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Color name
RGB 178 29 167

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 29 167 it is the complementary color RGB 77 226 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 29 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 29 167 shade: RGB 183 29 162, RGB 200 47 181, RGB 217 65 200, RGB 234 83 219 and RGB 251 101 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 29 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 29 167 shade: RGB 178 29 167, RGB 161 11 148, RGB 144 0 129, RGB 127 0 110 and RGB 110 0 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 29 167 shade: RGB 179 29 168, RGB 179 29 128, RGB 179 29 87, RGB 179 29 46 and RGB 179 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 29 167 shade: RGB 179 29 168, RGB 150 29 179, RGB 109 29 179, RGB 69 29 179 and RGB 29 29 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 29 167 shade matches the following richer shades: RGB 179 29 168 and RGB 196 12 183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 29 167 shade: RGB 179 29 168, RGB 162 46 154, RGB 145 63 139, RGB 129 80 125 and RGB 112 96 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 29 167 shade: RGB 109 29 179, RGB 149 29 179, RGB 179 29 169, RGB 179 29 129 and RGB 179 29 89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 29 167 shade: RGB 108 17 102, RGB 144 23 135, RGB 179 29 168, RGB 215 35 201 and RGB 224 67 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 29 167 shade: RGB 178 29 167, RGB 179 69 29 and RGB 29 179 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 29 167 shade: RGB 178 29 167, RGB 169 179 29 and RGB 29 169 179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 29 167 shade: RGB 178 29 167, RGB 179 69 29, RGB 29 179 39 and RGB 29 139 179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 29 167 shade: RGB 178 29 167, RGB 179 114 29, RGB 29 179 39 and RGB 29 94 179

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 6 / 30

HEX #B21DA7

RGB 178 29 167

HSL 304.43, 0.72%, 0.41%

LAB 42.96, 69.48, -38.82

 

Complementary color

CMYK 66 / 0 / 61 / 11

HEX #4DE258

RGB 77 226 88

HSL 124.43, 0.72%, 0.59%

LAB 80, -65.88, 54.77

 

CMYK 0 / 84 / 11 / 28

HEX #B71DA2

RGB 183 29 162

HSL 308.18, 0.73%, 0.42%

LAB 43.59, 69.76, -34.79

 

CMYK 0 / 77 / 10 / 22

HEX #C82FB5

RGB 200 47 181

HSL 307.45, 0.62%, 0.48%

LAB 49.07, 71.59, -37.2

 

CMYK 0 / 70 / 8 / 15

HEX #D941C8

RGB 217 65 200

HSL 306.71, 0.67%, 0.55%

LAB 54.76, 72.56, -39.06

 

CMYK 0 / 65 / 6 / 8

HEX #EA53DB

RGB 234 83 219

HSL 305.96, 0.78%, 0.62%

LAB 60.6, 72.95, -40.51

 

CMYK 0 / 60 / 5 / 2

HEX #FB65EE

RGB 251 101 238

HSL 305.2, 0.95%, 0.69%

LAB 66.51, 72.95, -41.66

 

CMYK 0 / 84 / 6 / 30

HEX #B21DA7

RGB 178 29 167

HSL 304.43, 0.72%, 0.41%

LAB 42.96, 69.48, -38.82

 

CMYK 0 / 93 / 8 / 37

HEX #A10B94

RGB 161 11 148

HSL 305.2, 0.87%, 0.34%

LAB 37.76, 66.47, -35.8

 

CMYK 0 / 100 / 10 / 44

HEX #900081

RGB 144 0 129

HSL 306.25, 1%, 0.28%

LAB 32.95, 61.97, -31.89

 

CMYK 0 / 100 / 13 / 50

HEX #7F006E

RGB 127 0 110

HSL 308.03, 1%, 0.25%

LAB 28.48, 56.06, -27.13

 

CMYK 0 / 100 / 17 / 57

HEX #6E005B

RGB 110 0 91

HSL 310.36, 1%, 0.22%

LAB 23.9, 50, -22.17

 

