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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 42 130 it is the complementary color RGB 77 213 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 42 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 42 130 shade: RGB 183 42 125, RGB 200 60 144, RGB 217 78 163, RGB 234 96 182 and RGB 251 114 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 42 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 42 130 shade: RGB 178 42 130, RGB 161 24 111, RGB 144 6 92, RGB 127 0 73 and RGB 110 0 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 42 130 shade: RGB 177 41 129, RGB 177 41 92, RGB 177 41 56 and RGB 177 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 42 130 shade: RGB 177 41 129, RGB 177 41 166, RGB 152 41 177, RGB 115 41 177 and RGB 78 41 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 42 130 shade matches the following richer shades: RGB 177 41 129, RGB 195 23 134 and RGB 213 6 140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 42 130 shade: RGB 177 41 129, RGB 159 59 124, RGB 142 77 119, RGB 124 94 113 and RGB 106 112 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 42 130 shade: RGB 152 41 177, RGB 177 41 166, RGB 177 41 130, RGB 177 41 93 and RGB 177 41 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 42 130 shade: RGB 110 25 80, RGB 144 33 105, RGB 177 41 129, RGB 207 52 153 and RGB 215 86 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 42 130 shade: RGB 178 42 130, RGB 177 116 41 and RGB 41 177 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 42 130 shade: RGB 178 42 130, RGB 130 177 41 and RGB 41 130 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 42 130 shade: RGB 178 42 130, RGB 177 116 41, RGB 41 177 89 and RGB 41 102 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 42 130 shade: RGB 178 42 130, RGB 177 157 41, RGB 41 177 89 and RGB 41 62 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 27 / 30

HEX #B22A82

RGB 178 42 130

HSL 321.18, 0.62%, 0.43%

LAB 42.36, 61.01, -17.37

 

Complementary color

CMYK 64 / 0 / 41 / 16

HEX #4DD57D

RGB 77 213 125

HSL 141.18, 0.62%, 0.57%

LAB 76.46, -56.03, 32.9

 

CMYK 0 / 77 / 32 / 28

HEX #B72A7D

RGB 183 42 125

HSL 324.68, 0.63%, 0.44%

LAB 43.07, 61.68, -13.13

 

CMYK 0 / 70 / 28 / 22

HEX #C83C90

RGB 200 60 144

HSL 324, 0.56%, 0.51%

LAB 48.91, 62.39, -15.51

 

CMYK 0 / 64 / 25 / 15

HEX #D94EA3

RGB 217 78 163

HSL 323.31, 0.65%, 0.58%

LAB 54.91, 62.53, -17.38

 

CMYK 0 / 59 / 22 / 8

HEX #EA60B6

RGB 234 96 182

HSL 322.61, 0.77%, 0.65%

LAB 60.99, 62.3, -18.89

 

CMYK 0 / 55 / 20 / 2

HEX #FB72C9

RGB 251 114 201

HSL 321.9, 0.94%, 0.72%

LAB 67.1, 61.84, -20.13

 

CMYK 0 / 76 / 27 / 30

HEX #B22A82

RGB 178 42 130

HSL 321.18, 0.62%, 0.43%

LAB 42.36, 61.01, -17.37

 

CMYK 0 / 85 / 31 / 37

HEX #A1186F

RGB 161 24 111

HSL 321.9, 0.74%, 0.36%

LAB 36.7, 59.4, -14.47

 

CMYK 0 / 96 / 36 / 44

HEX #90065C

RGB 144 6 92

HSL 322.61, 0.92%, 0.29%

LAB 31.42, 56.46, -10.62

 

CMYK 0 / 100 / 43 / 50

HEX #7F0049

RGB 127 0 73

HSL 325.51, 1%, 0.25%

LAB 26.71, 51.57, -5.48

 

CMYK 0 / 100 / 51 / 57

HEX #6E0036

RGB 110 0 54

HSL 330.55, 1%, 0.22%

LAB 22.24, 45.73, 0.52

 

