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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 106 64 it is the complementary color RGB 76 149 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 106 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 106 64 shade: RGB 184 106 59, RGB 201 124 78, RGB 218 142 97, RGB 235 160 116 and RGB 252 178 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 106 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 106 64 shade: RGB 179 106 64, RGB 162 88 45, RGB 145 70 26, RGB 128 52 7 and RGB 111 34 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 106 64 shade: RGB 179 106 64, RGB 179 75 64 and RGB 179 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 106 64 shade: RGB 179 106 64, RGB 179 137 64, RGB 179 168 64, RGB 159 179 64 and RGB 128 179 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 106 64 shade matches the following richer shades: RGB 179 106 64, RGB 199 101 45, RGB 219 96 25 and RGB 239 90 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 106 64 shade: RGB 179 106 64, RGB 160 112 84, RGB 140 117 104, RGB 120 122 124 and RGB 100 128 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 106 64 shade: RGB 179 64 85, RGB 179 74 64, RGB 179 105 64, RGB 179 135 64 and RGB 179 166 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 106 64 shade: RGB 119 70 43, RGB 149 88 53, RGB 179 106 64, RGB 195 128 90 and RGB 206 152 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 106 64 shade: RGB 179 106 64, RGB 116 179 64 and RGB 64 70 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 106 64 shade: RGB 179 106 64, RGB 64 179 105 and RGB 105 64 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 106 64 shade: RGB 179 106 64, RGB 116 179 64, RGB 64 139 179 and RGB 128 64 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 106 64 shade: RGB 179 106 64, RGB 82 179 64, RGB 64 139 179 and RGB 162 64 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 64 / 30

HEX #B36A40

RGB 179 106 64

HSL 21.91, 0.47%, 0.48%

LAB 52.13, 25.27, 35.63

 

Complementary color

CMYK 60 / 22 / 0 / 25

HEX #4C95BF

RGB 76 149 191

HSL 201.91, 0.47%, 0.52%

LAB 58.78, -10.16, -28.63

 

CMYK 0 / 42 / 68 / 28

HEX #B86A3B

RGB 184 106 59

HSL 22.56, 0.51%, 0.48%

LAB 52.75, 27.05, 39.18

 

CMYK 0 / 38 / 61 / 21

HEX #C97C4E

RGB 201 124 78

HSL 22.44, 0.53%, 0.55%

LAB 59.33, 25.56, 37.38

 

CMYK 0 / 35 / 56 / 15

HEX #DA8E61

RGB 218 142 97

HSL 22.31, 0.62%, 0.62%

LAB 65.84, 24.25, 35.69

 

CMYK 0 / 32 / 51 / 8

HEX #EBA074

RGB 235 160 116

HSL 22.18, 0.75%, 0.69%

LAB 72.27, 23.1, 34.14

 

CMYK 0 / 29 / 46 / 1

HEX #FCB287

RGB 252 178 135

HSL 22.05, 0.95%, 0.76%

LAB 78.63, 22.08, 32.7

 

CMYK 0 / 41 / 64 / 30

HEX #B36A40

RGB 179 106 64

HSL 21.91, 0.47%, 0.48%

LAB 52.13, 25.27, 35.63

 

CMYK 0 / 46 / 72 / 36

HEX #A2582D

RGB 162 88 45

HSL 22.05, 0.57%, 0.41%

LAB 45.43, 26.87, 37.51

 

CMYK 0 / 52 / 82 / 43

HEX #91461A

RGB 145 70 26

HSL 22.18, 0.7%, 0.34%

LAB 38.68, 28.7, 39.33

 

CMYK 0 / 59 / 95 / 50

HEX #803407

RGB 128 52 7

HSL 22.31, 0.9%, 0.26%

LAB 31.94, 30.7, 40.39

 

CMYK 0 / 69 / 100 / 56

HEX #6F2200

RGB 111 34 0

HSL 18.38, 1%, 0.22%

LAB 25.33, 32.69, 36.56

 