CMYK 0 / 84 / 6 / 30

HEX #B31DA8

RGB 179 29 168

HSL 304.4, 0.72%, 0.41%

LAB 43.2, 69.82, -39.04

 

CMYK 0 / 84 / 28 / 30

HEX #B31D80

RGB 179 29 128

HSL 320.4, 0.72%, 0.41%

LAB 41.25, 64.48, -17.82

 

CMYK 0 / 84 / 51 / 30

HEX #B31D57

RGB 179 29 87

HSL 336.8, 0.72%, 0.41%

LAB 39.83, 60.41, 5.8

 

CMYK 0 / 84 / 74 / 30

HEX #B31D2E

RGB 179 29 46

HSL 353.2, 0.72%, 0.41%

LAB 39, 57.94, 30.56

 

CMYK 0 / 84 / 84 / 30

HEX #B31D1D

RGB 179 29 29

HSL 0, 0.72%, 0.41%

LAB 38.81, 57.37, 40.16

 

CMYK 0 / 84 / 6 / 30

HEX #B31DA8

RGB 179 29 168

HSL 304.4, 0.72%, 0.41%

LAB 43.2, 69.82, -39.04

 

CMYK 16 / 84 / 0 / 30

HEX #961DB3

RGB 150 29 179

HSL 288.4, 0.72%, 0.41%

LAB 38.93, 66.25, -52.69

 

CMYK 39 / 84 / 0 / 30

HEX #6D1DB3

RGB 109 29 179

HSL 272, 0.72%, 0.41%

LAB 32.67, 59.72, -63.15

 

CMYK 61 / 84 / 0 / 30

HEX #451DB3

RGB 69 29 179

HSL 256, 0.72%, 0.41%

LAB 27.84, 54.91, -71.27

 

CMYK 84 / 84 / 0 / 30

HEX #1D1DB3

RGB 29 29 179

HSL 240, 0.72%, 0.41%

LAB 24.94, 52.15, -76.18

 

CMYK 0 / 84 / 6 / 30

HEX #B31DA8

RGB 179 29 168

HSL 304.4, 0.72%, 0.41%

LAB 43.2, 69.82, -39.04

 

CMYK 0 / 94 / 7 / 23

HEX #C40CB7

RGB 196 12 183

HSL 304.24, 0.88%, 0.41%

LAB 46.2, 77.7, -42.96

 

CMYK 0 / 84 / 6 / 30

HEX #B31DA8

RGB 179 29 168

HSL 304.4, 0.72%, 0.41%

LAB 43.2, 69.82, -39.04

 

CMYK 0 / 72 / 5 / 36

HEX #A22E9A

RGB 162 46 154

HSL 304.14, 0.56%, 0.41%

LAB 41.17, 59.24, -34.05

 

CMYK 0 / 57 / 4 / 43

HEX #913F8B

RGB 145 63 139

HSL 304.39, 0.39%, 0.41%

LAB 40.31, 45.03, -26.48

 

CMYK 0 / 38 / 3 / 49

HEX #81507D

RGB 129 80 125

HSL 304.9, 0.23%, 0.41%

LAB 41.03, 28.06, -16.99

 

CMYK 0 / 14 / 1 / 56

HEX #70606F

RGB 112 96 111

HSL 303.75, 0.08%, 0.41%

LAB 42.7, 9.36, -6.1

 

CMYK 39 / 84 / 0 / 30

HEX #6D1DB3

RGB 109 29 179

HSL 272, 0.72%, 0.41%

LAB 32.67, 59.72, -63.15

 

CMYK 17 / 84 / 0 / 30

HEX #951DB3

RGB 149 29 179

HSL 288, 0.72%, 0.41%

LAB 38.77, 66.07, -52.96

 

CMYK 0 / 84 / 6 / 30

HEX #B31DA9

RGB 179 29 169

HSL 304, 0.72%, 0.41%

LAB 43.25, 69.97, -39.55

 

CMYK 0 / 84 / 28 / 30

HEX #B31D81

RGB 179 29 129

HSL 320, 0.72%, 0.41%

LAB 41.29, 64.6, -18.37

 

