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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 16 222 it is the complementary color RGB 77 239 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 16 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 16 222 shade: RGB 183 16 217, RGB 200 34 236, RGB 217 52 255, RGB 234 70 255 and RGB 251 88 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 16 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 16 222 shade: RGB 178 16 222, RGB 161 0 203, RGB 144 0 184, RGB 127 0 165 and RGB 110 0 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 16 222 shade: RGB 179 15 224, RGB 224 15 212, RGB 224 15 156, RGB 224 15 99 and RGB 224 15 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 16 222 shade: RGB 179 15 224, RGB 123 15 224, RGB 67 15 224 and RGB 15 15 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 16 222 shade matches the following richer shades: RGB 179 15 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 16 222 shade: RGB 179 15 224, RGB 168 34 204, RGB 157 54 185, RGB 146 73 165 and RGB 135 93 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 16 222 shade: RGB 67 15 224, RGB 123 15 224, RGB 178 15 224, RGB 224 15 213 and RGB 224 15 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 16 222 shade: RGB 117 10 146, RGB 148 12 185, RGB 179 15 224, RGB 197 40 240 and RGB 207 79 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 16 222 shade: RGB 178 16 222, RGB 224 15 19 and RGB 15 224 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 16 222 shade: RGB 178 16 222, RGB 224 178 15 and RGB 15 224 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 16 222 shade: RGB 178 16 222, RGB 224 15 19, RGB 60 224 15 and RGB 15 224 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 16 222 shade: RGB 178 16 222, RGB 224 74 15, RGB 60 224 15 and RGB 15 165 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 93 / 0 / 13

HEX #B210DE

RGB 178 16 222

HSL 287.18, 0.87%, 0.47%

LAB 45.78, 80.55, -66.38

 

Complementary color

CMYK 68 / 0 / 86 / 6

HEX #4DEF21

RGB 77 239 33

HSL 107.18, 0.87%, 0.53%

LAB 83.66, -73.95, 76.27

 

CMYK 16 / 93 / 0 / 15

HEX #B710D9

RGB 183 16 217

HSL 289.85, 0.86%, 0.46%

LAB 46.24, 80.41, -62.74

 

CMYK 15 / 86 / 0 / 7

HEX #C822EC

RGB 200 34 236

HSL 289.31, 0.84%, 0.53%

LAB 51.24, 83.38, -65.31

 

CMYK 15 / 80 / 0 / 0

HEX #D934FF

RGB 217 52 255

HSL 288.77, 1%, 0.6%

LAB 56.51, 85.32, -67.29

 

CMYK 8 / 73 / 0 / 0

HEX #EA46FF

RGB 234 70 255

HSL 293.19, 1%, 0.64%

LAB 60.86, 83.25, -60.16

 

CMYK 2 / 65 / 0 / 0

HEX #FB58FF

RGB 251 88 255

HSL 298.56, 1%, 0.67%

LAB 65.52, 80.66, -52.6

 

CMYK 20 / 93 / 0 / 13

HEX #B210DE

RGB 178 16 222

HSL 287.18, 0.87%, 0.47%

LAB 45.78, 80.55, -66.38

 

CMYK 21 / 100 / 0 / 20

HEX #A100CB

RGB 161 0 203

HSL 287.59, 1%, 0.4%

LAB 41.04, 76.53, -63.27

 

CMYK 22 / 100 / 0 / 28

HEX #9000B8

RGB 144 0 184

HSL 286.96, 1%, 0.36%

LAB 36.72, 70.89, -59.27

 

CMYK 23 / 100 / 0 / 35

HEX #7F00A5

RGB 127 0 165

HSL 286.18, 1%, 0.32%

LAB 32.32, 65.14, -55.2

 

CMYK 25 / 100 / 0 / 43

HEX #6E0092

RGB 110 0 146

HSL 285.21, 1%, 0.29%

LAB 27.82, 59.27, -51.06

 

