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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 96 177 it is the complementary color RGB 77 159 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 96 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 96 177 shade: RGB 183 96 172, RGB 200 114 191, RGB 217 132 210, RGB 234 150 229 and RGB 251 168 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 96 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 96 177 shade: RGB 178 96 177, RGB 161 78 158, RGB 144 60 139, RGB 127 42 120 and RGB 110 24 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 96 177 shade: RGB 178 96 177, RGB 178 96 155, RGB 178 96 133, RGB 178 96 111 and RGB 178 96 96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 96 177 shade: RGB 178 96 177, RGB 157 96 178, RGB 135 96 178, RGB 113 96 178 and RGB 96 96 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 96 177 shade matches the following richer shades: RGB 178 96 177, RGB 197 77 196, RGB 216 58 214, RGB 235 39 233 and RGB 254 20 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 96 177 shade: RGB 178 96 177, RGB 159 115 159, RGB 140 134 140, RGB 121 153 122 and RGB 102 172 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 96 177 shade: RGB 134 96 178, RGB 156 96 178, RGB 178 96 178, RGB 178 96 156 and RGB 178 96 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 96 177 shade: RGB 130 62 129, RGB 158 76 157, RGB 178 96 177, RGB 192 124 191 and RGB 205 152 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 96 177 shade: RGB 178 96 177, RGB 178 113 96 and RGB 96 178 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 96 177 shade: RGB 178 96 177, RGB 178 178 96 and RGB 96 178 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 96 177 shade: RGB 178 96 177, RGB 178 113 96, RGB 96 178 96 and RGB 96 162 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 96 177 shade: RGB 178 96 177, RGB 178 137 96, RGB 96 178 96 and RGB 96 137 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 1 / 30

HEX #B260B1

RGB 178 96 177

HSL 300.73, 0.35%, 0.54%

LAB 52.96, 45.01, -29.02

 

Complementary color

CMYK 52 / 0 / 51 / 38

HEX #4D9F4E

RGB 77 159 78

HSL 120.73, 0.35%, 0.46%

LAB 58.9, -42.07, 34.56

 

CMYK 0 / 48 / 6 / 28

HEX #B760AC

RGB 183 96 172

HSL 307.59, 0.38%, 0.55%

LAB 53.4, 45.63, -25.38

 

CMYK 0 / 43 / 5 / 22

HEX #C872BF

RGB 200 114 191

HSL 306.28, 0.44%, 0.62%

LAB 59.96, 44.91, -26.01

 

CMYK 0 / 39 / 3 / 15

HEX #D984D2

RGB 217 132 210

HSL 304.94, 0.53%, 0.68%

LAB 66.45, 44.16, -26.55

 

CMYK 0 / 36 / 2 / 8

HEX #EA96E5

RGB 234 150 229

HSL 303.57, 0.67%, 0.75%

LAB 72.87, 43.43, -27.02

 

CMYK 0 / 33 / 1 / 2

HEX #FBA8F8

RGB 251 168 248

HSL 302.17, 0.91%, 0.82%

LAB 79.21, 42.71, -27.46

 

CMYK 0 / 46 / 1 / 30

HEX #B260B1

RGB 178 96 177

HSL 300.73, 0.35%, 0.54%

LAB 52.96, 45.01, -29.02

 

CMYK 0 / 52 / 2 / 37

HEX #A14E9E

RGB 161 78 158

HSL 302.17, 0.35%, 0.47%

LAB 46.3, 45.68, -28.39

 

CMYK 0 / 58 / 3 / 44

HEX #903C8B

RGB 144 60 139

HSL 303.57, 0.41%, 0.4%

LAB 39.62, 46.19, -27.57

 

CMYK 0 / 67 / 6 / 50

HEX #7F2A78

RGB 127 42 120

HSL 304.94, 0.5%, 0.33%

LAB 32.97, 46.34, -26.42

 

CMYK 0 / 78 / 8 / 57

HEX #6E1865

RGB 110 24 101

HSL 306.28, 0.64%, 0.26%

LAB 26.47, 45.73, -24.7

 

CMYK 0 / 46 / 1 / 30

HEX #B260B1

RGB 178 96 177

HSL 300.73, 0.35%, 0.54%

LAB 52.96, 45.01, -29.02

 

