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Color name
RGB 178 128 77

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 178 128 77 it is the complementary color RGB 77 127 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 178 128 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 178 128 77 shade: RGB 183 128 72, RGB 200 146 91, RGB 217 164 110, RGB 234 182 129 and RGB 251 200 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 178 128 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 178 128 77 shade: RGB 178 128 77, RGB 161 110 58, RGB 144 92 39, RGB 127 74 20 and RGB 110 56 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 178 128 77 shade: RGB 178 128 76, RGB 178 100 76 and RGB 178 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 178 128 77 shade: RGB 178 128 76, RGB 178 155 76, RGB 173 178 76, RGB 146 178 76 and RGB 118 178 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 178 128 77 shade matches the following richer shades: RGB 178 128 76, RGB 199 128 55, RGB 219 128 35 and RGB 240 128 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 178 128 77 shade: RGB 178 128 76, RGB 157 127 97, RGB 137 127 117, RGB 116 127 138 and RGB 95 127 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 178 128 77 shade: RGB 178 76 79, RGB 178 100 76, RGB 178 127 76, RGB 178 154 76 and RGB 175 178 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 178 128 77 shade: RGB 120 86 51, RGB 149 107 64, RGB 178 128 76, RGB 190 148 105 and RGB 203 169 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 178 128 77 shade: RGB 178 128 77, RGB 107 178 76 and RGB 86 76 178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 178 128 77 shade: RGB 178 128 77, RGB 76 178 127 and RGB 127 76 178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 178 128 77 shade: RGB 178 128 77, RGB 107 178 76, RGB 76 127 178 and RGB 147 76 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 178 128 77 shade: RGB 178 128 77, RGB 76 178 76, RGB 76 127 178 and RGB 178 76 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 57 / 30

HEX #B2804D

RGB 178 128 77

HSL 30.3, 0.4%, 0.5%

LAB 57.5, 13.56, 35.05

 

Complementary color

CMYK 57 / 29 / 0 / 30

HEX #4D7FB2

RGB 77 127 178

HSL 210.3, 0.4%, 0.5%

LAB 51.8, -1.53, -32.06

 

CMYK 0 / 30 / 61 / 28

HEX #B78048

RGB 183 128 72

HSL 30.27, 0.44%, 0.5%

LAB 58.01, 15.32, 38.45

 

CMYK 0 / 27 / 55 / 22

HEX #C8925B

RGB 200 146 91

HSL 30.28, 0.5%, 0.57%

LAB 64.64, 14.14, 36.93

 

CMYK 0 / 24 / 49 / 15

HEX #D9A46E

RGB 217 164 110

HSL 30.28, 0.58%, 0.64%

LAB 71.17, 13.13, 35.5

 

CMYK 0 / 22 / 45 / 8

HEX #EAB681

RGB 234 182 129

HSL 30.29, 0.71%, 0.71%

LAB 77.6, 12.26, 34.15

 

CMYK 0 / 20 / 41 / 2

HEX #FBC894

RGB 251 200 148

HSL 30.29, 0.93%, 0.78%

LAB 83.94, 11.49, 32.88

 

CMYK 0 / 28 / 57 / 30

HEX #B2804D

RGB 178 128 77

HSL 30.3, 0.4%, 0.5%

LAB 57.5, 13.56, 35.05

 

CMYK 0 / 32 / 64 / 37

HEX #A16E3A

RGB 161 110 58

HSL 30.29, 0.47%, 0.43%

LAB 50.73, 14.83, 36.61

 

CMYK 0 / 36 / 73 / 44

HEX #905C27

RGB 144 92 39

HSL 30.29, 0.57%, 0.36%

LAB 43.84, 16.37, 38.15

 

CMYK 0 / 42 / 84 / 50

HEX #7F4A14

RGB 127 74 20

HSL 30.28, 0.73%, 0.29%

LAB 36.86, 18.23, 39.34

 

CMYK 0 / 49 / 99 / 57

HEX #6E3801

RGB 110 56 1

HSL 30.28, 0.98%, 0.22%

LAB 29.78, 20.43, 39.88

 