CMYK 20 / 93 / 0 / 12

HEX #B30FE0

RGB 179 15 224

HSL 287.08, 0.87%, 0.47%

LAB 46.05, 81.15, -67.08

 

CMYK 0 / 93 / 5 / 12

HEX #E00FD4

RGB 224 15 212

HSL 303.44, 0.87%, 0.47%

LAB 52.89, 86.3, -48.83

 

CMYK 0 / 93 / 30 / 12

HEX #E00F9C

RGB 224 15 156

HSL 319.52, 0.87%, 0.47%

LAB 50.2, 79.43, -20.33

 

CMYK 0 / 93 / 56 / 12

HEX #E00F63

RGB 224 15 99

HSL 335.89, 0.87%, 0.47%

LAB 48.37, 74.53, 11.62

 

CMYK 0 / 93 / 81 / 12

HEX #E00F2B

RGB 224 15 43

HSL 351.96, 0.87%, 0.47%

LAB 47.45, 71.97, 44.08

 

CMYK 20 / 93 / 0 / 12

HEX #B30FE0

RGB 179 15 224

HSL 287.08, 0.87%, 0.47%

LAB 46.05, 81.15, -67.08

 

CMYK 45 / 93 / 0 / 12

HEX #7B0FE0

RGB 123 15 224

HSL 271, 0.87%, 0.47%

LAB 37.72, 74.46, -81.04

 

CMYK 70 / 93 / 0 / 12

HEX #430FE0

RGB 67 15 224

HSL 254.93, 0.87%, 0.47%

LAB 31.62, 70.49, -91.35

 

CMYK 93 / 93 / 0 / 12

HEX #0F0FE0

RGB 15 15 224

HSL 240, 0.87%, 0.47%

LAB 28.97, 69.12, -95.84

 

CMYK 20 / 93 / 0 / 12

HEX #B30FE0

RGB 179 15 224

HSL 287.08, 0.87%, 0.47%

LAB 46.05, 81.15, -67.08

 

CMYK 20 / 93 / 0 / 12

HEX #B30FE0

RGB 179 15 224

HSL 287.08, 0.87%, 0.47%

LAB 46.05, 81.15, -67.08

 

CMYK 18 / 83 / 0 / 20

HEX #A822CC

RGB 168 34 204

HSL 287.29, 0.71%, 0.47%

LAB 43.99, 72.62, -59.02

 

CMYK 15 / 71 / 0 / 27

HEX #9D36B9

RGB 157 54 185

HSL 287.18, 0.55%, 0.47%

LAB 43.23, 60.66, -49.26

 

CMYK 12 / 56 / 0 / 35

HEX #9249A5

RGB 146 73 165

HSL 287.61, 0.39%, 0.47%

LAB 43.64, 45.32, -36.87

 

CMYK 8 / 36 / 0 / 43

HEX #875D92

RGB 135 93 146

HSL 287.55, 0.22%, 0.47%

LAB 45.71, 26.85, -22.42

 

CMYK 70 / 93 / 0 / 12

HEX #430FE0

RGB 67 15 224

HSL 254.93, 0.87%, 0.47%

LAB 31.62, 70.49, -91.35

 

CMYK 45 / 93 / 0 / 12

HEX #7B0FE0

RGB 123 15 224

HSL 271, 0.87%, 0.47%

LAB 37.72, 74.46, -81.04

 

CMYK 21 / 93 / 0 / 12

HEX #B20FE0

RGB 178 15 224

HSL 286.79, 0.87%, 0.47%

LAB 45.89, 81.01, -67.35

 

CMYK 0 / 93 / 5 / 12

HEX #E00FD5

RGB 224 15 213

HSL 303.16, 0.87%, 0.47%

LAB 52.94, 86.44, -49.31

 

CMYK 0 / 93 / 29 / 12

HEX #E00F9E

RGB 224 15 158

HSL 318.95, 0.87%, 0.47%

LAB 50.28, 79.65, -21.4

 

