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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 62 119 it is the complementary color RGB 77 193 136. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 62 119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 62 119 shade: RGB 183 62 114, RGB 200 80 133, RGB 217 98 152, RGB 234 116 171 and RGB 251 134 190

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 62 119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 62 119 shade: RGB 178 62 119, RGB 161 44 100, RGB 144 26 81, RGB 127 8 62 and RGB 110 0 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 62 119 shade: RGB 177 62 118, RGB 177 62 87 and RGB 177 62 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 62 119 shade: RGB 177 62 118, RGB 177 62 149, RGB 173 62 177, RGB 142 62 177 and RGB 111 62 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 62 119 shade matches the following richer shades: RGB 177 62 118, RGB 196 42 118, RGB 216 23 118 and RGB 235 4 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 62 119 shade: RGB 177 62 118, RGB 157 81 119, RGB 138 101 119, RGB 119 120 119 and RGB 99 139 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 62 119 shade: RGB 173 62 177, RGB 177 62 150, RGB 177 62 119, RGB 177 62 89 and RGB 177 66 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 62 119 shade: RGB 116 40 77, RGB 146 51 98, RGB 177 62 118, RGB 195 85 139 and RGB 206 116 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 62 119 shade: RGB 178 62 119, RGB 177 142 62 and RGB 62 165 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 62 119 shade: RGB 178 62 119, RGB 119 177 62 and RGB 62 119 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 62 119 shade: RGB 178 62 119, RGB 177 142 62, RGB 62 177 119 and RGB 62 96 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 62 119 shade: RGB 178 62 119, RGB 177 177 62, RGB 62 177 119 and RGB 62 62 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 33 / 30

HEX #B23E77

RGB 178 62 119

HSL 330.52, 0.48%, 0.47%

LAB 44.58, 52.32, -7.25

 

Complementary color

CMYK 60 / 0 / 30 / 24

HEX #4DC188

RGB 77 193 136

HSL 150.52, 0.48%, 0.53%

LAB 70.52, -45.99, 19.18

 

CMYK 0 / 66 / 38 / 28

HEX #B73E72

RGB 183 62 114

HSL 334.21, 0.49%, 0.48%

LAB 45.26, 53.24, -3.08

 

CMYK 0 / 60 / 34 / 22

HEX #C85085

RGB 200 80 133

HSL 333.5, 0.52%, 0.55%

LAB 51.51, 52.9, -5.03

 

CMYK 0 / 55 / 30 / 15

HEX #D96298

RGB 217 98 152

HSL 332.77, 0.61%, 0.62%

LAB 57.8, 52.32, -6.61

 

CMYK 0 / 50 / 27 / 8

HEX #EA74AB

RGB 234 116 171

HSL 332.03, 0.74%, 0.69%

LAB 64.1, 51.61, -7.92

 

CMYK 0 / 47 / 24 / 2

HEX #FB86BE

RGB 251 134 190

HSL 331.28, 0.94%, 0.75%

LAB 70.37, 50.85, -9.05

 

CMYK 0 / 65 / 33 / 30

HEX #B23E77

RGB 178 62 119

HSL 330.52, 0.48%, 0.47%

LAB 44.58, 52.32, -7.25

 

CMYK 0 / 73 / 38 / 37

HEX #A12C64

RGB 161 44 100

HSL 331.28, 0.57%, 0.4%

LAB 38.37, 52.23, -4.99

 

CMYK 0 / 82 / 44 / 44

HEX #901A51

RGB 144 26 81

HSL 332.03, 0.69%, 0.33%

LAB 32.4, 51.34, -1.98

 

CMYK 0 / 94 / 51 / 50

HEX #7F083E

RGB 127 8 62

HSL 332.77, 0.88%, 0.26%

LAB 26.83, 49.12, 2.14

 

CMYK 0 / 100 / 61 / 57

HEX #6E002B

RGB 110 0 43

HSL 336.55, 1%, 0.22%

LAB 21.91, 44.85, 7.78

 

