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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 130 146 it is the complementary color RGB 77 125 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 130 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 130 146 shade: RGB 183 130 141, RGB 200 148 160, RGB 217 166 179, RGB 234 184 198 and RGB 251 202 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 130 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 130 146 shade: RGB 178 130 146, RGB 161 112 127, RGB 144 94 108, RGB 127 76 89 and RGB 110 58 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 130 146 shade: RGB 177 128 144, RGB 177 128 131 and RGB 177 128 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 130 146 shade: RGB 177 128 144, RGB 177 128 158, RGB 177 128 171, RGB 170 128 177 and RGB 157 128 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 130 146 shade matches the following richer shades: RGB 177 128 144, RGB 193 112 139, RGB 210 95 133, RGB 226 79 128 and RGB 243 62 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 130 146 shade: RGB 177 128 144, RGB 160 145 150, RGB 144 161 155, RGB 127 178 161 and RGB 111 194 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 130 146 shade: RGB 177 128 170, RGB 177 128 157, RGB 177 128 144, RGB 177 128 131 and RGB 177 138 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 130 146 shade: RGB 138 84 102, RGB 161 102 122, RGB 177 128 144, RGB 193 154 167 and RGB 208 179 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 130 146 shade: RGB 178 130 146, RGB 177 170 128 and RGB 128 164 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 130 146 shade: RGB 178 130 146, RGB 144 177 128 and RGB 128 144 177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 130 146 shade: RGB 178 130 146, RGB 177 170 128, RGB 128 177 161 and RGB 128 135 177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 130 146 shade: RGB 178 130 146, RGB 169 177 128, RGB 128 177 161 and RGB 136 128 177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 18 / 30

HEX #B28292

RGB 178 130 146

HSL 340, 0.24%, 0.6%

LAB 59.44, 20.96, -1.28

 

Complementary color

CMYK 38 / 0 / 13 / 51

HEX #4D7D6D

RGB 77 125 109

HSL 160, 0.24%, 0.4%

LAB 48.7, -20.23, 3.59

 

CMYK 0 / 29 / 23 / 28

HEX #B7828D

RGB 183 130 141

HSL 347.55, 0.27%, 0.61%

LAB 59.85, 22.05, 2.25

 

CMYK 0 / 26 / 20 / 22

HEX #C894A0

RGB 200 148 160

HSL 346.15, 0.32%, 0.68%

LAB 66.52, 21.36, 1.39

 

CMYK 0 / 24 / 18 / 15

HEX #D9A6B3

RGB 217 166 179

HSL 344.71, 0.4%, 0.75%

LAB 73.08, 20.72, 0.59

 

CMYK 0 / 21 / 15 / 8

HEX #EAB8C6

RGB 234 184 198

HSL 343.2, 0.54%, 0.82%

LAB 79.53, 20.15, -0.15

 

CMYK 0 / 20 / 14 / 2

HEX #FBCAD9

RGB 251 202 217

HSL 341.63, 0.86%, 0.89%

LAB 85.89, 19.62, -0.85

 

CMYK 0 / 27 / 18 / 30

HEX #B28292

RGB 178 130 146

HSL 340, 0.24%, 0.6%

LAB 59.44, 20.96, -1.28

 

CMYK 0 / 30 / 21 / 37

HEX #A1707F

RGB 161 112 127

HSL 341.63, 0.21%, 0.54%

LAB 52.62, 21.68, -0.45

 

CMYK 0 / 35 / 25 / 44

HEX #905E6C

RGB 144 94 108

HSL 343.2, 0.21%, 0.47%

LAB 45.66, 22.48, 0.49

 

CMYK 0 / 40 / 30 / 50

HEX #7F4C59

RGB 127 76 89

HSL 344.71, 0.25%, 0.4%

LAB 38.55, 23.39, 1.58

 

CMYK 0 / 47 / 36 / 57

HEX #6E3A46

RGB 110 58 70

HSL 346.15, 0.31%, 0.33%

LAB 31.31, 24.39, 2.9

 

CMYK 0 / 28 / 19 / 31

HEX #B18090

RGB 177 128 144

HSL 340.41, 0.24%, 0.6%

LAB 58.79, 21.38, -1.1

 

