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Color name
RGB 178 76 56

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 76 56 it is the complementary color RGB 77 179 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 76 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 76 56 shade: RGB 183 76 51, RGB 200 94 70, RGB 217 112 89, RGB 234 130 108 and RGB 251 148 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 76 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 76 56 shade: RGB 178 76 56, RGB 161 58 37, RGB 144 40 18, RGB 127 22 0 and RGB 110 4 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 76 56 shade: RGB 178 76 56 and RGB 178 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 76 56 shade: RGB 178 76 56, RGB 178 109 56, RGB 178 142 56, RGB 178 175 56 and RGB 148 178 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 76 56 shade matches the following richer shades: RGB 178 76 56, RGB 197 63 37 and RGB 216 50 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 76 56 shade: RGB 178 76 56, RGB 159 89 75, RGB 140 101 94, RGB 121 114 113 and RGB 102 127 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 76 56 shade: RGB 178 56 103, RGB 178 56 70, RGB 178 74 56, RGB 178 107 56 and RGB 178 139 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 76 56 shade: RGB 115 49 36, RGB 146 62 46, RGB 178 76 56, RGB 198 97 77 and RGB 208 124 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 76 56 shade: RGB 178 76 56, RGB 135 178 56 and RGB 56 86 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 76 56 shade: RGB 178 76 56, RGB 56 178 74 and RGB 74 56 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 76 56 shade: RGB 178 76 56, RGB 135 178 56, RGB 56 159 178 and RGB 99 56 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 76 56 shade: RGB 178 76 56, RGB 99 178 56, RGB 56 159 178 and RGB 135 56 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 69 / 30

HEX #B24C38

RGB 178 76 56

HSL 9.84, 0.52%, 0.46%

LAB 45.52, 40.21, 32.23

 

Complementary color

CMYK 61 / 10 / 0 / 22

HEX #4DB3C7

RGB 77 179 199

HSL 189.84, 0.52%, 0.54%

LAB 67.98, -23.48, -19

 

CMYK 0 / 58 / 72 / 28

HEX #B74C33

RGB 183 76 51

HSL 11.36, 0.56%, 0.46%

LAB 46.28, 41.82, 36.13

 

CMYK 0 / 53 / 65 / 22

HEX #C85E46

RGB 200 94 70

HSL 11.08, 0.54%, 0.53%

LAB 52.65, 40.42, 33.66

 

CMYK 0 / 48 / 59 / 15

HEX #D97059

RGB 217 112 89

HSL 10.78, 0.63%, 0.6%

LAB 59.03, 39.06, 31.48

 

CMYK 0 / 44 / 54 / 8

HEX #EA826C

RGB 234 130 108

HSL 10.48, 0.75%, 0.67%

LAB 65.39, 37.79, 29.55

 

CMYK 0 / 41 / 49 / 2

HEX #FB947F

RGB 251 148 127

HSL 10.16, 0.94%, 0.74%

LAB 71.7, 36.6, 27.83

 

CMYK 0 / 57 / 69 / 30

HEX #B24C38

RGB 178 76 56

HSL 9.84, 0.52%, 0.46%

LAB 45.52, 40.21, 32.23

 

CMYK 0 / 64 / 77 / 37

HEX #A13A25

RGB 161 58 37

HSL 10.16, 0.63%, 0.39%

LAB 39.13, 41.53, 34.98

 

CMYK 0 / 72 / 88 / 44

HEX #902812

RGB 144 40 18

HSL 10.48, 0.78%, 0.32%

LAB 32.9, 42.61, 37.83

 

CMYK 0 / 83 / 100 / 50

HEX #7F1600

RGB 127 22 0

HSL 10.39, 1%, 0.25%

LAB 26.98, 42.98, 39.29

 

CMYK 0 / 96 / 100 / 57

HEX #6E0400

RGB 110 4 0

HSL 2.18, 1%, 0.22%

LAB 21.59, 42.18, 32.71

 

