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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 139 231 it is the complementary color RGB 77 116 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 139 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 139 231 shade: RGB 183 139 226, RGB 200 157 245, RGB 217 175 255, RGB 234 193 255 and RGB 251 211 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 139 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 139 231 shade: RGB 178 139 231, RGB 161 121 212, RGB 144 103 193, RGB 127 85 174 and RGB 110 67 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 139 231 shade: RGB 179 140 231, RGB 203 140 231, RGB 228 140 231, RGB 231 140 210 and RGB 231 140 185

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 139 231 shade: RGB 179 140 231, RGB 154 140 231 and RGB 140 140 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 139 231 shade matches the following richer shades: RGB 179 140 231, RGB 177 129 242 and RGB 175 118 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 139 231 shade: RGB 179 140 231, RGB 180 151 220, RGB 182 162 209, RGB 184 174 198 and RGB 186 185 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 139 231 shade: RGB 140 151 231, RGB 154 140 231, RGB 178 140 231, RGB 202 140 231 and RGB 227 140 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 139 231 shade: RGB 133 72 217, RGB 156 106 224, RGB 179 140 231, RGB 201 174 238 and RGB 224 209 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 139 231 shade: RGB 178 139 231, RGB 231 140 175 and RGB 140 231 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 139 231 shade: RGB 178 139 231, RGB 231 178 140 and RGB 140 231 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 139 231 shade: RGB 178 139 231, RGB 231 140 175, RGB 193 231 140 and RGB 140 231 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 139 231 shade: RGB 178 139 231, RGB 231 140 148, RGB 193 231 140 and RGB 140 231 224

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 40 / 0 / 9

HEX #B28BE7

RGB 178 139 231

HSL 265.43, 0.66%, 0.73%

LAB 64.72, 32.94, -41.21

 

Complementary color

CMYK 34 / 0 / 79 / 55

HEX #4D7418

RGB 77 116 24

HSL 85.43, 0.66%, 0.27%

LAB 44.43, -28.65, 43.16

 

CMYK 19 / 38 / 0 / 11

HEX #B78BE2

RGB 183 139 226

HSL 270.34, 0.6%, 0.72%

LAB 64.98, 33.25, -38.01

 

CMYK 18 / 36 / 0 / 4

HEX #C89DF5

RGB 200 157 245

HSL 269.32, 0.81%, 0.79%

LAB 71.55, 32.52, -38.08

 

CMYK 15 / 31 / 0 / 0

HEX #D9AFFF

RGB 217 175 255

HSL 271.5, 1%, 0.84%

LAB 77.66, 29.93, -33.9

 

CMYK 8 / 24 / 0 / 0

HEX #EAC1FF

RGB 234 193 255

HSL 279.68, 1%, 0.88%

LAB 83.36, 25.49, -25.01

 

CMYK 2 / 17 / 0 / 0

HEX #FBD3FF

RGB 251 211 255

HSL 294.55, 1%, 0.91%

LAB 89.07, 21.4, -16.23

 

CMYK 23 / 40 / 0 / 9

HEX #B28BE7

RGB 178 139 231

HSL 265.43, 0.66%, 0.73%

LAB 64.72, 32.94, -41.21

 

CMYK 24 / 43 / 0 / 17

HEX #A179D4

RGB 161 121 212

HSL 266.37, 0.51%, 0.65%

LAB 58.04, 33.76, -41.21

 

CMYK 25 / 47 / 0 / 24

HEX #9067C1

RGB 144 103 193

HSL 267.33, 0.42%, 0.58%

LAB 51.24, 34.64, -41.23

 

CMYK 27 / 51 / 0 / 32

HEX #7F55AE

RGB 127 85 174

HSL 268.31, 0.35%, 0.51%

LAB 44.33, 35.58, -41.26

 

CMYK 29 / 57 / 0 / 39

HEX #6E439B

RGB 110 67 155

HSL 269.32, 0.4%, 0.44%

LAB 37.29, 36.56, -41.26

 