CMYK 0 / 28 / 26 / 31

HEX #B18083

RGB 177 128 131

HSL 356.33, 0.24%, 0.6%

LAB 58.44, 19.38, 5.88

 

CMYK 0 / 28 / 28 / 31

HEX #B18080

RGB 177 128 128

HSL 0, 0.24%, 0.6%

LAB 58.36, 18.95, 7.5

 

CMYK 0 / 28 / 19 / 31

HEX #B18090

RGB 177 128 144

HSL 340.41, 0.24%, 0.6%

LAB 58.79, 21.38, -1.1

 

CMYK 0 / 28 / 11 / 31

HEX #B1809E

RGB 177 128 158

HSL 323.27, 0.24%, 0.6%

LAB 59.21, 23.74, -8.52

 

CMYK 0 / 28 / 3 / 31

HEX #B180AB

RGB 177 128 171

HSL 307.35, 0.24%, 0.6%

LAB 59.64, 26.1, -15.32

 

CMYK 4 / 28 / 0 / 31

HEX #AA80B1

RGB 170 128 177

HSL 291.43, 0.24%, 0.6%

LAB 59.12, 24.88, -19.61

 

CMYK 11 / 28 / 0 / 31

HEX #9D80B1

RGB 157 128 177

HSL 275.51, 0.24%, 0.6%

LAB 57.83, 20.53, -21.7

 

CMYK 0 / 28 / 19 / 31

HEX #B18090

RGB 177 128 144

HSL 340.41, 0.24%, 0.6%

LAB 58.79, 21.38, -1.1

 

CMYK 0 / 42 / 28 / 24

HEX #C1708B

RGB 193 112 139

HSL 340, 0.4%, 0.6%

LAB 56.87, 35.35, -0.78

 

CMYK 0 / 55 / 37 / 18

HEX #D25F85

RGB 210 95 133

HSL 340.17, 0.56%, 0.6%

LAB 55.66, 49.16, 1.25

 

CMYK 0 / 65 / 43 / 11

HEX #E24F80

RGB 226 79 128

HSL 340, 0.72%, 0.6%

LAB 55.4, 60.77, 4.13

 

CMYK 0 / 74 / 50 / 5

HEX #F33E7A

RGB 243 62 122

HSL 340.11, 0.88%, 0.6%

LAB 55.99, 71.12, 8.94

 

CMYK 0 / 28 / 19 / 31

HEX #B18090

RGB 177 128 144

HSL 340.41, 0.24%, 0.6%

LAB 58.79, 21.38, -1.1

 

CMYK 0 / 9 / 6 / 37

HEX #A09196

RGB 160 145 150

HSL 340, 0.07%, 0.6%

LAB 61.59, 6.47, -0.62

 

CMYK 11 / 0 / 4 / 37

HEX #90A19B

RGB 144 161 155

HSL 158.82, 0.08%, 0.6%

LAB 64.79, -7.19, 1.07

 

CMYK 29 / 0 / 10 / 30

HEX #7FB2A1

RGB 127 178 161

HSL 160, 0.25%, 0.6%

LAB 68.7, -20.51, 3.28

 

CMYK 43 / 0 / 14 / 24

HEX #6FC2A6

RGB 111 194 166

HSL 159.76, 0.4%, 0.6%

LAB 72.7, -31.89, 6.22

 

CMYK 0 / 28 / 4 / 31

HEX #B180AA

RGB 177 128 170

HSL 308.57, 0.24%, 0.6%

LAB 59.61, 25.91, -14.8

 

CMYK 0 / 28 / 11 / 31

HEX #B1809D

RGB 177 128 157

HSL 324.49, 0.24%, 0.6%

LAB 59.18, 23.57, -8

 

CMYK 0 / 28 / 19 / 31

HEX #B18090

RGB 177 128 144

HSL 340.41, 0.24%, 0.6%

LAB 58.79, 21.38, -1.1

 

CMYK 0 / 28 / 26 / 31

HEX #B18083

RGB 177 128 131

HSL 356.33, 0.24%, 0.6%

LAB 58.44, 19.38, 5.88

 

