / 21

HEX #C98283

RGB 201 130 131

HSL 359.15, 0.4%, 0.65%

LAB 61.67, 27.52, 10.86

 

CMYK 0 / 32 / 31 / 15

HEX #DA9496

RGB 218 148 150

HSL 358.29, 0.49%, 0.72%

LAB 68.23, 26.65, 9.71

 

CMYK 0 / 29 / 28 / 8

HEX #EBA6A9

RGB 235 166 169

HSL 357.39, 0.63%, 0.79%

LAB 74.7, 25.86, 8.67

 

CMYK 0 / 27 / 25 / 1

HEX #FCB8BC

RGB 252 184 188

HSL 356.47, 0.92%, 0.85%

LAB 81.08, 25.14, 7.71

 

CMYK 0 / 37 / 35 / 30

HEX #B37075

RGB 179 112 117

HSL 355.52, 0.31%, 0.57%

LAB 54.51, 27.17, 8.43

 

CMYK 0 / 42 / 40 / 36

HEX #A25E62

RGB 162 94 98

HSL 356.47, 0.27%, 0.5%

LAB 47.71, 28.17, 9.77

 

CMYK 0 / 48 / 46 / 43

HEX #914C4F

RGB 145 76 79

HSL 357.39, 0.31%, 0.43%

LAB 40.82, 29.26, 11.37

 

CMYK 0 / 55 / 53 / 50

HEX #803A3C

RGB 128 58 60

HSL 358.29, 0.38%, 0.36%

LAB 33.86, 30.44, 13.33

 

CMYK 0 / 64 / 63 / 56

HEX #6F2829

RGB 111 40 41

HSL 359.15, 0.47%, 0.3%

LAB 26.9, 31.58, 15.87

 

CMYK 0 / 38 / 35 / 30

HEX #B36F74

RGB 179 111 116

HSL 355.59, 0.31%, 0.57%

LAB 54.25, 27.59, 8.65

 

CMYK 0 / 38 / 38 / 30

HEX #B36F6F

RGB 179 111 111

HSL 0, 0.31%, 0.57%

LAB 54.13, 26.97, 11.41

 

CMYK 0 / 38 / 35 / 30

HEX #B36F74

RGB 179 111 116

HSL 355.59, 0.31%, 0.57%

LAB 54.25, 27.59, 8.65

 

CMYK 0 / 38 / 25 / 30

HEX #B36F86

RGB 179 111 134

HSL 339.71, 0.31%, 0.57%

LAB 54.73, 30.07, -1.2

 

CMYK 0 / 38 / 15 / 30

HEX #B36F99

RGB 179 111 153

HSL 322.94, 0.31%, 0.57%

LAB 55.33, 33.06, -11.42

 

CMYK 0 / 38 / 4 / 30

HEX #B36FAB

RGB 179 111 171

HSL 307.06, 0.31%, 0.57%

LAB 55.98, 36.21, -20.87

 

CMYK 6 / 38 / 0 / 30

HEX #A86FB3

RGB 168 111 179

HSL 290.29, 0.31%, 0.57%

LAB 55.02, 34.2, -27.08

 

CMYK 0 / 38 / 35 / 30

HEX #B36F74

RGB 179 111 116

HSL 355.59, 0.31%, 0.57%

LAB 54.25, 27.59, 8.65

 

CMYK 0 / 53 / 49 / 23

HEX #C55D65

RGB 197 93 101

HSL 355.38, 0.47%, 0.57%

LAB 52.55, 42.24, 15.47

 

CMYK 0 / 65 / 60 / 16

HEX #D64B56

RGB 214 75 86

HSL 355.25, 0.63%, 0.57%

LAB 51.84, 55.17, 23.86

 

CMYK 0 / 75 / 69 / 9

HEX #E83A47

RGB 232 58 71

HSL 355.52, 0.79%, 0.57%

LAB 52.55, 66.05, 34.24

 

CMYK 0 / 84 / 78 / 2

HEX #FA2838

RGB 250 40 56

HSL 355.43, 0.95%, 0.57%

LAB 54.16, 75.05, 45.47

 

CMYK 0 / 38 / 35 / 30

HEX #B36F74

RGB 179 111 116

HSL 355.59, 0.31%, 0.57%

LAB 54.25, 27.59, 8.65

 

CMYK 0 / 20 / 19 / 37

HEX #A18183

RGB 161 129 131

HSL 356.25, 0.15%, 0.57%

LAB 56.99, 12.61, 3.58

 

CMYK 2 / 0 / 0 / 43

HEX #8F9292

RGB 143 146 146

HSL 180, 0.01%, 0.57%

LAB 60.31, -1.09, -0.39

 

CMYK 23 / 0 / 2 / 36

HEX #7EA4A1

RGB 126 164 161

HSL 175.26, 0.17%, 0.57%

LAB 64.61, -13.54, -2.69

 