CMYK 23 / 39 / 0 / 9

HEX #B38CE7

RGB 179 140 231

HSL 265.71, 0.65%, 0.73%

LAB 65.05, 32.67, -40.69

 

CMYK 12 / 39 / 0 / 9

HEX #CB8CE7

RGB 203 140 231

HSL 281.54, 0.65%, 0.73%

LAB 67.44, 39.69, -36.78

 

CMYK 1 / 39 / 0 / 9

HEX #E48CE7

RGB 228 140 231

HSL 298.02, 0.65%, 0.73%

LAB 70.19, 47.15, -32.3

 

CMYK 0 / 39 / 9 / 9

HEX #E78CD2

RGB 231 140 210

HSL 313.85, 0.65%, 0.73%

LAB 69.75, 44.41, -21.35

 

CMYK 0 / 39 / 20 / 9

HEX #E78CB9

RGB 231 140 185

HSL 330.33, 0.65%, 0.73%

LAB 68.93, 40.46, -8.67

 

CMYK 23 / 39 / 0 / 9

HEX #B38CE7

RGB 179 140 231

HSL 265.71, 0.65%, 0.73%

LAB 65.05, 32.67, -40.69

 

CMYK 33 / 39 / 0 / 9

HEX #9A8CE7

RGB 154 140 231

HSL 249.23, 0.65%, 0.73%

LAB 62.84, 25.68, -44.32

 

CMYK 39 / 39 / 0 / 9

HEX #8C8CE7

RGB 140 140 231

HSL 240, 0.65%, 0.73%

LAB 61.74, 21.98, -46.12

 

CMYK 23 / 39 / 0 / 9

HEX #B38CE7

RGB 179 140 231

HSL 265.71, 0.65%, 0.73%

LAB 65.05, 32.67, -40.69

 

CMYK 27 / 47 / 0 / 5

HEX #B181F2

RGB 177 129 242

HSL 265.49, 0.81%, 0.73%

LAB 62.89, 40.81, -50.18

 

CMYK 31 / 53 / 0 / 1

HEX #AF76FD

RGB 175 118 253

HSL 265.33, 0.97%, 0.73%

LAB 60.92, 48.92, -59.38

 

CMYK 23 / 39 / 0 / 9

HEX #B38CE7

RGB 179 140 231

HSL 265.71, 0.65%, 0.73%

LAB 65.05, 32.67, -40.69

 

CMYK 18 / 31 / 0 / 14

HEX #B497DC

RGB 180 151 220

HSL 265.22, 0.5%, 0.73%

LAB 67.28, 24.3, -31.14

 

CMYK 13 / 22 / 0 / 18

HEX #B6A2D1

RGB 182 162 209

HSL 265.53, 0.34%, 0.73%

LAB 69.75, 16.37, -21.26

 

CMYK 7 / 12 / 0 / 22

HEX #B8AEC6

RGB 184 174 198

HSL 265, 0.17%, 0.73%

LAB 72.59, 8.13, -10.91

 

CMYK 1 / 1 / 0 / 27

HEX #BAB9BB

RGB 186 185 187

HSL 270, 0.01%, 0.73%

LAB 75.28, 0.73, -0.9

 

CMYK 39 / 35 / 0 / 9

HEX #8C97E7

RGB 140 151 231

HSL 232.75, 0.65%, 0.73%

LAB 64.55, 15.6, -41.71

 

CMYK 33 / 39 / 0 / 9

HEX #9A8CE7

RGB 154 140 231

HSL 249.23, 0.65%, 0.73%

LAB 62.84, 25.68, -44.32

 

CMYK 23 / 39 / 0 / 9

HEX #B28CE7

RGB 178 140 231

HSL 265.05, 0.65%, 0.73%

LAB 64.96, 32.38, -40.85

 

CMYK 13 / 39 / 0 / 9

HEX #CA8CE7

RGB 202 140 231

HSL 280.88, 0.65%, 0.73%

LAB 67.34, 39.39, -36.95

 