CMYK 0 / 46 / 13 / 30

HEX #B2609B

RGB 178 96 155

HSL 316.83, 0.35%, 0.54%

LAB 52.06, 41.14, -17.55

 

CMYK 0 / 46 / 25 / 30

HEX #B26085

RGB 178 96 133

HSL 332.93, 0.35%, 0.54%

LAB 51.29, 37.71, -5.7

 

CMYK 0 / 46 / 38 / 30

HEX #B2606F

RGB 178 96 111

HSL 349.02, 0.35%, 0.54%

LAB 50.66, 34.77, 6.48

 

CMYK 0 / 46 / 46 / 30

HEX #B26060

RGB 178 96 96

HSL 0, 0.35%, 0.54%

LAB 50.31, 33.08, 14.91

 

CMYK 0 / 46 / 1 / 30

HEX #B260B1

RGB 178 96 177

HSL 300.73, 0.35%, 0.54%

LAB 52.96, 45.01, -29.02

 

CMYK 12 / 46 / 0 / 30

HEX #9D60B2

RGB 157 96 178

HSL 284.63, 0.35%, 0.54%

LAB 50.39, 38.92, -33.8

 

CMYK 24 / 46 / 0 / 30

HEX #8760B2

RGB 135 96 178

HSL 268.54, 0.35%, 0.54%

LAB 47.92, 32.46, -37.86

 

CMYK 37 / 46 / 0 / 30

HEX #7160B2

RGB 113 96 178

HSL 252.44, 0.35%, 0.54%

LAB 45.76, 26.3, -41.42

 

CMYK 46 / 46 / 0 / 30

HEX #6060B2

RGB 96 96 178

HSL 240, 0.35%, 0.54%

LAB 44.33, 21.91, -43.78

 

CMYK 0 / 46 / 1 / 30

HEX #B260B1

RGB 178 96 177

HSL 300.73, 0.35%, 0.54%

LAB 52.96, 45.01, -29.02

 

CMYK 0 / 61 / 1 / 23

HEX #C54DC4

RGB 197 77 196

HSL 300.5, 0.51%, 0.54%

LAB 53.13, 62.6, -39.54

 

CMYK 0 / 73 / 1 / 15

HEX #D83AD6

RGB 216 58 214

HSL 300.76, 0.67%, 0.54%

LAB 54.53, 76.73, -47.44

 

CMYK 0 / 83 / 1 / 8

HEX #EB27E9

RGB 235 39 233

HSL 300.61, 0.83%, 0.54%

LAB 57.07, 87.84, -53.95

 

CMYK 0 / 92 / 1 / 0

HEX #FE14FB

RGB 254 20 251

HSL 300.77, 0.99%, 0.54%

LAB 60.37, 96.22, -58.56

 

CMYK 0 / 46 / 1 / 30

HEX #B260B1

RGB 178 96 177

HSL 300.73, 0.35%, 0.54%

LAB 52.96, 45.01, -29.02

 

CMYK 0 / 28 / 0 / 38

HEX #9F739F

RGB 159 115 159

HSL 300, 0.19%, 0.54%

LAB 54.17, 24.95, -16.88

 

CMYK 0 / 4 / 0 / 45

HEX #8C868C

RGB 140 134 140

HSL 300, 0.03%, 0.54%

LAB 56.6, 3.41, -2.42

 

CMYK 21 / 0 / 20 / 40

HEX #79997A

RGB 121 153 122

HSL 121.88, 0.14%, 0.54%

LAB 60.12, -17.46, 12.71

 

CMYK 41 / 0 / 40 / 33

HEX #66AC67

RGB 102 172 103

HSL 120.86, 0.3%, 0.54%

LAB 64.41, -36.47, 28.74

 

CMYK 25 / 46 / 0 / 30

HEX #8660B2

RGB 134 96 178

HSL 267.8, 0.35%, 0.54%

LAB 47.81, 32.17, -38.03

 

CMYK 12 / 46 / 0 / 30

HEX #9C60B2

RGB 156 96 178

HSL 283.9, 0.35%, 0.54%

LAB 50.27, 38.62, -33.99

 

CMYK 0 / 46 / 0 / 30

HEX #B260B2

RGB 178 96 178

HSL 300, 0.35%, 0.54%

LAB 53, 45.2, -29.54

 