CMYK 41 / 0 / 3 / 29

HEX #6CB6B0

RGB 108 182 176

HSL 175.14, 0.34%, 0.57%

LAB 69.31, -24.48, -4.2

 

CMYK 0 / 38 / 15 / 30

HEX #B36F99

RGB 179 111 153

HSL 322.94, 0.31%, 0.57%

LAB 55.33, 33.06, -11.42

 

CMYK 0 / 38 / 25 / 30

HEX #B36F87

RGB 179 111 135

HSL 338.82, 0.31%, 0.57%

LAB 54.76, 30.22, -1.74

 

CMYK 0 / 38 / 35 / 30

HEX #B36F75

RGB 179 111 117

HSL 354.71, 0.31%, 0.57%

LAB 54.28, 27.72, 8.1

 

CMYK 0 / 31 / 38 / 30

HEX #B37B6F

RGB 179 123 111

HSL 10.59, 0.31%, 0.57%

LAB 56.98, 20.28, 15.37

 

CMYK 0 / 21 / 38 / 30

HEX #B38D6F

RGB 179 141 111

HSL 26.47, 0.31%, 0.57%

LAB 61.46, 10.22, 21.5

 

CMYK 0 / 48 / 44 / 47

HEX #88474C

RGB 136 71 76

HSL 355.38, 0.31%, 0.41%

LAB 38.31, 28.14, 9.54

 

CMYK 0 / 47 / 44 / 36

HEX #A3565B

RGB 163 86 91

HSL 356.1, 0.31%, 0.49%

LAB 45.9, 32.15, 11.48

 

CMYK 0 / 38 / 35 / 30

HEX #B36F74

RGB 179 111 116

HSL 355.59, 0.31%, 0.57%

LAB 54.25, 27.59, 8.65

 

CMYK 0 / 28 / 26 / 24

HEX #C18A8E

RGB 193 138 142

HSL 355.64, 0.31%, 0.65%

LAB 62.9, 21.55, 6.23

 

CMYK 0 / 20 / 19 / 19

HEX #CFA5A8

RGB 207 165 168

HSL 355.71, 0.3%, 0.73%

LAB 71.56, 15.89, 4.33

 

CMYK 0 / 37 / 35 / 30

HEX #B37075

RGB 179 112 117

HSL 355.52, 0.31%, 0.57%

LAB 54.51, 27.17, 8.43

 

CMYK 4 / 0 / 38 / 30

HEX #ABB36F

RGB 171 179 111

HSL 67.06, 0.31%, 0.57%

LAB 70.9, -13.54, 33.79

 

CMYK 38 / 20 / 0 / 30

HEX #6F90B3

RGB 111 144 179

HSL 210.88, 0.31%, 0.57%

LAB 58.58, -2.56, -22

 

CMYK 0 / 37 / 35 / 30

HEX #B37075

RGB 179 112 117

HSL 355.52, 0.31%, 0.57%

LAB 54.51, 27.17, 8.43

 

CMYK 35 / 0 / 38 / 30

HEX #75B36F

RGB 117 179 111

HSL 114.71, 0.31%, 0.57%

LAB 67.4, -33.58, 28.57

 

CMYK 38 / 35 / 0 / 30

HEX #6F75B3

RGB 111 117 179

HSL 234.71, 0.31%, 0.57%

LAB 51.1, 13.3, -33.58

 

CMYK 0 / 37 / 35 / 30

HEX #B37075

RGB 179 112 117

HSL 355.52, 0.31%, 0.57%

LAB 54.51, 27.17, 8.43

 

CMYK 4 / 0 / 38 / 30

HEX #ABB36F

RGB 171 179 111

HSL 67.06, 0.31%, 0.57%

LAB 70.9, -13.54, 33.79

 

CMYK 38 / 0 / 3 / 30

HEX #6FB3AD

RGB 111 179 173

HSL 174.71, 0.31%, 0.57%

LAB 68.49, -22.91, -3.75

 

CMYK 34 / 38 / 0 / 30

HEX #776FB3

RGB 119 111 179

HSL 247.06, 0.31%, 0.57%

LAB 50.15, 19.18, -35.03

 

CMYK 0 / 37 / 35 / 30

HEX #B37075

RGB 179 112 117

HSL 355.52, 0.31%, 0.57%

LAB 54.51, 27.17, 8.43

 

CMYK 16 / 0 / 38 / 30

HEX #97B36F

RGB 151 179 111

HSL 84.71, 0.31%, 0.57%

LAB 69.45, -21.37, 31.62

 

CMYK 38 / 0 / 3 / 30

HEX #6FB3AD

RGB 111 179 173

HSL 174.71, 0.31%, 0.57%

LAB 68.49, -22.91, -3.75

 

CMYK 22 / 38 / 0 / 30

HEX #8B6FB3

RGB 139 111 179

HSL 264.71, 0.31%, 0.57%

LAB 51.96, 25.12, -32.06

 

Description

Color code: RGB 179 112 117 | qconv.com Color code: RGB 179 112 117 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 112 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 112 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 35 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 35% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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