CMYK 0 / 77 / 27 / 31

HEX #B12981

RGB 177 41 129

HSL 321.18, 0.62%, 0.43%

LAB 42.03, 60.95, -17.27

 

CMYK 0 / 77 / 48 / 31

HEX #B1295C

RGB 177 41 92

HSL 337.5, 0.62%, 0.43%

LAB 40.74, 56.99, 3.89

 

CMYK 0 / 77 / 68 / 31

HEX #B12938

RGB 177 41 56

HSL 353.38, 0.62%, 0.43%

LAB 39.95, 54.44, 25.46

 

CMYK 0 / 77 / 77 / 31

HEX #B12929

RGB 177 41 41

HSL 0, 0.62%, 0.43%

LAB 39.74, 53.76, 34.25

 

CMYK 0 / 77 / 27 / 31

HEX #B12981

RGB 177 41 129

HSL 321.18, 0.62%, 0.43%

LAB 42.03, 60.95, -17.27

 

CMYK 0 / 77 / 6 / 31

HEX #B129A6

RGB 177 41 166

HSL 304.85, 0.62%, 0.43%

LAB 43.78, 66.1, -36.95

 

CMYK 14 / 77 / 0 / 31

HEX #9829B1

RGB 152 41 177

HSL 288.97, 0.62%, 0.43%

LAB 40.3, 62.8, -49.27

 

CMYK 35 / 77 / 0 / 31

HEX #7329B1

RGB 115 41 177

HSL 272.65, 0.62%, 0.43%

LAB 34.81, 55.9, -58.42

 

CMYK 56 / 77 / 0 / 31

HEX #4E29B1

RGB 78 41 177

HSL 256.32, 0.62%, 0.43%

LAB 30.35, 50.14, -65.9

 

CMYK 0 / 77 / 27 / 31

HEX #B12981

RGB 177 41 129

HSL 321.18, 0.62%, 0.43%

LAB 42.03, 60.95, -17.27

 

CMYK 0 / 88 / 31 / 24

HEX #C31786

RGB 195 23 134

HSL 321.28, 0.79%, 0.43%

LAB 44.14, 69.92, -16.81

 

CMYK 0 / 97 / 34 / 16

HEX #D5068C

RGB 213 6 140

HSL 321.16, 0.95%, 0.43%

LAB 47.2, 76.3, -15.49

 

CMYK 0 / 77 / 27 / 31

HEX #B12981

RGB 177 41 129

HSL 321.18, 0.62%, 0.43%

LAB 42.03, 60.95, -17.27

 

CMYK 0 / 63 / 22 / 38

HEX #9F3B7C

RGB 159 59 124

HSL 321, 0.46%, 0.43%

LAB 41.14, 48.59, -15.82

 

CMYK 0 / 46 / 16 / 44

HEX #8E4D77

RGB 142 77 119

HSL 321.23, 0.3%, 0.43%

LAB 41.83, 33.21, -11.94

 

CMYK 0 / 24 / 9 / 51

HEX #7C5E71

RGB 124 94 113

HSL 322, 0.14%, 0.43%

LAB 43.48, 15.58, -6.02

 

CMYK 5 / 0 / 4 / 56

HEX #6A706C

RGB 106 112 108

HSL 140, 0.03%, 0.43%

LAB 46.63, -3.11, 1.43

 

CMYK 14 / 77 / 0 / 31

HEX #9829B1

RGB 152 41 177

HSL 288.97, 0.62%, 0.43%

LAB 40.3, 62.8, -49.27

 

CMYK 0 / 77 / 6 / 31

HEX #B129A6

RGB 177 41 166

HSL 304.85, 0.62%, 0.43%

LAB 43.78, 66.1, -36.95

 

CMYK 0 / 77 / 27 / 31

HEX #B12982

RGB 177 41 130

HSL 320.74, 0.62%, 0.43%

LAB 42.07, 61.07, -17.83

 

CMYK 0 / 77 / 47 / 31

HEX #B1295D

RGB 177 41 93

HSL 337.06, 0.62%, 0.43%

LAB 40.77, 57.08, 3.3

 