CMYK 0 / 65 / 33 / 31

HEX #B13E76

RGB 177 62 118

HSL 330.78, 0.48%, 0.47%

LAB 44.38, 51.89, -6.96

 

CMYK 0 / 65 / 51 / 31

HEX #B13E57

RGB 177 62 87

HSL 346.96, 0.48%, 0.47%

LAB 43.48, 48.63, 10.89

 

CMYK 0 / 65 / 65 / 31

HEX #B13E3E

RGB 177 62 62

HSL 0, 0.48%, 0.47%

LAB 42.97, 46.74, 25.57

 

CMYK 0 / 65 / 33 / 31

HEX #B13E76

RGB 177 62 118

HSL 330.78, 0.48%, 0.47%

LAB 44.38, 51.89, -6.96

 

CMYK 0 / 65 / 16 / 31

HEX #B13E95

RGB 177 62 149

HSL 314.61, 0.48%, 0.47%

LAB 45.58, 56.1, -23.95

 

CMYK 2 / 65 / 0 / 31

HEX #AD3EB1

RGB 173 62 177

HSL 297.91, 0.48%, 0.47%

LAB 46.32, 59.64, -39.49

 

CMYK 20 / 65 / 0 / 31

HEX #8E3EB1

RGB 142 62 177

HSL 281.74, 0.48%, 0.47%

LAB 41.8, 52.24, -46.95

 

CMYK 37 / 65 / 0 / 31

HEX #6F3EB1

RGB 111 62 177

HSL 265.57, 0.48%, 0.47%

LAB 37.84, 45.23, -53.53

 

CMYK 0 / 65 / 33 / 31

HEX #B13E76

RGB 177 62 118

HSL 330.78, 0.48%, 0.47%

LAB 44.38, 51.89, -6.96

 

CMYK 0 / 79 / 40 / 23

HEX #C42A76

RGB 196 42 118

HSL 330.39, 0.65%, 0.47%

LAB 45.22, 64.25, -5.34

 

CMYK 0 / 89 / 45 / 15

HEX #D81776

RGB 216 23 118

HSL 330.47, 0.81%, 0.47%

LAB 47.65, 73.11, -1.33

 

CMYK 0 / 98 / 50 / 8

HEX #EB0475

RGB 235 4 117

HSL 330.65, 0.97%, 0.47%

LAB 50.73, 79.16, 4.22

 

CMYK 0 / 65 / 33 / 31

HEX #B13E76

RGB 177 62 118

HSL 330.78, 0.48%, 0.47%

LAB 44.38, 51.89, -6.96

 

CMYK 0 / 48 / 24 / 38

HEX #9D5177

RGB 157 81 119

HSL 330, 0.32%, 0.47%

LAB 44.78, 36.29, -7.29

 

CMYK 0 / 27 / 14 / 46

HEX #8A6577

RGB 138 101 119

HSL 330.81, 0.15%, 0.47%

LAB 47.03, 17.9, -4.21

 

CMYK 1 / 0 / 1 / 53

HEX #777877

RGB 119 120 119

HSL 120, 0%, 0.47%

LAB 50.32, -0.58, 0.41

 

CMYK 29 / 0 / 14 / 45

HEX #638B78

RGB 99 139 120

HSL 151.5, 0.17%, 0.47%

LAB 54.53, -18.1, 5.73

 

CMYK 2 / 65 / 0 / 31

HEX #AD3EB1

RGB 173 62 177

HSL 297.91, 0.48%, 0.47%

LAB 46.32, 59.64, -39.49

 

CMYK 0 / 65 / 15 / 31

HEX #B13E96

RGB 177 62 150

HSL 314.09, 0.48%, 0.47%

LAB 45.63, 56.25, -24.48

 

CMYK 0 / 65 / 33 / 31

HEX #B13E77

RGB 177 62 119

HSL 330.26, 0.48%, 0.47%

LAB 44.41, 52.02, -7.52

 

CMYK 0 / 65 / 50 / 31

HEX #B13E59

RGB 177 62 89

HSL 345.91, 0.48%, 0.47%

LAB 43.53, 48.81, 9.72

 