CMYK 0 / 46 / 12 / 30

HEX #B2609C

RGB 178 96 156

HSL 316.1, 0.35%, 0.54%

LAB 52.1, 41.31, -18.08

 

CMYK 0 / 46 / 25 / 30

HEX #B26086

RGB 178 96 134

HSL 332.2, 0.35%, 0.54%

LAB 51.33, 37.86, -6.25

 

CMYK 0 / 52 / 1 / 49

HEX #823E81

RGB 130 62 129

HSL 300.88, 0.35%, 0.38%

LAB 37.44, 39.21, -25

 

CMYK 0 / 52 / 1 / 38

HEX #9E4C9D

RGB 158 76 157

HSL 300.73, 0.35%, 0.46%

LAB 45.46, 45.63, -29.15

 

CMYK 0 / 46 / 1 / 30

HEX #B260B1

RGB 178 96 177

HSL 300.73, 0.35%, 0.54%

LAB 52.96, 45.01, -29.02

 

CMYK 0 / 35 / 1 / 25

HEX #C07CBF

RGB 192 124 191

HSL 300.88, 0.35%, 0.62%

LAB 61.12, 37.06, -24.3

 

CMYK 0 / 26 / 0 / 20

HEX #CD98CC

RGB 205 152 204

HSL 301.13, 0.35%, 0.7%

LAB 69.32, 28.47, -18.94

 

CMYK 0 / 46 / 1 / 30

HEX #B260B1

RGB 178 96 177

HSL 300.73, 0.35%, 0.54%

LAB 52.96, 45.01, -29.02

 

CMYK 0 / 37 / 46 / 30

HEX #B27160

RGB 178 113 96

HSL 12.44, 0.35%, 0.54%

LAB 54.15, 23.75, 20.14

 

CMYK 46 / 0 / 19 / 30

HEX #60B291

RGB 96 178 145

HSL 155.85, 0.35%, 0.54%

LAB 66.8, -32.94, 9.18

 

CMYK 0 / 46 / 1 / 30

HEX #B260B1

RGB 178 96 177

HSL 300.73, 0.35%, 0.54%

LAB 52.96, 45.01, -29.02

 

CMYK 0 / 0 / 46 / 30

HEX #B2B260

RGB 178 178 96

HSL 60, 0.35%, 0.54%

LAB 70.97, -11.82, 41.66

 

CMYK 46 / 0 / 0 / 30

HEX #60B2B2

RGB 96 178 178

HSL 180, 0.35%, 0.54%

LAB 67.68, -24.94, -7.78

 

CMYK 0 / 46 / 1 / 30

HEX #B260B1

RGB 178 96 177

HSL 300.73, 0.35%, 0.54%

LAB 52.96, 45.01, -29.02

 

CMYK 0 / 37 / 46 / 30

HEX #B27160

RGB 178 113 96

HSL 12.44, 0.35%, 0.54%

LAB 54.15, 23.75, 20.14

 

CMYK 46 / 0 / 46 / 30

HEX #60B260

RGB 96 178 96

HSL 120, 0.35%, 0.54%

LAB 65.88, -42.02, 34.23

 

CMYK 46 / 9 / 0 / 30

HEX #60A2B2

RGB 96 162 178

HSL 191.71, 0.35%, 0.54%

LAB 62.96, -16.7, -14.85

 

CMYK 0 / 46 / 1 / 30

HEX #B260B1

RGB 178 96 177

HSL 300.73, 0.35%, 0.54%

LAB 52.96, 45.01, -29.02

 

CMYK 0 / 23 / 46 / 30

HEX #B28960

RGB 178 137 96

HSL 30, 0.35%, 0.54%

LAB 60.07, 10.33, 27.95

 

CMYK 46 / 0 / 46 / 30

HEX #60B260

RGB 96 178 96

HSL 120, 0.35%, 0.54%

LAB 65.88, -42.02, 34.23

 

CMYK 46 / 23 / 0 / 30

HEX #6089B2

RGB 96 137 178

HSL 210, 0.35%, 0.54%

LAB 55.68, -2.87, -25.97

 

Description

Color code: RGB 178 96 177 | qconv.com Color code: RGB 178 96 177 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 96 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 96 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 1 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 1% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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