CMYK 0 / 28 / 57 / 30

HEX #B2804C

RGB 178 128 76

HSL 30.59, 0.4%, 0.5%

LAB 57.49, 13.48, 35.57

 

CMYK 0 / 44 / 57 / 30

HEX #B2644C

RGB 178 100 76

HSL 14.12, 0.4%, 0.5%

LAB 50.81, 29.05, 27.27

 

CMYK 0 / 57 / 57 / 30

HEX #B24C4C

RGB 178 76 76

HSL 0, 0.4%, 0.5%

LAB 45.85, 41.57, 20.85

 

CMYK 0 / 28 / 57 / 30

HEX #B2804C

RGB 178 128 76

HSL 30.59, 0.4%, 0.5%

LAB 57.49, 13.48, 35.57

 

CMYK 0 / 13 / 57 / 30

HEX #B29B4C

RGB 178 155 76

HSL 46.47, 0.4%, 0.5%

LAB 64.51, -1.42, 43.9

 

CMYK 3 / 0 / 57 / 30

HEX #ADB24C

RGB 173 178 76

HSL 62.94, 0.4%, 0.5%

LAB 70.35, -15.67, 50.44

 

CMYK 18 / 0 / 57 / 30

HEX #92B24C

RGB 146 178 76

HSL 78.82, 0.4%, 0.5%

LAB 68.37, -26.74, 47.66

 

CMYK 34 / 0 / 57 / 30

HEX #76B24C

RGB 118 178 76

HSL 95.29, 0.4%, 0.5%

LAB 66.68, -37.34, 45.29

 

CMYK 0 / 28 / 57 / 30

HEX #B2804C

RGB 178 128 76

HSL 30.59, 0.4%, 0.5%

LAB 57.49, 13.48, 35.57

 

CMYK 0 / 36 / 72 / 22

HEX #C78037

RGB 199 128 55

HSL 30.42, 0.57%, 0.5%

LAB 59.76, 21.15, 49.34

 

CMYK 0 / 42 / 84 / 14

HEX #DB8023

RGB 219 128 35

HSL 30.33, 0.72%, 0.5%

LAB 62.19, 28.85, 60.7

 

CMYK 0 / 47 / 94 / 6

HEX #F0800E

RGB 240 128 14

HSL 30.27, 0.89%, 0.5%

LAB 64.96, 37.05, 69.57

 

CMYK 0 / 28 / 57 / 30

HEX #B2804C

RGB 178 128 76

HSL 30.59, 0.4%, 0.5%

LAB 57.49, 13.48, 35.57

 

CMYK 0 / 19 / 38 / 38

HEX #9D7F61

RGB 157 127 97

HSL 30, 0.24%, 0.5%

LAB 55.29, 7.22, 20.68

 

CMYK 0 / 7 / 15 / 46

HEX #897F75

RGB 137 127 117

HSL 30, 0.08%, 0.5%

LAB 53.79, 1.99, 6.8

 

CMYK 16 / 8 / 0 / 46

HEX #747F8A

RGB 116 127 138

HSL 210, 0.09%, 0.5%

LAB 52.65, -1.62, -7.33

 

CMYK 40 / 20 / 0 / 38

HEX #5F7F9F

RGB 95 127 159

HSL 210, 0.25%, 0.5%

LAB 51.97, -2.85, -20.73

 

CMYK 0 / 57 / 56 / 30

HEX #B24C4F

RGB 178 76 79

HSL 358.24, 0.4%, 0.5%

LAB 45.9, 41.81, 19.12

 

CMYK 0 / 44 / 57 / 30

HEX #B2644C

RGB 178 100 76

HSL 14.12, 0.4%, 0.5%

LAB 50.81, 29.05, 27.27

 

CMYK 0 / 29 / 57 / 30

HEX #B27F4C

RGB 178 127 76

HSL 30, 0.4%, 0.5%

LAB 57.24, 14.04, 35.26

 

CMYK 0 / 13 / 57 / 30

HEX #B29A4C

RGB 178 154 76

HSL 45.88, 0.4%, 0.5%

LAB 64.24, -0.88, 43.59

 