CMYK 0 / 41 / 64 / 30

HEX #B36A40

RGB 179 106 64

HSL 21.91, 0.47%, 0.48%

LAB 52.13, 25.27, 35.63

 

CMYK 0 / 58 / 64 / 30

HEX #B34B40

RGB 179 75 64

HSL 5.74, 0.47%, 0.48%

LAB 45.62, 41.56, 27.74

 

CMYK 0 / 64 / 64 / 30

HEX #B34040

RGB 179 64 64

HSL 0, 0.47%, 0.48%

LAB 43.68, 46.68, 25.33

 

CMYK 0 / 41 / 64 / 30

HEX #B36A40

RGB 179 106 64

HSL 21.91, 0.47%, 0.48%

LAB 52.13, 25.27, 35.63

 

CMYK 0 / 23 / 64 / 30

HEX #B38940

RGB 179 137 64

HSL 38.09, 0.47%, 0.48%

LAB 59.75, 8.01, 44.38

 

CMYK 0 / 6 / 64 / 30

HEX #B3A840

RGB 179 168 64

HSL 54.26, 0.47%, 0.48%

LAB 67.99, -8.78, 53.36

 

CMYK 11 / 0 / 64 / 30

HEX #9FB340

RGB 159 179 64

HSL 70.43, 0.47%, 0.48%

LAB 69.46, -22.91, 54.43

 

CMYK 28 / 0 / 64 / 30

HEX #80B340

RGB 128 179 64

HSL 86.61, 0.47%, 0.48%

LAB 67.43, -35.24, 51.65

 

CMYK 0 / 41 / 64 / 30

HEX #B36A40

RGB 179 106 64

HSL 21.91, 0.47%, 0.48%

LAB 52.13, 25.27, 35.63

 

CMYK 0 / 49 / 77 / 22

HEX #C7652D

RGB 199 101 45

HSL 21.82, 0.63%, 0.48%

LAB 53.64, 35.19, 47.75

 

CMYK 0 / 56 / 89 / 14

HEX #DB6019

RGB 219 96 25

HSL 21.96, 0.8%, 0.48%

LAB 55.58, 44.91, 58.72

 

CMYK 0 / 62 / 98 / 6

HEX #EF5A05

RGB 239 90 5

HSL 21.79, 0.96%, 0.48%

LAB 57.73, 54.65, 66.51

 

CMYK 0 / 41 / 64 / 30

HEX #B36A40

RGB 179 106 64

HSL 21.91, 0.47%, 0.48%

LAB 52.13, 25.27, 35.63

 

CMYK 0 / 30 / 48 / 37

HEX #A07054

RGB 160 112 84

HSL 22.11, 0.31%, 0.48%

LAB 51.5, 15.55, 23.13

 

CMYK 0 / 16 / 26 / 45

HEX #8C7568

RGB 140 117 104

HSL 21.67, 0.15%, 0.48%

LAB 51.03, 6.84, 10.51

 

CMYK 3 / 2 / 0 / 51

HEX #787A7C

RGB 120 122 124

HSL 210, 0.02%, 0.48%

LAB 51.11, -0.34, -1.36

 

CMYK 31 / 11 / 0 / 44

HEX #648090

RGB 100 128 144

HSL 201.82, 0.18%, 0.48%

LAB 52.02, -6.01, -11.89

 

CMYK 0 / 64 / 53 / 30

HEX #B34055

RGB 179 64 85

HSL 349.04, 0.47%, 0.48%

LAB 44.1, 48.25, 13.04

 

CMYK 0 / 59 / 64 / 30

HEX #B34A40

RGB 179 74 64

HSL 5.22, 0.47%, 0.48%

LAB 45.43, 42.05, 27.51

 

CMYK 0 / 41 / 64 / 30

HEX #B36940

RGB 179 105 64

HSL 21.39, 0.47%, 0.48%

LAB 51.9, 25.82, 35.35

 

CMYK 0 / 25 / 64 / 30

HEX #B38740

RGB 179 135 64

HSL 37.04, 0.47%, 0.48%

LAB 59.23, 9.12, 43.8

 

