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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 136 35 it is the complementary color RGB 77 119 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 136 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 136 35 shade: RGB 183 136 30, RGB 200 154 49, RGB 217 172 68, RGB 234 190 87 and RGB 251 208 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 136 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 136 35 shade: RGB 178 136 35, RGB 161 118 16, RGB 144 100 0, RGB 127 82 0 and RGB 110 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 136 35 shade: RGB 178 136 35, RGB 178 98 35, RGB 178 59 35 and RGB 178 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 136 35 shade: RGB 178 136 35, RGB 178 175 35, RGB 143 178 35, RGB 104 178 35 and RGB 66 178 35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 136 35 shade matches the following richer shades: RGB 178 136 35, RGB 196 143 18 and RGB 213 151 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 136 35 shade: RGB 178 136 35, RGB 161 129 52, RGB 144 122 70, RGB 126 115 87 and RGB 109 108 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 136 35 shade: RGB 178 59 35, RGB 178 97 35, RGB 178 135 35, RGB 178 174 35 and RGB 145 178 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 136 35 shade: RGB 109 84 21, RGB 144 110 28, RGB 178 136 35, RGB 213 162 42 and RGB 219 177 76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 136 35 shade: RGB 178 136 35, RGB 49 178 35 and RGB 78 35 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 136 35 shade: RGB 178 136 35, RGB 35 178 135 and RGB 135 35 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 136 35 shade: RGB 178 136 35, RGB 49 178 35, RGB 35 78 178 and RGB 164 35 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 136 35 shade: RGB 178 136 35, RGB 35 178 64, RGB 35 78 178 and RGB 178 35 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 80 / 30

HEX #B28823

RGB 178 136 35

HSL 42.38, 0.67%, 0.42%

LAB 59.15, 6.63, 56.13

 

Complementary color

CMYK 65 / 46 / 0 / 14

HEX #4D77DC

RGB 77 119 220

HSL 222.38, 0.67%, 0.58%

LAB 51.77, 17.55, -56.08

 

CMYK 0 / 26 / 84 / 28

HEX #B7881E

RGB 183 136 30

HSL 41.57, 0.72%, 0.42%

LAB 59.68, 8.72, 58.47

 

CMYK 0 / 23 / 76 / 22

HEX #C89A31

RGB 200 154 49

HSL 41.72, 0.61%, 0.49%

LAB 66.22, 7.12, 58.4

 

CMYK 0 / 21 / 69 / 15

HEX #D9AC44

RGB 217 172 68

HSL 41.88, 0.66%, 0.56%

LAB 72.68, 5.76, 57.67

 

CMYK 0 / 19 / 63 / 8

HEX #EABE57

RGB 234 190 87

HSL 42.04, 0.78%, 0.63%

LAB 79.05, 4.6, 56.63

 

CMYK 0 / 17 / 58 / 2

HEX #FBD06A

RGB 251 208 106

HSL 42.21, 0.95%, 0.7%

LAB 85.33, 3.6, 55.46

 

CMYK 0 / 24 / 80 / 30

HEX #B28823

RGB 178 136 35

HSL 42.38, 0.67%, 0.42%

LAB 59.15, 6.63, 56.13

 

CMYK 0 / 27 / 90 / 37

HEX #A17610

RGB 161 118 16

HSL 42.21, 0.82%, 0.35%

LAB 52.48, 8.4, 55.46

 

CMYK 0 / 31 / 100 / 44

HEX #906400

RGB 144 100 0

HSL 41.67, 1%, 0.28%

LAB 45.69, 10.49, 53.1

 

CMYK 0 / 35 / 100 / 50

HEX #7F5200

RGB 127 82 0

HSL 38.74, 1%, 0.25%

LAB 38.81, 12.98, 47.47

 

CMYK 0 / 42 / 100 / 57

HEX #6E4000

RGB 110 64 0

HSL 34.91, 1%, 0.22%

LAB 31.77, 15.62, 41.72

 