CMYK 0 / 63 / 65 / 31

HEX #B1423E

RGB 177 66 62

HSL 2.09, 0.48%, 0.47%

LAB 43.64, 44.95, 26.4

 

CMYK 0 / 66 / 34 / 55

HEX #74284D

RGB 116 40 77

HSL 330.79, 0.49%, 0.31%

LAB 28.82, 37.24, -5.24

 

CMYK 0 / 65 / 33 / 43

HEX #923362

RGB 146 51 98

HSL 330.32, 0.48%, 0.39%

LAB 36.67, 44.63, -6.55

 

CMYK 0 / 65 / 33 / 31

HEX #B13E76

RGB 177 62 118

HSL 330.78, 0.48%, 0.47%

LAB 44.38, 51.89, -6.96

 

CMYK 0 / 56 / 29 / 24

HEX #C3558B

RGB 195 85 139

HSL 330.55, 0.48%, 0.55%

LAB 51.8, 49.77, -8.26

 

CMYK 0 / 44 / 22 / 19

HEX #CE74A0

RGB 206 116 160

HSL 330.67, 0.48%, 0.63%

LAB 60.02, 40.79, -8.09

 

CMYK 0 / 65 / 33 / 30

HEX #B23E77

RGB 178 62 119

HSL 330.52, 0.48%, 0.47%

LAB 44.58, 52.32, -7.25

 

CMYK 0 / 20 / 65 / 31

HEX #B18E3E

RGB 177 142 62

HSL 41.74, 0.48%, 0.47%

LAB 60.82, 4.23, 46.46

 

CMYK 65 / 7 / 0 / 31

HEX #3EA5B1

RGB 62 165 177

HSL 186.26, 0.48%, 0.47%

LAB 62.6, -25.52, -14.95

 

CMYK 0 / 65 / 33 / 30

HEX #B23E77

RGB 178 62 119

HSL 330.52, 0.48%, 0.47%

LAB 44.58, 52.32, -7.25

 

CMYK 33 / 0 / 65 / 31

HEX #77B13E

RGB 119 177 62

HSL 90.26, 0.48%, 0.47%

LAB 66.3, -37.84, 51.14

 

CMYK 65 / 33 / 0 / 31

HEX #3E77B1

RGB 62 119 177

HSL 210.26, 0.48%, 0.47%

LAB 48.75, -0.06, -36.32

 

CMYK 0 / 65 / 33 / 30

HEX #B23E77

RGB 178 62 119

HSL 330.52, 0.48%, 0.47%

LAB 44.58, 52.32, -7.25

 

CMYK 0 / 20 / 65 / 31

HEX #B18E3E

RGB 177 142 62

HSL 41.74, 0.48%, 0.47%

LAB 60.82, 4.23, 46.46

 

CMYK 65 / 0 / 33 / 31

HEX #3EB177

RGB 62 177 119

HSL 149.74, 0.48%, 0.47%

LAB 64.8, -45.84, 20.43

 

CMYK 65 / 46 / 0 / 31

HEX #3E60B1

RGB 62 96 177

HSL 222.26, 0.48%, 0.47%

LAB 42.1, 14.29, -46.88

 

CMYK 0 / 65 / 33 / 30

HEX #B23E77

RGB 178 62 119

HSL 330.52, 0.48%, 0.47%

LAB 44.58, 52.32, -7.25

 

CMYK 0 / 0 / 65 / 31

HEX #B1B13E

RGB 177 177 62

HSL 60, 0.48%, 0.47%

LAB 70.27, -14.43, 56.55

 

CMYK 65 / 0 / 33 / 31

HEX #3EB177

RGB 62 177 119

HSL 149.74, 0.48%, 0.47%

LAB 64.8, -45.84, 20.43

 

CMYK 65 / 65 / 0 / 31

HEX #3E3EB1

RGB 62 62 177

HSL 240, 0.48%, 0.47%

LAB 33.23, 36.14, -61.24

 

Description

Color code: RGB 178 62 119 | qconv.com Color code: RGB 178 62 119 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 62 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 62 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 33 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 33% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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