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Color name
RGB 179 105 88

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 179 105 88 it is the complementary color RGB 76 150 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 179 105 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 179 105 88 shade: RGB 184 105 83, RGB 201 123 102, RGB 218 141 121, RGB 235 159 140 and RGB 252 177 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 179 105 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 179 105 88 shade: RGB 179 105 88, RGB 162 87 69, RGB 145 69 50, RGB 128 51 31 and RGB 111 33 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 179 105 88 shade: RGB 177 104 87 and RGB 177 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 179 105 88 shade: RGB 177 104 87, RGB 177 128 87, RGB 177 153 87, RGB 177 177 87 and RGB 153 177 87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 179 105 88 shade matches the following richer shades: RGB 177 104 87, RGB 197 91 67, RGB 217 79 47 and RGB 237 67 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 179 105 88 shade: RGB 177 104 87, RGB 158 116 107, RGB 138 129 126, RGB 118 141 146 and RGB 98 153 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 179 105 88 shade: RGB 177 87 119, RGB 177 87 94, RGB 177 103 87, RGB 177 128 87 and RGB 177 152 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 179 105 88 shade: RGB 125 70 57, RGB 153 86 70, RGB 177 104 87, RGB 190 129 115 and RGB 203 155 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 179 105 88 shade: RGB 179 105 88, RGB 143 177 87 and RGB 87 106 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 179 105 88 shade: RGB 179 105 88, RGB 87 177 103 and RGB 103 87 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 179 105 88 shade: RGB 179 105 88, RGB 143 177 87, RGB 87 161 177 and RGB 122 87 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 179 105 88 shade: RGB 179 105 88, RGB 115 177 87, RGB 87 161 177 and RGB 149 87 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 51 / 30

HEX #B36958

RGB 179 105 88

HSL 11.21, 0.37%, 0.52%

LAB 52.28, 27.78, 22.29

 

Complementary color

CMYK 54 / 10 / 0 / 35

HEX #4C96A7

RGB 76 150 167

HSL 191.21, 0.37%, 0.48%

LAB 58.17, -18.09, -15.96

 

CMYK 0 / 43 / 55 / 28

HEX #B86953

RGB 184 105 83

HSL 13.07, 0.42%, 0.52%

LAB 52.86, 29.34, 26.06

 

CMYK 0 / 39 / 49 / 21

HEX #C97B66

RGB 201 123 102

HSL 12.73, 0.48%, 0.59%

LAB 59.47, 28.11, 24.33

 

CMYK 0 / 35 / 44 / 15

HEX #DA8D79

RGB 218 141 121

HSL 12.37, 0.57%, 0.66%

LAB 66.01, 27.02, 22.8

 

CMYK 0 / 32 / 40 / 8

HEX #EB9F8C

RGB 235 159 140

HSL 12, 0.7%, 0.74%

LAB 72.46, 26.03, 21.43

 

CMYK 0 / 30 / 37 / 1

HEX #FCB19F

RGB 252 177 159

HSL 11.61, 0.94%, 0.81%

LAB 78.84, 25.15, 20.18

 

CMYK 0 / 41 / 51 / 30

HEX #B36958

RGB 179 105 88

HSL 11.21, 0.37%, 0.52%

LAB 52.28, 27.78, 22.29

 

CMYK 0 / 46 / 57 / 36

HEX #A25745

RGB 162 87 69

HSL 11.61, 0.4%, 0.45%

LAB 45.53, 29.07, 24.15

 

CMYK 0 / 52 / 66 / 43

HEX #914532

RGB 145 69 50

HSL 12, 0.49%, 0.38%

LAB 38.74, 30.5, 26.33

 

CMYK 0 / 60 / 76 / 50

HEX #80331F

RGB 128 51 31

HSL 12.37, 0.61%, 0.31%

LAB 31.93, 32.03, 28.89

 

CMYK 0 / 70 / 89 / 56

HEX #6F210C

RGB 111 33 12

HSL 12.73, 0.8%, 0.24%

LAB 25.24, 33.46, 31.54

 