CMYK 0 / 77 / 68 / 31

HEX #B12939

RGB 177 41 57

HSL 352.94, 0.62%, 0.43%

LAB 39.96, 54.5, 24.86

 

CMYK 0 / 77 / 27 / 57

HEX #6E1950

RGB 110 25 80

HSL 321.18, 0.63%, 0.26%

LAB 25.53, 42.15, -12.31

 

CMYK 0 / 77 / 27 / 44

HEX #902169

RGB 144 33 105

HSL 321.08, 0.63%, 0.35%

LAB 34.06, 51.97, -14.99

 

CMYK 0 / 77 / 27 / 31

HEX #B12981

RGB 177 41 129

HSL 321.18, 0.62%, 0.43%

LAB 42.03, 60.95, -17.27

 

CMYK 0 / 75 / 26 / 19

HEX #CF3499

RGB 207 52 153

HSL 320.9, 0.62%, 0.51%

LAB 49.52, 67.97, -19.85

 

CMYK 0 / 60 / 21 / 16

HEX #D756A9

RGB 215 86 169

HSL 321.4, 0.62%, 0.59%

LAB 56.05, 59.41, -19.16

 

CMYK 0 / 76 / 27 / 30

HEX #B22A82

RGB 178 42 130

HSL 321.18, 0.62%, 0.43%

LAB 42.36, 61.01, -17.37

 

CMYK 0 / 34 / 77 / 31

HEX #B17429

RGB 177 116 41

HSL 33.09, 0.62%, 0.43%

LAB 54.02, 17.57, 48.93

 

CMYK 77 / 0 / 4 / 31

HEX #29B1AA

RGB 41 177 170

HSL 176.91, 0.62%, 0.43%

LAB 65.61, -36.2, -6.59

 

CMYK 0 / 76 / 27 / 30

HEX #B22A82

RGB 178 42 130

HSL 321.18, 0.62%, 0.43%

LAB 42.36, 61.01, -17.37

 

CMYK 27 / 0 / 77 / 31

HEX #82B129

RGB 130 177 41

HSL 80.74, 0.62%, 0.43%

LAB 66.79, -35.08, 59.75

 

CMYK 77 / 27 / 0 / 31

HEX #2982B1

RGB 41 130 177

HSL 200.74, 0.62%, 0.43%

LAB 51.39, -9.71, -32.22

 

CMYK 0 / 76 / 27 / 30

HEX #B22A82

RGB 178 42 130

HSL 321.18, 0.62%, 0.43%

LAB 42.36, 61.01, -17.37

 

CMYK 0 / 34 / 77 / 31

HEX #B17429

RGB 177 116 41

HSL 33.09, 0.62%, 0.43%

LAB 54.02, 17.57, 48.93

 

CMYK 77 / 0 / 50 / 31

HEX #29B159

RGB 41 177 89

HSL 141.18, 0.62%, 0.43%

LAB 63.87, -54.8, 34.92

 

CMYK 77 / 42 / 0 / 31

HEX #2966B1

RGB 41 102 177

HSL 213.09, 0.62%, 0.43%

LAB 42.99, 7.28, -45.51

 

CMYK 0 / 76 / 27 / 30

HEX #B22A82

RGB 178 42 130

HSL 321.18, 0.62%, 0.43%

LAB 42.36, 61.01, -17.37

 

CMYK 0 / 11 / 77 / 31

HEX #B19D29

RGB 177 157 41

HSL 51.18, 0.62%, 0.43%

LAB 64.66, -5.03, 59.04

 

CMYK 77 / 0 / 50 / 31

HEX #29B159

RGB 41 177 89

HSL 141.18, 0.62%, 0.43%

LAB 63.87, -54.8, 34.92

 

CMYK 77 / 65 / 0 / 31

HEX #293EB1

RGB 41 62 177

HSL 230.74, 0.62%, 0.43%

LAB 32.01, 33.51, -63.28

 

Description

Color code: RGB 178 42 130 | qconv.com Color code: RGB 178 42 130 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 42 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 42 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 27 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 27% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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