CMYK 0 / 22 / 28 / 31

HEX #B18A80

RGB 177 138 128

HSL 12.24, 0.24%, 0.6%

LAB 60.85, 13.33, 11.03

 

CMYK 0 / 39 / 26 / 46

HEX #8A5466

RGB 138 84 102

HSL 340, 0.24%, 0.44%

LAB 42.31, 25.02, -0.83

 

CMYK 0 / 37 / 24 / 37

HEX #A1667A

RGB 161 102 122

HSL 339.66, 0.24%, 0.52%

LAB 50.08, 26.58, -1.2

 

CMYK 0 / 28 / 19 / 31

HEX #B18090

RGB 177 128 144

HSL 340.41, 0.24%, 0.6%

LAB 58.79, 21.38, -1.1

 

CMYK 0 / 20 / 13 / 24

HEX #C19AA7

RGB 193 154 167

HSL 340, 0.24%, 0.68%

LAB 67.46, 16.6, -1.25

 

CMYK 0 / 14 / 9 / 18

HEX #D0B3BD

RGB 208 179 189

HSL 339.31, 0.24%, 0.76%

LAB 75.65, 12.09, -1.22

 

CMYK 0 / 27 / 18 / 30

HEX #B28292

RGB 178 130 146

HSL 340, 0.24%, 0.6%

LAB 59.44, 20.96, -1.28

 

CMYK 0 / 4 / 28 / 31

HEX #B1AA80

RGB 177 170 128

HSL 51.43, 0.24%, 0.6%

LAB 69.22, -4.23, 22.61

 

CMYK 28 / 7 / 0 / 31

HEX #80A4B1

RGB 128 164 177

HSL 195.92, 0.24%, 0.6%

LAB 65.21, -9.19, -10.73

 

CMYK 0 / 27 / 18 / 30

HEX #B28292

RGB 178 130 146

HSL 340, 0.24%, 0.6%

LAB 59.44, 20.96, -1.28

 

CMYK 19 / 0 / 28 / 31

HEX #90B180

RGB 144 177 128

HSL 100.41, 0.24%, 0.6%

LAB 68.7, -20.48, 21.49

 

CMYK 28 / 19 / 0 / 31

HEX #8090B1

RGB 128 144 177

HSL 220.41, 0.24%, 0.6%

LAB 59.63, 1.94, -19.17

 

CMYK 0 / 27 / 18 / 30

HEX #B28292

RGB 178 130 146

HSL 340, 0.24%, 0.6%

LAB 59.44, 20.96, -1.28

 

CMYK 0 / 4 / 28 / 31

HEX #B1AA80

RGB 177 170 128

HSL 51.43, 0.24%, 0.6%

LAB 69.22, -4.23, 22.61

 

CMYK 28 / 0 / 9 / 31

HEX #80B1A1

RGB 128 177 161

HSL 160.41, 0.24%, 0.6%

LAB 68.47, -19.69, 2.95

 

CMYK 28 / 24 / 0 / 31

HEX #8087B1

RGB 128 135 177

HSL 231.43, 0.24%, 0.6%

LAB 57.16, 7.12, -22.93

 

CMYK 0 / 27 / 18 / 30

HEX #B28292

RGB 178 130 146

HSL 340, 0.24%, 0.6%

LAB 59.44, 20.96, -1.28

 

CMYK 5 / 0 / 28 / 31

HEX #A9B180

RGB 169 177 128

HSL 69.8, 0.24%, 0.6%

LAB 70.48, -11.07, 24.2

 

CMYK 28 / 0 / 9 / 31

HEX #80B1A1

RGB 128 177 161

HSL 160.41, 0.24%, 0.6%

LAB 68.47, -19.69, 2.95

 

CMYK 23 / 28 / 0 / 31

HEX #8880B1

RGB 136 128 177

HSL 249.8, 0.24%, 0.6%

LAB 55.93, 13.71, -24.77

 

Description

Color code: RGB 178 130 146 | qconv.com Color code: RGB 178 130 146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 130 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 130 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 18 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 18% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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