CMYK 0 / 57 / 69 / 30

HEX #B24C38

RGB 178 76 56

HSL 9.84, 0.52%, 0.46%

LAB 45.52, 40.21, 32.23

 

CMYK 0 / 69 / 69 / 30

HEX #B23838

RGB 178 56 56

HSL 0, 0.52%, 0.46%

LAB 42.12, 49.27, 28.17

 

CMYK 0 / 57 / 69 / 30

HEX #B24C38

RGB 178 76 56

HSL 9.84, 0.52%, 0.46%

LAB 45.52, 40.21, 32.23

 

CMYK 0 / 39 / 69 / 30

HEX #B26D38

RGB 178 109 56

HSL 26.07, 0.52%, 0.46%

LAB 52.61, 22.68, 40.36

 

CMYK 0 / 20 / 69 / 30

HEX #B28E38

RGB 178 142 56

HSL 42.3, 0.52%, 0.46%

LAB 60.87, 4.3, 49.32

 

CMYK 0 / 2 / 69 / 30

HEX #B2AF38

RGB 178 175 56

HSL 58.52, 0.52%, 0.46%

LAB 69.76, -13.32, 58.45

 

CMYK 17 / 0 / 69 / 30

HEX #94B238

RGB 148 178 56

HSL 74.75, 0.52%, 0.46%

LAB 68.33, -27.48, 56.27

 

CMYK 0 / 57 / 69 / 30

HEX #B24C38

RGB 178 76 56

HSL 9.84, 0.52%, 0.46%

LAB 45.52, 40.21, 32.23

 

CMYK 0 / 68 / 81 / 23

HEX #C53F25

RGB 197 63 37

HSL 9.75, 0.68%, 0.46%

LAB 46.39, 52.02, 44.41

 

CMYK 0 / 77 / 92 / 15

HEX #D83212

RGB 216 50 18

HSL 9.7, 0.85%, 0.46%

LAB 48.16, 62.22, 55.5

 

CMYK 0 / 57 / 69 / 30

HEX #B24C38

RGB 178 76 56

HSL 9.84, 0.52%, 0.46%

LAB 45.52, 40.21, 32.23

 

CMYK 0 / 44 / 53 / 38

HEX #9F594B

RGB 159 89 75

HSL 10, 0.36%, 0.46%

LAB 45.67, 27.27, 20.69

 

CMYK 0 / 28 / 33 / 45

HEX #8C655E

RGB 140 101 94

HSL 9.13, 0.2%, 0.46%

LAB 46.57, 14.71, 10.16

 

CMYK 0 / 6 / 7 / 53

HEX #797271

RGB 121 114 113

HSL 7.5, 0.03%, 0.46%

LAB 48.63, 2.51, 1.51

 

CMYK 23 / 4 / 0 / 48

HEX #667F84

RGB 102 127 132

HSL 190, 0.13%, 0.46%

LAB 51.46, -7.78, -5.69

 

CMYK 0 / 69 / 42 / 30

HEX #B23867

RGB 178 56 103

HSL 336.89, 0.52%, 0.46%

LAB 43.17, 52.98, 0.54

 

CMYK 0 / 69 / 61 / 30

HEX #B23846

RGB 178 56 70

HSL 353.11, 0.52%, 0.46%

LAB 42.36, 50.13, 19.93

 

CMYK 0 / 58 / 69 / 30

HEX #B24A38

RGB 178 74 56

HSL 8.85, 0.52%, 0.46%

LAB 45.15, 41.19, 31.79

 

CMYK 0 / 40 / 69 / 30

HEX #B26B38

RGB 178 107 56

HSL 25.08, 0.52%, 0.46%

LAB 52.14, 23.79, 39.83

 

CMYK 0 / 22 / 69 / 30

HEX #B28B38

RGB 178 139 56

HSL 40.82, 0.52%, 0.46%

LAB 60.08, 5.96, 48.49

 