CMYK 0 / 24 / 80 / 30

HEX #B28823

RGB 178 136 35

HSL 42.38, 0.67%, 0.42%

LAB 59.15, 6.63, 56.13

 

CMYK 0 / 45 / 80 / 30

HEX #B26223

RGB 178 98 35

HSL 26.43, 0.67%, 0.42%

LAB 49.88, 27.74, 47.59

 

CMYK 0 / 67 / 80 / 30

HEX #B23B23

RGB 178 59 35

HSL 10.07, 0.67%, 0.42%

LAB 42.33, 47.1, 40.31

 

CMYK 0 / 80 / 80 / 30

HEX #B22323

RGB 178 35 35

HSL 0, 0.67%, 0.42%

LAB 39.22, 55.68, 37.2

 

CMYK 0 / 24 / 80 / 30

HEX #B28823

RGB 178 136 35

HSL 42.38, 0.67%, 0.42%

LAB 59.15, 6.63, 56.13

 

CMYK 0 / 2 / 80 / 30

HEX #B2AF23

RGB 178 175 35

HSL 58.74, 0.67%, 0.42%

LAB 69.64, -14.24, 65.44

 

CMYK 20 / 0 / 80 / 30

HEX #8FB223

RGB 143 178 35

HSL 74.69, 0.67%, 0.42%

LAB 67.87, -30.62, 62.87

 

CMYK 42 / 0 / 80 / 30

HEX #68B223

RGB 104 178 35

HSL 91.05, 0.67%, 0.42%

LAB 65.67, -45.36, 60.05

 

CMYK 63 / 0 / 80 / 30

HEX #42B223

RGB 66 178 35

HSL 106.99, 0.67%, 0.42%

LAB 64.26, -56.33, 58.22

 

CMYK 0 / 24 / 80 / 30

HEX #B28823

RGB 178 136 35

HSL 42.38, 0.67%, 0.42%

LAB 59.15, 6.63, 56.13

 

CMYK 0 / 27 / 91 / 23

HEX #C48F12

RGB 196 143 18

HSL 42.13, 0.83%, 0.42%

LAB 62.86, 10.41, 64.76

 

CMYK 0 / 29 / 100 / 16

HEX #D59700

RGB 213 151 0

HSL 42.54, 1%, 0.42%

LAB 66.73, 13.37, 71.15

 

CMYK 0 / 24 / 80 / 30

HEX #B28823

RGB 178 136 35

HSL 42.38, 0.67%, 0.42%

LAB 59.15, 6.63, 56.13

 

CMYK 0 / 20 / 68 / 37

HEX #A18134

RGB 161 129 52

HSL 42.39, 0.51%, 0.42%

LAB 55.61, 3.67, 45.03

 

CMYK 0 / 15 / 51 / 44

HEX #907A46

RGB 144 122 70

HSL 42.16, 0.35%, 0.42%

LAB 52.16, 1.42, 31.45

 

CMYK 0 / 9 / 31 / 51

HEX #7E7357

RGB 126 115 87

HSL 43.08, 0.18%, 0.42%

LAB 48.74, -0.39, 17.07

 

CMYK 0 / 1 / 5 / 57

HEX #6D6C68

RGB 109 108 104

HSL 48, 0.02%, 0.42%

LAB 45.6, -0.41, 2.37

 

CMYK 0 / 67 / 80 / 30

HEX #B23B23

RGB 178 59 35

HSL 10.07, 0.67%, 0.42%

LAB 42.33, 47.1, 40.31

 

CMYK 0 / 46 / 80 / 30

HEX #B26123

RGB 178 97 35

HSL 26.01, 0.67%, 0.42%

LAB 49.66, 28.28, 47.38

 

CMYK 0 / 24 / 80 / 30

HEX #B28723

RGB 178 135 35

HSL 41.96, 0.67%, 0.42%

LAB 58.89, 7.18, 55.9

 

CMYK 0 / 2 / 80 / 30

HEX #B2AE23

RGB 178 174 35

HSL 58.32, 0.67%, 0.42%

LAB 69.37, -13.73, 65.2

 