CMYK 2 / 39 / 0 / 9

HEX #E38CE7

RGB 227 140 231

HSL 297.36, 0.65%, 0.73%

LAB 70.08, 46.85, -32.49

 

CMYK 39 / 67 / 0 / 15

HEX #8548D9

RGB 133 72 217

HSL 265.24, 0.66%, 0.57%

LAB 45.12, 54.8, -64.87

 

CMYK 30 / 53 / 0 / 12

HEX #9C6AE0

RGB 156 106 224

HSL 265.42, 0.66%, 0.65%

LAB 54.82, 43.72, -53.11

 

CMYK 23 / 39 / 0 / 9

HEX #B38CE7

RGB 179 140 231

HSL 265.71, 0.65%, 0.73%

LAB 65.05, 32.67, -40.69

 

CMYK 16 / 27 / 0 / 7

HEX #C9AEEE

RGB 201 174 238

HSL 265.31, 0.65%, 0.81%

LAB 75.37, 21.97, -28.37

 

CMYK 9 / 15 / 0 / 4

HEX #E0D1F5

RGB 224 209 245

HSL 265, 0.64%, 0.89%

LAB 86.03, 11.81, -15.76

 

CMYK 23 / 40 / 0 / 9

HEX #B28BE7

RGB 178 139 231

HSL 265.43, 0.66%, 0.73%

LAB 64.72, 32.94, -41.21

 

CMYK 0 / 39 / 24 / 9

HEX #E78CAF

RGB 231 140 175

HSL 336.92, 0.65%, 0.73%

LAB 68.64, 39.01, -3.51

 

CMYK 39 / 0 / 39 / 9

HEX #8CE78E

RGB 140 231 142

HSL 121.32, 0.65%, 0.73%

LAB 84.32, -44.82, 35

 

CMYK 23 / 40 / 0 / 9

HEX #B28BE7

RGB 178 139 231

HSL 265.43, 0.66%, 0.73%

LAB 64.72, 32.94, -41.21

 

CMYK 0 / 23 / 39 / 9

HEX #E7B28C

RGB 231 178 140

HSL 25.05, 0.65%, 0.73%

LAB 76.51, 14.36, 26.84

 

CMYK 39 / 0 / 23 / 9

HEX #8CE7B2

RGB 140 231 178

HSL 145.05, 0.65%, 0.73%

LAB 84.97, -38.62, 17.4

 

CMYK 23 / 40 / 0 / 9

HEX #B28BE7

RGB 178 139 231

HSL 265.43, 0.66%, 0.73%

LAB 64.72, 32.94, -41.21

 

CMYK 0 / 39 / 24 / 9

HEX #E78CAF

RGB 231 140 175

HSL 336.92, 0.65%, 0.73%

LAB 68.64, 39.01, -3.51

 

CMYK 16 / 0 / 39 / 9

HEX #C1E78C

RGB 193 231 140

HSL 85.05, 0.65%, 0.73%

LAB 87.18, -27.34, 40.27

 

CMYK 39 / 0 / 15 / 9

HEX #8CE7C4

RGB 140 231 196

HSL 156.92, 0.65%, 0.73%

LAB 85.36, -35.01, 8.54

 

CMYK 23 / 40 / 0 / 9

HEX #B28BE7

RGB 178 139 231

HSL 265.43, 0.66%, 0.73%

LAB 64.72, 32.94, -41.21

 

CMYK 0 / 39 / 36 / 9

HEX #E78C94

RGB 231 140 148

HSL 354.73, 0.65%, 0.73%

LAB 67.93, 35.49, 10.62

 

CMYK 16 / 0 / 39 / 9

HEX #C1E78C

RGB 193 231 140

HSL 85.05, 0.65%, 0.73%

LAB 87.18, -27.34, 40.27

 

CMYK 39 / 0 / 3 / 9

HEX #8CE7E0

RGB 140 231 224

HSL 175.38, 0.65%, 0.73%

LAB 86.06, -28.77, -5.16

 

Description

Color code: RGB 178 139 231 | qconv.com Color code: RGB 178 139 231 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 139 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 139 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 40 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 40% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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