CMYK 20 / 93 / 0 / 43

HEX #750A92

RGB 117 10 146

HSL 287.21, 0.87%, 0.31%

LAB 29.6, 58.62, -48.11

 

CMYK 20 / 94 / 0 / 27

HEX #940CB9

RGB 148 12 185

HSL 287.17, 0.88%, 0.39%

LAB 37.95, 70.2, -57.84

 

CMYK 20 / 93 / 0 / 12

HEX #B30FE0

RGB 179 15 224

HSL 287.08, 0.87%, 0.47%

LAB 46.05, 81.15, -67.08

 

CMYK 18 / 83 / 0 / 6

HEX #C528F0

RGB 197 40 240

HSL 287.1, 0.87%, 0.55%

LAB 51.47, 82.34, -67.21

 

CMYK 14 / 67 / 0 / 5

HEX #CF4FF2

RGB 207 79 242

HSL 287.12, 0.86%, 0.63%

LAB 57.34, 72.31, -58.81

 

CMYK 20 / 93 / 0 / 13

HEX #B210DE

RGB 178 16 222

HSL 287.18, 0.87%, 0.47%

LAB 45.78, 80.55, -66.38

 

CMYK 0 / 93 / 92 / 12

HEX #E00F13

RGB 224 15 19

HSL 358.85, 0.87%, 0.47%

LAB 47.28, 71.51, 55.35

 

CMYK 93 / 0 / 58 / 12

HEX #0FE05F

RGB 15 224 95

HSL 142.97, 0.87%, 0.47%

LAB 78.6, -71.47, 49.85

 

CMYK 20 / 93 / 0 / 13

HEX #B210DE

RGB 178 16 222

HSL 287.18, 0.87%, 0.47%

LAB 45.78, 80.55, -66.38

 

CMYK 0 / 21 / 93 / 12

HEX #E0B20F

RGB 224 178 15

HSL 46.79, 0.87%, 0.47%

LAB 74.65, 3.95, 75.42

 

CMYK 93 / 0 / 21 / 12

HEX #0FE0B2

RGB 15 224 178

HSL 166.79, 0.87%, 0.47%

LAB 79.97, -55.66, 9.93

 

CMYK 20 / 93 / 0 / 13

HEX #B210DE

RGB 178 16 222

HSL 287.18, 0.87%, 0.47%

LAB 45.78, 80.55, -66.38

 

CMYK 0 / 93 / 92 / 12

HEX #E00F13

RGB 224 15 19

HSL 358.85, 0.87%, 0.47%

LAB 47.28, 71.51, 55.35

 

CMYK 73 / 0 / 93 / 12

HEX #3CE00F

RGB 60 224 15

HSL 107.08, 0.87%, 0.47%

LAB 78.64, -72.86, 74.7

 

CMYK 93 / 0 / 2 / 12

HEX #0FE0DC

RGB 15 224 220

HSL 178.85, 0.87%, 0.47%

LAB 81.06, -44.39, -10.78

 

CMYK 20 / 93 / 0 / 13

HEX #B210DE

RGB 178 16 222

HSL 287.18, 0.87%, 0.47%

LAB 45.78, 80.55, -66.38

 

CMYK 0 / 67 / 93 / 12

HEX #E04A0F

RGB 224 74 15

HSL 16.94, 0.87%, 0.47%

LAB 52.71, 56.25, 60.07

 

CMYK 73 / 0 / 93 / 12

HEX #3CE00F

RGB 60 224 15

HSL 107.08, 0.87%, 0.47%

LAB 78.64, -72.86, 74.7

 

CMYK 93 / 26 / 0 / 12

HEX #0FA5E0

RGB 15 165 224

HSL 196.94, 0.87%, 0.47%

LAB 63.67, -14.28, -39.54

 

Description

Color code: RGB 178 16 222 | qconv.com Color code: RGB 178 16 222 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 16 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 16 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 93 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 93% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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