CMYK 0 / 84 / 50 / 30

HEX #B31D59

RGB 179 29 89

HSL 336, 0.72%, 0.41%

LAB 39.89, 60.57, 4.61

 

CMYK 0 / 84 / 6 / 58

HEX #6C1166

RGB 108 17 102

HSL 303.96, 0.73%, 0.25%

LAB 25.41, 47.57, -27.05

 

CMYK 0 / 84 / 6 / 44

HEX #901787

RGB 144 23 135

HSL 304.46, 0.72%, 0.33%

LAB 34.58, 59.09, -33.04

 

CMYK 0 / 84 / 6 / 30

HEX #B31DA8

RGB 179 29 168

HSL 304.4, 0.72%, 0.41%

LAB 43.2, 69.82, -39.04

 

CMYK 0 / 84 / 7 / 16

HEX #D723C9

RGB 215 35 201

HSL 304.67, 0.72%, 0.49%

LAB 51.69, 80.33, -44.52

 

CMYK 0 / 70 / 5 / 12

HEX #E043D4

RGB 224 67 212

HSL 304.59, 0.72%, 0.57%

LAB 56.7, 75.28, -42.79

 

CMYK 0 / 84 / 6 / 30

HEX #B21DA7

RGB 178 29 167

HSL 304.43, 0.72%, 0.41%

LAB 42.96, 69.48, -38.82

 

CMYK 0 / 61 / 84 / 30

HEX #B3451D

RGB 179 69 29

HSL 16, 0.72%, 0.41%

LAB 44.13, 42.8, 45.01

 

CMYK 84 / 0 / 28 / 30

HEX #1DB381

RGB 29 179 129

HSL 160, 0.72%, 0.41%

LAB 65.03, -48.98, 15.21

 

CMYK 0 / 84 / 6 / 30

HEX #B21DA7

RGB 178 29 167

HSL 304.43, 0.72%, 0.41%

LAB 42.96, 69.48, -38.82

 

CMYK 6 / 0 / 84 / 30

HEX #A9B31D

RGB 169 179 29

HSL 64, 0.72%, 0.41%

LAB 70.01, -20.37, 67.02

 

CMYK 84 / 6 / 0 / 30

HEX #1DA9B3

RGB 29 169 179

HSL 184, 0.72%, 0.41%

LAB 63.25, -30.8, -15.15

 

CMYK 0 / 84 / 6 / 30

HEX #B21DA7

RGB 178 29 167

HSL 304.43, 0.72%, 0.41%

LAB 42.96, 69.48, -38.82

 

CMYK 0 / 61 / 84 / 30

HEX #B3451D

RGB 179 69 29

HSL 16, 0.72%, 0.41%

LAB 44.13, 42.8, 45.01

 

CMYK 84 / 0 / 78 / 30

HEX #1DB327

RGB 29 179 39

HSL 124, 0.72%, 0.41%

LAB 63.87, -62.61, 56.37

 

CMYK 84 / 22 / 0 / 30

HEX #1D8BB3

RGB 29 139 179

HSL 196, 0.72%, 0.41%

LAB 54.01, -15.28, -29.31

 

CMYK 0 / 84 / 6 / 30

HEX #B21DA7

RGB 178 29 167

HSL 304.43, 0.72%, 0.41%

LAB 42.96, 69.48, -38.82

 

CMYK 0 / 36 / 84 / 30

HEX #B3721D

RGB 179 114 29

HSL 34, 0.72%, 0.41%

LAB 53.71, 19.13, 53.47

 

CMYK 84 / 0 / 78 / 30

HEX #1DB327

RGB 29 179 39

HSL 124, 0.72%, 0.41%

LAB 63.87, -62.61, 56.37

 

CMYK 84 / 47 / 0 / 30

HEX #1D5EB3

RGB 29 94 179

HSL 214, 0.72%, 0.41%

LAB 40.44, 11.96, -50.77

 

Description

Color code: RGB 178 29 167 | qconv.com Color code: RGB 178 29 167 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 29 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 29 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 6 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 6% 30% C M Y K

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Provide designers and agencies with accurate color values.

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