CMYK 0 / 7 / 64 / 30

HEX #B3A640

RGB 179 166 64

HSL 53.22, 0.47%, 0.48%

LAB 67.45, -7.72, 52.78

 

CMYK 0 / 41 / 64 / 53

HEX #77462B

RGB 119 70 43

HSL 21.32, 0.47%, 0.32%

LAB 34.96, 18.23, 24.99

 

CMYK 0 / 41 / 64 / 42

HEX #955835

RGB 149 88 53

HSL 21.88, 0.48%, 0.4%

LAB 43.69, 21.78, 30.69

 

CMYK 0 / 41 / 64 / 30

HEX #B36A40

RGB 179 106 64

HSL 21.91, 0.47%, 0.48%

LAB 52.13, 25.27, 35.63

 

CMYK 0 / 34 / 54 / 24

HEX #C3805A

RGB 195 128 90

HSL 21.71, 0.47%, 0.56%

LAB 59.69, 21.85, 31.15

 

CMYK 0 / 26 / 42 / 19

HEX #CE9878

RGB 206 152 120

HSL 22.33, 0.47%, 0.64%

LAB 67.23, 16.18, 24.75

 

CMYK 0 / 41 / 64 / 30

HEX #B36A40

RGB 179 106 64

HSL 21.91, 0.47%, 0.48%

LAB 52.13, 25.27, 35.63

 

CMYK 35 / 0 / 64 / 30

HEX #74B340

RGB 116 179 64

HSL 92.87, 0.47%, 0.48%

LAB 66.77, -39.64, 50.74

 

CMYK 64 / 61 / 0 / 30

HEX #4046B3

RGB 64 70 179

HSL 236.87, 0.47%, 0.48%

LAB 35.45, 32.11, -58.79

 

CMYK 0 / 41 / 64 / 30

HEX #B36A40

RGB 179 106 64

HSL 21.91, 0.47%, 0.48%

LAB 52.13, 25.27, 35.63

 

CMYK 64 / 0 / 41 / 30

HEX #40B369

RGB 64 179 105

HSL 141.39, 0.47%, 0.48%

LAB 65.24, -48.94, 28.5

 

CMYK 41 / 64 / 0 / 30

HEX #6940B3

RGB 105 64 179

HSL 261.39, 0.47%, 0.48%

LAB 37.71, 43.4, -54.96

 

CMYK 0 / 41 / 64 / 30

HEX #B36A40

RGB 179 106 64

HSL 21.91, 0.47%, 0.48%

LAB 52.13, 25.27, 35.63

 

CMYK 35 / 0 / 64 / 30

HEX #74B340

RGB 116 179 64

HSL 92.87, 0.47%, 0.48%

LAB 66.77, -39.64, 50.74

 

CMYK 64 / 22 / 0 / 30

HEX #408BB3

RGB 64 139 179

HSL 200.87, 0.47%, 0.48%

LAB 54.88, -10.69, -27.9

 

CMYK 28 / 64 / 0 / 30

HEX #8040B3

RGB 128 64 179

HSL 273.39, 0.47%, 0.48%

LAB 40.43, 48.47, -50.43

 

CMYK 0 / 41 / 64 / 30

HEX #B36A40

RGB 179 106 64

HSL 21.91, 0.47%, 0.48%

LAB 52.13, 25.27, 35.63

 

CMYK 54 / 0 / 64 / 30

HEX #52B340

RGB 82 179 64

HSL 110.61, 0.47%, 0.48%

LAB 65.28, -50.38, 48.69

 

CMYK 64 / 22 / 0 / 30

HEX #408BB3

RGB 64 139 179

HSL 200.87, 0.47%, 0.48%

LAB 54.88, -10.69, -27.9

 

CMYK 9 / 64 / 0 / 30

HEX #A240B3

RGB 162 64 179

HSL 291.13, 0.47%, 0.48%

LAB 45.09, 56.51, -42.72

 

Description

Color code: RGB 179 106 64 | qconv.com Color code: RGB 179 106 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 106 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 106 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 64 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 64% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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