CMYK 0 / 41 / 51 / 31

HEX #B16857

RGB 177 104 87

HSL 11.33, 0.37%, 0.52%

LAB 51.76, 27.42, 22.14

 

CMYK 0 / 51 / 51 / 31

HEX #B15757

RGB 177 87 87

HSL 0, 0.37%, 0.52%

LAB 48.07, 36.57, 17.2

 

CMYK 0 / 41 / 51 / 31

HEX #B16857

RGB 177 104 87

HSL 11.33, 0.37%, 0.52%

LAB 51.76, 27.42, 22.14

 

CMYK 0 / 28 / 51 / 31

HEX #B18057

RGB 177 128 87

HSL 27.33, 0.37%, 0.52%

LAB 57.53, 14.03, 29.63

 

CMYK 0 / 14 / 51 / 31

HEX #B19957

RGB 177 153 87

HSL 44, 0.37%, 0.52%

LAB 64.01, 0.19, 37.72

 

CMYK 0 / 0 / 51 / 31

HEX #B1B157

RGB 177 177 87

HSL 60, 0.37%, 0.52%

LAB 70.51, -12.56, 45.52

 

CMYK 14 / 0 / 51 / 31

HEX #99B157

RGB 153 177 87

HSL 76, 0.37%, 0.52%

LAB 68.68, -22.4, 42.91

 

CMYK 0 / 41 / 51 / 31

HEX #B16857

RGB 177 104 87

HSL 11.33, 0.37%, 0.52%

LAB 51.76, 27.42, 22.14

 

CMYK 0 / 54 / 66 / 23

HEX #C55B43

RGB 197 91 67

HSL 11.08, 0.53%, 0.52%

LAB 51.56, 40.6, 33.92

 

CMYK 0 / 64 / 78 / 15

HEX #D94F2F

RGB 217 79 47

HSL 11.29, 0.69%, 0.52%

LAB 52.45, 52.51, 46.53

 

CMYK 0 / 72 / 89 / 7

HEX #ED431B

RGB 237 67 27

HSL 11.43, 0.85%, 0.52%

LAB 54.13, 63.22, 58.27

 

CMYK 0 / 41 / 51 / 31

HEX #B16857

RGB 177 104 87

HSL 11.33, 0.37%, 0.52%

LAB 51.76, 27.42, 22.14

 

CMYK 0 / 27 / 32 / 38

HEX #9E746B

RGB 158 116 107

HSL 10.59, 0.21%, 0.52%

LAB 52.75, 15.23, 11.45

 

CMYK 0 / 7 / 9 / 46

HEX #8A817E

RGB 138 129 126

HSL 15, 0.05%, 0.52%

LAB 54.67, 2.84, 2.84

 

CMYK 19 / 3 / 0 / 43

HEX #768D92

RGB 118 141 146

HSL 190.71, 0.11%, 0.52%

LAB 57.05, -7.03, -5.4

 

CMYK 41 / 8 / 0 / 35

HEX #6299A6

RGB 98 153 166

HSL 191.47, 0.28%, 0.52%

LAB 60.01, -14.64, -12.52

 

CMYK 0 / 51 / 33 / 31

HEX #B15777

RGB 177 87 119

HSL 338.67, 0.37%, 0.52%

LAB 48.88, 40.15, -0.91

 

CMYK 0 / 51 / 47 / 31

HEX #B1575E

RGB 177 87 94

HSL 355.33, 0.37%, 0.52%

LAB 48.22, 37.26, 13.21

 

CMYK 0 / 42 / 51 / 31

HEX #B16757

RGB 177 103 87

HSL 10.67, 0.37%, 0.52%

LAB 51.54, 27.97, 21.84

 

CMYK 0 / 28 / 51 / 31

HEX #B18057

RGB 177 128 87

HSL 27.33, 0.37%, 0.52%

LAB 57.53, 14.03, 29.63

 