CMYK 0 / 57 / 69 / 55

HEX #733124

RGB 115 49 36

HSL 9.87, 0.52%, 0.3%

LAB 29.33, 28.08, 22.29

 

CMYK 0 / 58 / 68 / 43

HEX #923E2E

RGB 146 62 46

HSL 9.6, 0.52%, 0.38%

LAB 37.4, 34.34, 27.13

 

CMYK 0 / 57 / 69 / 30

HEX #B24C38

RGB 178 76 56

HSL 9.84, 0.52%, 0.46%

LAB 45.52, 40.21, 32.23

 

CMYK 0 / 51 / 61 / 22

HEX #C6614D

RGB 198 97 77

HSL 9.92, 0.51%, 0.54%

LAB 53.05, 38.61, 30.13

 

CMYK 0 / 40 / 48 / 18

HEX #D07C6C

RGB 208 124 108

HSL 9.6, 0.52%, 0.62%

LAB 60.7, 30.91, 22.73

 

CMYK 0 / 57 / 69 / 30

HEX #B24C38

RGB 178 76 56

HSL 9.84, 0.52%, 0.46%

LAB 45.52, 40.21, 32.23

 

CMYK 24 / 0 / 69 / 30

HEX #87B238

RGB 135 178 56

HSL 81.15, 0.52%, 0.46%

LAB 67.48, -32.69, 55.13

 

CMYK 69 / 52 / 0 / 30

HEX #3856B2

RGB 56 86 178

HSL 225.25, 0.52%, 0.46%

LAB 39.09, 20.13, -52.32

 

CMYK 0 / 57 / 69 / 30

HEX #B24C38

RGB 178 76 56

HSL 9.84, 0.52%, 0.46%

LAB 45.52, 40.21, 32.23

 

CMYK 69 / 0 / 58 / 30

HEX #38B24A

RGB 56 178 74

HSL 128.85, 0.52%, 0.46%

LAB 64.3, -54.88, 42.85

 

CMYK 58 / 69 / 0 / 30

HEX #4A38B2

RGB 74 56 178

HSL 248.85, 0.52%, 0.46%

LAB 32.92, 41.88, -62.31

 

CMYK 0 / 57 / 69 / 30

HEX #B24C38

RGB 178 76 56

HSL 9.84, 0.52%, 0.46%

LAB 45.52, 40.21, 32.23

 

CMYK 24 / 0 / 69 / 30

HEX #87B238

RGB 135 178 56

HSL 81.15, 0.52%, 0.46%

LAB 67.48, -32.69, 55.13

 

CMYK 69 / 11 / 0 / 30

HEX #389FB2

RGB 56 159 178

HSL 189.34, 0.52%, 0.46%

LAB 60.65, -23.09, -18.48

 

CMYK 44 / 69 / 0 / 30

HEX #6338B2

RGB 99 56 178

HSL 261.15, 0.52%, 0.46%

LAB 35.39, 46.24, -58.16

 

CMYK 0 / 57 / 69 / 30

HEX #B24C38

RGB 178 76 56

HSL 9.84, 0.52%, 0.46%

LAB 45.52, 40.21, 32.23

 

CMYK 44 / 0 / 69 / 30

HEX #63B238

RGB 99 178 56

HSL 98.85, 0.52%, 0.46%

LAB 65.58, -45.65, 52.55

 

CMYK 69 / 11 / 0 / 30

HEX #389FB2

RGB 56 159 178

HSL 189.34, 0.52%, 0.46%

LAB 60.65, -23.09, -18.48

 

CMYK 24 / 69 / 0 / 30

HEX #8738B2

RGB 135 56 178

HSL 278.85, 0.52%, 0.46%

LAB 39.9, 53.63, -50.64

 

Description

Color code: RGB 178 76 56 | qconv.com Color code: RGB 178 76 56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 76 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 76 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 69 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 69% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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