CMYK 19 / 0 / 80 / 30

HEX #91B223

RGB 145 178 35

HSL 73.85, 0.67%, 0.42%

LAB 68.01, -29.8, 63.04

 

CMYK 0 / 23 / 81 / 57

HEX #6D5415

RGB 109 84 21

HSL 42.95, 0.68%, 0.25%

LAB 37.2, 3.64, 38.39

 

CMYK 0 / 24 / 81 / 44

HEX #906E1C

RGB 144 110 28

HSL 42.41, 0.67%, 0.34%

LAB 48.47, 5.41, 47.55

 

CMYK 0 / 24 / 80 / 30

HEX #B28823

RGB 178 136 35

HSL 42.38, 0.67%, 0.42%

LAB 59.15, 6.63, 56.13

 

CMYK 0 / 24 / 80 / 16

HEX #D5A22A

RGB 213 162 42

HSL 42.11, 0.67%, 0.5%

LAB 69.58, 8.24, 64.52

 

CMYK 0 / 19 / 65 / 14

HEX #DBB14C

RGB 219 177 76

HSL 42.38, 0.67%, 0.58%

LAB 74.21, 4.42, 55.86

 

CMYK 0 / 24 / 80 / 30

HEX #B28823

RGB 178 136 35

HSL 42.38, 0.67%, 0.42%

LAB 59.15, 6.63, 56.13

 

CMYK 72 / 0 / 80 / 30

HEX #31B223

RGB 49 178 35

HSL 114.13, 0.67%, 0.42%

LAB 63.85, -59.78, 57.69

 

CMYK 56 / 80 / 0 / 30

HEX #4E23B2

RGB 78 35 178

HSL 258.04, 0.67%, 0.42%

LAB 29.5, 53.15, -67.9

 

CMYK 0 / 24 / 80 / 30

HEX #B28823

RGB 178 136 35

HSL 42.38, 0.67%, 0.42%

LAB 59.15, 6.63, 56.13

 

CMYK 80 / 0 / 24 / 30

HEX #23B287

RGB 35 178 135

HSL 161.96, 0.67%, 0.42%

LAB 64.92, -46.59, 11.78

 

CMYK 24 / 80 / 0 / 30

HEX #8723B2

RGB 135 35 178

HSL 281.96, 0.67%, 0.42%

LAB 37.05, 61.75, -55.24

 

CMYK 0 / 24 / 80 / 30

HEX #B28823

RGB 178 136 35

HSL 42.38, 0.67%, 0.42%

LAB 59.15, 6.63, 56.13

 

CMYK 72 / 0 / 80 / 30

HEX #31B223

RGB 49 178 35

HSL 114.13, 0.67%, 0.42%

LAB 63.85, -59.78, 57.69

 

CMYK 80 / 56 / 0 / 30

HEX #234EB2

RGB 35 78 178

HSL 221.96, 0.67%, 0.42%

LAB 36.02, 22.73, -57.33

 

CMYK 8 / 80 / 0 / 30

HEX #A423B2

RGB 164 35 178

HSL 294.13, 0.67%, 0.42%

LAB 41.7, 67.08, -47.51

 

CMYK 0 / 24 / 80 / 30

HEX #B28823

RGB 178 136 35

HSL 42.38, 0.67%, 0.42%

LAB 59.15, 6.63, 56.13

 

CMYK 80 / 0 / 64 / 30

HEX #23B240

RGB 35 178 64

HSL 132.17, 0.67%, 0.42%

LAB 63.81, -59.35, 46.73

 

CMYK 80 / 56 / 0 / 30

HEX #234EB2

RGB 35 78 178

HSL 221.96, 0.67%, 0.42%

LAB 36.02, 22.73, -57.33

 

CMYK 0 / 80 / 16 / 30

HEX #B22396

RGB 178 35 150

HSL 311.75, 0.67%, 0.42%

LAB 42.57, 65.63, -29.24

 

Description

Color code: RGB 178 136 35 | qconv.com Color code: RGB 178 136 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 136 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 136 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 80 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 80% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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