CMYK 2 / 0 / 57 / 30

HEX #AFB24C

RGB 175 178 76

HSL 61.76, 0.4%, 0.5%

LAB 70.51, -14.83, 50.66

 

CMYK 0 / 28 / 58 / 53

HEX #785633

RGB 120 86 51

HSL 30.43, 0.4%, 0.34%

LAB 39.39, 9.77, 25.75

 

CMYK 0 / 28 / 57 / 42

HEX #956B40

RGB 149 107 64

HSL 30.35, 0.4%, 0.42%

LAB 48.6, 11.7, 30.49

 

CMYK 0 / 28 / 57 / 30

HEX #B2804C

RGB 178 128 76

HSL 30.59, 0.4%, 0.5%

LAB 57.49, 13.48, 35.57

 

CMYK 0 / 22 / 45 / 25

HEX #BE9469

RGB 190 148 105

HSL 30.35, 0.4%, 0.58%

LAB 64.28, 10.2, 28.75

 

CMYK 0 / 17 / 34 / 20

HEX #CBA986

RGB 203 169 134

HSL 30.43, 0.4%, 0.66%

LAB 71.41, 7.4, 22.72

 

CMYK 0 / 28 / 57 / 30

HEX #B2804D

RGB 178 128 77

HSL 30.3, 0.4%, 0.5%

LAB 57.5, 13.56, 35.05

 

CMYK 40 / 0 / 57 / 30

HEX #6BB24C

RGB 107 178 76

HSL 101.76, 0.4%, 0.5%

LAB 66.13, -41.12, 44.5

 

CMYK 52 / 57 / 0 / 30

HEX #564CB2

RGB 86 76 178

HSL 245.88, 0.4%, 0.5%

LAB 38.48, 32.06, -53.2

 

CMYK 0 / 28 / 57 / 30

HEX #B2804D

RGB 178 128 77

HSL 30.3, 0.4%, 0.5%

LAB 57.5, 13.56, 35.05

 

CMYK 57 / 0 / 29 / 30

HEX #4CB27F

RGB 76 178 127

HSL 150, 0.4%, 0.5%

LAB 65.68, -41.7, 17.35

 

CMYK 29 / 57 / 0 / 30

HEX #7F4CB2

RGB 127 76 178

HSL 270, 0.4%, 0.5%

LAB 42.61, 41.65, -46.36

 

CMYK 0 / 28 / 57 / 30

HEX #B2804D

RGB 178 128 77

HSL 30.3, 0.4%, 0.5%

LAB 57.5, 13.56, 35.05

 

CMYK 40 / 0 / 57 / 30

HEX #6BB24C

RGB 107 178 76

HSL 101.76, 0.4%, 0.5%

LAB 66.13, -41.12, 44.5

 

CMYK 57 / 29 / 0 / 30

HEX #4C7FB2

RGB 76 127 178

HSL 210, 0.4%, 0.5%

LAB 51.76, -1.74, -32.14

 

CMYK 17 / 57 / 0 / 30

HEX #934CB2

RGB 147 76 178

HSL 281.76, 0.4%, 0.5%

LAB 45.06, 46.8, -42.29

 

CMYK 0 / 28 / 57 / 30

HEX #B2804D

RGB 178 128 77

HSL 30.3, 0.4%, 0.5%

LAB 57.5, 13.56, 35.05

 

CMYK 57 / 0 / 57 / 30

HEX #4CB24C

RGB 76 178 76

HSL 120, 0.4%, 0.5%

LAB 64.88, -50.22, 42.73

 

CMYK 57 / 29 / 0 / 30

HEX #4C7FB2

RGB 76 127 178

HSL 210, 0.4%, 0.5%

LAB 51.76, -1.74, -32.14

 

CMYK 0 / 57 / 0 / 30

HEX #B24CB2

RGB 178 76 178

HSL 300, 0.4%, 0.5%

LAB 49.31, 55.02, -35.3

 

Description

Color code: RGB 178 128 77 | qconv.com Color code: RGB 178 128 77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 128 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 128 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 57 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 57% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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