CMYK 0 / 14 / 51 / 31

HEX #B19857

RGB 177 152 87

HSL 43.33, 0.37%, 0.52%

LAB 63.75, 0.73, 37.4

 

CMYK 0 / 44 / 54 / 51

HEX #7D4639

RGB 125 70 57

HSL 11.47, 0.37%, 0.36%

LAB 36.05, 22.11, 18.06

 

CMYK 0 / 44 / 54 / 40

HEX #995646

RGB 153 86 70

HSL 11.57, 0.37%, 0.44%

LAB 44.05, 26.01, 21.38

 

CMYK 0 / 41 / 51 / 31

HEX #B16857

RGB 177 104 87

HSL 11.33, 0.37%, 0.52%

LAB 51.76, 27.42, 22.14

 

CMYK 0 / 32 / 39 / 25

HEX #BE8173

RGB 190 129 115

HSL 11.2, 0.37%, 0.6%

LAB 59.79, 21.83, 17.15

 

CMYK 0 / 24 / 30 / 20

HEX #CB9B8F

RGB 203 155 143

HSL 12, 0.37%, 0.68%

LAB 68.11, 16.19, 13.21

 

CMYK 0 / 41 / 51 / 30

HEX #B36958

RGB 179 105 88

HSL 11.21, 0.37%, 0.52%

LAB 52.28, 27.78, 22.29

 

CMYK 19 / 0 / 51 / 31

HEX #8FB157

RGB 143 177 87

HSL 82.67, 0.37%, 0.52%

LAB 68, -26.35, 41.93

 

CMYK 51 / 40 / 0 / 31

HEX #576AB1

RGB 87 106 177

HSL 227.33, 0.37%, 0.52%

LAB 46.32, 13.19, -40.06

 

CMYK 0 / 41 / 51 / 30

HEX #B36958

RGB 179 105 88

HSL 11.21, 0.37%, 0.52%

LAB 52.28, 27.78, 22.29

 

CMYK 51 / 0 / 42 / 31

HEX #57B167

RGB 87 177 103

HSL 130.67, 0.37%, 0.52%

LAB 65.32, -43.05, 29.8

 

CMYK 42 / 51 / 0 / 31

HEX #6757B1

RGB 103 87 177

HSL 250.67, 0.37%, 0.52%

LAB 42.57, 28.9, -45.96

 

CMYK 0 / 41 / 51 / 30

HEX #B36958

RGB 179 105 88

HSL 11.21, 0.37%, 0.52%

LAB 52.28, 27.78, 22.29

 

CMYK 19 / 0 / 51 / 31

HEX #8FB157

RGB 143 177 87

HSL 82.67, 0.37%, 0.52%

LAB 68, -26.35, 41.93

 

CMYK 51 / 9 / 0 / 31

HEX #57A1B1

RGB 87 161 177

HSL 190.67, 0.37%, 0.52%

LAB 62.25, -18.57, -15.41

 

CMYK 31 / 51 / 0 / 31

HEX #7A57B1

RGB 122 87 177

HSL 263.33, 0.37%, 0.52%

LAB 44.42, 33.82, -42.91

 

CMYK 0 / 41 / 51 / 30

HEX #B36958

RGB 179 105 88

HSL 11.21, 0.37%, 0.52%

LAB 52.28, 27.78, 22.29

 

CMYK 35 / 0 / 51 / 31

HEX #73B157

RGB 115 177 87

HSL 101.33, 0.37%, 0.52%

LAB 66.35, -36.69, 39.54

 

CMYK 51 / 9 / 0 / 31

HEX #57A1B1

RGB 87 161 177

HSL 190.67, 0.37%, 0.52%

LAB 62.25, -18.57, -15.41

 

CMYK 16 / 51 / 0 / 31

HEX #9557B1

RGB 149 87 177

HSL 281.33, 0.37%, 0.52%

LAB 47.47, 41.3, -37.88

 

Description

Color code: RGB 179 105 88 | qconv.com Color code: RGB 179 105 88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 105 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 105 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 51 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 51% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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